Variations of design for surtout de table (in two parts) — Unknown, ca. 1770–75

Variations of design for surtout de table (in two parts), Unknown

Seen

Not described yet.

Of

No subject recorded yet.

Means

No reading yet.

Rights

Credit: Museum purchase through gift of Mrs. Griffith Bailey Coale
Licence: CC0-1.0
Evidence: api.si.edu openaccess v1.0: content.descriptiveNonRepeating.metadata_usage.access=CC0 on record chndm_1992-35-1-b (read 2026-09-01)
Record: https://collection.cooperhewitt.org/view/objects/asitem/id/194838

Also by Unknown

5442

Relief Fragment with a Ship Under Sail, Unknown — Relief Fragment with a Ship Under SailUnknownca. 2465–2458 BCEMetropolitan Museum of Art, New York, NY

Tomb Chapel of Raemkai: South Wall, Unknown — Tomb Chapel of Raemkai: South WallUnknownca. 2446–2389 BCEMetropolitan Museum of Art, New York, NY

West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and Werdjedptah, Unknown — West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and WerdjedptahUnknownca. 2420–2250 BCEMetropolitan Museum of Art, New York, NY

Relief of Nyankhnesut Seated, Unknown — Relief of Nyankhnesut SeatedUnknownc. 2311–2281 BCECleveland Museum of Art

Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching Lion, Unknown — Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh Sign, Unknown — Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh SignUnknownca. 2150–2010 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a Lion, Unknown — Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tail, Unknown — Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tailUnknownca. 2100–2080 B.C.Metropolitan Museum of Art, New York, NY

Within fifty years of ca. 1770–75

2149

Ornamental Design for the Letter B, Gilles-Marie Oppenord, French, 1672–1742 — Ornamental Design for the Letter BGilles-Marie Oppenord, French, 1672–1742ca. 1720Cooper Hewitt, Smithsonian Design Museum

Ornamental Design for the Letter B, Gilles-Marie Oppenord, French, 1672–1742 — Ornamental Design for the Letter BGilles-Marie Oppenord, French, 1672–1742ca. 1720Cooper Hewitt, Smithsonian Design Museum

Ornamental Design for the Letter B, Gilles-Marie Oppenord, French, 1672–1742 — Ornamental Design for the Letter BGilles-Marie Oppenord, French, 1672–1742ca. 1720Cooper Hewitt, Smithsonian Design Museum

Title Page, Johann Leonhard Eisler, German, 1672 – 1733 — Title PageJohann Leonhard Eisler, German, 1672 – 17331720–25Cooper Hewitt, Smithsonian Design Museum

Saint Francis Receiving the Stigmata, Donato Creti, Italian, 1671–1749 — Saint Francis Receiving the StigmataDonato Creti, Italian, 1671–1749ca. 1720Cooper Hewitt, Smithsonian Design Museum

Decorated Cartouche with Classical Architecture, Pierre Edme Babel, French, 1720–1775 — Decorated Cartouche with Classical ArchitecturePierre Edme Babel, French, 1720–17751720–1775Cooper Hewitt, Smithsonian Design Museum

Section of the House and Proscenium, Saverio Avesani, Italian, b. 1690 — Section of the House and ProsceniumSaverio Avesani, Italian, b. 1690ca. 1720Cooper Hewitt, Smithsonian Design Museum

Sampler, Sarah Fenn, English — SamplerSarah Fenn, English1721Cooper Hewitt, Smithsonian Design Museum

Also at Cooper Hewitt, Smithsonian Design Museum

3329

Ornament Panel with Bird Cage, Nicoletto da Modena, Italian, active 1500 – 1522 — Ornament Panel with Bird CageNicoletto da Modena, Italian, active 1500 – 1522ca. 1507Cooper Hewitt, Smithsonian Design Museum

Ornament Panel Inscribed "Victoria Augusta", Nicoletto da Modena, Italian, active 1500 – 1522 — Ornament Panel Inscribed "Victoria Augusta"Nicoletto da Modena, Italian, active 1500 – 1522ca. 1507Cooper Hewitt, Smithsonian Design Museum

