Martyrdom of a Saint — Unknown, 1725–1750

Martyrdom of a Saint, Unknown

Seen

Not described yet.

Of

No subject recorded yet.

Means

No reading yet.

Rights

Credit: Museum purchase through gift of various donors
Licence: CC0-1.0
Evidence: api.si.edu openaccess v1.0: content.descriptiveNonRepeating.metadata_usage.access=CC0 on record chndm_1901-39-1571 (read 2026-09-01)
Record: https://collection.cooperhewitt.org/view/objects/asitem/id/8091

Also by Unknown

5442

Relief Fragment with a Ship Under Sail, Unknown — Relief Fragment with a Ship Under SailUnknownca. 2465–2458 BCEMetropolitan Museum of Art, New York, NY

Tomb Chapel of Raemkai: South Wall, Unknown — Tomb Chapel of Raemkai: South WallUnknownca. 2446–2389 BCEMetropolitan Museum of Art, New York, NY

West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and Werdjedptah, Unknown — West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and WerdjedptahUnknownca. 2420–2250 BCEMetropolitan Museum of Art, New York, NY

Relief of Nyankhnesut Seated, Unknown — Relief of Nyankhnesut SeatedUnknownc. 2311–2281 BCECleveland Museum of Art

Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching Lion, Unknown — Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh Sign, Unknown — Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh SignUnknownca. 2150–2010 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a Lion, Unknown — Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tail, Unknown — Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tailUnknownca. 2100–2080 B.C.Metropolitan Museum of Art, New York, NY

Within fifty years of 1725–1750

1496

Longcase clock with calendar, Joseph Knibb — Longcase clock with calendarJoseph Knibbca. 1680–85Metropolitan Museum of Art, New York, NY

LA BASSIN D’ENCELADE, Adam Perelle, French, 1638 – 1695 — LA BASSIN D’ENCELADEAdam Perelle, French, 1638 – 16951675–1703Cooper Hewitt, Smithsonian Design Museum

Drawing, Arnold Houbraken, Dutch, 1660 - 1719 — DrawingArnold Houbraken, Dutch, 1660 - 1719ca. 1675–1719Cooper Hewitt, Smithsonian Design Museum

One of a set of trophies of weapons of war as a decoration of a horizontal panel, Francesco Bedeschini, Italian — One of a set of trophies of weapons of war as a decoration of a horizontal panelFrancesco Bedeschini, Italian1675-1699Cooper Hewitt, Smithsonian Design Museum

One set of trophies of weapons of war as a decoration for horizontal panels. Intended to be engraved, Francesco Bedeschini, Italian — One set of trophies of weapons of war as a decoration for horizontal panels. Intended to be engravedFrancesco Bedeschini, Italian1675-1699Cooper Hewitt, Smithsonian Design Museum

One of a set of trophies of weapons of war as a decoration for a horizontal panel, Francesco Bedeschini, Italian — One of a set of trophies of weapons of war as a decoration for a horizontal panelFrancesco Bedeschini, Italian1675-1699Cooper Hewitt, Smithsonian Design Museum

One set of trophies of weapons of war as a decoration for horizontal panels. Intended to be engraved, Francesco Bedeschini, Italian — One set of trophies of weapons of war as a decoration for horizontal panels. Intended to be engravedFrancesco Bedeschini, Italian1675-1699Cooper Hewitt, Smithsonian Design Museum

One set of trophies of weapons of war as a decoration for horizontal panels, Francesco Bedeschini, Italian — One set of trophies of weapons of war as a decoration for horizontal panelsFrancesco Bedeschini, Italian1675-1699Cooper Hewitt, Smithsonian Design Museum

Also at Cooper Hewitt, Smithsonian Design Museum

3843

Ornament Panel with Bird Cage, Nicoletto da Modena, Italian, active 1500 – 1522 — Ornament Panel with Bird CageNicoletto da Modena, Italian, active 1500 – 1522ca. 1507Cooper Hewitt, Smithsonian Design Museum

Ornament Panel Inscribed "Victoria Augusta", Nicoletto da Modena, Italian, active 1500 – 1522 — Ornament Panel Inscribed "Victoria Augusta"Nicoletto da Modena, Italian, active 1500 – 1522ca. 1507Cooper Hewitt, Smithsonian Design Museum

