The Hours of Jeanne d'Evreux, Queen of France, Jean Pucelle

The AnnunciationLuke 1:26-38

10 hands · 1177–1887

And in the sixth month, the angel Gabriel was sent from God into a city of…Luke 1:26

  1. Relief with the Annunciation, Unknownca. 1180–1200Unknown
  2. Shrine of the Virgin, Unknownca. 1300Unknown
  3. The Hours of Jeanne d'Evreux, Queen of France, Jean Pucelleca. 1324–28Jean PucelleThis record
  4. Annunciation Triptych (Merode Altarpiece), Robert Campinca. 1427–32Robert Campin
  5. The Annunciation, Albert Bouts (Netherlandish, 1451/55–1549)c. 1480Albert Bouts (Netherlandish, 1451/55–1549)
  6. The Annunciation, Hans Memling1480–89Hans Memling
  7. The Annunciation, Botticelli (Alessandro di Mariano Filipepi)ca. 1490Botticelli (Alessandro di Mariano Filipepi)
  8. Christ Is Born as Man's Redeemer (Episode from the Story of the Redemption of Man), Unknown1500–1520Unknown
  9. Annunciation, Niccolò Roccatagliataearly 17th centuryNiccolò Roccatagliata
  10. The Annunciation, George Hitchcock1887George Hitchcock

What it depicts

Matthew 2:1-12Opened by a notation lookup, not by an editor. Iconclass 73B5 glosses this subject as “the story of the three Wise Men (kings or Magi) (Matthew 2:1-12)”, and this library reads the Douay-Rheims, where the passage stands at Matthew 2:1-12. Named the Adoration of the Magi by Abe Garcia, 2026-09-07. Iconclass hedges its title because the gospel does not say how many the wise men were or that they were kings. The hedge is right and it is not a name.

1When Jesus therefore was born in Bethlehem of Juda, in the days of king Herod, behold, there came wise men from the east to Jerusalem.

2Saying, Where is he that is born king of the Jews? For we have seen his star in the east, and are come to adore him.

3And king Herod hearing this, was troubled, and all Jerusalem with him.

4And assembling together all the chief priests and the scribes of the people, he inquired of them where Christ should be born.

5But they said to him: In Bethlehem of Juda. For so it is written by the prophet:

6And thou Bethlehem the land of Juda art not the least among the princes of Juda: for out of thee shall come forth the captain that shall rule my people Israel.

7Then Herod, privately calling the wise men, learned diligently of them the time of the star which appeared to them;

8And sending them into Bethlehem, said: Go and diligently inquire after the child, and when you have found him, bring me word again, that I also may come to adore him.

9Who having heard the king, went their way; and behold the star which they had seen in the east, went before them, until it came and stood over where the child was.

10And seeing the star they rejoiced with exceeding great joy.

11And entering into the house, they found the child with Mary his mother, and falling down they adored him; and opening their treasures, they offered him gifts; gold, frankincense, and myrrh.

12And having received an answer in sleep that they should not return to Herod, they went back another way into their country.

Read it in Matthew

Seen

Not yet checked

Suggested by an AI model, 2026-09-08 (hf.co/mradermacher/iconclass-vlm-GGUF:Q4_K_M), asked “Generate Iconclass labels for this image”. No one has checked these against the picture yet.

Iconclass
11Hsaints73D42From Pilate's palace to Golgotha: the procession to Calvary

Of

The subjects are the library’s own joins, each marked with who made it. The other rows are claims by the holder and by Wikidata, read 2026-09-04, and join nothing until an editor confirms them.

Subject
From Christ's deposition to his entombmentMatthew 27:58-66joined by Abe GarciaStory of the birth of ChristLuke 2:1-20joined by Abe GarciaThe Adoration of the MagiMatthew 2:1-12joined by Abe GarciaThe AnnunciationLuke 1:26-38joined by Abe Garcia
Holder's headings
Hawks, Dogs, Lions, Rabbits, Bishops, Christ, Adoration of the Magi, Adoration of the Shepherds, Annunciation, Crucifixion, Lamentation, Dancers, Musicians
Wikidata depicts
lion, dog, rabbit, bishop, Annunciation, adoration of the Magi, musician, Christ, hawk, adoration of the shepherds, Lamentation of Christ, crucifixion, dancer

Means

No reading yet.

Rights

Credit
The Cloisters Collection, 1954
Licence
CC0-1.0
Evidence
metmuseum.org collection api v1: isPublicDomain=true on object 470309 (read 2026-08-27)
Record
https://www.metmuseum.org/art/collection/search/470309
The Hours of Jeanne d'Evreux, Queen of France, Jean Pucelle
The Hours of Jeanne d'Evreux, Queen of France — Jean Pucelleca. 1324–28

How this join was made

This join is editorial: no notation was involved, and an editor anchored the picture to the passage directly.

The same book of hours. Its cycle includes the Adoration of the Magi, on the Met's own heading.

