Bifolio from a Book of Hours: Initial V with Floral Border (recto) — Unknown, c. 1460–1500

Bifolio from a Book of Hours: Initial V with Floral Border (recto), Unknown

Seen

Not described yet.

Of

No subject recorded yet.

Means

No reading yet.

Rights

Credit: The Jeanne Miles Blackburn Collection
Licence: CC0-1.0
Evidence: openaccess-api.clevelandart.org: share_license_status=CC0 on artwork 452954 (read 2026-09-01)
Record: https://clevelandart.org/art/2006.12.a

Also by Unknown

5442

Relief Fragment with a Ship Under Sail, Unknown — Relief Fragment with a Ship Under SailUnknownca. 2465–2458 BCEMetropolitan Museum of Art, New York, NY

Tomb Chapel of Raemkai: South Wall, Unknown — Tomb Chapel of Raemkai: South WallUnknownca. 2446–2389 BCEMetropolitan Museum of Art, New York, NY

West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and Werdjedptah, Unknown — West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and WerdjedptahUnknownca. 2420–2250 BCEMetropolitan Museum of Art, New York, NY

Relief of Nyankhnesut Seated, Unknown — Relief of Nyankhnesut SeatedUnknownc. 2311–2281 BCECleveland Museum of Art

Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching Lion, Unknown — Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh Sign, Unknown — Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh SignUnknownca. 2150–2010 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a Lion, Unknown — Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tail, Unknown — Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tailUnknownca. 2100–2080 B.C.Metropolitan Museum of Art, New York, NY

Within fifty years of c. 1460–1500

176

John the Baptist, Robert Campin (Netherlandish, 1375/79–1444) — John the BaptistRobert Campin (Netherlandish, 1375/79–1444)c. 1410Cleveland Museum of Art

The Story of Esther, Marco del Buono Giamberti — The Story of EstherMarco del Buono GiambertiMetropolitan Museum of Art, New York, NY

Annunciation Triptych (Merode Altarpiece), Robert Campin — Annunciation Triptych (Merode Altarpiece)Robert Campinca. 1427–32Metropolitan Museum of Art, New York, NY

Saint George and the Dragon, Bernat Martorell — Saint George and the DragonBernat Martorell1434–35The Art Institute of Chicago

Altarpiece with Christ, Saint John the Baptist, and Saint Margaret, Andrea da Giona — Altarpiece with Christ, Saint John the Baptist, and Saint MargaretAndrea da Giona1434Metropolitan Museum of Art, New York, NY

The Adventures of Ulysses, Apollonio di Giovanni — The Adventures of UlyssesApollonio di Giovanni1435–45The Art Institute of Chicago

The Crucifixion; The Last Judgment, Jan van Eyck — The Crucifixion; The Last JudgmentJan van Eyckca. 1436–38Metropolitan Museum of Art, New York, NY

Bamboo-Covered Stream in Spring Rain, Xia Chang — Bamboo-Covered Stream in Spring RainXia ChangMing dynasty (1368–1644), dated 1441The Art Institute of Chicago

Also at Cleveland Museum of Art

475

Black-Figure Nikosthenic Amphora (Storage Vessel): Dancing Youths; Sphinxes and Lions; Satyrs and Maenads, Nikosthenes (Greek, Attic, active c. 545–510 BCE); Painter N, Thiasos Group (Greek, c. 530–510 BC) — Black-Figure Nikosthenic Amphora (Storage Vessel): Dancing Youths; Sphinxes and Lions; Satyrs and MaenadsNikosthenes (Greek, Attic, active c. 545–510 BCE); Painter N, Thiasos Group (Greek, c. 530–510 BC)c. 530–510 BCECleveland Museum of Art

Black-Figure Dinos (Mixing Vessel): Warships (Int.); Heroic Scenes (Top), Antimenes Painter (Greek, Attic, active c. 530–510 BCE) — Black-Figure Dinos (Mixing Vessel): Warships (Int.); Heroic Scenes (Top)Antimenes Painter (Greek, Attic, active c. 530–510 BCE)c. 520–515 BCECleveland Museum of Art

White-Ground Lekythos (Oil Vessel): Atalanta and Erotes, Douris (Greek, Attic, active c. 500–470 BCE) — White-Ground Lekythos (Oil Vessel): Atalanta and ErotesDouris (Greek, Attic, active c. 500–470 BCE)c. 500–490 BCECleveland Museum of Art

Black-Figure White-Ground Lekythos (Oil Vessel): Athena between Cocks and Hieropoioi (Officials), Athena Painter (Greek, c. 500–475 BCE) — Black-Figure White-Ground Lekythos (Oil Vessel): Athena between Cocks and Hieropoioi (Officials)Athena Painter (Greek, c. 500–475 BCE)500–485 BCECleveland Museum of Art

Red-Figure Lekythos (Oil Vessel): Athena Slaying Giant (body); Satyr between Maenads (shoulder), Berlin Painter (Greek, Attic, active c. 505–460 BC); Painter of Goluchow 37 (Greek, Attic, active c. 490–460 BC) — Red-Figure Lekythos (Oil Vessel): Athena Slaying Giant (body); Satyr between Maenads (shoulder)Berlin Painter (Greek, Attic, active c. 505–460 BC); Painter of Goluchow 37 (Greek, Attic, active c. 490–460 BC)c. 490 BCECleveland Museum of Art

Red-Figure Lekythos (Oil Vessel): Warrior Cutting Hair, Oionokles Painter (Greek, Attic, active c. 480–460 BCE) — Red-Figure Lekythos (Oil Vessel): Warrior Cutting HairOionokles Painter (Greek, Attic, active c. 480–460 BCE)c. 480–470 BCECleveland Museum of Art

Red-Figure Column Krater (Mixing Vessel): Apollo and Goddesses with Chariot (A); Komos (Revel) (B), Cleveland Painter (name vase; Greek, Attic, active c. 470–460 BCE) — Red-Figure Column Krater (Mixing Vessel): Apollo and Goddesses with Chariot (A); Komos (Revel) (B)Cleveland Painter (name vase; Greek, Attic, active c. 470–460 BCE)c. 470–460 BCECleveland Museum of Art

Fragment from Red-Figure Oinochoe (Wine Jug) or Hydria (Water Jar): Woman Holding Box, Shuvalov Painter (Greek, Attic, active c. 440–410 BCE) — Fragment from Red-Figure Oinochoe (Wine Jug) or Hydria (Water Jar): Woman Holding BoxShuvalov Painter (Greek, Attic, active c. 440–410 BCE)c. 425–420 BCECleveland Museum of Art

Similar picturesFound by visual likeness

8 pictures

Other makers only

Visual resemblances suggested by the model. A match does not establish a shared subject or historical connection.

Manuscript Leaf from a Royal Psalter, Unknown — Manuscript Leaf from a Royal PsalterUnknown13th centuryMetropolitan Museum of Art, New York, NY

0.93

Bifolio from a Book of Hours: Initial V with Floral Border (recto); Text (verso), Unknown — Bifolio from a Book of Hours: Initial V with Floral Border (recto); Text (verso)Unknownc. 1460–1500Cleveland Museum of Art

0.92

Leaf from a Psalter and Prayerbook: Initial E with Ornamental Border Containing a Seated Satyr and a Bird Eating Grapes (recto) and Ornamental Border with Flowers and Squirrel (verso) (2 of 3 Excised Leaves), Unknown — Leaf from a Psalter and Prayerbook: Initial E with Ornamental Border Containing a Seated Satyr and a Bird Eating Grapes (recto) and Ornamental Border with Flowers and Squirrel (verso) (2 of 3 Excised Leaves)Unknownc. 1524Cleveland Museum of Art

0.91

Illuminated Initial "G" from a Prayerbook, Dutch — Illuminated Initial "G" from a PrayerbookDutch15th centuryThe Art Institute of Chicago

0.91

A Medieval Bakery, from the Book of Problems of Pseudo-Aristotle, translated into the French by Évrart de Conty, Master of the Second Roman de la Rose of the Duke of Berry, — A Medieval Bakery, from the Book of Problems of Pseudo-Aristotle, translated into the French by Évrart de ContyMaster of the Second Roman de la Rose of the Duke of Berry,ca. 1400Metropolitan Museum of Art, New York, NY

0.91

Leaf from a Book of Hours: Annunciation to the Shepherds (recto) and Text (verso), Boethius Illuminator (Flemish, active c. 1414–20) — Leaf from a Book of Hours: Annunciation to the Shepherds (recto) and Text (verso)Boethius Illuminator (Flemish, active c. 1414–20)c. 1410–20Cleveland Museum of Art

0.90

Speculum Humanae Salvationis, English
from the Abbey of Great Missenden — Speculum Humanae SalvationisEnglish from the Abbey of Great Missenden1382/1406The Art Institute of Chicago

0.90

Leaf from a Book of Hours: Text (verso), Boethius Illuminator (Flemish, active c. 1414–20) — Leaf from a Book of Hours: Text (verso)Boethius Illuminator (Flemish, active c. 1414–20)c. 1410–20Cleveland Museum of Art

0.90

Next

Made in the fifteenth century, like Bifolio from a Book of Hours: Initial V with Floral Border (recto).

0:00–0:00