medium


ink

986 works · 740 to 1979 · aat:300015012

20 of 442 ids checked against the materials Wikidata records named a different concept (4.5%), read 2026-09-08

ink
Cooper Hewitt, Smithsonian Design Museum, Cleveland Museum of Art, Metropolitan Museum of Art, New York, NY, The Art Institute of Chicago, National Museum of African American History and Culture, Rijksmuseum, National Postal Museum and Library of Congress655 as in Pen and ink on paper, Pen and ink, brush and wash on paper, Pen and ink on illustration board, Pen and ink, graphite on coated wove paper and 288 more
black ink
Cooper Hewitt, Smithsonian Design Museum, The Art Institute of Chicago, Cleveland Museum of Art, Metropolitan Museum of Art, New York, NY and National Gallery of Art328 as in Pen and black ink, brush and gray watercolor on light green paper, Pen and black ink, graphite on thin cream paper, Pen and black ink on paper, Pen and black ink, brush and gray watercolor on paper and 182 moreread as inkAbe Garcia, 2026-09-07The same error as oil, on the second commonest term the resolver touches. AAT's exact "black ink" is aat:300311110, whose Getty parent is "variable neutral colors" and whose scope note reads "a range of dark gray or blackish colors resembling the color of black ink". It is a COLOUR. "Pen and black ink on ivory laid paper" is naming the ink (aat:300015012); the colour is a qualifier AAT holds no material for, so it is dropped rather than carried into the wrong branch.
blue ink
Cooper Hewitt, Smithsonian Design Museum3 as in Brush and watercolor, gouache, pen and blue ink on paper mounted on cream wove paper, Pen and blue ink, blue wash, gold paint over graphite on heavy ivory wove paper, Brush and watercolor, gouache, pen and blue ink over graphite on tracing paperread as inkAbe Garcia, 2026-09-07aat:300311109 "ink blue" sits on the same colour branch as "ink black". Same reading, three rows.
Getty
inkArt & Architecture Thesaurus 300015012
Night-Shining White, Han Gan
Night-Shining WhiteHan Ganca. 750Metropolitan Museum of Art, New York, NY
Page from a Copy of The Qur'an, Islamic
Page from a Copy of The Qur'anIslamic9th/10th centuryThe Art Institute of Chicago
Page from a Copy of the Qur'an, Islamic
Page from a Copy of the Qur'anIslamicAbbasid Caliphate (750–1258), 9th centuryThe Art Institute of Chicago
Qur'an Manuscript Folio (recto); left side of bifolio, Unknown
Qur'an Manuscript Folio (recto); left side of bifolioUnknown800sCleveland Museum of Art
Folio from a Qur'an Manuscript, Unknown
Folio from a Qur'an ManuscriptUnknownlate 9th–early 10th centuryMetropolitan Museum of Art, New York, NY
Page from a Qur'an Manuscript, Islamic
Page from a Qur'an ManuscriptIslamic10th centuryThe Art Institute of Chicago
Qur'an Manuscript, Islamic
Qur'an ManuscriptIslamic11th/12th centuryThe Art Institute of Chicago
Leaf from a Greek Psalter and New Testament, Unknown
Leaf from a Greek Psalter and New TestamentUnknown1084Cleveland Museum of Art
Biographies of Lian Po and Lin Xiangru, Huang Tingjian
Biographies of Lian Po and Lin XiangruHuang Tingjianca. 1095Metropolitan Museum of Art, New York, NY
Jaharis Byzantine Lectionary, Unknown
Jaharis Byzantine LectionaryUnknownca. 1100Metropolitan Museum of Art, New York, NY
Page from a Qur'an, Sura al-Nisa 4, Verses 157–58, Unknown
Page from a Qur'an, Sura al-Nisa 4, Verses 157–58Unknown1100sCleveland Museum of Art
Double-Sided Leaf from a Qur'an, Unknown
Double-Sided Leaf from a Qur'anUnknown1100sCleveland Museum of Art
Page from a Qur'an, Sura al-Nisa 4, verses 159–60, Unknown
Page from a Qur'an, Sura al-Nisa 4, verses 159–60Unknown1100sCleveland Museum of Art
Cloudy Mountains, Mi Youren (Chinese, 1072–1151)
Cloudy MountainsMi Youren (Chinese, 1072–1151)1130Cleveland Museum of Art
Folio from a Qur'an Manuscript, Unknown
Folio from a Qur'an ManuscriptUnknowndated 531 AH/1137 CEMetropolitan Museum of Art, New York, NY
Folio from a Qur'an Manuscript, Unknown
Folio from a Qur'an ManuscriptUnknownca. 1180Metropolitan Museum of Art, New York, NY
Three Poems from the Later Collection of Japanese Poems (Gosen wakashū), Monk Saigyō
Three Poems from the Later Collection of Japanese Poems (Gosen wakashū)Monk Saigyōlate 12th centuryMetropolitan Museum of Art, New York, NY
Leaf from a Beatus Manuscript: at the Clarion of the Fifth Angel's Trumpet, a Star Falls from the Sky; the Bottomless Pit is Opened with a Key; Emerging from the Smoke, Locusts Come Upon the Earth and Torment the Deathless, Unknown
Leaf from a Beatus Manuscript: at the Clarion of the Fifth Angel's Trumpet, a Star Falls from the Sky; the Bottomless Pit is Opened with a Key; Emerging from the Smoke, Locusts Come Upon the Earth and Torment the DeathlessUnknownca. 1180Metropolitan Museum of Art, New York, NY
Illuminated Psalter, Unknown
Illuminated PsalterUnknownlate 1100sMetropolitan Museum of Art, New York, NY
Leaf from a Beatus Manuscript: the Lamb at the Foot of the Cross, Flanked by Two Angels; The Calling of Saint John with the Enthroned Christ flanked by Angels and a Man Holding a Book, Unknown
Leaf from a Beatus Manuscript: the Lamb at the Foot of the Cross, Flanked by Two Angels; The Calling of Saint John with the Enthroned Christ flanked by Angels and a Man Holding a BookUnknownca. 1180Metropolitan Museum of Art, New York, NY
Page from a Copy of the Qur'an, Islamic
Page from a Copy of the Qur'anIslamic13th/14th centuryThe Art Institute of Chicago
Poem by Wang Wei in the Cursive Script Style, Song Lizong (Chinese, 1205–1264)
Poem by Wang Wei in the Cursive Script StyleSong Lizong (Chinese, 1205–1264)1256Cleveland Museum of Art
Bamboo, Rocks, and Lonely Orchids, Zhao Mengfu (Chinese, 1254–1322)
Bamboo, Rocks, and Lonely OrchidsZhao Mengfu (Chinese, 1254–1322)1271–1368Cleveland Museum of Art
Yang Pu Moving His Family, Artist Unknown
Chinese
Yang Pu Moving His FamilyArtist Unknown ChineseYuan dynasty (1279–1368) 元朝The Art Institute of Chicago
Viper in a Rocky Garden from Manafi' al-Hayawan (On the Usefulness of Animals) of Ibn Bakhtishu', Iran
Viper in a Rocky Garden from Manafi' al-Hayawan (On the Usefulness of Animals) of Ibn Bakhtishu'Iranc. 1300The Art Institute of Chicago
Street Scenes in Times of Peace 太平風會圖, Zhu Yu
Street Scenes in Times of Peace 太平風會圖Zhu YuYuan dynasty (1279–1368), 14th century 元朝The Art Institute of Chicago
Portrait Study of Seigen, Unknown
Portrait Study of SeigenUnknown1300sCleveland Museum of Art
"The Funeral of Isfandiyar," Folio from a Shahnama (Book of Kings), Abu'l Qasim Firdausi
"The Funeral of Isfandiyar," Folio from a Shahnama (Book of Kings)Abu'l Qasim Firdausi1330sMetropolitan Museum of Art, New York, NY
Three Horses and Four Grooms, Ren Renfa (Chinese, 1254–1328)
Three Horses and Four GroomsRen Renfa (Chinese, 1254–1328)c. 1320sCleveland Museum of Art
Leaf Excised from an Antiphonary: Initial Q with Saints Peter and Paul, Unknown
Leaf Excised from an Antiphonary: Initial Q with Saints Peter and PaulUnknownc. 1325Cleveland Museum of Art
The Hours of Jeanne d'Evreux, Queen of France, Jean Pucelle
The Hours of Jeanne d'Evreux, Queen of FranceJean Pucelleca. 1324–28Metropolitan Museum of Art, New York, NY
”Abiding nowhere, the awakened mind arises”, Musō Soseki
”Abiding nowhere, the awakened mind arises”Musō Sosekiearly to mid-14th centuryMetropolitan Museum of Art, New York, NY
A Medieval Bakery, from the Book of Problems of Pseudo-Aristotle, translated into the French by Évrart de Conty, Master of the Second Roman de la Rose of the Duke of Berry,
A Medieval Bakery, from the Book of Problems of Pseudo-Aristotle, translated into the French by Évrart de ContyMaster of the Second Roman de la Rose of the Duke of Berry,ca. 1400Metropolitan Museum of Art, New York, NY
Five Panels of a Vajrasattva Crown with Transcendental Buddhas, Tibet
Five Panels of a Vajrasattva Crown with Transcendental BuddhasTibet15th centuryThe Art Institute of Chicago
Leaf from an Antiphonary: Coronation of the Virgin, Master of the Beffi Triptych (Italian, active 1390–1425)
Leaf from an Antiphonary: Coronation of the VirginMaster of the Beffi Triptych (Italian, active 1390–1425)1400sCleveland Museum of Art
United by Music 合樂圖, Zhou Wenju
United by Music 合樂圖Zhou WenjuMing dynasty (1368–1644), 15th/16th centuryThe Art Institute of Chicago
Leaf from a Book of Hours: Annunciation to the Shepherds (recto) and Text (verso), Boethius Illuminator (Flemish, active c. 1414–20)
Leaf from a Book of Hours: Annunciation to the Shepherds (recto) and Text (verso)Boethius Illuminator (Flemish, active c. 1414–20)c. 1410–20Cleveland Museum of Art
Leaf from a Book of Hours: Annunciation to the Shepherds (recto), Boethius Illuminator (Flemish, active c. 1414–20)
Leaf from a Book of Hours: Annunciation to the Shepherds (recto)Boethius Illuminator (Flemish, active c. 1414–20)c. 1410–20Cleveland Museum of Art
Leaf from a Book of Hours: Text (verso), Boethius Illuminator (Flemish, active c. 1414–20)
Leaf from a Book of Hours: Text (verso)Boethius Illuminator (Flemish, active c. 1414–20)c. 1410–20Cleveland Museum of Art
Manuscript Leaf with Initial A, from a Gradual, Unknown
Manuscript Leaf with Initial A, from a GradualUnknownsecond quarter 15th centuryMetropolitan Museum of Art, New York, NY
Bamboo-Covered Stream in Spring Rain, Xia Chang
Bamboo-Covered Stream in Spring RainXia ChangMing dynasty (1368–1644), dated 1441The Art Institute of Chicago
Clouds over the River before Rain 溪雲欲雨圖, Shen Zhou
Clouds over the River before Rain 溪雲欲雨圖Shen ZhouMing dynasty (1368–1644), dated 1504The Art Institute of Chicago
Manuscript Leaf with the Trinity in an Initial G, from an Antiphonary, Master of the Riccardiana Lactantius
Manuscript Leaf with the Trinity in an Initial G, from an AntiphonaryMaster of the Riccardiana Lactantiussecond half 15th centuryMetropolitan Museum of Art, New York, NY
Leaf from a Book of Hours: Office of the Dead: Angel Chasing a Devil (recto), Coëtivy Master (French)
Leaf from a Book of Hours: Office of the Dead: Angel Chasing a Devil (recto)Coëtivy Master (French)c. 1460Cleveland Museum of Art
Bifolio from a Book of Hours: Initial V with Floral Border (recto); Text (verso), Unknown
Bifolio from a Book of Hours: Initial V with Floral Border (recto); Text (verso)Unknownc. 1460–1500Cleveland Museum of Art
Bifolio from a Book of Hours: Initial V with Floral Border (recto), Unknown
Bifolio from a Book of Hours: Initial V with Floral Border (recto)Unknownc. 1460–1500Cleveland Museum of Art
Book of Hours (Use of Rouen), Master of the Geneva Latini (French, active Rouen, 1460–80)
Book of Hours (Use of Rouen)Master of the Geneva Latini (French, active Rouen, 1460–80)c. 1470Cleveland Museum of Art
Left side of a double-page album folio: Outside a Royal Encampment (recto) and Calligraphy, Persian Verses (verso), Bihzad (Iranian, active 1470–1506)
