The God of Good Fortune Daikoku, on Horseback, Being Led by an Ohara Maiden — Hokkyō Kōitsu, probably 1834, year of the horse

The God of Good Fortune Daikoku, on Horseback, Being Led by an Ohara Maiden, Hokkyō Kōitsu

Seen

Not described yet.

Of

These are claims by the holder and by Wikidata, read 2026-09-04, and join nothing until an editor confirms them.

Holder's headings: Girls, Men, Horses

Means

No reading yet.

Rights

Credit: Gift of Mr. and Mrs. Arthur J. Steel, 1960
Licence: CC0-1.0
Evidence: metmuseum.org collection api v1: isPublicDomain=true on object 54228 (read 2026-08-27)
Record: https://www.metmuseum.org/art/collection/search/54228

Within fifty years of probably 1834, year of the horse

3740

Pathfinder Illustration, Jakob Ernst Marcus — Pathfinder IllustrationJakob Ernst Marcusn.d.The Art Institute of Chicago

Le calendrier de la cour : tiré des ephémérides, pour l'année bissextile mil sept-cent quatre-vingt-quatre : contenant le lieu du soleil, son lever, son coucher, sa déclinaison: le lever de la lune & son coucher, &c. : avec la naissance des rois, reines, princes & princesses de l'Europe imprimé pour la famille royale et maison de sa Majesté, La Veuve Hérissant — Le calendrier de la cour : tiré des ephémérides, pour l'année bissextile mil sept-cent quatre-vingt-quatre : contenant le lieu du soleil, son lever, son coucher, sa déclinaison: le lever de la lune & son coucher, &c. : avec la naissance des rois, reines, princes & princesses de l'Europe imprimé pour la famille royale et maison de sa MajestéLa Veuve Hérissant1784Metropolitan Museum of Art, New York, NY

Textile, Unknown — TextileUnknownca. 1784Cooper Hewitt, Smithsonian Design Museum

Salesman's sample book, Unknown — Salesman's sample bookUnknown1784Cooper Hewitt, Smithsonian Design Museum

Von den Träumen und Nachtwandlern, Unknown — Von den Träumen und NachtwandlernUnknown1784Stiftung der Werke von C.G.Jung, Zürich, B Qa 1

Ge. Henr. Nievpoort ... Rituum qui olim apud Romanos obtinuerunt succincta explicatio ad intelligentiam veterum auctorum facili methodo conscripta : accedunt ... Ioanne Matthiae Gesneri prolusio. atque Caroli Ferdinandi Hommelii de tribunali praetoris liber singularis, Nieupoort, Guillaume Henri — Ge. Henr. Nievpoort ... Rituum qui olim apud Romanos obtinuerunt succincta explicatio ad intelligentiam veterum auctorum facili methodo conscripta : accedunt ... Ioanne Matthiae Gesneri prolusio. atque Caroli Ferdinandi Hommelii de tribunali praetoris liber singularisNieupoort, Guillaume Henri1784Stiftung der Werke von C.G.Jung, Zürich

Woodblock, Swaislands Fabric Printing Works — WoodblockSwaislands Fabric Printing Workslate 18th centuryMetropolitan Museum of Art, New York, NY

Woodblock, Swaislands Fabric Printing Works — WoodblockSwaislands Fabric Printing Workslate 18th centuryMetropolitan Museum of Art, New York, NY

Also at Metropolitan Museum of Art, New York, NY

500

Marble female figure, Bastis Master — Marble female figureBastis Master2600–2400 BCEMetropolitan Museum of Art, New York, NY

Relief Fragment with a Ship Under Sail, Unknown — Relief Fragment with a Ship Under SailUnknownca. 2465–2458 BCEMetropolitan Museum of Art, New York, NY

Tomb Chapel of Raemkai: South Wall, Unknown — Tomb Chapel of Raemkai: South WallUnknownca. 2446–2389 BCEMetropolitan Museum of Art, New York, NY

West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and Werdjedptah, Unknown — West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and WerdjedptahUnknownca. 2420–2250 BCEMetropolitan Museum of Art, New York, NY

Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching Lion, Unknown — Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh Sign, Unknown — Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh SignUnknownca. 2150–2010 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a Lion, Unknown — Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tail, Unknown — Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tailUnknownca. 2100–2080 B.C.Metropolitan Museum of Art, New York, NY

Similar picturesFound by visual likeness

8 pictures

Other makers only

Visual resemblances suggested by the model. A match does not establish a shared subject or historical connection.

The Strange Occurrence of Ukiyo Matahei and his Famous Paintings, Utagawa Kuniyoshi (Japanese, 1797–1861) — The Strange Occurrence of Ukiyo Matahei and his Famous PaintingsUtagawa Kuniyoshi (Japanese, 1797–1861)1853Cleveland Museum of Art

0.91

Print, Torii Kiyonobu I — PrintTorii Kiyonobu I1703Metropolitan Museum of Art, New York, NY

0.90

Mishima: Morning Mist (Mishima, asagiri), from the series "Fifty-three Stations of the Tokaido Road (Tokaido gojusan tsugi no uchi)," also known as the Hoeido Tokaido, Utagawa Hiroshige — Mishima: Morning Mist (Mishima, asagiri), from the series "Fifty-three Stations of the Tokaido Road (Tokaido gojusan tsugi no uchi)," also known as the Hoeido TokaidoUtagawa Hiroshigec. 1833/34The Art Institute of Chicago

0.90

Geisha, Utagawa Kunisada, Japanese, 1786 – 1864 — GeishaUtagawa Kunisada, Japanese, 1786 – 18641855Cooper Hewitt, Smithsonian Design Museum

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0.89

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0.89

The Actor Otani Hiroji III as Kawazu no Saburo in the Play Myoto-giku Izu no Kisewata, Performed at the Ichimura Theater in the Eleventh Month, 1770, Katsukawa Shunsho — The Actor Otani Hiroji III as Kawazu no Saburo in the Play Myoto-giku Izu no Kisewata, Performed at the Ichimura Theater in the Eleventh Month, 1770Katsukawa Shunshoc. 1770The Art Institute of Chicago

0.88

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0.88

Next

Made in the nineteenth century, like The God of Good Fortune Daikoku, on Horseback, Being Led by an Ohara Maiden.

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