Diana and Callisto, after Domenichino — Felice Giani, Italian, 1758–1823, 1813–18

Diana and Callisto, after Domenichino, Felice Giani, Italian, 1758–1823

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Rights

Credit: Museum purchase through gift of various donors
Licence: CC0-1.0
Evidence: api.si.edu openaccess v1.0: content.descriptiveNonRepeating.metadata_usage.access=CC0 on record chndm_1901-39-3536 (read 2026-09-01)
Record: https://collection.cooperhewitt.org/view/objects/asitem/id/10288

Also by Felice Giani, Italian, 1758–1823

304

Drawing, Felice Giani, Italian, 1758–1823 — DrawingFelice Giani, Italian, 1758–18231780-1790Cooper Hewitt, Smithsonian Design Museum

Drawing, Felice Giani, Italian, 1758–1823 — DrawingFelice Giani, Italian, 1758–18231780-1790Cooper Hewitt, Smithsonian Design Museum

Drawing, Felice Giani, Italian, 1758–1823 — DrawingFelice Giani, Italian, 1758–18231780-1790Cooper Hewitt, Smithsonian Design Museum

Drawing, Felice Giani, Italian, 1758–1823 — DrawingFelice Giani, Italian, 1758–18231780-1790Cooper Hewitt, Smithsonian Design Museum

Drawing, Felice Giani, Italian, 1758–1823 — DrawingFelice Giani, Italian, 1758–18231780-1790Cooper Hewitt, Smithsonian Design Museum

Drawing, Felice Giani, Italian, 1758–1823 — DrawingFelice Giani, Italian, 1758–18231780-1790Cooper Hewitt, Smithsonian Design Museum

Drawing, Felice Giani, Italian, 1758–1823 — DrawingFelice Giani, Italian, 1758–18231780-1790Cooper Hewitt, Smithsonian Design Museum

Drawing, Felice Giani, Italian, 1758–1823 — DrawingFelice Giani, Italian, 1758–18231780-1790Cooper Hewitt, Smithsonian Design Museum

Within fifty years of 1813–18

2958

View of Ponte Lugano on the Anio, from Views of Rome, Giovanni Battista Piranesi — View of Ponte Lugano on the Anio, from Views of RomeGiovanni Battista Piranesi1763, published 1800–07The Art Institute of Chicago

Saint Mark, Jean Honoré Fragonard — Saint MarkJean Honoré Fragonard1763/64The Art Institute of Chicago

A gold beater's workshop for Diderot's Encyclopedie, Louis-Jacques Goussier, French, 1722 - 1799 — A gold beater's workshop for Diderot's EncyclopedieLouis-Jacques Goussier, French, 1722 - 17991763Cooper Hewitt, Smithsonian Design Museum

Title Page, Charles Dupuis, French, active 1760 – 1791 — Title PageCharles Dupuis, French, active 1760 – 1791ca. 1763Cooper Hewitt, Smithsonian Design Museum

Longcase astronomical regulator, Ferdinand Berthoud — Longcase astronomical regulatorFerdinand Berthoudca. 1768–70Metropolitan Museum of Art, New York, NY

A mountainous landscape, Jean-Baptiste Huet, French, 1745 – 1811 — A mountainous landscapeJean-Baptiste Huet, French, 1745 – 18111763Cooper Hewitt, Smithsonian Design Museum

Bacchanales: The Satyr's Dance , Jean-Honoré Fragonard (French, 1732–1806) — Bacchanales: The Satyr's Dance Jean-Honoré Fragonard (French, 1732–1806)1763Cleveland Museum of Art

Bacchanales: Nymph Supported by Two Satyrs , Jean-Honoré Fragonard (French, 1732–1806) — Bacchanales: Nymph Supported by Two Satyrs Jean-Honoré Fragonard (French, 1732–1806)1763Cleveland Museum of Art

Also at Cooper Hewitt, Smithsonian Design Museum

7357

Tiraz fragment, Unknown — Tiraz fragmentUnknownca. 1000Cooper Hewitt, Smithsonian Design Museum

Textile, Unknown — TextileUnknown700–1000Cooper Hewitt, Smithsonian Design Museum

Textile, Unknown — TextileUnknown500–1000Cooper Hewitt, Smithsonian Design Museum

Textile, Unknown — TextileUnknown1000–1450Cooper Hewitt, Smithsonian Design Museum

Vessel, Unknown — VesselUnknown500–1000Cooper Hewitt, Smithsonian Design Museum

Vessel, Unknown — VesselUnknown500–1000Cooper Hewitt, Smithsonian Design Museum

Textile, Unknown — TextileUnknown1100–1400Cooper Hewitt, Smithsonian Design Museum

Textile, Unknown — TextileUnknown1100–1500Cooper Hewitt, Smithsonian Design Museum

Similar picturesFound by visual likeness

8 pictures

Other makers only

Visual resemblances suggested by the model. A match does not establish a shared subject or historical connection.

Death of Adonis, Felice Giani, Italian, 1758–1823 — Death of AdonisFelice Giani, Italian, 1758–18231813–18Cooper Hewitt, Smithsonian Design Museum

0.89

The Assumption of the Virgin, Felice Giani, Italian, 1758–1823 — The Assumption of the VirginFelice Giani, Italian, 1758–18231813–18Cooper Hewitt, Smithsonian Design Museum

0.89

Banquet of the Gods, variant for the Sala di Pranza, Palazzo Guarini, Forli, Felice Giani, Italian, 1758–1823 — Banquet of the Gods, variant for the Sala di Pranza, Palazzo Guarini, ForliFelice Giani, Italian, 1758–18231814Cooper Hewitt, Smithsonian Design Museum

0.88

Flight of Celia, Polidoro da Caravaggio — Flight of CeliaPolidoro da Caravaggion.d.The Art Institute of Chicago

0.88

The Massacre of the Innocents (Without the Fir Tree), Marcantonio Raimondi (Italian, 1470/82–1527/34); Raphael (Italian, 1483–1520) — The Massacre of the Innocents (Without the Fir Tree)Marcantonio Raimondi (Italian, 1470/82–1527/34); Raphael (Italian, 1483–1520)about 1511–12Cleveland Museum of Art

0.87

Battle of the Nudes, Antonio del Pollaiuolo (Italian, 1431/32–1498) — Battle of the NudesAntonio del Pollaiuolo (Italian, 1431/32–1498)1470s–80sCleveland Museum of Art

0.87

Drawing, Felice Giani, Italian, 1758–1823 — DrawingFelice Giani, Italian, 1758–18231795-1800Cooper Hewitt, Smithsonian Design Museum

0.87

One of a set of projects for a title page and the decoration of a horizontal panel, Francesco Bedeschini, Italian — One of a set of projects for a title page and the decoration of a horizontal panelFrancesco Bedeschini, Italian1675-1699Cooper Hewitt, Smithsonian Design Museum

0.87

Next

Felice Giani, Italian, 1758–1823 made Diana and Callisto, after Domenichino, and made these too.

Apollo and Hycianth, after Domenichino1813
Archangel Michael1813
Concert of Angels1813
Death of Adonis1813

Made in the nineteenth century, like Diana and Callisto, after Domenichino.

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