Left side of a double-page album folio: Outside a Royal Encampment (recto) and Calligraphy, Persian Verses (verso)Bihzad (Iranian, active 1470–1506)c. 1485Cleveland Museum of Art
Candelabrum as part of a decoration, Unknown
Candelabrum as part of a decorationUnknown1480–1500Cooper Hewitt, Smithsonian Design Museum
Candelabrum as part of decoration, Unknown
Candelabrum as part of decorationUnknownca. 1480–1500Cooper Hewitt, Smithsonian Design Museum
Hours of Queen Isabella the Catholic, Queen of Spain:  Fol. 146v, Massacre of the Innocents and Flight into Egypt, Master of the First Prayerbook of Maximillian (Flemish, c. 1444–1519); Associates
Hours of Queen Isabella the Catholic, Queen of Spain: Fol. 146v, Massacre of the Innocents and Flight into EgyptMaster of the First Prayerbook of Maximillian (Flemish, c. 1444–1519); Associatesc. 1500Cleveland Museum of Art
Hours of Queen Isabella the Catholic, Queen of Spain:  Fol. 57r, Agony in the Garden, Master of the First Prayerbook of Maximillian (Flemish, c. 1444–1519); Associates
Hours of Queen Isabella the Catholic, Queen of Spain: Fol. 57r, Agony in the GardenMaster of the First Prayerbook of Maximillian (Flemish, c. 1444–1519); Associatesc. 1500Cleveland Museum of Art
Page from a Copy of The Qur'an, Islamic
Page from a Copy of The Qur'anIslamic16th/17th centuryThe Art Institute of Chicago
Page of Calligraphy, Sultan Muhammad Nur
Page of CalligraphySultan Muhammad Nurearly 16th centuryMetropolitan Museum of Art, New York, NY
Qur'an Manuscript Folio (Recto); Illuminated Page, Unknown
Qur'an Manuscript Folio (Recto); Illuminated PageUnknown1500sCleveland Museum of Art
Scene from Ancient History, Netherlandish 16th Century after Polidoro da Caravaggio
Scene from Ancient HistoryNetherlandish 16th Century after Polidoro da Caravaggio16th centuryNational Gallery of Art
Calligraphy, Yuan Zhi
CalligraphyYuan ZhiMetropolitan Museum of Art, New York, NY
"Isfandiyar's Third Course: He Slays a Dragon", Folio 434v from the Shahnama (Book of Kings) of Shah Tahmasp, Abu'l Qasim Firdausi
"Isfandiyar's Third Course: He Slays a Dragon", Folio 434v from the Shahnama (Book of Kings) of Shah TahmaspAbu'l Qasim Firdausica. 1530Metropolitan Museum of Art, New York, NY
Leaf from a Book of Hours: Calendar Page for May (recto) and Calendar Page for June (verso) (2 of 3 Excised Leaves), Unknown
Leaf from a Book of Hours: Calendar Page for May (recto) and Calendar Page for June (verso) (2 of 3 Excised Leaves)Unknownc. 1510Cleveland Museum of Art
"Akbar With Lion and Calf", Folio from the Shah Jahan Album, Govardhan
"Akbar With Lion and Calf", Folio from the Shah Jahan AlbumGovardhanverso: ca. 1630; recto: ca. 1530–50Metropolitan Museum of Art, New York, NY
Young Bull, Albrecht Dürer
Young BullAlbrecht Dürerc. 1496, erroneously inscribed in another hand 1508The Art Institute of Chicago
Salome with the Head of St. John the Baptist, Albrecht Altdorfer (German, c. 1480–1538)
Salome with the Head of St. John the BaptistAlbrecht Altdorfer (German, c. 1480–1538)c. 1517Cleveland Museum of Art
'Saz'-Style Drawing of a Dragon Amid Foliage, Shah Quli
'Saz'-Style Drawing of a Dragon Amid FoliageShah Qulica. 1540–50Metropolitan Museum of Art, New York, NY
Garden for Solitary Enjoyment, Qiu Ying (Chinese, 1494–1552)
Garden for Solitary EnjoymentQiu Ying (Chinese, 1494–1552)1515–52Cleveland Museum of Art
Leaf from a Psalter and Prayerbook: Initial E with Ornamental Border Containing a Seated Satyr and a Bird Eating Grapes (recto) and Ornamental Border with Flowers and Squirrel (verso) (2 of 3 Excised Leaves), Unknown
Leaf from a Psalter and Prayerbook: Initial E with Ornamental Border Containing a Seated Satyr and a Bird Eating Grapes (recto) and Ornamental Border with Flowers and Squirrel (verso) (2 of 3 Excised Leaves)Unknownc. 1524Cleveland Museum of Art
Leaf from a Psalter and Prayerbook: Ornamental Border with Pea Vines and a Girl Kneading Bread (recto) and Ornamental Boarder with Carnations, a Thistle, and a Cook Ladling Soup (verso) (1 of 3 Excised Leaves), Unknown
Leaf from a Psalter and Prayerbook: Ornamental Border with Pea Vines and a Girl Kneading Bread (recto) and Ornamental Boarder with Carnations, a Thistle, and a Cook Ladling Soup (verso) (1 of 3 Excised Leaves)Unknownc. 1524Cleveland Museum of Art
Leaf from a Psalter and Prayerbook: Calendar Page with Labors (recto), Unknown
Leaf from a Psalter and Prayerbook: Calendar Page with Labors (recto)Unknownc. 1524Cleveland Museum of Art
Design for a Candelabrum, Unknown
Design for a CandelabrumUnknown1520–50Cooper Hewitt, Smithsonian Design Museum
Design for a Pitcher, Unknown
Design for a PitcherUnknown1520–50Cooper Hewitt, Smithsonian Design Museum
Page from the Panj Ganj (Five Treasures) of Abd al-Rahman Jami (Persian, 1414–1492), with two Persian masnavis (narrative poems): Yusuf va Zulaykha (Joseph and Zulaykha) and Subhat al-abrar (Rosary of the Righteous), Mushfiq (Indian, active early 1600s); others (Indian)
Page from the Panj Ganj (Five Treasures) of Abd al-Rahman Jami (Persian, 1414–1492), with two Persian masnavis (narrative poems): Yusuf va Zulaykha (Joseph and Zulaykha) and Subhat al-abrar (Rosary of the Righteous)Mushfiq (Indian, active early 1600s); others (Indian)Text c. 1500–1520; painting, borders, and illuminations added 1603–7 Text copied by Sultan-Ali Mashhadi (Persian, active early 1500s) for Badi al-Zaman Mirza, ruler of Herat Painted insets and borders by Mushfiq (Indian, active 1580s–early 1600s) Text copied in Herat Painting, borders, and illuminations made in the Deccan for Mughal minister Abd al-Rahim the Khan KhananCleveland Museum of Art
Page from a Panj Ganj (Five Treasures) of Abd al-Rahman Jami (Persian, 1414–1492), with two Persian
masnavis: Yusuf va Zulaykha (Joseph and Zulaykha) and Subhat al-abrar (Rosary of the Righteous) (verso), Mushfiq (Indian, active early 1600s); others (Indian)
Page from a Panj Ganj (Five Treasures) of Abd al-Rahman Jami (Persian, 1414–1492), with two Persian masnavis: Yusuf va Zulaykha (Joseph and Zulaykha) and Subhat al-abrar (Rosary of the Righteous) (verso)Mushfiq (Indian, active early 1600s); others (Indian)1520–1607Cleveland Museum of Art
Poem on Imperial Gift of an Embroidered Silk: Calligraphy in Running-Standard Script (xingkaishu), Wen Zhengming (Chinese, 1470–1559)
Poem on Imperial Gift of an Embroidered Silk: Calligraphy in Running-Standard Script (xingkaishu)Wen Zhengming (Chinese, 1470–1559)c. 1525Cleveland Museum of Art
The Women's Bath, Hans Sebald Beham
The Women's BathHans Sebald Beham1530/40The Art Institute of Chicago
Elevation of a Saltcellar, Unknown
Elevation of a SaltcellarUnknown1530–60Cooper Hewitt, Smithsonian Design Museum
Camel and Groom; Single Page Illustration, Shaykh Muhammad (Iranian)
Camel and Groom; Single Page IllustrationShaykh Muhammad (Iranian)c. 1545–1576Cleveland Museum of Art
Design for a ewer, Unknown
Design for a ewerUnknownca. 1540Cooper Hewitt, Smithsonian Design Museum
Kay Khosrow Crosses the Sea of Zareh on His Way to China, a scene from the Shahnama of Firdausi, Iran
Kay Khosrow Crosses the Sea of Zareh on His Way to China, a scene from the Shahnama of FirdausiIranSafavid dynasty (1501–1722), about 1550The Art Institute of Chicago
"Misbah the Grocer Brings the Spy Parran to his House", Folio from a Hamzanama (The Adventures of Hamza), Dasavanta
"Misbah the Grocer Brings the Spy Parran to his House", Folio from a Hamzanama (The Adventures of Hamza)Dasavantaca. 1570Metropolitan Museum of Art, New York, NY
Picnic in the Mountains; Single Page Illustration, Muhammadi (Iranian)
Picnic in the Mountains; Single Page IllustrationMuhammadi (Iranian)c. 1550–1600Cleveland Museum of Art
Nushirwan Listens to the Owls (recto): Illustration and Text, Persian Verses, from a Manuscript of the Khamsa of Nizami, Makhzan al-Asrar [Treasure of Secrets], Unknown
Nushirwan Listens to the Owls (recto): Illustration and Text, Persian Verses, from a Manuscript of the Khamsa of Nizami, Makhzan al-Asrar [Treasure of Secrets]Unknown1555–65Cleveland Museum of Art
Page of a drawing book, Unknown
Page of a drawing bookUnknown1550–1575Cooper Hewitt, Smithsonian Design Museum
Project for a Frieze, Unknown
Project for a FriezeUnknown1550–1600Cooper Hewitt, Smithsonian Design Museum
The Parrot Addresses Khujasta at the Beginning of the Seventh Night, from a Tuti-nama (Tales of a Parrot), Unknown
The Parrot Addresses Khujasta at the Beginning of the Seventh Night, from a Tuti-nama (Tales of a Parrot)Unknownc. 1560Cleveland Museum of Art
Design for a Sepulchral Monument for a Medici Cardinal, Francesco da Sangallo, Italian, 1494 - 1576
Design for a Sepulchral Monument for a Medici CardinalFrancesco da Sangallo, Italian, 1494 - 1576ca. 1560–70Cooper Hewitt, Smithsonian Design Museum
"The Angel Gabriel meets 'Amr ibn Zaid (the Shepherd)", Folio from a Siyer-i Nebi (the Life of the Prophet), Mustafa ibn Vali
"The Angel Gabriel meets 'Amr ibn Zaid (the Shepherd)", Folio from a Siyer-i Nebi (the Life of the Prophet)Mustafa ibn Valica. 1595Metropolitan Museum of Art, New York, NY
A Stallion, Habiballah of Sava
A StallionHabiballah of Savaca. 1601–6Metropolitan Museum of Art, New York, NY
A Cantharus, Unknown
A CantharusUnknownca. 1575Cooper Hewitt, Smithsonian Design Museum
Persian Couplets (recto), Calligraphy, Persian Verses; Single Page Manuscript, Unknown
Persian Couplets (recto), Calligraphy, Persian Verses; Single Page ManuscriptUnknownlate 1500s–early 1600sCleveland Museum of Art
"The Concourse of the Birds", Folio 11r from a Mantiq al-Tayr (Language of the Birds), Habiballah of Sava
"The Concourse of the Birds", Folio 11r from a Mantiq al-Tayr (Language of the Birds)Habiballah of Savaca. 1600Metropolitan Museum of Art, New York, NY
Design for a Sculptured Coat of Arms; Verso: Sketches of Architectural Designs, Unknown
Design for a Sculptured Coat of Arms; Verso: Sketches of Architectural DesignsUnknown1580–1600Cooper Hewitt, Smithsonian Design Museum
Lovers parting, page from a book of fables, Unknown
Lovers parting, page from a book of fablesUnknownc. 1590–95Cleveland Museum of Art
Calligraphy: Preface to the Anvar-i Suhaili, Unknown
Calligraphy: Preface to the Anvar-i SuhailiUnknownc. 1590Cleveland Museum of Art
Projects for Decorations of Panels, Unknown
Projects for Decorations of PanelsUnknownca. 1590Cooper Hewitt, Smithsonian Design Museum
An Escutcheon, Unknown
An EscutcheonUnknownca. 1590Cooper Hewitt, Smithsonian Design Museum
Flowers of the Four Seasons 四季花卉圖, Chen Jiayan
Flowers of the Four Seasons 四季花卉圖Chen JiayanMing dynasty (1368–1644), dated 1599The Art Institute of Chicago
Album of Illustrations for the Tale of Genji, Unknown
Album of Illustrations for the Tale of GenjiUnknown1600sCleveland Museum of Art

And the rest

600

The first 600 of 890; the other 290 stand on their era and collection shelves, each with a record.

  1. Rack of Clouds from Album of Illustrations for the Tale of GenjiUnknown1600sCleveland Museum of Art
  2. Gatehouse from Album of Illustrations for the Tale of GenjiUnknown1600sCleveland Museum of Art
  3. Butterflies from Album of Illustrations for the Tale of GenjiUnknown1600sCleveland Museum of Art
  4. Morning Glory from Album of Illustrations for the Tale of GenjiUnknown1600sCleveland Museum of Art
  5. Wild Carnation from Album of Illustrations for the Tale of GenjiUnknown1600sCleveland Museum of Art
  6. Shell of the Locust from Album of Illustrations for the Tale of GenjiUnknown1600sCleveland Museum of Art
  7. Autumn Excursion from Album of Illustrations for the Tale of GenjiUnknown1600sCleveland Museum of Art
  8. Branch of Plum from Album of Illustrations for the Tale of GenjiUnknown1600sCleveland Museum of Art
  9. Drawing project: the elevation of a chestUnknown1600–1650Cooper Hewitt, Smithsonian Design Museum
  10. The Risen ChristUnknown1600–1900Cooper Hewitt, Smithsonian Design Museum
  11. Frieze with Playing ChildrenUnknown1600–1625Cooper Hewitt, Smithsonian Design Museum
  12. Frieze with Hunting ChildrenUnknown1600–1625Cooper Hewitt, Smithsonian Design Museum
  13. Design for a FriezeUnknown1600–1625Cooper Hewitt, Smithsonian Design Museum
  14. Frieze with Dancing ChildrenUnknown1600–1625Cooper Hewitt, Smithsonian Design Museum
  15. Study: Saint Mary MagdaleneUnknown1600–1650Cooper Hewitt, Smithsonian Design Museum
  16. Grotesque DesignUnknown1600–1625Cooper Hewitt, Smithsonian Design Museum
  17. LandscapeUnknown1600–1625Cooper Hewitt, Smithsonian Design Museum
  18. Design for a FriezeUnknown1600–1625Cooper Hewitt, Smithsonian Design Museum
  19. Design for a FriezeUnknown1600–1625Cooper Hewitt, Smithsonian Design Museum
  20. Design for a FriezeUnknown1600–1625Cooper Hewitt, Smithsonian Design Museum
  21. Design for a FriezeUnknown1600–1625Cooper Hewitt, Smithsonian Design Museum
  22. DrawingUnknown1600–1625Cooper Hewitt, Smithsonian Design Museum
  23. Design for Garden Architecture with Colonna ArmsUnknown1600–1750Cooper Hewitt, Smithsonian Design Museum
  24. The Peach Blossom Spring 桃花源圖Qiu YingLate Ming (1368–1644) or early Qing (1644–1912) dynastyThe Art Institute of Chicago
  25. Italianate Landscape with BuildingsFollower of Nicolas Poussinn.d.The Art Institute of Chicago
  26. LetterSong Jueearly 17th centuryMetropolitan Museum of Art, New York, NY
  27. A Hunt in the Mountains of HeavenArtist unknown [spurious signature of Zhao Mengfu (1254-1322), dated 1301] ChineseLate Ming /early Qing dynasty, 17th centuryThe Art Institute of Chicago
  28. The Adoration of the Magi, from a Mirror of Holiness (Mir’at al-quds) of Father Jerome XavierUnknown1602–4Cleveland Museum of Art
  29. Zulaykha in her palace and as an old woman with Joseph, from a Panj Ganj (Five Treasures) of Abd al-Rahman Jami (Persian, 1414–1492); verso from a Panj Ganj of Abd al-Rahman Jami (Persian, 1414–1492), with two masnavis: Yusuf va Zulaykha (Joseph and Zulaykha) and Khirad-nama-i Iskandari (Alexander’s Book of Wisdom)Mushfiq (Indian, active early 1600s); Sultan 'Ali al-Mashadi (Iranian, 1430–1520)Text copied by Sultan-Ali Mashhadi (Persian, 1453–1520) for Badi al-Zaman Mirza of Herat Painting, borders, and illumination by Mushfiq (Indian, active 1580s–early 1600s); Text copied in Herat; Painting, borders, and illuminations made in the Deccan for Mughal minister Abd al-Rahim the Khan KhananCleveland Museum of Art
  30. Project for a Wall PaintingUnknownca. 1610Cooper Hewitt, Smithsonian Design Museum
  31. Project for a FriezeUnknown1610–1630Cooper Hewitt, Smithsonian Design Museum
  32. Italianate Landscape with Castle, Trees and Water in ForegroundSchool of Nicolas Poussinn.d.The Art Institute of Chicago
  33. RoseUtagawa HiroshigeMetropolitan Museum of Art, New York, NY
  34. Instructions for Holding the Pen for Italic Script, incunabulum pageDavid Roelands, Dutch, b. 1572ca. 1616Cooper Hewitt, Smithsonian Design Museum
  35. A Faun Grasping a Bunch of GrapesPeter Paul Rubens (Flemish, 1577–1640)after 1616–18Cleveland Museum of Art
  36. Portrait of Nicolas Trigault in Chinese CostumePeter Paul Rubens1617Metropolitan Museum of Art, New York, NY
  37. DrawingLeonardo Scaglia, Italian, 1640 – 16501620-1630Cooper Hewitt, Smithsonian Design Museum
  38. DrawingLeonardo Scaglia, French, active Italy, 1640 – 16501620-1630Cooper Hewitt, Smithsonian Design Museum
  39. River and Mountains on a Clear Autumn DayDong Qichang (Chinese, 1555–1636)c. 1624–27Cleveland Museum of Art
  40. Sheet of a Drawing Book: Two Pitchers and BowlGiuseppe Valadier, Italian, 1762–18391625–75Cooper Hewitt, Smithsonian Design Museum
  41. Project for an EscutcheonLeonardo Scaglia, French, active Italy, 1640 – 16501625–1650Cooper Hewitt, Smithsonian Design Museum
  42. Corner View of Composite CapitalUnknown1625–1650Cooper Hewitt, Smithsonian Design Museum
  43. A Man with TongsUnknown1625–1650Cooper Hewitt, Smithsonian Design Museum
  44. Design for a Book IllustrationUnknown1625–1650Cooper Hewitt, Smithsonian Design Museum
  45. Study of a BirdRiza-yi 'Abbasidated 1043 AH/1634 CEMetropolitan Museum of Art, New York, NY
  46. Landscape in the Style of Ancient Masters: after Ni Zan (1301-1374)Lan YingMing dynasty (1368–1644), first half of 17th centuryThe Art Institute of Chicago
  47. Beauty Holding a FlowerMughalMid–17th centuryThe Art Institute of Chicago
  48. Snowscape, from Album for Zhou LianggongYun Xiangdatable to 1645–55Metropolitan Museum of Art, New York, NY
  49. LandscapeYe Xindatable to 1645–55Metropolitan Museum of Art, New York, NY
  50. Drawing: Sketch of a woman walking and carrying a basketUnknown1650–1700Cooper Hewitt, Smithsonian Design Museum
  51. DrawingLeonardo Scaglia, French, active Italy, 1640 – 1650About 1650Cooper Hewitt, Smithsonian Design Museum
  52. Decoration detail of a coachUnknown1650–75Cooper Hewitt, Smithsonian Design Museum
  53. DrawingLeonardo Scaglia, French, active Italy, 1640 – 16501650-1675Cooper Hewitt, Smithsonian Design Museum
  54. Picture inventory with 5 table piecesUnknown1650Cooper Hewitt, Smithsonian Design Museum
  55. DrawingLeonardo Scaglia, French, active Italy, 1640 – 1650ca. 1650Cooper Hewitt, Smithsonian Design Museum
  56. Decoration of a lateral panel of a coachUnknown1650–75Cooper Hewitt, Smithsonian Design Museum
  57. Decoration of a coach panelUnknown1650–75Cooper Hewitt, Smithsonian Design Museum
  58. DrawingLeonardo Scaglia, French, active Italy, 1640 – 16501650-1675Cooper Hewitt, Smithsonian Design Museum
  59. Sketches of a Villa and TreeUnknown1650–1700Cooper Hewitt, Smithsonian Design Museum
  60. Fish and RocksBada Shanren (Chinese, 1626–1705)mid- to late 1600sCleveland Museum of Art
  61. The House of BijapurKamal Muhammadca. 1680Metropolitan Museum of Art, New York, NY
  62. Calligraphy in Semi-Cursive Style (xing-caoshu)Yueshan Daozong (Chinese, 1629–1709)c. 1660–1709Cleveland Museum of Art
  63. Calligraphy in Semi-Cursive Style (xing-caoshu)Yueshan Daozong (Chinese, 1629–1709)c. 1660–1709Cleveland Museum of Art
  64. Dream Journey among Rivers and Mountains, no. 90Cheng Zhengkui (Chinese, 1604–1676)1658Cleveland Museum of Art
  65. View of Two Watermills Flanking a SluiceJacob Isaacksz van Ruisdaelc. 1660 - c. 1670Rijksmuseum
  66. Support for the Making of a Woman's Needle Lace CollarUnknownca. 1660Cooper Hewitt, Smithsonian Design Museum
  67. Design for the Making of a Man's Needle Lace CollarUnknownca. 1660Cooper Hewitt, Smithsonian Design Museum
  68. Pure Tones among Hills and WatersXiao Yuncong (Chinese, 1596–1673)1664Cleveland Museum of Art
  69. Album of painting and calligraphy for MaoshuVarious artists1666–80Metropolitan Museum of Art, New York, NY
  70. Album of Seasonal Landscapes, Leaf A (previous leaf 4)Xiao Yuncong (Chinese, 1596–1673)1668Cleveland Museum of Art
  71. One of a set of designs for a title page and decoration of a horizontal panelUnknown1675–1700Cooper Hewitt, Smithsonian Design Museum
  72. Reminiscence of JinlingWang Gai1686Metropolitan Museum of Art, New York, NY
  73. Design for Illuminated Initial "F"Gilles-Marie Oppenord, French, 1672–1742ca. 1695Cooper Hewitt, Smithsonian Design Museum
  74. Design for Staircase, Voorst Castle, The Hague, NetherlandsIsaac de Moucheron, Dutch, 1667–17441697–1700Cooper Hewitt, Smithsonian Design Museum
  75. Designs for ReliquariesUnknown1698Cooper Hewitt, Smithsonian Design Museum
  76. Sketched for a ReliquaryFilippo Passarini, 1636–16981698Cooper Hewitt, Smithsonian Design Museum
  77. The Kangxi Emperor's Southern Inspection Tour, Scroll Three: Ji'nan to Mount TaiWang Huidatable to 1698Metropolitan Museum of Art, New York, NY
  78. EngravingUnknown18th centuryMetropolitan Museum of Art, New York, NY
  79. EngravingUnknown18th centuryMetropolitan Museum of Art, New York, NY
  80. EngravingUnknown18th centuryMetropolitan Museum of Art, New York, NY
  81. EngravingUnknown18th centuryMetropolitan Museum of Art, New York, NY
  82. EngravingUnknown18th centuryMetropolitan Museum of Art, New York, NY
  83. Drawing study: Narcissus (?)Unknown1700–1750Cooper Hewitt, Smithsonian Design Museum
  84. Stage Design: Twenty Different ScenesUnknown1700–1750Cooper Hewitt, Smithsonian Design Museum
  85. Clement XI Vesting His Niece as NunFrancesco Solimena, Italian, 1657–1747ca. 1700Cooper Hewitt, Smithsonian Design Museum
  86. Stage Design: Palace ArchitectureUnknown, Italian1700–1750Cooper Hewitt, Smithsonian Design Museum
  87. A Bowl with FlowersUnknown1700–1750Cooper Hewitt, Smithsonian Design Museum
  88. Design for a Cartel ClockGilles-Marie Oppenord, French, 1672–17421700–1715Cooper Hewitt, Smithsonian Design Museum
  89. Designs for Vases and ArchitectureUnknown1700–1800Cooper Hewitt, Smithsonian Design Museum
  90. Elevation of a CenserUnknown1700–1750Cooper Hewitt, Smithsonian Design Museum
  91. Design for a CeilingUnknown1700–1750Cooper Hewitt, Smithsonian Design Museum
  92. Project for a Decorative PedimentUnknown1700–1750Cooper Hewitt, Smithsonian Design Museum
  93. Stone sculptures in a Shiva templeUnknownc. 1710Cleveland Museum of Art
  94. PrintTorii Kiyonobu I1703Metropolitan Museum of Art, New York, NY
  95. The Head of an Old Bearded ManDonato Creti, Italian, 1671–1749ca. 1710Cooper Hewitt, Smithsonian Design Museum
  96. Ornamental Design for the Letter BGilles-Marie Oppenord, French, 1672–1742ca. 1720Cooper Hewitt, Smithsonian Design Museum
  97. Ornamental Design for the Letter BGilles-Marie Oppenord, French, 1672–1742ca. 1720Cooper Hewitt, Smithsonian Design Museum
  98. Ornamental Design for the Letter BGilles-Marie Oppenord, French, 1672–1742ca. 1720Cooper Hewitt, Smithsonian Design Museum
  99. Saint Francis Receiving the StigmataDonato Creti, Italian, 1671–1749ca. 1720Cooper Hewitt, Smithsonian Design Museum
  100. Design for an EscutcheonJohann Esaias Nilson, German, 1721 - 17881721–1783Cooper Hewitt, Smithsonian Design Museum
  101. Proscenium and Plan for a StageUnknown, Italian1725–50Cooper Hewitt, Smithsonian Design Museum
  102. Design for a Hanging ConsoleUnknown1725–1750Cooper Hewitt, Smithsonian Design Museum
  103. Fragment of a wreath with monograph of ChristUnknown1725–77Cooper Hewitt, Smithsonian Design Museum
  104. Design for a PedimentUnknown1725–1750Cooper Hewitt, Smithsonian Design Museum
  105. Design for a Painting, Five PuttiJacob de Wit, 1695 – 17541725–1754Cooper Hewitt, Smithsonian Design Museum
  106. Design for a Maltese Cross PendantUnknown1725–1750Cooper Hewitt, Smithsonian Design Museum
  107. Martyrdom of a SaintUnknown1725–1750Cooper Hewitt, Smithsonian Design Museum
  108. Project for a Crest with Alternate SuggestionsUnknown1725–1750Cooper Hewitt, Smithsonian Design Museum
  109. Design for an OrnamentCarlo Marchionni, Italian, 1702–17861728–1778Cooper Hewitt, Smithsonian Design Museum
  110. Design for an Ornament PanelJuste-Aurèle Meissonnier, French, b. Italy, 1695–1750ca. 1728Cooper Hewitt, Smithsonian Design Museum
  111. Project for a frameUnknown1730–60Cooper Hewitt, Smithsonian Design Museum
  112. Design for trophy of armsUnknown1730Cooper Hewitt, Smithsonian Design Museum
  113. Design for trophy of armsUnknown1730Cooper Hewitt, Smithsonian Design Museum
  114. Leaf from an ornament suite of arabesquesUnknownca. 1730Cooper Hewitt, Smithsonian Design Museum
  115. Leaf for an ornament suite of arabesquesUnknownca. 1730Cooper Hewitt, Smithsonian Design Museum
  116. Leaf from an ornament suite of arabesquesUnknownca. 1730Cooper Hewitt, Smithsonian Design Museum
  117. Study for Noah's Ark, Plate 40, Physica SacraJohann Melchior Füssli, Swiss, 1677–1736before 1731Cooper Hewitt, Smithsonian Design Museum
  118. The Investigation of the Rainbow, design for plate 66 in the Physica Sacra, vol. 1, by Johann Jakob ScheuchzerJohann Melchior Füssli, Swiss, 1677–1736before 1731Cooper Hewitt, Smithsonian Design Museum
  119. Design for TabletCarlo Marchionni, Italian, 1702–17861740–58Cooper Hewitt, Smithsonian Design Museum
  120. Design for a Grotesque FriezeFilippo Marchionni, Italian, 1732–18051740–1775Cooper Hewitt, Smithsonian Design Museum
  121. Design for a Carved Mirror FrameGilles-Marie Oppenord, French, 1672–1742before 1742Cooper Hewitt, Smithsonian Design Museum
  122. Architectural Fantasy: Palace InteriorCharles Michel-Ange Challe, French, 1718 – 17781742–46Cooper Hewitt, Smithsonian Design Museum
  123. Design for a Wall Panel with FireplaceJohann August Nahl the Elder, 1710 - 17811745Cooper Hewitt, Smithsonian Design Museum
  124. Elevation of a Wall Decoration for a Canonization Ceremony, St. Peter's, Rome, ItalyLuigi Vanvitelli, Italian, 1700 – 1773ca. 1745Cooper Hewitt, Smithsonian Design Museum
  125. The Last SupperFrancesco Saverio Mergolo, Italian, 1746–17861746–86Cooper Hewitt, Smithsonian Design Museum
  126. Sultane Reine (The Queen Sultana), plate 29 from Caravanne du Sultan à la Mecque (The Sultan's Caravan to Mecca)Joseph Marie Vien, French, 1716–18091748Cooper Hewitt, Smithsonian Design Museum
  127. Elevation of a ChapelUnknownca. 1750Cooper Hewitt, Smithsonian Design Museum
  128. Project for a Painted Drawing RoomUnknown1750–1775Cooper Hewitt, Smithsonian Design Museum
  129. Saint John Preaching, Probably a Page from a Drawing BookUnknown1750–1780Cooper Hewitt, Smithsonian Design Museum
  130. Design for a Drawing RoomUnknown1750–75Cooper Hewitt, Smithsonian Design Museum
  131. Hercules Slaying the HydraUnknown1750–1800Cooper Hewitt, Smithsonian Design Museum
  132. Landscape ViewUnknown1750–1825Cooper Hewitt, Smithsonian Design Museum
  133. TureenGiovanni Bettati, Italian, 1700 – 1777ca. 1750Cooper Hewitt, Smithsonian Design Museum
  134. Aedicule with Coat-of-armsUnknown1750–1775Cooper Hewitt, Smithsonian Design Museum
  135. Saint BartholomewUnknown1750–1780Cooper Hewitt, Smithsonian Design Museum
  136. An Elderly Saint, Probably Saint MatthewUnknown1750–1780Cooper Hewitt, Smithsonian Design Museum
  137. Design for a doorUnknown1750Cooper Hewitt, Smithsonian Design Museum
  138. Project for the Knob of a Processional KnotUnknown1750–1775Cooper Hewitt, Smithsonian Design Museum
  139. Study of Saint Joseph Carrying the Christ ChildUnknown1750–1800Cooper Hewitt, Smithsonian Design Museum
  140. Design for a FrameUnknown1750–1775Cooper Hewitt, Smithsonian Design Museum
  141. Grotesque HeadsPietro Antonio Novelli, Italian, 1728 - 18041750-1775Cooper Hewitt, Smithsonian Design Museum
  142. Sketch of a River GodGiovanni Domenico Tiepolo, Italian, 1727 – 1804ca. 1750Cooper Hewitt, Smithsonian Design Museum
  143. Studies of Masts and OrnamentsFilippo Marchionni, Italian, 1732–18051750–75Cooper Hewitt, Smithsonian Design Museum
  144. Architectural OrnamentsUnknown1750Cooper Hewitt, Smithsonian Design Museum
  145. Stage Design: Palace ArchitectureUnknown, Italian1750–99Cooper Hewitt, Smithsonian Design Museum
  146. Stage Design: Palace ArchitectureUnknown, Italian1750–99Cooper Hewitt, Smithsonian Design Museum
  147. Stage Design: Palace ArchitectureUnknown, Italian1750–99Cooper Hewitt, Smithsonian Design Museum
  148. Design for an EntablatureFilippo Marchionni, Italian, 1732–18051750–1805Cooper Hewitt, Smithsonian Design Museum
  149. Design of Wall Decoration and Equestrian Monument for Law Courts, Naples, ItalyGiovanni Battista Natali III, Italian, 1698 - 1765ca. 1750Cooper Hewitt, Smithsonian Design Museum
  150. Proportional study of a church façadeUnknownca. 1750–75Cooper Hewitt, Smithsonian Design Museum
  151. Architectural Fantasy: Temple of Athena InteriorCharles Michel-Ange Challe, French, 1718 – 1778ca. 1750Cooper Hewitt, Smithsonian Design Museum
  152. Plague of AshdodNicolas Poussinn.d.The Art Institute of Chicago
  153. Great Indian Fruit BatBhawani Dasca. 1777–82Metropolitan Museum of Art, New York, NY
  154. Illustration to Roderick Random, by Tobias SmollettFrancis Haymanc. 1760The Art Institute of Chicago
  155. The Assumption of MaryUnknown1755Cooper Hewitt, Smithsonian Design Museum
  156. Design for an EarringGiovanni Sebastiano Meyandi, Italian, active 1762 - 1794ca. 1755Cooper Hewitt, Smithsonian Design Museum
  157. Princess and attendant in trompe l’oeil windowAqil Khan (Indian, active mid-1700s)c. 1765Cleveland Museum of Art
  158. Suite de dessins chinois (Album of Chinoiserie)Jean-Baptiste Pillement, French, 1728–18081759–71Cooper Hewitt, Smithsonian Design Museum
  159. The Stalled CartJean Honoré Fragonard1759The Art Institute of Chicago
  160. Landscape with Mountain TownCarlo Marchionni, Italian, 1702–17861760–80Cooper Hewitt, Smithsonian Design Museum
  161. Design for a Salon WallUnknownca. 1760Cooper Hewitt, Smithsonian Design Museum
  162. Design for a Case with Alternative SuggestionsUnknown1760–1790Cooper Hewitt, Smithsonian Design Museum
  163. Design for an Illustration: "Architecture"Fedele Fischetti, Italian, 1734 - 17891760–89Cooper Hewitt, Smithsonian Design Museum
  164. Architectural and Figural SketchesCarlo Marchionni, Italian, 1702–1786ca. 1760Cooper Hewitt, Smithsonian Design Museum
  165. Courtesan Dreaming of her ChildhoodSuzuki Harunobu (Japanese, 1724–1770)c. 1770Cleveland Museum of Art
  166. Engraving: Monograms of Two LettersNicolas Langlois, French, 1640 - 1703ca. 1765Cooper Hewitt, Smithsonian Design Museum
  167. Engraving: Monograms of two lettersNicolas Langlois, French, 1640 - 1703ca. 1765Cooper Hewitt, Smithsonian Design Museum
  168. A pair of trophies referring to the crafts of the cabinet maker and the carpenterJean-Charles Delafosse, French, 1734 – 17891765Cooper Hewitt, Smithsonian Design Museum
  169. Irlande et sa Religion, (Ireland and its Religion), portal design for plate 44 in the "Nouvelle iconologie historique"Jean-Charles Delafosse, French, 1734 – 17891765Cooper Hewitt, Smithsonian Design Museum
  170. Design for a BroochGiovanni Sebastiano Meyandi, Italian, active 1762 - 1794ca. 1765Cooper Hewitt, Smithsonian Design Museum
  171. Design for an EarringGiovanni Sebastiano Meyandi, Italian, active 1762 - 1794ca. 1765Cooper Hewitt, Smithsonian Design Museum
  172. Calligraphic Galleon'Abd al-Qadir Hisaridated 1180 AH/1766–67 CEMetropolitan Museum of Art, New York, NY
  173. Album of SketchesYūkakudō 幽覚堂late 18th century (?)Metropolitan Museum of Art, New York, NY
  174. Design for a Pair of TrophiesJean-Charles Delafosse, French, 1734 – 17891770–80Cooper Hewitt, Smithsonian Design Museum
  175. Album containing a series of designs for hand-screensUnknownabout 1770Cooper Hewitt, Smithsonian Design Museum
  176. Original Drawing, Cahier VII, plate 1Richard de Lalonde, French, active 1780–961770–96Cooper Hewitt, Smithsonian Design Museum
  177. Original Drawing, Cahier VII, plate 3Richard de Lalonde, French, active 1780–961770–96Cooper Hewitt, Smithsonian Design Museum
  178. The elevation of the entrance wall of a drawing room with alternative suggestionsJean-Charles Delafosse, French, 1734 – 17891770–80Cooper Hewitt, Smithsonian Design Museum
  179. Sketches of BowlsUnknownca. 1770Cooper Hewitt, Smithsonian Design Museum
  180. Design of Patch Box CoverUnknownca. 1770Cooper Hewitt, Smithsonian Design Museum
  181. Variations of design for surtout de table (in two parts)Unknownca. 1770–75Cooper Hewitt, Smithsonian Design Museum
  182. Variations of design for surtout de table (in two parts)Unknownca. 1770–75Cooper Hewitt, Smithsonian Design Museum
  183. Designs for Three BroochesGiovanni Sebastiano Meyandi, Italian, active 1762 - 1794ca. 1770Cooper Hewitt, Smithsonian Design Museum
  184. Design for an EarringGiovanni Sebastiano Meyandi, Italian, active 1762 - 1794ca. 1770Cooper Hewitt, Smithsonian Design Museum
  185. Design for an EarringGiovanni Sebastiano Meyandi, Italian, active 1762 - 1794ca. 1770Cooper Hewitt, Smithsonian Design Museum
  186. Design for an EarringGiovanni Sebastiano Meyandi, Italian, active 1762 - 1794ca. 1770Cooper Hewitt, Smithsonian Design Museum
  187. Design for an EarringGiovanni Sebastiano Meyandi, Italian, active 1762 - 1794ca. 1770Cooper Hewitt, Smithsonian Design Museum
  188. Architectural Fantasy with Figures BathingJean-Charles Delafosse, French, 1734 – 17891770Cooper Hewitt, Smithsonian Design Museum
  189. Architectural Fantasy with FountainJean-Charles Delafosse, French, 1734 – 17891770Cooper Hewitt, Smithsonian Design Museum
  190. DrawingMichel Angelo Pergolesi, Italian, active ca. 1760–1801Before 1774Cooper Hewitt, Smithsonian Design Museum
  191. DrawingMichel Angelo Pergolesi, Italian, active ca. 1760–1801Before 1774Cooper Hewitt, Smithsonian Design Museum
  192. A Radish Plant, Seed, and FlowerUnknownlate 18th centuryMetropolitan Museum of Art, New York, NY
  193. Design for an EwerUnknown1775–1800Cooper Hewitt, Smithsonian Design Museum
  194. Elevation of a TureenUnknown1775–1800Cooper Hewitt, Smithsonian Design Museum
  195. Bowl on a StandUnknown1775–1800Cooper Hewitt, Smithsonian Design Museum
  196. Design for an UrnUnknown1775–1800Cooper Hewitt, Smithsonian Design Museum
  197. Design for an AmphoraUnknown1775–1800Cooper Hewitt, Smithsonian Design Museum
  198. St. John the BaptistFrancesco Saverio Mergolo, Italian, 1746–1786ca. 1775Cooper Hewitt, Smithsonian Design Museum
  199. Wall Decoration for the Drawing Room of the Palace of CasertaNicola Fiore1775Cooper Hewitt, Smithsonian Design Museum
  200. Design for a FrameUnknown1775–1800Cooper Hewitt, Smithsonian Design Museum
  201. Design for an UrnGiuseppe Barberi, Italian, 1746–18091775–1800Cooper Hewitt, Smithsonian Design Museum
  202. Design for the Facade and Cross-Section of a PalaceUnknownca. 1775Cooper Hewitt, Smithsonian Design Museum
  203. Project for a Painted FriezeUnknown1775–1800Cooper Hewitt, Smithsonian Design Museum
  204. Design for an EarringUnknownca. 1775Cooper Hewitt, Smithsonian Design Museum
  205. Design for Architectural MoldingsUnknown1775–1825Cooper Hewitt, Smithsonian Design Museum
  206. Ornament Design, Portland Vase and CameosMichel Angelo Pergolesi, Italian, active ca. 1760–18011776Cooper Hewitt, Smithsonian Design Museum
  207. Ornament Design with Vase and CameosMichel Angelo Pergolesi, Italian, active ca. 1760–18011776Cooper Hewitt, Smithsonian Design Museum
