Hiroshige Picture Album (Hiroshige gafu), Utagawa Hiroshige II

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These are claims by the holder and by Wikidata, read 2026-09-04, and join nothing until an editor confirms them.

Holder's headings
Flowers

Means

No reading yet.

Rights

Credit
Purchase, Mary and James G. Wallach Foundation Gift, 2013
Licence
CC0-1.0
Evidence
metmuseum.org collection api v1: isPublicDomain=true on object 78617 (read 2026-09-01)
Record
https://www.metmuseum.org/art/collection/search/78617
Hiroshige Picture Album (Hiroshige gafu), Utagawa Hiroshige II
Hiroshige Picture Album (Hiroshige gafu) — Utagawa Hiroshige II1862 (Bunkyū 2)

Within fifty years of 1862 (Bunkyū 2)

4333
Three Men Carrying a Wounded Soldier, from the Images of Spain, Album F, Francisco José de Goya y Lucientes
Three Men Carrying a Wounded Soldier, from the Images of Spain, Album FFrancisco José de Goya y Lucientes1812/20The Art Institute of Chicago
Legs and Feet of Male Nude, Michelangelo Buonarroti
Legs and Feet of Male NudeMichelangelo Buonarroti1812/50The Art Institute of Chicago
An Exquisite, George Cruikshank
An ExquisiteGeorge Cruikshankca. 1817Metropolitan Museum of Art, New York, NY
Sketchbook Page, Folio 95: Three Paintings after Giulio Romano; Verso: Lion and Eagle, Felice Giani, Italian, 1758–1823
Sketchbook Page, Folio 95: Three Paintings after Giulio Romano; Verso: Lion and EagleFelice Giani, Italian, 1758–18231812–14Cooper Hewitt, Smithsonian Design Museum
Sketchbook Page, Folio 98: Two Paintings after Caravaggio and Raphael; Verso: Eagle and Ox, Felice Giani, Italian, 1758–1823
Sketchbook Page, Folio 98: Two Paintings after Caravaggio and Raphael; Verso: Eagle and OxFelice Giani, Italian, 1758–18231812–14Cooper Hewitt, Smithsonian Design Museum
Autolycus, Lumb Stocks, British, 1812 - 1892
AutolycusLumb Stocks, British, 1812 - 18921812-1892Cooper Hewitt, Smithsonian Design Museum
Frontispiece, François-Joseph Bélanger, French, 1744–1818
FrontispieceFrançois-Joseph Bélanger, French, 1744–18181812Cooper Hewitt, Smithsonian Design Museum
Textile, Unknown
TextileUnknownca. 1812Cooper Hewitt, Smithsonian Design Museum

Also at Metropolitan Museum of Art, New York, NY

487
Marble female figure, Bastis Master
Marble female figureBastis Master2600–2400 BCEMetropolitan Museum of Art, New York, NY
Relief Fragment with a Ship Under Sail, Unknown
Relief Fragment with a Ship Under SailUnknownca. 2465–2458 BCEMetropolitan Museum of Art, New York, NY
Tomb Chapel of Raemkai: South Wall, Unknown
Tomb Chapel of Raemkai: South WallUnknownca. 2446–2389 BCEMetropolitan Museum of Art, New York, NY
West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and Werdjedptah, Unknown
West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and WerdjedptahUnknownca. 2420–2250 BCEMetropolitan Museum of Art, New York, NY
Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching Lion, Unknown
Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY
Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh Sign, Unknown
Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh SignUnknownca. 2150–2010 B.C.Metropolitan Museum of Art, New York, NY
Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a Lion, Unknown
Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY
Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tail, Unknown
Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tailUnknownca. 2100–2080 B.C.Metropolitan Museum of Art, New York, NY

Similar picturesFound by visual likeness

8 pictures

Visual resemblances suggested by the model. A match does not establish a shared subject or historical connection.

Three Courtesans with a Client, Okumura Masanobu (Japanese, 1686–1764)
Three Courtesans with a ClientOkumura Masanobu (Japanese, 1686–1764)Cleveland Museum of Art
0.87
Nissaka: The Night-Weeping Stone at Sayo no Nakayama, from the series The Fifty-Three Stations of the Tōkaidō, Utagawa Hiroshige (Japanese, 1797–1858)
Nissaka: The Night-Weeping Stone at Sayo no Nakayama, from the series The Fifty-Three Stations of the TōkaidōUtagawa Hiroshige (Japanese, 1797–1858)c. 1848–50Cleveland Museum of Art
0.87
Album of painting and calligraphy for Maoshu, Various artists
Album of painting and calligraphy for MaoshuVarious artists1666–80Metropolitan Museum of Art, New York, NY
0.87
Bamboo, Design One from Shazanrō Picture Book, Tani Bunchō (Japanese, 1763–1841)
Bamboo, Design One from Shazanrō Picture BookTani Bunchō (Japanese, 1763–1841)1816Cleveland Museum of Art
0.86
Pomegranate, Design Six from Shazanrō Picture Book, Tani Bunchō (Japanese, 1763–1841)
Pomegranate, Design Six from Shazanrō Picture BookTani Bunchō (Japanese, 1763–1841)1816Cleveland Museum of Art
0.86
Lily, Design Seven from Shazanrō Picture Book, Tani Bunchō (Japanese, 1763–1841)
Lily, Design Seven from Shazanrō Picture BookTani Bunchō (Japanese, 1763–1841)1816Cleveland Museum of Art
0.86
Kanbara: Evening Snow (Kanbara, yoru no yuki), from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi no uchi)," also known as the Hoeido Tokaido, Utagawa Hiroshige
Kanbara: Evening Snow (Kanbara, yoru no yuki), from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi no uchi)," also known as the Hoeido TokaidoUtagawa Hiroshigec. 1833/34The Art Institute of Chicago
0.85
Album of Seasonal Landscapes, Leaf A (previous leaf 4), Xiao Yuncong (Chinese, 1596–1673)
Album of Seasonal Landscapes, Leaf A (previous leaf 4)Xiao Yuncong (Chinese, 1596–1673)1668Cleveland Museum of Art
0.85

Next

Made in the nineteenth century, like Hiroshige Picture Album (Hiroshige gafu).

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