Left side of a double-page album folio: Outside a Royal Encampment (recto) and Calligraphy, Persian Verses (verso), Bihzad (Iranian, active 1470–1506)

Seen

Not described yet.


Of

No subject recorded yet.


Means

No reading yet.


Rights

Credit
Edward L. Whittemore Fund
Licence
CC0-1.0
Evidence
openaccess-api.clevelandart.org: share_license_status=CC0 on artwork 124001 (read 2026-09-01)
Record
https://clevelandart.org/art/1944.490
Left side of a double-page album folio: Outside a Royal Encampment (recto) and Calligraphy, Persian Verses (verso), Bihzad (Iranian, active 1470–1506)
Left side of a double-page album folio: Outside a Royal Encampment (recto) and Calligraphy, Persian Verses (verso) — Bihzad (Iranian, active 1470–1506)c. 1485

Also by Bihzad (Iranian, active 1470–1506)

1
Left side of a double-page album folio: Outside a Royal Encampment (recto), Bihzad (Iranian, active 1470–1506)
Left side of a double-page album folio: Outside a Royal Encampment (recto)Bihzad (Iranian, active 1470–1506)c. 1485Cleveland Museum of Art

Within fifty years of c. 1485

273
Manuscript Leaf with Initial A, from a Gradual, Unknown
Manuscript Leaf with Initial A, from a GradualUnknownsecond quarter 15th centuryMetropolitan Museum of Art, New York, NY
Annunciation Triptych (Merode Altarpiece), Robert Campin
Annunciation Triptych (Merode Altarpiece)Robert Campinca. 1427–32Metropolitan Museum of Art, New York, NY
Saint George and the Dragon, Bernat Martorell
Saint George and the DragonBernat Martorell1434–35The Art Institute of Chicago
Altarpiece with Christ, Saint John the Baptist, and Saint Margaret, Andrea da Giona
Altarpiece with Christ, Saint John the Baptist, and Saint MargaretAndrea da Giona1434Metropolitan Museum of Art, New York, NY
The Adventures of Ulysses, Apollonio di Giovanni
The Adventures of UlyssesApollonio di Giovanni1435–45The Art Institute of Chicago
The Crucifixion; The Last Judgment, Jan van Eyck
The Crucifixion; The Last JudgmentJan van Eyckca. 1436–38Metropolitan Museum of Art, New York, NY
Bamboo-Covered Stream in Spring Rain, Xia Chang
Bamboo-Covered Stream in Spring RainXia ChangMing dynasty (1368–1644), dated 1441The Art Institute of Chicago
Saint Lawrence Enthroned with Saints and Donors, Fra Filippo Lippi
Saint Lawrence Enthroned with Saints and DonorsFra Filippo Lippi1440sMetropolitan Museum of Art, New York, NY

Also at Cleveland Museum of Art

555
Relief of Nyankhnesut Seated, Unknown
Relief of Nyankhnesut SeatedUnknownc. 2311–2281 BCECleveland Museum of Art
Stele of Shemai, Unknown
Stele of ShemaiUnknownc. 1960–1916 BCECleveland Museum of Art
Relief of Hatshepsut or Tuthmosis III, Unknown
Relief of Hatshepsut or Tuthmosis IIIUnknown1479–1425 BCECleveland Museum of Art
Talatat: Portrait of Nefertiti, Unknown
Talatat: Portrait of NefertitiUnknownc. 1353–1347 BCECleveland Museum of Art
Talatat: Portrait of Nefertiti, Unknown
Talatat: Portrait of NefertitiUnknownc. 1353–1347 BCECleveland Museum of Art
Talatat: Nefertiti Offers to the Aten, Unknown
Talatat: Nefertiti Offers to the AtenUnknown1353–1347 BCECleveland Museum of Art
Tomb Relief of the Chief Physician Amenhotep and Family, Unknown
Tomb Relief of the Chief Physician Amenhotep and FamilyUnknownc. 1279–1257 BCECleveland Museum of Art
Stele of the High Priest of Ptah, Shedsunefertem, Unknown
Stele of the High Priest of Ptah, ShedsunefertemUnknown945–924 BCECleveland Museum of Art

Similar picturesFound by visual likeness

8 pictures

Visual resemblances suggested by the model. A match does not establish a shared subject or historical connection.

Persian Couplets (recto), Calligraphy, Persian Verses; Single Page Manuscript, Unknown
Persian Couplets (recto), Calligraphy, Persian Verses; Single Page ManuscriptUnknownlate 1500s–early 1600sCleveland Museum of Art
0.87
Page from a Copy of The Qur'an, Islamic
Page from a Copy of The Qur'anIslamic16th/17th centuryThe Art Institute of Chicago
0.87
Page from the Panj Ganj (Five Treasures) of Abd al-Rahman Jami (Persian, 1414–1492), with two Persian masnavis (narrative poems): Yusuf va Zulaykha (Joseph and Zulaykha) and Subhat al-abrar (Rosary of the Righteous), Mushfiq (Indian, active early 1600s); others (Indian)
Page from the Panj Ganj (Five Treasures) of Abd al-Rahman Jami (Persian, 1414–1492), with two Persian masnavis (narrative poems): Yusuf va Zulaykha (Joseph and Zulaykha) and Subhat al-abrar (Rosary of the Righteous)Mushfiq (Indian, active early 1600s); others (Indian)Text c. 1500–1520; painting, borders, and illuminations added 1603–7 Text copied by Sultan-Ali Mashhadi (Persian, active early 1500s) for Badi al-Zaman Mirza, ruler of Herat Painted insets and borders by Mushfiq (Indian, active 1580s–early 1600s) Text copied in Herat Painting, borders, and illuminations made in the Deccan for Mughal minister Abd al-Rahim the Khan KhananCleveland Museum of Art
0.87
Calligraphy: Preface to the Anvar-i Suhaili, Unknown
Calligraphy: Preface to the Anvar-i SuhailiUnknownc. 1590Cleveland Museum of Art
0.87
Zulaykha in her palace and as an old woman with Joseph, from a Panj Ganj (Five Treasures) of Abd al-Rahman Jami (Persian, 1414–1492); verso from a Panj Ganj of Abd al-Rahman Jami (Persian, 1414–1492), with two masnavis: Yusuf va Zulaykha (Joseph and Zulaykha) and Khirad-nama-i Iskandari (Alexander’s Book of Wisdom), Mushfiq (Indian, active early 1600s); Sultan 'Ali al-Mashadi (Iranian, 1430–1520)
Zulaykha in her palace and as an old woman with Joseph, from a Panj Ganj (Five Treasures) of Abd al-Rahman Jami (Persian, 1414–1492); verso from a Panj Ganj of Abd al-Rahman Jami (Persian, 1414–1492), with two masnavis: Yusuf va Zulaykha (Joseph and Zulaykha) and Khirad-nama-i Iskandari (Alexander’s Book of Wisdom)Mushfiq (Indian, active early 1600s); Sultan 'Ali al-Mashadi (Iranian, 1430–1520)Text copied by Sultan-Ali Mashhadi (Persian, 1453–1520) for Badi al-Zaman Mirza of Herat Painting, borders, and illumination by Mushfiq (Indian, active 1580s–early 1600s); Text copied in Herat; Painting, borders, and illuminations made in the Deccan for Mughal minister Abd al-Rahim the Khan KhananCleveland Museum of Art
0.86

Next

Made in the fifteenth century, like Left side of a double-page album folio: Outside a Royal Encampment (recto) and Calligraphy, Persian Verses (verso).

0:00–0:00