  208. Ornament Design with Burial Urn and CameosMichel Angelo Pergolesi, Italian, active ca. 1760–18011776Cooper Hewitt, Smithsonian Design Museum
  209. Ornament Design with Urn and CameosMichel Angelo Pergolesi, Italian, active ca. 1760–18011776Cooper Hewitt, Smithsonian Design Museum
  210. Ornament Design, Altar Dedicated to Mars between Roman StandardsMichel Angelo Pergolesi, Italian, active ca. 1760–18011776Cooper Hewitt, Smithsonian Design Museum
  211. Ornament Design, Roman Altar Dedicated to Mars and Roman StandardsMichel Angelo Pergolesi, Italian, active ca. 1760–18011776Cooper Hewitt, Smithsonian Design Museum
  212. Ornament Design, Altar Dedicated to Mars between Roman StandardsMichel Angelo Pergolesi, Italian, active ca. 1760–18011776Cooper Hewitt, Smithsonian Design Museum
  213. Ornament Design, Roman Standards and Rinceau Panel with GriffonsMichel Angelo Pergolesi, Italian, active ca. 1760–18011776Cooper Hewitt, Smithsonian Design Museum
  214. Ornament Design with Cameo and UrnsMichel Angelo Pergolesi, Italian, active ca. 1760–18011777Cooper Hewitt, Smithsonian Design Museum
  215. An Entertainment at ShinagawaSakuragawa Bunkyoca. 1788Metropolitan Museum of Art, New York, NY
  216. Sepulcher in Egyptian Style with Death Carrying a LampLouis-Jean Desprez, French, active Sweden, 1743–18041779–84Cooper Hewitt, Smithsonian Design Museum
  217. DrawingFelice Giani, Italian, 1758–18231780-1790Cooper Hewitt, Smithsonian Design Museum
  218. Design for Embroidery, Corner of Gentleman's WaistcoatCharles-Germain de Saint-Aubin, French, 1721–1786ca. 1780Cooper Hewitt, Smithsonian Design Museum
  219. Design for Wallpaper FriezeUnknown1780–1800Cooper Hewitt, Smithsonian Design Museum
  220. Project for a wallpaper friezeUnknown1780–1800Cooper Hewitt, Smithsonian Design Museum
  221. DrawingFelice Giani, Italian, 1758–18231780-1790Cooper Hewitt, Smithsonian Design Museum
  222. DrawingFelice Giani, Italian, 1758–18231780-1790Cooper Hewitt, Smithsonian Design Museum
  223. Original DrawingsRichard de Lalonde, French, active 1780–961780–96Cooper Hewitt, Smithsonian Design Museum
  224. Original Drawing, Cahier VIII, plate 1Richard de Lalonde, French, active 1780–961780–96Cooper Hewitt, Smithsonian Design Museum
  225. Design for the Embroidery of a Man's WaistcoatUnknown1780–1790Cooper Hewitt, Smithsonian Design Museum
  226. DrawingFelice Giani, Italian, 1758–18231780-1790Cooper Hewitt, Smithsonian Design Museum
  227. DrawingFelice Giani, Italian, 1758–18231780-1790Cooper Hewitt, Smithsonian Design Museum
  228. Drawing for a candelabrumJean-Louis Prieur the Younger, French, 1759 – 17951780–90Cooper Hewitt, Smithsonian Design Museum
  229. Design for an Ovoidal Painting: TemperanceGiacomo Zampa, Italian, 1731 - 1808ca. 1780Cooper Hewitt, Smithsonian Design Museum
  230. DrawingFelice Giani, Italian, 1758–18231780-1790Cooper Hewitt, Smithsonian Design Museum
  231. DrawingFelice Giani, Italian, 1758–18231780-1790Cooper Hewitt, Smithsonian Design Museum
  232. TrophyUnknownca. 1780Cooper Hewitt, Smithsonian Design Museum
  233. TrophyUnknownca. 1780Cooper Hewitt, Smithsonian Design Museum
  234. Trophies with Historical AttributesPierre Ranson, French, 1736–1786ca. 1780Cooper Hewitt, Smithsonian Design Museum
  235. Trophies with Historical AttributesPierre Ranson, French, 1736–1786ca. 1780Cooper Hewitt, Smithsonian Design Museum
  236. Trophies with Historical AttributesPierre Ranson, French, 1736–1786ca. 1780Cooper Hewitt, Smithsonian Design Museum
  237. Design for a BowlUnknown1780–1820Cooper Hewitt, Smithsonian Design Museum
  238. Saint Felix of CantalupeUnknown1780–1810Cooper Hewitt, Smithsonian Design Museum
  239. Design for an UrnUnknown1780–1820Cooper Hewitt, Smithsonian Design Museum
  240. Design for a LampUnknownca. 1780Cooper Hewitt, Smithsonian Design Museum
  241. Design for a CeilingUnknownca. 1780Cooper Hewitt, Smithsonian Design Museum
  242. TrophyPierre Ranson, French, 1736–1786ca. 1780Cooper Hewitt, Smithsonian Design Museum
  243. Elevation of a SalonUnknownca. 1780–1800Cooper Hewitt, Smithsonian Design Museum
  244. Project for a CeilingUnknownca. 1780Cooper Hewitt, Smithsonian Design Museum
  245. Design for a ChimneypieceUnknown1780–1800Cooper Hewitt, Smithsonian Design Museum
  246. Design for a BuckleGiovanni Sebastiano Meyandi, Italian, active 1762 - 1794ca. 1780Cooper Hewitt, Smithsonian Design Museum
  247. Design for an EarringUnknownca. 1780Cooper Hewitt, Smithsonian Design Museum
  248. Design for a NecklaceUnknownca. 1780Cooper Hewitt, Smithsonian Design Museum
  249. Design for a NecklaceUnknownca. 1780Cooper Hewitt, Smithsonian Design Museum
  250. Design for an EarringUnknownca. 1780Cooper Hewitt, Smithsonian Design Museum
  251. Section of an apseFilippo Marchionni, Italian, 1732–1805ca. 1780Cooper Hewitt, Smithsonian Design Museum
  252. Two Roman Warriors with She-Wolf, Romulus, and RemusPolidoro da Caravaggion.d.The Art Institute of Chicago
  253. DiscordRowlandson, Thomas, 1756-1827, artist[between 1780 and 1799]Library of Congress
  254. Hermes in the Garden of the HesperidesJohann August Nahl The Younger, German, 1752 - 1825ca. 1781Cooper Hewitt, Smithsonian Design Museum
  255. Bust Portrait of a Young WomanJeanne Dabos, French, 1763 – 18421781Cooper Hewitt, Smithsonian Design Museum
  256. Design for the Embroidery of a Man's WaistcoatUnknown1782Cooper Hewitt, Smithsonian Design Museum
  257. Four Designs of Costume AccessoriesAnonymous, French, 18th centuryca. 1785–90Metropolitan Museum of Art, New York, NY
  258. Certificate of Authorization for the Title of "Von" for Johann Ferdinand RichterFranz Mayer, Austrian, active 1700sApril 7, 1785Cooper Hewitt, Smithsonian Design Museum
  259. Fragment of a cartoon for cotton printing: Fauchon la VielleusePetitpierre & Compe., (Nantes, France, founded 17701785–95Cooper Hewitt, Smithsonian Design Museum
  260. Fragment of a cartoon for cotton printing: Apollon et MusesPetitpierre & Compe., (Nantes, France, founded 17701785–95Cooper Hewitt, Smithsonian Design Museum
  261. Design for an OverdoorPiat Joseph Sauvage, French, 1744 - 18181785-1790Cooper Hewitt, Smithsonian Design Museum
  262. Design for a Fountain in a PavilionCarlo Francesco Barabino, Italian, 1768 – 18351785–90Cooper Hewitt, Smithsonian Design Museum
  263. Design for a SalonFrançois-Jacques Delannoy, French, 1755 - 1835ca. 1785Cooper Hewitt, Smithsonian Design Museum
  264. Design for a Chalice, ElevationFlaminio Innocenzi Minozzi, Italian, 1735 – 1817ca. 1785Cooper Hewitt, Smithsonian Design Museum
  265. Design for Two FriezesPiat Joseph Sauvage, French, 1744 - 18181785-1790Cooper Hewitt, Smithsonian Design Museum
  266. Design for a PendantUnknown1785–90Cooper Hewitt, Smithsonian Design Museum
  267. Design for a BraceletUnknownca. 1785Cooper Hewitt, Smithsonian Design Museum
  268. Design for a NecklaceGiovanni Sebastiano Meyandi, Italian, active 1762 - 1794ca. 1785Cooper Hewitt, Smithsonian Design Museum
  269. Pales, Triptolemus, Decoration for a Vault, Sala dei Legislatori, Palazzo Conti-SinibaldiFelice Giani, Italian, 1758–18231787–1802Cooper Hewitt, Smithsonian Design Museum
  270. Competition Design for La Fenice, Venice: Exterior Elevation of AnnexD. Cerato, Italian1788Cooper Hewitt, Smithsonian Design Museum
  271. God Judging AdamWilliam Blakeca. 1795Metropolitan Museum of Art, New York, NY
  272. Study of Two RosesAnne Vallayer-Coster, French, 1744–18181790–1800Cooper Hewitt, Smithsonian Design Museum
  273. DrawingFelice Giani, Italian, 1758–18231790-1800Cooper Hewitt, Smithsonian Design Museum
  274. Two TureensUnknown1790Cooper Hewitt, Smithsonian Design Museum
  275. Design for a Bedroom WallUnknown1790Cooper Hewitt, Smithsonian Design Museum
  276. Design for a Salon WallUnknown1790Cooper Hewitt, Smithsonian Design Museum
  277. Praying WomanUnknown1790–1830Cooper Hewitt, Smithsonian Design Museum
  278. Design for a Console TableGiuseppe Barberi, Italian, 1746–1809ca. 1790Cooper Hewitt, Smithsonian Design Museum
  279. Project for a ChimneypieceUnknownca. 1790Cooper Hewitt, Smithsonian Design Museum
  280. Design for a BuckleUnknownca. 1790Cooper Hewitt, Smithsonian Design Museum
  281. Design for an EarringGiovanni Sebastiano Meyandi, Italian, active 1762 - 1794ca. 1790Cooper Hewitt, Smithsonian Design Museum
  282. Design for a BroochUnknownca. 1790Cooper Hewitt, Smithsonian Design Museum
  283. Design for a BuckleGiovanni Sebastiano Meyandi, Italian, active 1762 - 1794ca. 1790Cooper Hewitt, Smithsonian Design Museum
  284. Design for a Painted Ceiling of Irregular Shape: AuroraFlaminio Innocenzi Minozzi, Italian, 1735 – 18171790–1810Cooper Hewitt, Smithsonian Design Museum
  285. Landscape with MoundCharles Nicolas Ransonnette, French, 1793 - 18771793–1877Cooper Hewitt, Smithsonian Design Museum
  286. Woodland Scene with Animals DrinkingCharles Nicolas Ransonnette, French, 1793 - 18771793–1877Cooper Hewitt, Smithsonian Design Museum
  287. Landscape with Mound and GreeneryCharles Nicolas Ransonnette, French, 1793 - 18771793–1877Cooper Hewitt, Smithsonian Design Museum
  288. Fragment of a cartoon for cotton printing: Neptune or L'Empire des MersPetitpierre & Compe., (Nantes, France, founded 17701794Cooper Hewitt, Smithsonian Design Museum
  289. DrawingFelice Giani, Italian, 1758–18231795–1820Cooper Hewitt, Smithsonian Design Museum
  290. Women Beside a Stream Chasing FirefliesChōbunsai Eishi (Japanese, 1756–1829)c. 1796–97Cleveland Museum of Art
  291. Memorial Stele for the Buddhist Master Daoyin (Ink Rubbings)Qiu YingQing dynasty (1644–1911); Jiaqing–Daoguang reigns, c. 1796–1850The Art Institute of Chicago
  292. MochizukiUtagawa HiroshigeMetropolitan Museum of Art, New York, NY
  293. Morning Cherries at YoshiwaraUtagawa HiroshigeMetropolitan Museum of Art, New York, NY
  294. Weeping CherryUtagawa HiroshigeMetropolitan Museum of Art, New York, NY
  295. Futakawa: Post House on Monkey Plain (Futakawa, Sarugababa tateba) from the Series 53 Stations of the TokaidoAndo Hiroshige, Japanese, 1797–18581797-1858Cooper Hewitt, Smithsonian Design Museum
  296. Project for a Catafalque for the Funeral Service for Pope Pius VI in ForliFelice Giani, Italian, 1758–18231799Cooper Hewitt, Smithsonian Design Museum
  297. Allegory of FameUnknownca. 1799Cooper Hewitt, Smithsonian Design Museum
  298. Design for MonumentFelice Giani, Italian, 1758–1823ca. 1800Cooper Hewitt, Smithsonian Design Museum
  299. Design for clockLefebvre Manufactory, Tournai1800–1825Cooper Hewitt, Smithsonian Design Museum
  300. Jeremiah Draper's BookJeremiah Draper, American, active 1800s1800Cooper Hewitt, Smithsonian Design Museum
  301. Elevation of a Sepulcher MonumentFrancesco Massimiliano Laboureur, Italian, 1767 - 18311800–1830Cooper Hewitt, Smithsonian Design Museum
  302. Saints Peter and Paul over the VaticanMinardi Tommaso, Italian, 1787 - 18711800–1850Cooper Hewitt, Smithsonian Design Museum
  303. Study for a Painting: Saint SebastianUnknown1800–1825Cooper Hewitt, Smithsonian Design Museum
  304. Design for a VaseUnknown1800–1830Cooper Hewitt, Smithsonian Design Museum
  305. DrawingFelice Giani, Italian, 1758–18231800-1815Cooper Hewitt, Smithsonian Design Museum
  306. DrawingFelice Giani, Italian, 1758–18231800-1820Cooper Hewitt, Smithsonian Design Museum
  307. Surtout de Table (Centerpiece) with the Temple of Isis in PompeiiGiuseppe Valadier, Italian, 1762–1839ca. 1800Cooper Hewitt, Smithsonian Design Museum
