Currants — Unknown, October 2, 1827

Currants, Unknown

Seen

Not described yet.

Of

No subject recorded yet.

Means

No reading yet.

Rights

Credit: Gift of Hamill and Barker
Licence: CC0-1.0
Evidence: api.si.edu openaccess v1.0: content.descriptiveNonRepeating.metadata_usage.access=CC0 on record chndm_1961-105-118 (read 2026-09-01)
Record: https://collection.cooperhewitt.org/view/objects/asitem/id/128495

Also by Unknown

5442

Relief Fragment with a Ship Under Sail, Unknown — Relief Fragment with a Ship Under SailUnknownca. 2465–2458 BCEMetropolitan Museum of Art, New York, NY

Tomb Chapel of Raemkai: South Wall, Unknown — Tomb Chapel of Raemkai: South WallUnknownca. 2446–2389 BCEMetropolitan Museum of Art, New York, NY

West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and Werdjedptah, Unknown — West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and WerdjedptahUnknownca. 2420–2250 BCEMetropolitan Museum of Art, New York, NY

Relief of Nyankhnesut Seated, Unknown — Relief of Nyankhnesut SeatedUnknownc. 2311–2281 BCECleveland Museum of Art

Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching Lion, Unknown — Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh Sign, Unknown — Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh SignUnknownca. 2150–2010 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a Lion, Unknown — Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tail, Unknown — Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tailUnknownca. 2100–2080 B.C.Metropolitan Museum of Art, New York, NY

Within fifty years of October 2, 1827

2176

United Colonies Continental Currency – Two Dollars, Hall and Sellers, Philadelphia, Pennsylvania — United Colonies Continental Currency – Two DollarsHall and Sellers, Philadelphia, PennsylvaniaFebruary 26, 1777Metropolitan Museum of Art, New York, NY

Decorative Monogram Designs, Pierre Ranson, French, 1736–1786 — Decorative Monogram DesignsPierre Ranson, French, 1736–17861777–79Cooper Hewitt, Smithsonian Design Museum

Decorative Monogram Designs, Pierre Ranson, French, 1736–1786 — Decorative Monogram DesignsPierre Ranson, French, 1736–17861777–79Cooper Hewitt, Smithsonian Design Museum

Title Page, Pierre Ranson, French, 1736–1786 — Title PagePierre Ranson, French, 1736–17861777–79Cooper Hewitt, Smithsonian Design Museum

Decorative Monogram Designs, Pierre Ranson, French, 1736–1786 — Decorative Monogram DesignsPierre Ranson, French, 1736–17861777–79Cooper Hewitt, Smithsonian Design Museum

Decorative Monogram Designs, Pierre Ranson, French, 1736–1786 — Decorative Monogram DesignsPierre Ranson, French, 1736–17861777–79Cooper Hewitt, Smithsonian Design Museum

Decorative Monogram Designs, Pierre Ranson, French, 1736–1786 — Decorative Monogram DesignsPierre Ranson, French, 1736–17861777–79Cooper Hewitt, Smithsonian Design Museum

Lettered in plate, lower left: G. P. Cauvet Del, Gilles Paul Cauvet, French, 1731–1788 — Lettered in plate, lower left: G. P. Cauvet DelGilles Paul Cauvet, French, 1731–17881777Cooper Hewitt, Smithsonian Design Museum

Also at Cooper Hewitt, Smithsonian Design Museum

3587

Ornament Panel with Bird Cage, Nicoletto da Modena, Italian, active 1500 – 1522 — Ornament Panel with Bird CageNicoletto da Modena, Italian, active 1500 – 1522ca. 1507Cooper Hewitt, Smithsonian Design Museum

Ornament Panel Inscribed "Victoria Augusta", Nicoletto da Modena, Italian, active 1500 – 1522 — Ornament Panel Inscribed "Victoria Augusta"Nicoletto da Modena, Italian, active 1500 – 1522ca. 1507Cooper Hewitt, Smithsonian Design Museum

Ornament Panel with Mars, Nicoletto da Modena, Italian, active 1500 – 1522 — Ornament Panel with MarsNicoletto da Modena, Italian, active 1500 – 1522ca. 1507Cooper Hewitt, Smithsonian Design Museum

Abraham and the Three Angels, Lucas van Leyden, Netherlandish, ca. 1494–1533 — Abraham and the Three AngelsLucas van Leyden, Netherlandish, ca. 1494–15331513Cooper Hewitt, Smithsonian Design Museum

Study of a Rearing Horse after Leonardo da Vinci, Francesco Melzi, Italian, 1491 – 1570 — Study of a Rearing Horse after Leonardo da VinciFrancesco Melzi, Italian, 1491 – 1570ca. 1520–25Cooper Hewitt, Smithsonian Design Museum

Portrait of Albrecht of Brandenburg, Albrecht Dürer, German, 1471–1528 — Portrait of Albrecht of BrandenburgAlbrecht Dürer, German, 1471–15281524Cooper Hewitt, Smithsonian Design Museum

Grotesque Ornament with Satyrs, from a set of twenty ornament panels, Agostino Veneziano, Italian, ca. 1490 - after 1536 — Grotesque Ornament with Satyrs, from a set of twenty ornament panelsAgostino Veneziano, Italian, ca. 1490 - after 1536ca. 1530–1535Cooper Hewitt, Smithsonian Design Museum

Design for Covered Cups, from Dessins d'orfèvrerie (Designs for Metalwork), Léonard Thiry, Flemish, 1550 — Design for Covered Cups, from Dessins d'orfèvrerie (Designs for Metalwork)Léonard Thiry, Flemish, 15501540–1560Cooper Hewitt, Smithsonian Design Museum

Similar picturesFound by visual likeness

8 pictures

Other makers only

Visual resemblances suggested by the model. A match does not establish a shared subject or historical connection.

Snowberries, Unknown — SnowberriesUnknownOctober 8, 1832Cooper Hewitt, Smithsonian Design Museum

0.88

Branch with a cluster of ripe plums and caterpillars, Mrs. Smith — Branch with a cluster of ripe plums and caterpillarsMrs. Smithca. 1830Cooper Hewitt, Smithsonian Design Museum

0.87

Print, Jean-Baptiste Pillement, French, 1728–1808 — PrintJean-Baptiste Pillement, French, 1728–1808Cooper Hewitt, Smithsonian Design Museum

0.85

Maple Leaves, Mt. Desert, Samuel Colman, American, 1832–1920 — Maple Leaves, Mt. DesertSamuel Colman, American, 1832–1920July 1877Cooper Hewitt, Smithsonian Design Museum

0.85

Print, Jean-Baptiste Pillement, French, 1728–1808 — PrintJean-Baptiste Pillement, French, 1728–1808Cooper Hewitt, Smithsonian Design Museum

0.85

Print, Jean-Baptiste Pillement, French, 1728–1808 — PrintJean-Baptiste Pillement, French, 1728–1808Cooper Hewitt, Smithsonian Design Museum

0.84

Wild Anemone, Unknown — Wild AnemoneUnknownca. 1830Cooper Hewitt, Smithsonian Design Museum

0.84

Print, Jean-Baptiste Pillement, French, 1728–1808 — PrintJean-Baptiste Pillement, French, 1728–1808Cooper Hewitt, Smithsonian Design Museum

0.84

Next

Made in the nineteenth century, like Currants.

0:00–0:00