Ornament Design, Altar Dedicated to Mars between Roman Standards — Michel Angelo Pergolesi, Italian, active ca. 1760–1801, 1776

Ornament Design, Altar Dedicated to Mars between Roman Standards, Michel Angelo Pergolesi, Italian, active ca. 1760–1801

Seen

Not described yet.

Of

No subject recorded yet.

Means

No reading yet.

Rights

Credit: Gift of Unknown Donor
Licence: CC0-1.0
Evidence: api.si.edu openaccess v1.0: content.descriptiveNonRepeating.metadata_usage.access=CC0 on record chndm_1980-32-1427 (read 2026-09-01)
Record: https://collection.cooperhewitt.org/view/objects/asitem/id/164019

Also by Michel Angelo Pergolesi, Italian, active ca. 1760–1801

11

Drawing, Michel Angelo Pergolesi, Italian, active ca. 1760–1801 — DrawingMichel Angelo Pergolesi, Italian, active ca. 1760–1801Before 1774Cooper Hewitt, Smithsonian Design Museum

Drawing, Michel Angelo Pergolesi, Italian, active ca. 1760–1801 — DrawingMichel Angelo Pergolesi, Italian, active ca. 1760–1801Before 1774Cooper Hewitt, Smithsonian Design Museum

Ornament Design, Portland Vase and Cameos, Michel Angelo Pergolesi, Italian, active ca. 1760–1801 — Ornament Design, Portland Vase and CameosMichel Angelo Pergolesi, Italian, active ca. 1760–18011776Cooper Hewitt, Smithsonian Design Museum

Ornament Design with Vase and Cameos, Michel Angelo Pergolesi, Italian, active ca. 1760–1801 — Ornament Design with Vase and CameosMichel Angelo Pergolesi, Italian, active ca. 1760–18011776Cooper Hewitt, Smithsonian Design Museum

Ornament Design with Burial Urn and Cameos, Michel Angelo Pergolesi, Italian, active ca. 1760–1801 — Ornament Design with Burial Urn and CameosMichel Angelo Pergolesi, Italian, active ca. 1760–18011776Cooper Hewitt, Smithsonian Design Museum

Ornament Design with Urn and Cameos, Michel Angelo Pergolesi, Italian, active ca. 1760–1801 — Ornament Design with Urn and CameosMichel Angelo Pergolesi, Italian, active ca. 1760–18011776Cooper Hewitt, Smithsonian Design Museum

Ornament Design, Altar Dedicated to Mars between Roman Standards, Michel Angelo Pergolesi, Italian, active ca. 1760–1801 — Ornament Design, Altar Dedicated to Mars between Roman StandardsMichel Angelo Pergolesi, Italian, active ca. 1760–18011776Cooper Hewitt, Smithsonian Design Museum

Ornament Design, Roman Altar Dedicated to Mars and Roman Standards, Michel Angelo Pergolesi, Italian, active ca. 1760–1801 — Ornament Design, Roman Altar Dedicated to Mars and Roman StandardsMichel Angelo Pergolesi, Italian, active ca. 1760–18011776Cooper Hewitt, Smithsonian Design Museum

Within fifty years of 1776

3127

Bound print, Unknown — Bound printUnknown1727Cooper Hewitt, Smithsonian Design Museum

Plate, Salvator Rosa — PlateSalvator Rosaca. 1733–37Metropolitan Museum of Art, New York, NY

Design for an Ornament, Carlo Marchionni, Italian, 1702–1786 — Design for an OrnamentCarlo Marchionni, Italian, 1702–17861728–1778Cooper Hewitt, Smithsonian Design Museum

Design for an Ornament Panel, Juste-Aurèle Meissonnier, French, b. Italy, 1695–1750 — Design for an Ornament PanelJuste-Aurèle Meissonnier, French, b. Italy, 1695–1750ca. 1728Cooper Hewitt, Smithsonian Design Museum

The Silver Tureen, Jean Siméon Chardin — The Silver TureenJean Siméon Chardinca. 1728–30Metropolitan Museum of Art, New York, NY

The Fair at Bezons, Jean-Baptiste Joseph Pater — The Fair at BezonsJean-Baptiste Joseph Paterca. 1733Metropolitan Museum of Art, New York, NY

Deutsches theatrum chemicum, auf welchem der berühmtesten Philosophen und Alchymisten Schrifften, die von dem Stein der Weisen, von Verwandlung der schlechten Metalle in bessere ... handeln ... vorgestellet werden / Erster Theil., Unknown — Deutsches theatrum chemicum, auf welchem der berühmtesten Philosophen und Alchymisten Schrifften, die von dem Stein der Weisen, von Verwandlung der schlechten Metalle in bessere ... handeln ... vorgestellet werden / Erster Theil.Unknown1728Stiftung der Werke von C.G.Jung, Zürich

Deutsches theatrum chemicum, auf welchem der berühmtesten Philosophen und Alchymisten Schrifften, die von dem Stein der Weisen, von Verwandlung der schlechten Metalle in bessere ... handeln ... vorgestellet werden / Zweyter Theil., Unknown — Deutsches theatrum chemicum, auf welchem der berühmtesten Philosophen und Alchymisten Schrifften, die von dem Stein der Weisen, von Verwandlung der schlechten Metalle in bessere ... handeln ... vorgestellet werden / Zweyter Theil.Unknown1728Stiftung der Werke von C.G.Jung, Zürich

Also at Cooper Hewitt, Smithsonian Design Museum

7359

Tiraz fragment, Unknown — Tiraz fragmentUnknownca. 1000Cooper Hewitt, Smithsonian Design Museum

Textile, Unknown — TextileUnknown700–1000Cooper Hewitt, Smithsonian Design Museum

Textile, Unknown — TextileUnknown500–1000Cooper Hewitt, Smithsonian Design Museum

Textile, Unknown — TextileUnknown1000–1450Cooper Hewitt, Smithsonian Design Museum

Vessel, Unknown — VesselUnknown500–1000Cooper Hewitt, Smithsonian Design Museum

Vessel, Unknown — VesselUnknown500–1000Cooper Hewitt, Smithsonian Design Museum

Textile, Unknown — TextileUnknown1100–1400Cooper Hewitt, Smithsonian Design Museum

Textile, Unknown — TextileUnknown1100–1500Cooper Hewitt, Smithsonian Design Museum

Similar picturesFound by visual likeness

8 pictures

Other makers only

Visual resemblances suggested by the model. A match does not establish a shared subject or historical connection.

Ornament Design, Altar Dedicated to Mars between Roman Standards, Michel Angelo Pergolesi, Italian, active ca. 1760–1801 — Ornament Design, Altar Dedicated to Mars between Roman StandardsMichel Angelo Pergolesi, Italian, active ca. 1760–18011776Cooper Hewitt, Smithsonian Design Museum

0.93

Ornament Design, Roman Altar Dedicated to Mars and Roman Standards, Michel Angelo Pergolesi, Italian, active ca. 1760–1801 — Ornament Design, Roman Altar Dedicated to Mars and Roman StandardsMichel Angelo Pergolesi, Italian, active ca. 1760–18011776Cooper Hewitt, Smithsonian Design Museum

0.92

Wall Decoration, Plate IX from Le loggie di Rafaele nel Vaticano (Raphael's Loggia in the Vatican), Giovanni Ottaviani, ca. 1735 – 1808 — Wall Decoration, Plate IX from Le loggie di Rafaele nel Vaticano (Raphael's Loggia in the Vatican)Giovanni Ottaviani, ca. 1735 – 18081772–77Cooper Hewitt, Smithsonian Design Museum

0.90

Border, Unknown — BorderUnknown1820–50Cooper Hewitt, Smithsonian Design Museum

0.90

Design for a Decorative Panel (with Nymphs and Garlands), Gilles Paul Cauvet, French, 1731–1788 — Design for a Decorative Panel (with Nymphs and Garlands)Gilles Paul Cauvet, French, 1731–1788ca. 1775Cooper Hewitt, Smithsonian Design Museum

0.89

Design for Painted Decoration of Walls and Ceiling of a Room, Unknown — Design for Painted Decoration of Walls and Ceiling of a RoomUnknownca. 1830Cooper Hewitt, Smithsonian Design Museum

0.88

Plate in Nouveaux Livre de Parterres contenant 24 pensséz diferantes (New Book Containing 24 Different Variations for Garden Beds), Daniel Marot, French, active in the Netherlands and England, 1661–1752 — Plate in Nouveaux Livre de Parterres contenant 24 pensséz diferantes (New Book Containing 24 Different Variations for Garden Beds)Daniel Marot, French, active in the Netherlands and England, 1661–1752ca. 1700Cooper Hewitt, Smithsonian Design Museum

0.87

Elevation of a Censer, Unknown — Elevation of a CenserUnknown1700–1750Cooper Hewitt, Smithsonian Design Museum

0.87

Next

Michel Angelo Pergolesi, Italian, active ca. 1760–1801 made Ornament Design, Altar Dedicated to Mars between Roman Standards, and made these too.

Made in the eighteenth century, like Ornament Design, Altar Dedicated to Mars between Roman Standards.

Study of the Lamentation on the Dead Christ1780
The Sacrifice of Isaac1754
Sacrifice of Isaac1750
The Sacrifice of Isaac1750

0:00–0:00