  308. Design for a VesselUnknownca. 1800Cooper Hewitt, Smithsonian Design Museum
  309. DrawingUnknown1800–1830Cooper Hewitt, Smithsonian Design Museum
  310. Design for a Pitcher and BasinUnknown1800–1825Cooper Hewitt, Smithsonian Design Museum
  311. DrawingFelice Giani, Italian, 1758–18231800-1820Cooper Hewitt, Smithsonian Design Museum
  312. Design for an Embroidered Altar FrontUnknown1800–23Cooper Hewitt, Smithsonian Design Museum
  313. Blue-Black Bird on Rose Branch with SpiderUnknownca. 1800–1830Cooper Hewitt, Smithsonian Design Museum
  314. Basket of Blossoms and Leaves with Pomegranates on EarthUnknownca. 1800–1830Cooper Hewitt, Smithsonian Design Museum
  315. Sketches of BullsUnknownca. 1800Cooper Hewitt, Smithsonian Design Museum
  316. Design for an UrnUnknown1800–1820Cooper Hewitt, Smithsonian Design Museum
  317. Black Bird with RosesUnknownca. 1800–1830Cooper Hewitt, Smithsonian Design Museum
  318. Basket of Blooms on EarthUnknownca. 1800–1830Cooper Hewitt, Smithsonian Design Museum
  319. Black Bird witth Blueberries and ApricotsUnknownca. 1800–1830Cooper Hewitt, Smithsonian Design Museum
  320. Bird on an Orange Branch, with ButterflyUnknownca. 1800–1830Cooper Hewitt, Smithsonian Design Museum
  321. Design for Jeweled Hair CUnknown1800–1850Cooper Hewitt, Smithsonian Design Museum
  322. Blue Bird on Branch with Carnations and InsectsUnknownca. 1800–1830Cooper Hewitt, Smithsonian Design Museum
  323. Brown Bird on Branch with Rose, Tulip, and InsectsUnknownca. 1800–1830Cooper Hewitt, Smithsonian Design Museum
  324. Black Bird with Blossoms, Butterfly, and Red RibbonUnknownca. 1800–1830Cooper Hewitt, Smithsonian Design Museum
  325. Design for Jewelled HairUnknown1800–1850Cooper Hewitt, Smithsonian Design Museum
  326. Small Red-Headed Bird on Rose BranchUnknownca. 1800–1830Cooper Hewitt, Smithsonian Design Museum
  327. Vase with BucraneumUnknown1800–1830Cooper Hewitt, Smithsonian Design Museum
  328. Brown Bird on Apple Branch, with CaterpillarUnknownca. 1800–1830Cooper Hewitt, Smithsonian Design Museum
  329. Two Brown Birds with Carnations and ButterfliesUnknownca. 1800–1830Cooper Hewitt, Smithsonian Design Museum
  330. Design for a PitcherUnknown1800–1830Cooper Hewitt, Smithsonian Design Museum
  331. Pair of Birds on Branch with Roses and ButterfliesUnknownca. 1800–1830Cooper Hewitt, Smithsonian Design Museum
  332. Design for a PitcherUnknown1800–1830Cooper Hewitt, Smithsonian Design Museum
  333. Basket of Blossoms and Leaves on EarthUnknownca. 1800–1830Cooper Hewitt, Smithsonian Design Museum
  334. Two Birds on a Branch of Tulips with InsectsUnknownca. 1800–1830Cooper Hewitt, Smithsonian Design Museum
  335. Brown Bird on Branch with Persimmons and a ButterflyUnknownca. 1800–1830Cooper Hewitt, Smithsonian Design Museum
  336. Ornamental PanelUnknownca. 1800Cooper Hewitt, Smithsonian Design Museum
  337. A Praying MonkUnknown1800–1830Cooper Hewitt, Smithsonian Design Museum
  338. Hercules and AntaeusAnnibale Carracci, Italian, 1560–16091800–20Cooper Hewitt, Smithsonian Design Museum
  339. Project for an Ewer and BasinLuigi Righetti, Italian, 1780 - 1819ca. 1800Cooper Hewitt, Smithsonian Design Museum
  340. Cartoon for Silk Damask: Cornucopias with Rams' HeadsUnknown1800–1815Cooper Hewitt, Smithsonian Design Museum
  341. Design for a Salt CellarLuigi Righetti, Italian, 1780 - 1819ca. 1800Cooper Hewitt, Smithsonian Design Museum
  342. Gray Bird on Branch with Tulip, Snapdragons, and Forget-Me-Nots with ButterflyUnknownca. 1800–1830Cooper Hewitt, Smithsonian Design Museum
  343. Design for Two Friezes with PuttiFelice Giani, Italian, 1758–1823ca. 1800Cooper Hewitt, Smithsonian Design Museum
  344. Two Brown Birds on Branch with Tulip, Berries, and InsectsUnknownca. 1800–1830Cooper Hewitt, Smithsonian Design Museum
  345. Cupid in FlightFelice Giani, Italian, 1758–1823ca. 1800Cooper Hewitt, Smithsonian Design Museum
  346. Pair of Brown Birds on Rose Stem with Butterfly and SpiderUnknownca. 1800–1830Cooper Hewitt, Smithsonian Design Museum
  347. A Chariot ProcessionUnknownca. 1800Cooper Hewitt, Smithsonian Design Museum
  348. Project for a LunetteGiuseppe Bernardino Bison, Italian, 1762 - 18441800–1825Cooper Hewitt, Smithsonian Design Museum
  349. Atalanta and HippomenesFelice Giani, Italian, 1758–1823ca. 1800Cooper Hewitt, Smithsonian Design Museum
  350. Man Giving SpeechUnknownca. 1800Cooper Hewitt, Smithsonian Design Museum
  351. Project for a SalonUnknownca. 1800Cooper Hewitt, Smithsonian Design Museum
  352. Designs for a VaseUnknown1800–1835Cooper Hewitt, Smithsonian Design Museum
  353. Stage Design, Pedestal of MonumentAngelo Toselli, ca. 1765? – 1826ca. 1800Cooper Hewitt, Smithsonian Design Museum
  354. Design for a VaseUnknown1800–1830Cooper Hewitt, Smithsonian Design Museum
  355. Design for Two FreizesFelice Giani, Italian, 1758–1823ca. 1800Cooper Hewitt, Smithsonian Design Museum
  356. Design for a MantelpiceUnknown1800–1830Cooper Hewitt, Smithsonian Design Museum
  357. Friezes; Two Caryatids; Seated FigureFelice Giani, Italian, 1758–1823ca. 1800Cooper Hewitt, Smithsonian Design Museum
  358. Design for a Decorative FriezeCarlo Bianconi, Italian, 1732–18021800–20Cooper Hewitt, Smithsonian Design Museum
  359. Design for a ChimneypieceUnknownca. 1800Cooper Hewitt, Smithsonian Design Museum
  360. Furniture DesignsUnknownca. 1800Cooper Hewitt, Smithsonian Design Museum
  361. Design for a Cane HandleUnknownca. 1800Cooper Hewitt, Smithsonian Design Museum
  362. Design for an EarringUnknownca. 1800Cooper Hewitt, Smithsonian Design Museum
  363. Design for an EarringUnknownca. 1800Cooper Hewitt, Smithsonian Design Museum
  364. Design for an EarringUnknownca. 1800Cooper Hewitt, Smithsonian Design Museum
  365. Design for an EarringUnknownca. 1800Cooper Hewitt, Smithsonian Design Museum
  366. Design for an EarringUnknownca. 1800Cooper Hewitt, Smithsonian Design Museum
  367. Design for an EarringUnknownca. 1800Cooper Hewitt, Smithsonian Design Museum
  368. Design for an EarringUnknownca. 1800Cooper Hewitt, Smithsonian Design Museum
  369. Design for a Triumpal Arch for Napoleon I, Bergamo, ItalyGiacomo Quarenghi, Italian, 1744 - 18171800–12Cooper Hewitt, Smithsonian Design Museum
  370. Design for a TextileLouis-Albert DuBois, Swiss, 1752–1818ca. 1801Cooper Hewitt, Smithsonian Design Museum
  371. Design for a Printed Textile: Floral Border with Islands on a LakeLouis-Albert DuBois, Swiss, 1752–1818ca. 1801Cooper Hewitt, Smithsonian Design Museum
  372. AmericaRudolph Ackermann, English, b. Germany, 1764–18341801Cooper Hewitt, Smithsonian Design Museum
  373. Illustrated Book of the Current FashionUtagawa Toyokuni I1802Metropolitan Museum of Art, New York, NY
  374. The Kōrin Picture BookNakamura Hōchū (Japanese, d. 1819)1800sCleveland Museum of Art
  375. Interior with Chinese WallpaperFrederick Crace, English, 1779–18591802 or earlierCooper Hewitt, Smithsonian Design Museum
  376. JupiterFelice Giani, Italian, 1758–18231804Cooper Hewitt, Smithsonian Design Museum
  377. Statue of the Madonna in the MountainsCaspar David Friedrich1804The Art Institute of Chicago
  378. Designs for Mechanical Dressing and Writing TablesUnknown1805Cooper Hewitt, Smithsonian Design Museum
  379. DrawingFelice Giani, Italian, 1758–18231805Cooper Hewitt, Smithsonian Design Museum
  380. Frieze with SphinxesUnknownca. 1805Cooper Hewitt, Smithsonian Design Museum
  381. Pentaptych: Five girls with theater puppetsUtagawa Kuniyasu, Japanese, 1794 – 18321805–20Cooper Hewitt, Smithsonian Design Museum
  382. Design for Mechanical Furniture: Secretary DeskUnknownca. 1805Cooper Hewitt, Smithsonian Design Museum
  383. Design for Mechanical Furniture: Half-Round Writing TableUnknownca. 1805Cooper Hewitt, Smithsonian Design Museum
  384. Designs for Mechanical Furniture: Wardrobe, Desk and Dressing TableUnknownca. 1805Cooper Hewitt, Smithsonian Design Museum
  385. Design for Mechanical Furniture: Canopy BedUnknownca. 1805Cooper Hewitt, Smithsonian Design Museum
  386. Designs for Mechanical Furniture: Two WashstandsUnknownca. 1805Cooper Hewitt, Smithsonian Design Museum
  387. Designs for Mechanical Furniture: Bidet and Reading WashstandUnknownca. 1805Cooper Hewitt, Smithsonian Design Museum
  388. Designs for Mechanical Furniture: Three Washstands with Three BidetsUnknownca. 1805Cooper Hewitt, Smithsonian Design Museum
  389. Designs for Mechanical Furniture: Bookcase and Shelf DeskUnknownca. 1805Cooper Hewitt, Smithsonian Design Museum
  390. Designs for Mechanical Furniture: Cabinet and DeskUnknownca. 1805Cooper Hewitt, Smithsonian Design Museum
  391. Design for Mechanical Furniture: Secretary DeskUnknownca. 1805Cooper Hewitt, Smithsonian Design Museum
  392. Design for Mechanical Furniture: DeskUnknownca. 1805Cooper Hewitt, Smithsonian Design Museum
  393. Design for Mechanical Furniture: Dressing Table and BookcaseUnknownca. 1805Cooper Hewitt, Smithsonian Design Museum
  394. Album of the Phoenix Bird (Ranpō jō) 鸞鳳帖Keian Tenrai 桂庵天籟1806 (Bunka 3)Metropolitan Museum of Art, New York, NY
  395. Vase in the Shape of an AmphoraUnknownca. 1809Cooper Hewitt, Smithsonian Design Museum
  396. Project for DraperyRomolo Achille Liverani, Italian, 1809 - 18721809–1872Cooper Hewitt, Smithsonian Design Museum
  397. Design for Textile or WallpaperUnknown1810–20Cooper Hewitt, Smithsonian Design Museum
  398. Design for a Console TableUnknownca. 1810Cooper Hewitt, Smithsonian Design Museum
  399. DrawingFelice Giani, Italian, 1758–18231810-1820Cooper Hewitt, Smithsonian Design Museum
  400. Design for a VaseUnknown1810–1830Cooper Hewitt, Smithsonian Design Museum
  401. DrawingFelice Giani, Italian, 1758–18231810-1815Cooper Hewitt, Smithsonian Design Museum
  402. A Flying AngelGiacomo Zampa, Italian, 1731 - 1808ca. 1810Cooper Hewitt, Smithsonian Design Museum
  403. Bedroom FurnitureAngelo Mezzetti, Italianca. 1810Cooper Hewitt, Smithsonian Design Museum
  404. Design for Bedroom FurnitureUnknownca. 1810Cooper Hewitt, Smithsonian Design Museum
  405. Design for a PendantUnknownca. 1810Cooper Hewitt, Smithsonian Design Museum
  406. Design for a BroochUnknown1810–15Cooper Hewitt, Smithsonian Design Museum
  407. Phaeton Asks Apollo to Drive the Sun ChariotFelice Giani, Italian, 1758–18231812Cooper Hewitt, Smithsonian Design Museum
  408. Design for a CiboriumLuigi Righetti, Italian, 1780 - 1819ca. 1812Cooper Hewitt, Smithsonian Design Museum
  409. Gold CoinsAsakura Sansho1813Metropolitan Museum of Art, New York, NY
  410. The Siren's Grotto at TivoliFelice Giani, Italian, 1758–1823ca. 1813Cooper Hewitt, Smithsonian Design Museum
  411. Archangel MichaelFelice Giani, Italian, 1758–18231813–18Cooper Hewitt, Smithsonian Design Museum
  412. Diana and Callisto, after DomenichinoFelice Giani, Italian, 1758–18231813–18Cooper Hewitt, Smithsonian Design Museum
  413. The Holy FamilyFelice Giani, Italian, 1758–18231813–18Cooper Hewitt, Smithsonian Design Museum
  414. Two Octagons: Vigilance, Beneficence.Felice Giani, Italian, 1758–1823ca. 1813Cooper Hewitt, Smithsonian Design Museum
  415. Frieze with Psyche and LoveFelice Giani, Italian, 1758–18231813–18Cooper Hewitt, Smithsonian Design Museum
  416. St. Paul in the Clouds with Angels and PalmsFelice Giani, Italian, 1758–18231813–18Cooper Hewitt, Smithsonian Design Museum
  417. Apollo and Hycianth, after DomenichinoFelice Giani, Italian, 1758–18231813–18Cooper Hewitt, Smithsonian Design Museum
  418. Madonna and Child Enthroned with Two Bishops with St. JohnFelice Giani, Italian, 1758–18231813–18Cooper Hewitt, Smithsonian Design Museum