Ornament Panel with Mars, Nicoletto da Modena, Italian, active 1500 – 1522 — Ornament Panel with MarsNicoletto da Modena, Italian, active 1500 – 1522ca. 1507Cooper Hewitt, Smithsonian Design Museum

Abraham and the Three Angels, Lucas van Leyden, Netherlandish, ca. 1494–1533 — Abraham and the Three AngelsLucas van Leyden, Netherlandish, ca. 1494–15331513Cooper Hewitt, Smithsonian Design Museum

Study of a Rearing Horse after Leonardo da Vinci, Francesco Melzi, Italian, 1491 – 1570 — Study of a Rearing Horse after Leonardo da VinciFrancesco Melzi, Italian, 1491 – 1570ca. 1520–25Cooper Hewitt, Smithsonian Design Museum

Portrait of Albrecht of Brandenburg, Albrecht Dürer, German, 1471–1528 — Portrait of Albrecht of BrandenburgAlbrecht Dürer, German, 1471–15281524Cooper Hewitt, Smithsonian Design Museum

Grotesque Ornament with Satyrs, from a set of twenty ornament panels, Agostino Veneziano, Italian, ca. 1490 - after 1536 — Grotesque Ornament with Satyrs, from a set of twenty ornament panelsAgostino Veneziano, Italian, ca. 1490 - after 1536ca. 1530–1535Cooper Hewitt, Smithsonian Design Museum

Design for Covered Cups, from Dessins d'orfèvrerie (Designs for Metalwork), Léonard Thiry, Flemish, 1550 — Design for Covered Cups, from Dessins d'orfèvrerie (Designs for Metalwork)Léonard Thiry, Flemish, 15501540–1560Cooper Hewitt, Smithsonian Design Museum

Similar picturesFound by visual likeness

8 pictures

Other makers only

Visual resemblances suggested by the model. A match does not establish a shared subject or historical connection.

Drawing, Felice Giani, Italian, 1758–1823 — DrawingFelice Giani, Italian, 1758–1823Cooper Hewitt, Smithsonian Design Museum

0.92

The Last Supper, Francesco Saverio Mergolo, Italian, 1746–1786 — The Last SupperFrancesco Saverio Mergolo, Italian, 1746–17861746–86Cooper Hewitt, Smithsonian Design Museum

0.91

The Virgin and Child with Worshippers in Classical Interior, Fortunato Duranti, Italian, 1787 - 1863 — The Virgin and Child with Worshippers in Classical InteriorFortunato Duranti, Italian, 1787 - 18631820–1850Cooper Hewitt, Smithsonian Design Museum

0.91

Derelict group around a fire, Unknown — Derelict group around a fireUnknown1820–1830Cooper Hewitt, Smithsonian Design Museum

0.91

Sermon of a Holy Abbot, Francesco Saverio Mergolo, Italian, 1746–1786 — Sermon of a Holy AbbotFrancesco Saverio Mergolo, Italian, 1746–1786ca. 1772Cooper Hewitt, Smithsonian Design Museum

0.90

The Adoration of the Magi, Arthur Pond — The Adoration of the MagiArthur Pond1735Yale Center for British Art

0.90

Saint Jadwiga kneeling before the Crucified Christ; preparatory drawing for an altarpiece at the church of San Stanislao dei Polacchi, Rome, Szymon Czechowicz, Polish, 1689 - 1775 — Saint Jadwiga kneeling before the Crucified Christ; preparatory drawing for an altarpiece at the church of San Stanislao dei Polacchi, RomeSzymon Czechowicz, Polish, 1689 - 17751724–1725Cooper Hewitt, Smithsonian Design Museum

0.90

Macchina delle 40 ore, Andrea Pozzo, Italian, 1642–1709 — Macchina delle 40 oreAndrea Pozzo, Italian, 1642–17091685–1700Cooper Hewitt, Smithsonian Design Museum

0.89

Next

Made in the eighteenth century, like Martyrdom of a Saint.

0:00–0:00