Decorative Studies of Candelabra; Verso: Masculine Heads — Felice Giani, Italian, 1758–1823, 1817

Decorative Studies of Candelabra; Verso: Masculine Heads, Felice Giani, Italian, 1758–1823

Seen

Not described yet.

Of

No subject recorded yet.

Means

No reading yet.

Rights

Credit: Museum purchase through gift of various donors
Licence: CC0-1.0
Evidence: api.si.edu openaccess v1.0: content.descriptiveNonRepeating.metadata_usage.access=CC0 on record chndm_1901-39-2374 (read 2026-09-01)
Record: https://collection.cooperhewitt.org/view/objects/asitem/id/8988

Also by Felice Giani, Italian, 1758–1823

304

Drawing, Felice Giani, Italian, 1758–1823 — DrawingFelice Giani, Italian, 1758–18231780-1790Cooper Hewitt, Smithsonian Design Museum

Drawing, Felice Giani, Italian, 1758–1823 — DrawingFelice Giani, Italian, 1758–18231780-1790Cooper Hewitt, Smithsonian Design Museum

Drawing, Felice Giani, Italian, 1758–1823 — DrawingFelice Giani, Italian, 1758–18231780-1790Cooper Hewitt, Smithsonian Design Museum

Drawing, Felice Giani, Italian, 1758–1823 — DrawingFelice Giani, Italian, 1758–18231780-1790Cooper Hewitt, Smithsonian Design Museum

Drawing, Felice Giani, Italian, 1758–1823 — DrawingFelice Giani, Italian, 1758–18231780-1790Cooper Hewitt, Smithsonian Design Museum

Drawing, Felice Giani, Italian, 1758–1823 — DrawingFelice Giani, Italian, 1758–18231780-1790Cooper Hewitt, Smithsonian Design Museum

Drawing, Felice Giani, Italian, 1758–1823 — DrawingFelice Giani, Italian, 1758–18231780-1790Cooper Hewitt, Smithsonian Design Museum

Drawing, Felice Giani, Italian, 1758–1823 — DrawingFelice Giani, Italian, 1758–18231780-1790Cooper Hewitt, Smithsonian Design Museum

Within fifty years of 1817

3008

Album of Sketches, Yūkakudō 幽覚堂 — Album of SketchesYūkakudō 幽覚堂late 18th century (?)Metropolitan Museum of Art, New York, NY

Righteousness, from The Five Virtues, Suzuki Harunobu (Japanese, 1724–1770) — Righteousness, from The Five VirtuesSuzuki Harunobu (Japanese, 1724–1770)1767Cleveland Museum of Art

Designs for the Letter A, Jean Baptiste Piauger, French, active 1760s — Designs for the Letter AJean Baptiste Piauger, French, active 1760s1767Cooper Hewitt, Smithsonian Design Museum

Designs for the Letter C, Jean Baptiste Piauger, French, active 1760s — Designs for the Letter CJean Baptiste Piauger, French, active 1760s1767Cooper Hewitt, Smithsonian Design Museum

Designs for the Letter D, Jean Baptiste Piauger, French, active 1760s — Designs for the Letter DJean Baptiste Piauger, French, active 1760s1767Cooper Hewitt, Smithsonian Design Museum

Designs for the Letter B, Jean Baptiste Piauger, French, active 1760s — Designs for the Letter BJean Baptiste Piauger, French, active 1760s1767Cooper Hewitt, Smithsonian Design Museum

Designs for the Letters E and F, Jean Baptiste Piauger, French, active 1760s — Designs for the Letters E and FJean Baptiste Piauger, French, active 1760s1767Cooper Hewitt, Smithsonian Design Museum

Designs for the Letters G and H, Jean Baptiste Piauger, French, active 1760s — Designs for the Letters G and HJean Baptiste Piauger, French, active 1760s1767Cooper Hewitt, Smithsonian Design Museum

Also at Cooper Hewitt, Smithsonian Design Museum

7354

Tiraz fragment, Unknown — Tiraz fragmentUnknownca. 1000Cooper Hewitt, Smithsonian Design Museum

Textile, Unknown — TextileUnknown700–1000Cooper Hewitt, Smithsonian Design Museum

Textile, Unknown — TextileUnknown500–1000Cooper Hewitt, Smithsonian Design Museum

Textile, Unknown — TextileUnknown1000–1450Cooper Hewitt, Smithsonian Design Museum

Vessel, Unknown — VesselUnknown500–1000Cooper Hewitt, Smithsonian Design Museum

Vessel, Unknown — VesselUnknown500–1000Cooper Hewitt, Smithsonian Design Museum

Textile, Unknown — TextileUnknown1100–1400Cooper Hewitt, Smithsonian Design Museum

Textile, Unknown — TextileUnknown1100–1500Cooper Hewitt, Smithsonian Design Museum

Similar picturesFound by visual likeness

8 pictures

Other makers only

Visual resemblances suggested by the model. A match does not establish a shared subject or historical connection.

Decorative Studies; Verso: Barbarian Head in Profile from the AntiqueFelice Giani, Italian, 1758–18231814–18Cooper Hewitt, Smithsonian Design Museum

0.92

Six Decorative Studies; Verso, Anatomical Study, Felice Giani, Italian, 1758–1823 — Six Decorative Studies; Verso, Anatomical StudyFelice Giani, Italian, 1758–18231814–18Cooper Hewitt, Smithsonian Design Museum

0.91

Decorative Studies; Verso: Anatomical Studies of Toes, Felice Giani, Italian, 1758–1823 — Decorative Studies; Verso: Anatomical Studies of ToesFelice Giani, Italian, 1758–18231814–18Cooper Hewitt, Smithsonian Design Museum

0.91

Decorative Studies, Felice Giani, Italian, 1758–1823 — Decorative StudiesFelice Giani, Italian, 1758–18231815Cooper Hewitt, Smithsonian Design Museum

0.91

Decorative Studies; Verso: Anatomical Studies, Felice Giani, Italian, 1758–1823 — Decorative Studies; Verso: Anatomical StudiesFelice Giani, Italian, 1758–18231814–18Cooper Hewitt, Smithsonian Design Museum

0.91

Five Studies of Ceiling with Grotesques; Madonna, Felice Giani, Italian, 1758–1823 — Five Studies of Ceiling with Grotesques; MadonnaFelice Giani, Italian, 1758–18231814–18Cooper Hewitt, Smithsonian Design Museum

0.90

Decorative Studies of Candelabrum and a Ceiling, Felice Giani, Italian, 1758–1823 — Decorative Studies of Candelabrum and a CeilingFelice Giani, Italian, 1758–18231814–18Cooper Hewitt, Smithsonian Design Museum

0.90

Seven Studies of Quadrilateral Ceilings; Verso: Two Anatomical Studies of Arms, Felice Giani, Italian, 1758–1823 — Seven Studies of Quadrilateral Ceilings; Verso: Two Anatomical Studies of ArmsFelice Giani, Italian, 1758–18231814–18Cooper Hewitt, Smithsonian Design Museum

0.89

Next

Felice Giani, Italian, 1758–1823 made Decorative Studies of Candelabra; Verso: Masculine Heads, and made these too.

Made in the nineteenth century, like Decorative Studies of Candelabra; Verso: Masculine Heads.

0:00–0:00