  419. Study of the Visitation, After Peter Paul RubensFelice Giani, Italian, 1758–18231813–18Cooper Hewitt, Smithsonian Design Museum
  420. Concert of AngelsFelice Giani, Italian, 1758–18231813–18Cooper Hewitt, Smithsonian Design Museum
  421. Death of AdonisFelice Giani, Italian, 1758–18231813–18Cooper Hewitt, Smithsonian Design Museum
  422. The Personification of Justice and PeaceFelice Giani, Italian, 1758–18231813–18Cooper Hewitt, Smithsonian Design Museum
  423. Teach Yourself How to Dance (Odori hitori keiko) 踊独稽古; 酒宴即興踊独稽古(しゅえん そっきょう おどりひとりげいこ)Sanshōsai1814, first month (Bunka 11)Metropolitan Museum of Art, New York, NY
  424. Decorative Studies; Verso: Barbarian Head in Profile from the AntiqueFelice Giani, Italian, 1758–18231814–18Cooper Hewitt, Smithsonian Design Museum
  425. Decorative Study; Verso: Two Head StudiesFelice Giani, Italian, 1758–18231814–18Cooper Hewitt, Smithsonian Design Museum
  426. Decorative Study; Verso: Anatomical StudyFelice Giani, Italian, 1758–18231814–18Cooper Hewitt, Smithsonian Design Museum
  427. Eight Studies of Friezes and CandelabrumFelice Giani, Italian, 1758–18231814–18Cooper Hewitt, Smithsonian Design Museum
  428. Four Decorative Studies of Ceilings; Verso: Anatomical StudiesFelice Giani, Italian, 1758–18231814–18Cooper Hewitt, Smithsonian Design Museum
  429. Decorative Studies; Verso: Anatomical StudiesFelice Giani, Italian, 1758–18231814–18Cooper Hewitt, Smithsonian Design Museum
  430. Decorative Studies; Verso: Anatomical Studies of ToesFelice Giani, Italian, 1758–18231814–18Cooper Hewitt, Smithsonian Design Museum
  431. Decorative Studies of Candelabrum and a CeilingFelice Giani, Italian, 1758–18231814–18Cooper Hewitt, Smithsonian Design Museum
  432. Five Studies of Ceiling with Grotesques; MadonnaFelice Giani, Italian, 1758–18231814–18Cooper Hewitt, Smithsonian Design Museum
  433. Six Decorative Studies; Verso, Anatomical StudyFelice Giani, Italian, 1758–18231814–18Cooper Hewitt, Smithsonian Design Museum
  434. Decorative Studies; Verso: Anatomical StudiesFelice Giani, Italian, 1758–18231814–18Cooper Hewitt, Smithsonian Design Museum
  435. Seven Studies of Quadrilateral Ceilings; Verso: Two Anatomical Studies of ArmsFelice Giani, Italian, 1758–18231814–18Cooper Hewitt, Smithsonian Design Museum
  436. Decorative Studies; Verso: Anatomical StudiesFelice Giani, Italian, 1758–18231814–18Cooper Hewitt, Smithsonian Design Museum
  437. Decorative Study; Verso: Anatomical Studies of HeadsFelice Giani, Italian, 1758–18231814–18Cooper Hewitt, Smithsonian Design Museum
  438. Decorative Motifs; Verso: Anatomical StudiesFelice Giani, Italian, 1758–18231814–18Cooper Hewitt, Smithsonian Design Museum
  439. Decorative Studies; Verso: Profile Heads of BarbariansFelice Giani, Italian, 1758–18231814–18Cooper Hewitt, Smithsonian Design Museum
  440. Decorative Studies; Verso: Anatomical Studies of Animals and Male HeadsFelice Giani, Italian, 1758–18231814–18Cooper Hewitt, Smithsonian Design Museum
  441. Two Decorartive Studies of Ceilings; Verso: Studies of HeadsFelice Giani, Italian, 1758–18231814–18Cooper Hewitt, Smithsonian Design Museum
  442. Decorative Studies of Ceilings with Grotesque; Studies of Monument with Papal Seale, Sisto VFelice Giani, Italian, 1758–18231814–18Cooper Hewitt, Smithsonian Design Museum
  443. Decorative Studies for Ceilings; Verso: Head in Profile with Antique HelmetFelice Giani, Italian, 1758–18231814–18Cooper Hewitt, Smithsonian Design Museum
  444. Architectural Interior Elements; Verso: Anatomical StudiesFelice Giani, Italian, 1758–18231814–18Cooper Hewitt, Smithsonian Design Museum
  445. Wallpaper Design: Psyche Bringing to Venus a Glass from the Fountain of YouthMerry-Joseph Blondel, French, 1781–1853; active Paris, France 1802–18511815Cooper Hewitt, Smithsonian Design Museum
  446. Wallpaper Design: Reconciliation of Venus and PsycheMerry-Joseph Blondel, French, 1781–1853; active Paris, France 1802–18511815Cooper Hewitt, Smithsonian Design Museum
  447. Door and Over Door, Blue (South) Drawing RoomFrederick Crace, English, 1779–18591815–22Cooper Hewitt, Smithsonian Design Museum
  448. Door and Over Door, Blue (South) Drawing RoomFrederick Crace, English, 1779–18591815–22Cooper Hewitt, Smithsonian Design Museum
  449. The Astronomer, After RaphaelFelice Giani, Italian, 1758–18231815Cooper Hewitt, Smithsonian Design Museum
  450. Design for a PavilionGiuseppe Valadier, Italian, 1762–18391815–1835Cooper Hewitt, Smithsonian Design Museum
  451. Paneled WallFrederick Crace, English, 1779–18591815–22Cooper Hewitt, Smithsonian Design Museum
  452. Design for a MonstancesGiuseppe Barberi, Italian, 1746–18091815–1830Cooper Hewitt, Smithsonian Design Museum
  453. Bellflower OrnamentUnknown1815–1823Cooper Hewitt, Smithsonian Design Museum
  454. Design for a Putto Frieze of a PlatePietro Belli, Italian, 1780–18281815–30Cooper Hewitt, Smithsonian Design Museum
  455. Be Careful with that Step!Francisco José de Goya y Lucientes1816/1820The Art Institute of Chicago
  456. Kumquat, Design Fifteen from Shazanrō Picture BookTani Bunchō (Japanese, 1763–1841)1816Cleveland Museum of Art
  457. Narcissus, Design Three from Shazanrō Picture BookTani Bunchō (Japanese, 1763–1841)1816Cleveland Museum of Art
  458. Hydrangea, Design Seventeen from Shazanrō Picture BookTani Bunchō (Japanese, 1763–1841)1816Cleveland Museum of Art
  459. Lily, Design Seven from Shazanrō Picture BookTani Bunchō (Japanese, 1763–1841)1816Cleveland Museum of Art
  460. Bamboo, Design One from Shazanrō Picture BookTani Bunchō (Japanese, 1763–1841)1816Cleveland Museum of Art
  461. Grapevine, Design Ten from Shazanrō Picture BookTani Bunchō (Japanese, 1763–1841)1816Cleveland Museum of Art
  462. Lilies, Design Sixteen from Shazanrō Picture BookTani Bunchō (Japanese, 1763–1841)1816Cleveland Museum of Art
  463. Crickets, Design Nineteen from Shazanrō Picture BookTani Bunchō (Japanese, 1763–1841)1816Cleveland Museum of Art
  464. Pomegranate, Design Six from Shazanrō Picture BookTani Bunchō (Japanese, 1763–1841)1816Cleveland Museum of Art
  465. sewing etc. instruction bookUnknown1816Cooper Hewitt, Smithsonian Design Museum
  466. Madonna and Child with St. JosephFelice Giani, Italian, 1758–18231816Cooper Hewitt, Smithsonian Design Museum
  467. View across the Moat towards the Thomasschule and the Thomaskirche in LeipzigJulius Schnorr von Carolsfeld (German, 1794–1872)1817Cleveland Museum of Art
  468. Decorative Studies of Candelabra; Verso: Masculine HeadsFelice Giani, Italian, 1758–18231817Cooper Hewitt, Smithsonian Design Museum
  469. Memorial Wool Embroidery Design "Meinem Theuren Vater" and "Meiner Theuren Mater"F. Ebner, German, 1800 – 18251818Cooper Hewitt, Smithsonian Design Museum
  470. Detailed View of the Three FiguresUnknownca. 1818Cooper Hewitt, Smithsonian Design Museum
  471. Three Putti with Garland; Romulus and Remus Breastfeeding from She-Wolf; Two Putti Playing CymbalsFelice Giani, Italian, 1758–18231818Cooper Hewitt, Smithsonian Design Museum
  472. Virgin Ascending with Concert of AngelsFelice Giani, Italian, 1758–18231818Cooper Hewitt, Smithsonian Design Museum
  473. The Death of ArchimedesFelice Giani, Italian, 1758–1823ca. 1820Cooper Hewitt, Smithsonian Design Museum
  474. The Prelate and Stool-Bearers and Women near Them in "Expulsion of Heliodorus" after Raphael SanzioFelice Giani, Italian, 1758–1823ca. 1820Cooper Hewitt, Smithsonian Design Museum
  475. Four Statues in Egyptian StyleFelice Giani, Italian, 1758–1823ca. 1820Cooper Hewitt, Smithsonian Design Museum
  476. Hygeia, after an Antique Statue in Giustiniani Collection, RomeFelice Giani, Italian, 1758–1823ca. 1820Cooper Hewitt, Smithsonian Design Museum
  477. PrintYashima Gakuteica. 1830Metropolitan Museum of Art, New York, NY
  478. The Christ Child upon an Altar between Two SaintsFortunato Duranti, Italian, 1787 - 18631820–1850Cooper Hewitt, Smithsonian Design Museum
  479. A Painter; View of a TownFortunato Duranti, Italian, 1787 - 18631820-1830Cooper Hewitt, Smithsonian Design Museum
  480. Design for a BowlUnknown1820–35Cooper Hewitt, Smithsonian Design Museum
  481. DrawingFelice Giani, Italian, 1758–1823About 1820Cooper Hewitt, Smithsonian Design Museum
  482. Drawing for an Oratory (Memorial Chapel)Giacomo Quarenghi, Italian, 1744 - 1817ca. 1820Cooper Hewitt, Smithsonian Design Museum
  483. Design for an UrnUnknown1820–1838Cooper Hewitt, Smithsonian Design Museum
  484. A Hand BellUnknown1820–35Cooper Hewitt, Smithsonian Design Museum
  485. Hanging BrazierUnknown1820–1830Cooper Hewitt, Smithsonian Design Museum
  486. Sketches Relating to Amsterdam TheaterUnknownca. 1820Cooper Hewitt, Smithsonian Design Museum
  487. The Virgin and Child EnthronedFortunato Duranti, Italian, 1787 - 18631820–1850Cooper Hewitt, Smithsonian Design Museum
  488. Classicized Interior Scene with Virgin and Child (?)Fortunato Duranti, Italian, 1787 - 18631820–1850Cooper Hewitt, Smithsonian Design Museum
  489. Sketch, Figure on Donkey Heralded by Musicians and WorshippersFortunato Duranti, Italian, 1787 - 18631820–1850Cooper Hewitt, Smithsonian Design Museum
  490. Project for a VaseUnknown1820–1835Cooper Hewitt, Smithsonian Design Museum
  491. Sketch, Classical Man, Woman, and ChildFortunato Duranti, Italian, 1787 - 18631820–1850Cooper Hewitt, Smithsonian Design Museum
  492. The Virgin and Child with Worshippers in Classical InteriorFortunato Duranti, Italian, 1787 - 18631820–1850Cooper Hewitt, Smithsonian Design Museum
  493. Sketch, Seated Allegory in Architectural SettingFortunato Duranti, Italian, 1787 - 18631820–1850Cooper Hewitt, Smithsonian Design Museum
  494. Sketch, Figures with Equestrian MonumentsFortunato Duranti, Italian, 1787 - 18631820–1850Cooper Hewitt, Smithsonian Design Museum
  495. Sketch, Classical Male Figure in LandscapeFortunato Duranti, Italian, 1787 - 18631820–1850Cooper Hewitt, Smithsonian Design Museum
  496. Sketch, Exterior Scene with Figures at Work or in CombatFortunato Duranti, Italian, 1787 - 18631820–1850Cooper Hewitt, Smithsonian Design Museum
  497. Sketch, Classical Scene with Hermes and Other FiguresFortunato Duranti, Italian, 1787 - 18631820–1850Cooper Hewitt, Smithsonian Design Museum
  498. Design for a FriezeUnknown1820–1830Cooper Hewitt, Smithsonian Design Museum
  499. Sketch, Deposition (?) with Heavenly FiguresFortunato Duranti, Italian, 1787 - 18631820–1850Cooper Hewitt, Smithsonian Design Museum
  500. Sketch, Allegory in Architectural Setting with Sculpted BustFortunato Duranti, Italian, 1787 - 18631820–1850Cooper Hewitt, Smithsonian Design Museum
  501. Soldiers or Workers in LandscapeFortunato Duranti, Italian, 1787 - 18631820–1850Cooper Hewitt, Smithsonian Design Museum
  502. Derelict group around a fireUnknown1820–1830Cooper Hewitt, Smithsonian Design Museum
  503. Sketch, Three Figures in Architectural Setting with Helmet and ShieldFortunato Duranti, Italian, 1787 - 18631820–1850Cooper Hewitt, Smithsonian Design Museum
  504. Design for a Turkish Bath PavilionUnknown1820Cooper Hewitt, Smithsonian Design Museum
  505. Sketch, Pastoral Scene with Figures in LandscapeFortunato Duranti, Italian, 1787 - 18631820–1850Cooper Hewitt, Smithsonian Design Museum
  506. Design for an OrnamentUnknown1820–1830Cooper Hewitt, Smithsonian Design Museum
  507. Design for an EarringUnknown1820–30Cooper Hewitt, Smithsonian Design Museum
  508. Design for a CoronetUnknownca. 1820Cooper Hewitt, Smithsonian Design Museum
  509. Sketches, Angels and Female FiguresFortunato Duranti, Italian, 1787 - 18631820–1850Cooper Hewitt, Smithsonian Design Museum
