Page from a Copy of The Qur'an, Islamic

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Credit
The Art Institute of Chicago. CC0.
Licence
CC0-1.0
Evidence
api.artic.edu artworks api: is_public_domain=true on artwork 108850 (read 2026-09-01)
Record
https://www.artic.edu/artworks/108850
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manifest
Page from a Copy of The Qur'an, Islamic
Page from a Copy of The Qur'an — Islamic16th/17th century

Also by Islamic

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Page from a Copy of The Qur'an, Islamic
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Within fifty years of 16th/17th century

329
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Also at The Art Institute of Chicago

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Similar picturesFound by visual likeness

8 pictures

Visual resemblances suggested by the model. A match does not establish a shared subject or historical connection.

Page from the Panj Ganj (Five Treasures) of Abd al-Rahman Jami (Persian, 1414–1492), with two Persian masnavis (narrative poems): Yusuf va Zulaykha (Joseph and Zulaykha) and Subhat al-abrar (Rosary of the Righteous), Mushfiq (Indian, active early 1600s); others (Indian)
Page from the Panj Ganj (Five Treasures) of Abd al-Rahman Jami (Persian, 1414–1492), with two Persian masnavis (narrative poems): Yusuf va Zulaykha (Joseph and Zulaykha) and Subhat al-abrar (Rosary of the Righteous)Mushfiq (Indian, active early 1600s); others (Indian)Text c. 1500–1520; painting, borders, and illuminations added 1603–7 Text copied by Sultan-Ali Mashhadi (Persian, active early 1500s) for Badi al-Zaman Mirza, ruler of Herat Painted insets and borders by Mushfiq (Indian, active 1580s–early 1600s) Text copied in Herat Painting, borders, and illuminations made in the Deccan for Mughal minister Abd al-Rahim the Khan KhananCleveland Museum of Art
0.93
Page from a Panj Ganj (Five Treasures) of Abd al-Rahman Jami (Persian, 1414–1492), with two Persian masnavis: Yusuf va Zulaykha (Joseph and Zulaykha) and Subhat al-abrar (Rosary of the Righteous) (verso), Mushfiq (Indian, active early 1600s); others (Indian)
Page from a Panj Ganj (Five Treasures) of Abd al-Rahman Jami (Persian, 1414–1492), with two Persian masnavis: Yusuf va Zulaykha (Joseph and Zulaykha) and Subhat al-abrar (Rosary of the Righteous) (verso)Mushfiq (Indian, active early 1600s); others (Indian)1520–1607Cleveland Museum of Art
0.92
Calligraphy: Preface to the Anvar-i Suhaili, Unknown
Calligraphy: Preface to the Anvar-i SuhailiUnknownc. 1590Cleveland Museum of Art
0.92
Persian Couplets (recto), Calligraphy, Persian Verses; Single Page Manuscript, Unknown
Persian Couplets (recto), Calligraphy, Persian Verses; Single Page ManuscriptUnknownlate 1500s–early 1600sCleveland Museum of Art
0.91
Page from a Copy of the Qur'an, Islamic
Page from a Copy of the Qur'anIslamic13th/14th centuryThe Art Institute of Chicago
0.90
Folio from a Qur'an Manuscript, Unknown
Folio from a Qur'an ManuscriptUnknownca. 1180Metropolitan Museum of Art, New York, NY
0.89
Left side of a double-page album folio: Outside a Royal Encampment (recto) and Calligraphy, Persian Verses (verso), Bihzad (Iranian, active 1470–1506)
Left side of a double-page album folio: Outside a Royal Encampment (recto) and Calligraphy, Persian Verses (verso)Bihzad (Iranian, active 1470–1506)c. 1485Cleveland Museum of Art
0.87
Page of Calligraphy, Sultan Muhammad Nur
Page of CalligraphySultan Muhammad Nurearly 16th centuryMetropolitan Museum of Art, New York, NY
0.87

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Islamic made Page from a Copy of The Qur'an, and made these too.

Made in the fifteenth century, like Page from a Copy of The Qur'an.

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