Letter — Song Jue, early 17th century

Letter, Song Jue

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Rights

Credit: Bequest of John M. Crawford Jr., 1988
Licence: CC0-1.0
Evidence: metmuseum.org collection api v1: isPublicDomain=true on object 49009 (read 2026-09-01)
Record: https://www.metmuseum.org/art/collection/search/49009

Within fifty years of early 17th century

721

Drunkenness of Noah, Michelangelo Buonarroti — Drunkenness of NoahMichelangelo Buonarrotin.d.The Art Institute of Chicago

The Wayfarer Crowned by Happiness from The Table of Cebes, David Kandel — The Wayfarer Crowned by Happiness from The Table of CebesDavid Kandel1550–80Metropolitan Museum of Art, New York, NY

Crucified Man, Melchior Lorck (Danish, 1526/27–after 1588); Michelangelo Buonarroti (Italian, 1475–1564) — Crucified ManMelchior Lorck (Danish, 1526/27–after 1588); Michelangelo Buonarroti (Italian, 1475–1564)1550Cleveland Museum of Art

Picnic in the Mountains; Single Page Illustration, Muhammadi (Iranian) — Picnic in the Mountains; Single Page IllustrationMuhammadi (Iranian)c. 1550–1600Cleveland Museum of Art

Nushirwan Listens to the Owls (recto): Illustration and Text, Persian Verses, from a Manuscript of the Khamsa of Nizami, Makhzan al-Asrar [Treasure of Secrets], Unknown — Nushirwan Listens to the Owls (recto): Illustration and Text, Persian Verses, from a Manuscript of the Khamsa of Nizami, Makhzan al-Asrar [Treasure of Secrets]Unknown1555–65Cleveland Museum of Art

Unidentified subject, Martin Van Heemskerk, Netherlandish, 1498 - 1574 — Unidentified subjectMartin Van Heemskerk, Netherlandish, 1498 - 1574ca. 1550Cooper Hewitt, Smithsonian Design Museum

Ascending Male Nude, Michelangelo Buonarroti — Ascending Male NudeMichelangelo Buonarrotin.d.The Art Institute of Chicago

Page of a drawing book, Unknown — Page of a drawing bookUnknown1550–1575Cooper Hewitt, Smithsonian Design Museum

Also at Metropolitan Museum of Art, New York, NY

674

Marble female figure, Bastis Master — Marble female figureBastis Master2600–2400 BCEMetropolitan Museum of Art, New York, NY

Relief Fragment with a Ship Under Sail, Unknown — Relief Fragment with a Ship Under SailUnknownca. 2465–2458 BCEMetropolitan Museum of Art, New York, NY

Tomb Chapel of Raemkai: South Wall, Unknown — Tomb Chapel of Raemkai: South WallUnknownca. 2446–2389 BCEMetropolitan Museum of Art, New York, NY

West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and Werdjedptah, Unknown — West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and WerdjedptahUnknownca. 2420–2250 BCEMetropolitan Museum of Art, New York, NY

Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching Lion, Unknown — Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh Sign, Unknown — Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh SignUnknownca. 2150–2010 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a Lion, Unknown — Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tail, Unknown — Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tailUnknownca. 2100–2080 B.C.Metropolitan Museum of Art, New York, NY

Similar picturesFound by visual likeness

8 pictures

Other makers only

Visual resemblances suggested by the model. A match does not establish a shared subject or historical connection.

Calligraphy in Semi-Cursive Style (xing-caoshu), Yueshan Daozong (Chinese, 1629–1709) — Calligraphy in Semi-Cursive Style (xing-caoshu)Yueshan Daozong (Chinese, 1629–1709)c. 1660–1709Cleveland Museum of Art

0.93

Famine Relief Herbal (1593): Preface, Unknown — Famine Relief Herbal (1593): PrefaceUnknownWellcome Collection

0.92

Poem on Imperial Gift of an Embroidered Silk: Calligraphy in Running-Standard Script (xingkaishu), Wen Zhengming (Chinese, 1470–1559) — Poem on Imperial Gift of an Embroidered Silk: Calligraphy in Running-Standard Script (xingkaishu)Wen Zhengming (Chinese, 1470–1559)c. 1525Cleveland Museum of Art

0.91

Biographies of Lian Po and Lin Xiangru, Huang Tingjian — Biographies of Lian Po and Lin XiangruHuang Tingjianca. 1095Metropolitan Museum of Art, New York, NY

0.91

Memorial Stele for the Buddhist Master Daoyin (Ink Rubbings), Qiu Ying — Memorial Stele for the Buddhist Master Daoyin (Ink Rubbings)Qiu YingQing dynasty (1644–1911); Jiaqing–Daoguang reigns, c. 1796–1850The Art Institute of Chicago

0.90

Poem by Wang Wei in the Cursive Script Style, Song Lizong (Chinese, 1205–1264) — Poem by Wang Wei in the Cursive Script StyleSong Lizong (Chinese, 1205–1264)1256Cleveland Museum of Art

0.90

Three Poems from the Later Collection of Japanese Poems (Gosen wakashū), Monk Saigyō — Three Poems from the Later Collection of Japanese Poems (Gosen wakashū)Monk Saigyōlate 12th centuryMetropolitan Museum of Art, New York, NY

0.90

”Abiding nowhere, the awakened mind arises”, Musō Soseki — ”Abiding nowhere, the awakened mind arises”Musō Sosekiearly to mid-14th centuryMetropolitan Museum of Art, New York, NY

0.89

Next

Made in the seventeenth century, like Letter.

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