Fragment of a wreath with monograph of Christ, Unknown

Seen

Not described yet.


Of

No subject recorded yet.


Means

No reading yet.


Rights

Credit
Museum purchase through gift of various donors and from Eleanor G. Hewitt Fund
Licence
CC0-1.0
Evidence
api.si.edu openaccess v1.0: content.descriptiveNonRepeating.metadata_usage.access=CC0 on record chndm_1938-88-2596-b (read 2026-09-01)
Record
https://collection.cooperhewitt.org/view/objects/asitem/id/63006
Fragment of a wreath with monograph of Christ, Unknown
Fragment of a wreath with monograph of Christ — Unknown1725–77

Also by Unknown

5442
Relief Fragment with a Ship Under Sail, Unknown
Relief Fragment with a Ship Under SailUnknownca. 2465–2458 BCEMetropolitan Museum of Art, New York, NY
Tomb Chapel of Raemkai: South Wall, Unknown
Tomb Chapel of Raemkai: South WallUnknownca. 2446–2389 BCEMetropolitan Museum of Art, New York, NY
West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and Werdjedptah, Unknown
West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and WerdjedptahUnknownca. 2420–2250 BCEMetropolitan Museum of Art, New York, NY
Relief of Nyankhnesut Seated, Unknown
Relief of Nyankhnesut SeatedUnknownc. 2311–2281 BCECleveland Museum of Art
Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching Lion, Unknown
Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY
Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh Sign, Unknown
Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh SignUnknownca. 2150–2010 B.C.Metropolitan Museum of Art, New York, NY
Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a Lion, Unknown
Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY
Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tail, Unknown
Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tailUnknownca. 2100–2080 B.C.Metropolitan Museum of Art, New York, NY

Within fifty years of 1725–77

1496
Longcase clock with calendar, Joseph Knibb
Longcase clock with calendarJoseph Knibbca. 1680–85Metropolitan Museum of Art, New York, NY
LA BASSIN D’ENCELADE, Adam Perelle, French, 1638 – 1695
LA BASSIN D’ENCELADEAdam Perelle, French, 1638 – 16951675–1703Cooper Hewitt, Smithsonian Design Museum
Drawing, Arnold Houbraken, Dutch, 1660 - 1719
DrawingArnold Houbraken, Dutch, 1660 - 1719ca. 1675–1719Cooper Hewitt, Smithsonian Design Museum
One of a set of trophies of weapons of war as a decoration of a horizontal panel, Francesco Bedeschini, Italian
One of a set of trophies of weapons of war as a decoration of a horizontal panelFrancesco Bedeschini, Italian1675-1699Cooper Hewitt, Smithsonian Design Museum
One set of trophies of weapons of war as a decoration for horizontal panels. Intended to be engraved, Francesco Bedeschini, Italian
One set of trophies of weapons of war as a decoration for horizontal panels. Intended to be engravedFrancesco Bedeschini, Italian1675-1699Cooper Hewitt, Smithsonian Design Museum
One of a set of trophies of weapons of war as a decoration for a horizontal panel, Francesco Bedeschini, Italian
One of a set of trophies of weapons of war as a decoration for a horizontal panelFrancesco Bedeschini, Italian1675-1699Cooper Hewitt, Smithsonian Design Museum
One set of trophies of weapons of war as a decoration for horizontal panels. Intended to be engraved, Francesco Bedeschini, Italian
One set of trophies of weapons of war as a decoration for horizontal panels. Intended to be engravedFrancesco Bedeschini, Italian1675-1699Cooper Hewitt, Smithsonian Design Museum
One set of trophies of weapons of war as a decoration for horizontal panels, Francesco Bedeschini, Italian
One set of trophies of weapons of war as a decoration for horizontal panelsFrancesco Bedeschini, Italian1675-1699Cooper Hewitt, Smithsonian Design Museum

