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The Adoration of the Magi, from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier — Unknown1602–4Also by Unknown
5442
Relief Fragment with a Ship Under SailUnknownca. 2465–2458 BCEMetropolitan Museum of Art, New York, NY
Tomb Chapel of Raemkai: South WallUnknownca. 2446–2389 BCEMetropolitan Museum of Art, New York, NY
West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and WerdjedptahUnknownca. 2420–2250 BCEMetropolitan Museum of Art, New York, NY
Relief of Nyankhnesut SeatedUnknownc. 2311–2281 BCECleveland Museum of Art
Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY
Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh SignUnknownca. 2150–2010 B.C.Metropolitan Museum of Art, New York, NY
Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY
Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tailUnknownca. 2100–2080 B.C.Metropolitan Museum of Art, New York, NYWithin fifty years of 1602–4
653
Picta poesis vt pictvra poesis eritBarthélemy Aneau1552Metropolitan Museum of Art, New York, NY
The NativityGiorgio Ghisi (Italian, 1520–1582); Hieronymus Cock; Agnolo Bronzino (Italian, 1503–1572)1553Cleveland Museum of Art
The EntombmentMoretto da Brescia (Alessandro Bonvicino)1554Metropolitan Museum of Art, New York, NY
Hermou tou Trismegistou Poimandres. Asklepiou horoi pros Ammona Basilea = : Mercurii Trismegisti Poemander, seu de potestate ac sapientia divina. Aesculapii definitiones ad Ammonem regem ...Hermes1554Stiftung der Werke von C.G.Jung, Zürich
Pedanii Dioscoridis ... de medica materia libri sex ... : his accessit, praeter pharmacorum simplicium catalogum, copiosus omnium ferme medelarum sive curationum indexDioscorides1554Stiftung der Werke von C.G.Jung, Zürich
Christ and the Two Thieves CrucifiedMichelangelo Buonarrotica. 1560–70Metropolitan Museum of Art, New York, NY
Samson and the Lion, from "The Story of Samson"Anonymous, French, 16th centuryca. 1560–80Metropolitan Museum of Art, New York, NY
Angel announcing the Birth of Samson, from "The Story of Samson"Anonymous, French, 16th centuryca. 1560–80Metropolitan Museum of Art, New York, NYAlso at Cleveland Museum of Art
481
Black-Figure Nikosthenic Amphora (Storage Vessel): Dancing Youths; Sphinxes and Lions; Satyrs and MaenadsNikosthenes (Greek, Attic, active c. 545–510 BCE); Painter N, Thiasos Group (Greek, c. 530–510 BC)c. 530–510 BCECleveland Museum of Art
Black-Figure Dinos (Mixing Vessel): Warships (Int.); Heroic Scenes (Top)Antimenes Painter (Greek, Attic, active c. 530–510 BCE)c. 520–515 BCECleveland Museum of Art
White-Ground Lekythos (Oil Vessel): Atalanta and ErotesDouris (Greek, Attic, active c. 500–470 BCE)c. 500–490 BCECleveland Museum of Art
Black-Figure White-Ground Lekythos (Oil Vessel): Athena between Cocks and Hieropoioi (Officials)Athena Painter (Greek, c. 500–475 BCE)500–485 BCECleveland Museum of Art
Red-Figure Lekythos (Oil Vessel): Athena Slaying Giant (body); Satyr between Maenads (shoulder)Berlin Painter (Greek, Attic, active c. 505–460 BC); Painter of Goluchow 37 (Greek, Attic, active c. 490–460 BC)c. 490 BCECleveland Museum of Art
Red-Figure Lekythos (Oil Vessel): Warrior Cutting HairOionokles Painter (Greek, Attic, active c. 480–460 BCE)c. 480–470 BCECleveland Museum of Art
Red-Figure Column Krater (Mixing Vessel): Apollo and Goddesses with Chariot (A); Komos (Revel) (B)Cleveland Painter (name vase; Greek, Attic, active c. 470–460 BCE)c. 470–460 BCECleveland Museum of Art
Fragment from Red-Figure Oinochoe (Wine Jug) or Hydria (Water Jar): Woman Holding BoxShuvalov Painter (Greek, Attic, active c. 440–410 BCE)c. 425–420 BCECleveland Museum of Art
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Made in the seventeenth century, like The Adoration of the Magi, from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier.