Spring Rain at Tsuchiyama, from the series Fifty-three Stations of the Tōkaidō — Utagawa Hiroshige, 1834–35

Spring Rain at Tsuchiyama, from the series Fifty-three Stations of the Tōkaidō, Utagawa Hiroshige

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Of

These are claims by the holder and by Wikidata, read 2026-09-04, and join nothing until an editor confirms them.

Holder's headings: Human Figures, Bridges, Hats, Trees, Rain

Means

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Rights

Credit: Rogers Fund, 1918
Licence: CC0-1.0
Evidence: metmuseum.org collection api v1: isPublicDomain=true on object 36971 (read 2026-08-27)
Record: https://www.metmuseum.org/art/collection/search/36971

Also by Utagawa Hiroshige

18

Rose, Utagawa Hiroshige — RoseUtagawa HiroshigeMetropolitan Museum of Art, New York, NY

Mochizuki, Utagawa Hiroshige — MochizukiUtagawa HiroshigeMetropolitan Museum of Art, New York, NY

Morning Cherries at Yoshiwara, Utagawa Hiroshige — Morning Cherries at YoshiwaraUtagawa HiroshigeMetropolitan Museum of Art, New York, NY

Weeping Cherry, Utagawa Hiroshige — Weeping CherryUtagawa HiroshigeMetropolitan Museum of Art, New York, NY

Small View of Yedo, Utagawa Hiroshige — Small View of YedoUtagawa Hiroshige1817–58Metropolitan Museum of Art, New York, NY

Boat on the Sumida, Utagawa Hiroshige — Boat on the SumidaUtagawa Hiroshige1817–58Metropolitan Museum of Art, New York, NY

Mishima: Morning Mist (Mishima, asagiri), from the series "Fifty-three Stations of the Tokaido Road (Tokaido gojusan tsugi no uchi)," also known as the Hoeido Tokaido, Utagawa Hiroshige — Mishima: Morning Mist (Mishima, asagiri), from the series "Fifty-three Stations of the Tokaido Road (Tokaido gojusan tsugi no uchi)," also known as the Hoeido TokaidoUtagawa Hiroshigec. 1833/34The Art Institute of Chicago

Kanbara: Evening Snow (Kanbara, yoru no yuki), from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi no uchi)," also known as the Hoeido Tokaido, Utagawa Hiroshige — Kanbara: Evening Snow (Kanbara, yoru no yuki), from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi no uchi)," also known as the Hoeido TokaidoUtagawa Hiroshigec. 1833/34The Art Institute of Chicago

Within fifty years of 1834–35

3723

Pathfinder Illustration, Jakob Ernst Marcus — Pathfinder IllustrationJakob Ernst Marcusn.d.The Art Institute of Chicago

Le calendrier de la cour : tiré des ephémérides, pour l'année bissextile mil sept-cent quatre-vingt-quatre : contenant le lieu du soleil, son lever, son coucher, sa déclinaison: le lever de la lune & son coucher, &c. : avec la naissance des rois, reines, princes & princesses de l'Europe imprimé pour la famille royale et maison de sa Majesté, La Veuve Hérissant — Le calendrier de la cour : tiré des ephémérides, pour l'année bissextile mil sept-cent quatre-vingt-quatre : contenant le lieu du soleil, son lever, son coucher, sa déclinaison: le lever de la lune & son coucher, &c. : avec la naissance des rois, reines, princes & princesses de l'Europe imprimé pour la famille royale et maison de sa MajestéLa Veuve Hérissant1784Metropolitan Museum of Art, New York, NY

Textile, Unknown — TextileUnknownca. 1784Cooper Hewitt, Smithsonian Design Museum

Salesman's sample book, Unknown — Salesman's sample bookUnknown1784Cooper Hewitt, Smithsonian Design Museum

Von den Träumen und Nachtwandlern, Unknown — Von den Träumen und NachtwandlernUnknown1784Stiftung der Werke von C.G.Jung, Zürich, B Qa 1

Ge. Henr. Nievpoort ... Rituum qui olim apud Romanos obtinuerunt succincta explicatio ad intelligentiam veterum auctorum facili methodo conscripta : accedunt ... Ioanne Matthiae Gesneri prolusio. atque Caroli Ferdinandi Hommelii de tribunali praetoris liber singularis, Nieupoort, Guillaume Henri — Ge. Henr. Nievpoort ... Rituum qui olim apud Romanos obtinuerunt succincta explicatio ad intelligentiam veterum auctorum facili methodo conscripta : accedunt ... Ioanne Matthiae Gesneri prolusio. atque Caroli Ferdinandi Hommelii de tribunali praetoris liber singularisNieupoort, Guillaume Henri1784Stiftung der Werke von C.G.Jung, Zürich

Woodblock, Swaislands Fabric Printing Works — WoodblockSwaislands Fabric Printing Workslate 18th centuryMetropolitan Museum of Art, New York, NY

Woodblock, Swaislands Fabric Printing Works — WoodblockSwaislands Fabric Printing Workslate 18th centuryMetropolitan Museum of Art, New York, NY

Also at Metropolitan Museum of Art, New York, NY

499

Marble female figure, Bastis Master — Marble female figureBastis Master2600–2400 BCEMetropolitan Museum of Art, New York, NY

Relief Fragment with a Ship Under Sail, Unknown — Relief Fragment with a Ship Under SailUnknownca. 2465–2458 BCEMetropolitan Museum of Art, New York, NY

Tomb Chapel of Raemkai: South Wall, Unknown — Tomb Chapel of Raemkai: South WallUnknownca. 2446–2389 BCEMetropolitan Museum of Art, New York, NY

West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and Werdjedptah, Unknown — West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and WerdjedptahUnknownca. 2420–2250 BCEMetropolitan Museum of Art, New York, NY

Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching Lion, Unknown — Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh Sign, Unknown — Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh SignUnknownca. 2150–2010 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a Lion, Unknown — Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tail, Unknown — Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tailUnknownca. 2100–2080 B.C.Metropolitan Museum of Art, New York, NY

Similar picturesFound by visual likeness

8 pictures

Other makers only

Visual resemblances suggested by the model. A match does not establish a shared subject or historical connection.

Morning Cherries at Yoshiwara, Utagawa Hiroshige — Morning Cherries at YoshiwaraUtagawa HiroshigeMetropolitan Museum of Art, New York, NY

0.89

Sudden Shower over Shin-Ōhashi Bridge and Atake, from One Hundred Famous Views of Edo, Utagawa Hiroshige (Japanese, 1797–1858) — Sudden Shower over Shin-Ōhashi Bridge and Atake, from One Hundred Famous Views of EdoUtagawa Hiroshige (Japanese, 1797–1858)1857Cleveland Museum of Art

0.89

Mochizuki, Utagawa Hiroshige — MochizukiUtagawa HiroshigeMetropolitan Museum of Art, New York, NY

0.88

No. 37: Miyanokoshi, from the series "Sixty-nine Stations of the Kisokaido (Kisokaido rokujukyu tsugi no uchi)", Utagawa Hiroshige — No. 37: Miyanokoshi, from the series "Sixty-nine Stations of the Kisokaido (Kisokaido rokujukyu tsugi no uchi)"Utagawa Hiroshigec. 1835/38The Art Institute of Chicago

0.87

Driving Rain at Shōno, from Fifty-Three Stations of the Tokaidō, Utagawa Hiroshige (Japanese, 1797–1858) — Driving Rain at Shōno, from Fifty-Three Stations of the TokaidōUtagawa Hiroshige (Japanese, 1797–1858)1833Cleveland Museum of Art

0.87

Valley View, Ando Hiroshige, Japanese, 1797–1858 — Valley ViewAndo Hiroshige, Japanese, 1797–18581797-1858Cooper Hewitt, Smithsonian Design Museum

0.87

Cherry Blossom Viewing, Ando Hiroshige, Japanese, 1797–1858 — Cherry Blossom ViewingAndo Hiroshige, Japanese, 1797–18581797-1858Cooper Hewitt, Smithsonian Design Museum

0.87

Poem by Minamoto no Muneyuki from the series One Hundred Poems by One Hundred Poets Explained by the Nurse, Katsushika Hokusai (Japanese, 1760–1849) — Poem by Minamoto no Muneyuki from the series One Hundred Poems by One Hundred Poets Explained by the NurseKatsushika Hokusai (Japanese, 1760–1849)1835–36Cleveland Museum of Art

0.87

Next

Utagawa Hiroshige made Spring Rain at Tsuchiyama, from the series Fifty-three Stations of the Tōkaidō, and made these too.

Made in the nineteenth century, like Spring Rain at Tsuchiyama, from the series Fifty-three Stations of the Tōkaidō.

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