Also at Cooper Hewitt, Smithsonian Design Museum

3843
Ornament Panel with Bird Cage, Nicoletto da Modena, Italian, active 1500 – 1522
Ornament Panel with Bird CageNicoletto da Modena, Italian, active 1500 – 1522ca. 1507Cooper Hewitt, Smithsonian Design Museum
Ornament Panel Inscribed "Victoria Augusta", Nicoletto da Modena, Italian, active 1500 – 1522
Ornament Panel Inscribed "Victoria Augusta"Nicoletto da Modena, Italian, active 1500 – 1522ca. 1507Cooper Hewitt, Smithsonian Design Museum
Ornament Panel with Mars, Nicoletto da Modena, Italian, active 1500 – 1522
Ornament Panel with MarsNicoletto da Modena, Italian, active 1500 – 1522ca. 1507Cooper Hewitt, Smithsonian Design Museum
Abraham and the Three Angels, Lucas van Leyden, Netherlandish, ca. 1494–1533
Abraham and the Three AngelsLucas van Leyden, Netherlandish, ca. 1494–15331513Cooper Hewitt, Smithsonian Design Museum
Study of a Rearing Horse after Leonardo da Vinci, Francesco Melzi, Italian, 1491 – 1570
Study of a Rearing Horse after Leonardo da VinciFrancesco Melzi, Italian, 1491 – 1570ca. 1520–25Cooper Hewitt, Smithsonian Design Museum
Portrait of Albrecht of Brandenburg, Albrecht Dürer, German, 1471–1528
Portrait of Albrecht of BrandenburgAlbrecht Dürer, German, 1471–15281524Cooper Hewitt, Smithsonian Design Museum
Grotesque Ornament with Satyrs, from a set of twenty ornament panels, Agostino Veneziano, Italian, ca. 1490 - after 1536
Grotesque Ornament with Satyrs, from a set of twenty ornament panelsAgostino Veneziano, Italian, ca. 1490 - after 1536ca. 1530–1535Cooper Hewitt, Smithsonian Design Museum
Design for Covered Cups, from Dessins d'orfèvrerie (Designs for Metalwork), Léonard Thiry, Flemish, 1550
Design for Covered Cups, from Dessins d'orfèvrerie (Designs for Metalwork)Léonard Thiry, Flemish, 15501540–1560Cooper Hewitt, Smithsonian Design Museum

Similar picturesFound by visual likeness

8 pictures

Visual resemblances suggested by the model. A match does not establish a shared subject or historical connection.

Bullfight, Spain, Robert Frederick Blum, American, 1857–1903
Bullfight, SpainRobert Frederick Blum, American, 1857–19031883Cooper Hewitt, Smithsonian Design Museum
0.85
Fish and Rocks, Bada Shanren (Chinese, 1626–1705)
Fish and RocksBada Shanren (Chinese, 1626–1705)mid- to late 1600sCleveland Museum of Art
0.84
Study of foliage, William Stanley Haseltine, American, 1835–1900
Study of foliageWilliam Stanley Haseltine, American, 1835–1900ca. 1857Cooper Hewitt, Smithsonian Design Museum
0.84
Sidewall, Unknown
SidewallUnknownca. 1800Cooper Hewitt, Smithsonian Design Museum
0.84
Study of Hands (recto); Sketch of a Hand (verso), Pierre Lenfant (French, 1704–1787)
Study of Hands (recto); Sketch of a Hand (verso)Pierre Lenfant (French, 1704–1787)1700sCleveland Museum of Art
0.84
Study of a Man's Hand for "Tribute Money", Daniel Huntington, American, 1816–1906
Study of a Man's Hand for "Tribute Money"Daniel Huntington, American, 1816–19061852Cooper Hewitt, Smithsonian Design Museum
0.84
The left forearm of a woman holding a book, Unknown
The left forearm of a woman holding a bookUnknown1850–1900Cooper Hewitt, Smithsonian Design Museum
0.84
Study of landscape, William Stanley Haseltine, American, 1835–1900
Study of landscapeWilliam Stanley Haseltine, American, 1835–1900ca. 1857Cooper Hewitt, Smithsonian Design Museum
0.84

Next

Made in the eighteenth century, like Fragment of a wreath with monograph of Christ.

0:00–0:00