Ornament Panel with Mars, Nicoletto da Modena, Italian, active 1500 – 1522 — Ornament Panel with MarsNicoletto da Modena, Italian, active 1500 – 1522ca. 1507Cooper Hewitt, Smithsonian Design Museum

Abraham and the Three Angels, Lucas van Leyden, Netherlandish, ca. 1494–1533 — Abraham and the Three AngelsLucas van Leyden, Netherlandish, ca. 1494–15331513Cooper Hewitt, Smithsonian Design Museum

Study of a Rearing Horse after Leonardo da Vinci, Francesco Melzi, Italian, 1491 – 1570 — Study of a Rearing Horse after Leonardo da VinciFrancesco Melzi, Italian, 1491 – 1570ca. 1520–25Cooper Hewitt, Smithsonian Design Museum

Portrait of Albrecht of Brandenburg, Albrecht Dürer, German, 1471–1528 — Portrait of Albrecht of BrandenburgAlbrecht Dürer, German, 1471–15281524Cooper Hewitt, Smithsonian Design Museum

Grotesque Ornament with Satyrs, from a set of twenty ornament panels, Agostino Veneziano, Italian, ca. 1490 - after 1536 — Grotesque Ornament with Satyrs, from a set of twenty ornament panelsAgostino Veneziano, Italian, ca. 1490 - after 1536ca. 1530–1535Cooper Hewitt, Smithsonian Design Museum

Design for Covered Cups, from Dessins d'orfèvrerie (Designs for Metalwork), Léonard Thiry, Flemish, 1550 — Design for Covered Cups, from Dessins d'orfèvrerie (Designs for Metalwork)Léonard Thiry, Flemish, 15501540–1560Cooper Hewitt, Smithsonian Design Museum

Similar picturesFound by visual likeness

8 pictures

Other makers only

Visual resemblances suggested by the model. A match does not establish a shared subject or historical connection.

Figure, Robert Frederick Blum, American, 1857–1903 — FigureRobert Frederick Blum, American, 1857–1903n.d.Cooper Hewitt, Smithsonian Design Museum

0.90

Donkey, Robert Frederick Blum, American, 1857–1903 — DonkeyRobert Frederick Blum, American, 1857–19031883Cooper Hewitt, Smithsonian Design Museum

0.89

Landscape, Robert Frederick Blum, American, 1857–1903 — LandscapeRobert Frederick Blum, American, 1857–19031876Cooper Hewitt, Smithsonian Design Museum

0.88

Architectural Details in Venice, Arnold William Brunner, American, 1857–1925 — Architectural Details in VeniceArnold William Brunner, American, 1857–19251883Cooper Hewitt, Smithsonian Design Museum

0.88

Study of seascape, William Stanley Haseltine, American, 1835–1900 — Study of seascapeWilliam Stanley Haseltine, American, 1835–1900ca. 1855Cooper Hewitt, Smithsonian Design Museum

0.88

Doorway, Robert Frederick Blum, American, 1857–1903 — DoorwayRobert Frederick Blum, American, 1857–19031882Cooper Hewitt, Smithsonian Design Museum

0.87

Abbey Church of St. Leu d’Esserent. (Oise), Arnold William Brunner, American, 1857–1925 — Abbey Church of St. Leu d’Esserent. (Oise)Arnold William Brunner, American, 1857–19251879–80Cooper Hewitt, Smithsonian Design Museum

0.87

Figures, Robert Frederick Blum, American, 1857–1903 — FiguresRobert Frederick Blum, American, 1857–1903n.d.Cooper Hewitt, Smithsonian Design Museum

0.87

Next

Made in the eighteenth century, like Variations of design for surtout de table (in two parts).

Study of the Lamentation on the Dead Christ1780
The Sacrifice of Isaac1754
Sacrifice of Isaac1750
The Sacrifice of Isaac1750

0:00–0:00