Of These are claims by the holder and by Wikidata, read 2026-09-04, and join nothing until an editor confirms them.
Holder's headings Flowers , Plants Close A Radish Plant, Seed, and Flower — Unknown late 18th century
Also by Unknown 5442 Relief Fragment with a Ship Under Sail Unknownca. 2465–2458 BCE Metropolitan Museum of Art, New York, NY Tomb Chapel of Raemkai: South Wall Unknownca. 2446–2389 BCE Metropolitan Museum of Art, New York, NY West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and Werdjedptah Unknownca. 2420–2250 BCE Metropolitan Museum of Art, New York, NY Relief of Nyankhnesut Seated Unknownc. 2311–2281 BCE Cleveland Museum of Art Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching Lion Unknownca. 2150–2100 B.C. Metropolitan Museum of Art, New York, NY Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh Sign Unknownca. 2150–2010 B.C. Metropolitan Museum of Art, New York, NY Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a Lion Unknownca. 2150–2100 B.C. Metropolitan Museum of Art, New York, NY Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tail Unknownca. 2100–2080 B.C. Metropolitan Museum of Art, New York, NY
Within fifty years of late 18th century 2201 Fan (Vernis Martin Type) FranceLouis XV period (1715–1774), 1725–1774 The Art Institute of Chicago Left Hand of Moses Michelangelo Buonarroti1725/30 The Art Institute of Chicago Proscenium and Plan for a Stage Unknown, Italian1725–50 Cooper Hewitt, Smithsonian Design Museum Design for a Painting, Five Putti Jacob de Wit, 1695 – 17541725–1754 Cooper Hewitt, Smithsonian Design Museum The Battle of Vercellae Giovanni Battista Tiepolo1725–29 Metropolitan Museum of Art, New York, NY Plate Salvator Rosaca. 1733–37 Metropolitan Museum of Art, New York, NY Design for an Ornament Carlo Marchionni, Italian, 1702–17861728–1778 Cooper Hewitt, Smithsonian Design Museum Design for an Ornament Panel Juste-Aurèle Meissonnier, French, b. Italy, 1695–1750ca. 1728 Cooper Hewitt, Smithsonian Design Museum
Also at Metropolitan Museum of Art, New York, NY 484 Marble female figure Bastis Master2600–2400 BCE Metropolitan Museum of Art, New York, NY Terracotta aryballos (oil flask) Nearchosca. 570 BCE Metropolitan Museum of Art, New York, NY Terracotta psykter (vase for cooling wine) Oltosca. 520–510 BCE Metropolitan Museum of Art, New York, NY Terracotta amphora (jar) Berlin Painterca. 490 BCE Metropolitan Museum of Art, New York, NY Terracotta kylix (drinking cup) Hieronca. 480 BCE Metropolitan Museum of Art, New York, NY Terracotta lekythos (oil flask) Achilles Painterca. 440 BCE Metropolitan Museum of Art, New York, NY Mask Condorhuasi-Alamito artist(s)400 BCE–700 CE Metropolitan Museum of Art, New York, NY Mask Condorhuasi-Alamito artist(s)400 BCE–500 CE Metropolitan Museum of Art, New York, NY
Similar picturesFound by visual likeness 8 pictures Visual resemblances suggested by the model. A match does not establish a shared subject or historical connection.
Study of foliage William Trost Richards, American, 1833–1905ca. 1865 Cooper Hewitt, Smithsonian Design Museum 0.87 Designs for Three Brooches Giovanni Sebastiano Meyandi, Italian, active 1762 - 1794ca. 1770 Cooper Hewitt, Smithsonian Design Museum 0.87 Study of foliage William Trost Richards, American, 1833–1905May 28, 1850 Cooper Hewitt, Smithsonian Design Museum 0.87 Print Jean-Baptiste Pillement, French, 1728–1808 Cooper Hewitt, Smithsonian Design Museum 0.87 Add a connection Propose a reading
Next Made in the eighteenth century, like A Radish Plant, Seed, and Flower.