  510. Sketch, Exterior Scene with Draped Figures and Classical ArchitectureFortunato Duranti, Italian, 1787 - 18631820–1850Cooper Hewitt, Smithsonian Design Museum
  511. Sketch, Two Figures in Landscape with Architecture in BackgroundFortunato Duranti, Italian, 1787 - 18631820–1850Cooper Hewitt, Smithsonian Design Museum
  512. Exterior with Classical Architecture and Figures with Musical InstrumentsFortunato Duranti, Italian, 1787 - 18631820–1850Cooper Hewitt, Smithsonian Design Museum
  513. Sketch, Urban Exterior with Classical Architecture and Draped FiguresFortunato Duranti, Italian, 1787 - 18631820–1850Cooper Hewitt, Smithsonian Design Museum
  514. Madonna and Child and St. John, Study after Francia; Madonna and Child with St. John, Study after Dossi; Madonna and Child with St. John, Bishop Saint, St. Appolonia; Madonna and Child in Niche, Study after Sculpture by Salvator MundyFelice Giani, Italian, 1758–18231821–22Cooper Hewitt, Smithsonian Design Museum
  515. Four Putti Making Music, Study after Lodovico Carracci; Christ, Study after MassariFelice Giani, Italian, 1758–18231821–22Cooper Hewitt, Smithsonian Design Museum
  516. Saint in Ecstacy, After Franceschini; Classicized Version of Vision of St. Catherine of Vigri, Study after FranceschiniFelice Giani, Italian, 1758–18231821–22Cooper Hewitt, Smithsonian Design Museum
  517. Venus and Cupid, Study after Annibale CarracciFelice Giani, Italian, 1758–18231821–22Cooper Hewitt, Smithsonian Design Museum
  518. Madonna and Child in Glory, Study after Mastelletta; Angel Gabriel Driving Lucifer from Heaven, Study after Marcantonio FranceschiniFelice Giani, Italian, 1758–18231821–22Cooper Hewitt, Smithsonian Design Museum
  519. Portrait of a ChildSamuel Worcester Rowse, American, 1822 - 19011822-1901Cooper Hewitt, Smithsonian Design Museum
  520. Portrait of a Young GirlSamuel Worcester Rowse, American, 1822 - 19011822-1901Cooper Hewitt, Smithsonian Design Museum
  521. Portrait of a Young GirlSamuel Worcester Rowse, American, 1822 - 19011822-1901Cooper Hewitt, Smithsonian Design Museum
  522. Design for Snuff Box, Cardinal Consalvi, Papal Secratary of State to Pius VIIUnknown1824Cooper Hewitt, Smithsonian Design Museum
  523. Design for a Painted Porcelain Plate, Le Lion (Leo) from the Le Zodiaque Travesti (The Farcical Zodiac) ServiceJean Charles Develly, French, 1783 - 18491824Cooper Hewitt, Smithsonian Design Museum
  524. Genoveva’s Murderers Take PityJosef von Führichc. 1830The Art Institute of Chicago
  525. A Commissioned and a Non-Commissioned Cavalry OfficerVictor Vincent Adam, French, 1801 – 18661825–1850Cooper Hewitt, Smithsonian Design Museum
  526. Design for Wallpaper BorderUnknown1825–50Cooper Hewitt, Smithsonian Design Museum
  527. Design for a VignetteUnknown1825–1850Cooper Hewitt, Smithsonian Design Museum
  528. Water color; Performers of a Commedia dell'ArteSaverio della Gatta, Italian, 1777 - 18291827Cooper Hewitt, Smithsonian Design Museum
  529. Design for a Cruet StandJoseph Anton Seethaler II, German, 1799–1868ca. 1827–35Cooper Hewitt, Smithsonian Design Museum
  530. CurrantsUnknownOctober 2, 1827Cooper Hewitt, Smithsonian Design Museum
  531. Design for a Park ColonnadeJosef Georg Kornhäusel, Austrian, 1782 - 1860ca. 1827Cooper Hewitt, Smithsonian Design Museum
  532. A Prussian Officer's QuartersUnknown, German1830Cooper Hewitt, Smithsonian Design Museum
  533. Military VignettesVictor Vincent Adam, French, 1801 – 18661830–1840Cooper Hewitt, Smithsonian Design Museum
  534. PitcherUnknown1830Cooper Hewitt, Smithsonian Design Museum
  535. Wild AnemoneUnknownca. 1830Cooper Hewitt, Smithsonian Design Museum
  536. Oak Leaf Wreath with EagleRomolo Achille Liverani, Italian, 1809 - 18721830–1850Cooper Hewitt, Smithsonian Design Museum
  537. Painted Decoration of a WallUnknown1830–50Cooper Hewitt, Smithsonian Design Museum
  538. Design for a CoronetUnknown1830–40Cooper Hewitt, Smithsonian Design Museum
  539. Design for a CombUnknownca. 1830Cooper Hewitt, Smithsonian Design Museum
  540. Design for a CombUnknownca. 1830Cooper Hewitt, Smithsonian Design Museum
  541. Design for a CombUnknownca. 1830Cooper Hewitt, Smithsonian Design Museum
  542. Design for a Coronet with Alternative SuggestionsUnknown1830–40Cooper Hewitt, Smithsonian Design Museum
  543. Design for a Triumphal Arch in Honor of the Polish General SkrzyneckiJosef Georg Kornhäusel, Austrian, 1782 - 18601831Cooper Hewitt, Smithsonian Design Museum
  544. Orange BlossomsUnknownApril 23, 1832Cooper Hewitt, Smithsonian Design Museum
  545. SnowberriesUnknownOctober 8, 1832Cooper Hewitt, Smithsonian Design Museum
  546. Spring Rain at Tsuchiyama, from the series Fifty-three Stations of the TōkaidōUtagawa Hiroshige1834–35Metropolitan Museum of Art, New York, NY
  547. The God of Good Fortune Daikoku, on Horseback, Being Led by an Ohara MaidenHokkyō Kōitsuprobably 1834, year of the horseMetropolitan Museum of Art, New York, NY
  548. Design for Decorative Panel for July Festival ArchitectureFélix Duban, French, 1797 - 18701834Cooper Hewitt, Smithsonian Design Museum
  549. Design for Decorative Panel for July Festival ArchitectureFélix Duban, French, 1797 - 18701834Cooper Hewitt, Smithsonian Design Museum
  550. An Insect BallJean-Jacques Grandville (French, 1803–1847)1835Cleveland Museum of Art
  551. Sketches of the Virgin with the Child and a SaintFortunato Duranti, Italian, 1787 - 18631835Cooper Hewitt, Smithsonian Design Museum
  552. DrawingFelice Giani, Italian, 1758–18231835-1850Cooper Hewitt, Smithsonian Design Museum
  553. Design for Decorative Panel for July Festival ArchitectureFélix Duban, French, 1797 - 18701835Cooper Hewitt, Smithsonian Design Museum
  554. Tradecard, Frederick Crace and Son, LondonFrederick Crace, English, 1779–18591838–40Cooper Hewitt, Smithsonian Design Museum
  555. Invitation to an Opening at 14 Wigmore Street, 1839Crace & Son, British, 1768 – 1899ca. 1839Cooper Hewitt, Smithsonian Design Museum
  556. A Cross in NormandyCharles Nicolas Ransonnette, French, 1793 - 1877ca. 1840Cooper Hewitt, Smithsonian Design Museum
  557. Ceiling Painted in PompeiUnknownca. 1840Cooper Hewitt, Smithsonian Design Museum
  558. Classical and Pseudo-Classical Architectural DetailsRomolo Achille Liverani, Italian, 1809 - 1872ca. 1840Cooper Hewitt, Smithsonian Design Museum
  559. Illustrative of Trumbull's AutobiographyJohn Trumbull, American, 1756–1843ca. 1841Cooper Hewitt, Smithsonian Design Museum
  560. A View from Bald Mountain, Orange County, N.Y.Jasper F. Cropsey (American, 1823–1900)1843Cleveland Museum of Art
  561. Gathering of Otsu-e SubjectsShibata Zeshin (Japanese, 1807–1891)late 1800sCleveland Museum of Art
  562. LandscapeCharles Nicolas Ransonnette, French, 1793 - 18771850-1875Cooper Hewitt, Smithsonian Design Museum
  563. Woods with a Sleeping ManCharles Nicolas Ransonnette, French, 1793 - 1877ca. 1850Cooper Hewitt, Smithsonian Design Museum
  564. Design for a BroochUnknown1850–75Cooper Hewitt, Smithsonian Design Museum
  565. Chokichi, "the untamed horse"Utagawa Kunisada, Japanese, 1786 – 1864ca. 1850Cooper Hewitt, Smithsonian Design Museum
  566. The actor Igoro SawaiUtagawa Kunisada, Japanese, 1786 – 1864ca. 1850Cooper Hewitt, Smithsonian Design Museum
  567. Letterpress print (as companion to Doorframe, 2008.554)Unknown artist1850/1900The Art Institute of Chicago
  568. Qur'an ManuscriptUnknowndated 1268 AH/1851–52 CEMetropolitan Museum of Art, New York, NY
  569. Design for a Bourgeois Biedermeier InteriorR. Haes1853–58Cooper Hewitt, Smithsonian Design Museum
  570. Part of a triptych: man with a parasolUtagawa Kunisada, Japanese, 1786 – 18641854Cooper Hewitt, Smithsonian Design Museum
  571. Design for a Gas Lamp and CandelabrumUnknownca. 1855Cooper Hewitt, Smithsonian Design Museum
  572. Design for a LunetteGiacomo Casa, Italian, 1835 – 18871855–1860Cooper Hewitt, Smithsonian Design Museum
  573. The ConnoisseurHonoré Daumierca. 1860–65Metropolitan Museum of Art, New York, NY
  574. Goat Island and Terrapin Tower, Niagara River, New YorkFrederic Edwin Church, American, 1826–1900October 1856Cooper Hewitt, Smithsonian Design Museum
  575. Design for a Cabinet in the "Boulle" StylePagny, French, 1856 – 18881856–88Cooper Hewitt, Smithsonian Design Museum
  576. Landscape with a Woman at a StreamCharles Nicolas Ransonnette, French, 1793 - 18771856Cooper Hewitt, Smithsonian Design Museum
  577. Six Jewel Rivers from Various ProvincesUtagawa Hiroshige1857Metropolitan Museum of Art, New York, NY
  578. Sudden Shower over Shin-Ōhashi Bridge and Atake (Ōhashi Atake no yūdachi), from the series One Hundred Famous Views of Edo (Meisho Edo hyakkei)Utagawa Hiroshige1857Metropolitan Museum of Art, New York, NY
  579. Design for two braceletsAugusto Castellani, Roman, 1829 - 1914ca. 1858–80Cooper Hewitt, Smithsonian Design Museum
  580. The actor Yae MisazoUtagawa Kunisada, Japanese, 1786 – 18641858Cooper Hewitt, Smithsonian Design Museum
  581. Elevation of a Facade of a Theater, The HagueCesare Recanatini, Italian, 1823–1893ca. 1860Cooper Hewitt, Smithsonian Design Museum
  582. Elevation of the Facade of the Theater, St. PetersburgCesare Recanatini, Italian, 1823–1893ca. 1860Cooper Hewitt, Smithsonian Design Museum
  583. Elevation of the Facade of the Théatre Royal des Italiens, ParisCesare Recanatini, Italian, 1823–1893ca. 1860Cooper Hewitt, Smithsonian Design Museum
  584. Elevation of the Facade of a Theater, PragueCesare Recanatini, Italian, 1823–1893ca. 1860Cooper Hewitt, Smithsonian Design Museum
  585. Title page: "Bearing the Cross"S. A. Grantca. 1861Cooper Hewitt, Smithsonian Design Museum
  586. Hiroshige Picture Album (Hiroshige gafu)Utagawa Hiroshige II1862 (Bunkyū 2)Metropolitan Museum of Art, New York, NY
  587. BelltowerGiovanni Pividor, Italian, 1812 - 18721862Cooper Hewitt, Smithsonian Design Museum
  588. Family SceneHonoré-Victorin Daumierc. 1865The Art Institute of Chicago
  589. Page of Calligraphy in Ornamental StyleMalik Muhammad Qazvinidated 1285 AH/1868–69 CEMetropolitan Museum of Art, New York, NY
  590. Portrait of Mr. FranklinRichard Dighton, British, 1795–18801870–80Cooper Hewitt, Smithsonian Design Museum
  591. Study for Inspiration Point, Riverside Drive, New York CityArnold William Brunner, American, 1857–19251872–1903Cooper Hewitt, Smithsonian Design Museum
  592. Architectural project for the house of P.J. HetzelEugène Emmanuel Viollet-le-Duc, French, 1814 – 18791874Cooper Hewitt, Smithsonian Design Museum
  593. Architectural project for the house of P.J. HetzelEugène Emmanuel Viollet-le-Duc, French, 1814 – 18791874Cooper Hewitt, Smithsonian Design Museum
  594. The AppealWalter Shirlaw, American, b. Scotland, 1838–19091875–80Cooper Hewitt, Smithsonian Design Museum
  595. Sri Sri DurgaUnknownca. 1875–80Metropolitan Museum of Art, New York, NY
  596. Paper Doll and CostumeUnknown1876–80Cooper Hewitt, Smithsonian Design Museum
  597. Sketch of Church of St. Nicholas, Caen, FranceStanford White, American, 1853 - 19061878Cooper Hewitt, Smithsonian Design Museum
  598. Title-page for an Album of Drawings, "Disegni originali di artisti moderni"Giovanni Piancastelli, Italian, 1845–1926ca. 1880–1920Cooper Hewitt, Smithsonian Design Museum
  599. A Court JesterAttilio Simonetti, Italian, 1843 - 19251880–1900Cooper Hewitt, Smithsonian Design Museum
  600. Design for a PitcherNoritake, Japan and New York, New York, USA1880–1910Cooper Hewitt, Smithsonian Design Museum
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