Within fifty years of ca. 1324–28

38
Table of Bigamy, from the Summa Super Titulis Decretalium Completa, Henry of Segusio
Table of Bigamy, from the Summa Super Titulis Decretalium CompletaHenry of Segusio1275/99The Art Institute of Chicago
Virgin of the Annunciation, French
Virgin of the AnnunciationFrench1275–1300The Art Institute of Chicago
Yang Pu Moving His Family, Artist Unknown Chinese
Yang Pu Moving His FamilyArtist Unknown ChineseYuan dynasty (1279–1368) 元朝The Art Institute of Chicago
Bishop at Mass in a Historiated Initial "P" from a Choirbook, Master Honoré
Bishop at Mass in a Historiated Initial "P" from a ChoirbookMaster Honoréc. 1300The Art Institute of Chicago
Praying Saint (Moses?) with Christ in a Historiated Initial "L", from a Choirbook, Neri da Rimini
Praying Saint (Moses?) with Christ in a Historiated Initial "L", from a ChoirbookNeri da Riminic. 1300The Art Institute of Chicago
Viper in a Rocky Garden from Manafi' al-Hayawan (On the Usefulness of Animals) of Ibn Bakhtishu', Iran
Viper in a Rocky Garden from Manafi' al-Hayawan (On the Usefulness of Animals) of Ibn Bakhtishu'Iranc. 1300The Art Institute of Chicago
Street Scenes in Times of Peace 太平風會圖, Zhu Yu
Street Scenes in Times of Peace 太平風會圖Zhu YuYuan dynasty (1279–1368), 14th century 元朝The Art Institute of Chicago
Shrine of the Virgin, Unknown
Shrine of the VirginUnknownca. 1300Metropolitan Museum of Art, New York, NY

Also at Metropolitan Museum of Art, New York, NY

758
Marble female figure, Bastis Master
Marble female figureBastis Master2600–2400 BCEMetropolitan Museum of Art, New York, NY
Relief Fragment with a Ship Under Sail, Unknown
Relief Fragment with a Ship Under SailUnknownca. 2465–2458 BCEMetropolitan Museum of Art, New York, NY
Tomb Chapel of Raemkai: South Wall, Unknown
Tomb Chapel of Raemkai: South WallUnknownca. 2446–2389 BCEMetropolitan Museum of Art, New York, NY
West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and Werdjedptah, Unknown
West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and WerdjedptahUnknownca. 2420–2250 BCEMetropolitan Museum of Art, New York, NY
Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching Lion, Unknown
Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY
Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh Sign, Unknown
Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh SignUnknownca. 2150–2010 B.C.Metropolitan Museum of Art, New York, NY
Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a Lion, Unknown
Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY
Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tail, Unknown
Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tailUnknownca. 2100–2080 B.C.Metropolitan Museum of Art, New York, NY

Similar picturesFound by visual likeness

8 pictures

Visual resemblances suggested by the model. A match does not establish a shared subject or historical connection.

Print, Unknown
PrintUnknownCooper Hewitt, Smithsonian Design Museum
0.87
Jaharis Byzantine Lectionary, Unknown
Jaharis Byzantine LectionaryUnknownca. 1100Metropolitan Museum of Art, New York, NY
0.86
Leaf from a Psalter and Prayerbook: Initial E with Ornamental Border Containing a Seated Satyr and a Bird Eating Grapes (recto) and Ornamental Border with Flowers and Squirrel (verso) (2 of 3 Excised Leaves), Unknown
Leaf from a Psalter and Prayerbook: Initial E with Ornamental Border Containing a Seated Satyr and a Bird Eating Grapes (recto) and Ornamental Border with Flowers and Squirrel (verso) (2 of 3 Excised Leaves)Unknownc. 1524Cleveland Museum of Art
0.85
Print, Unknown
PrintUnknownCooper Hewitt, Smithsonian Design Museum
0.85
Rosarium philosophorum, page [187], Unknown
Rosarium philosophorum, page [187]Unknown1550Stiftung der Werke von C.G.Jung, Zürich
0.85
Gunmakers Workshop with Names of Parisian Gunmakers, C. Jacquinet, French, active 1650 – 1660
Gunmakers Workshop with Names of Parisian GunmakersC. Jacquinet, French, active 1650 – 16601660Cooper Hewitt, Smithsonian Design Museum
0.85
Print, Unknown
PrintUnknownCooper Hewitt, Smithsonian Design Museum
0.85
A Medieval Bakery, from the Book of Problems of Pseudo-Aristotle, translated into the French by Évrart de Conty, Master of the Second Roman de la Rose of the Duke of Berry,
A Medieval Bakery, from the Book of Problems of Pseudo-Aristotle, translated into the French by Évrart de ContyMaster of the Second Roman de la Rose of the Duke of Berry,ca. 1400Metropolitan Museum of Art, New York, NY
0.85

Connections

Depicts

  • From Christ's deposition to his entombmentThe same book of hours, whose Passion miniatures include the Lamentation.
  • Story of the birth of ChristThe Hours of Jeanne d'Evreux, fourth scene. Its heading here is the Adoration of the Shepherds, which Iconclass files at 73B25, inside Luke 2:1-20. Anchored to the birth rather than given a subject of its own, because the shepherds are a moment of those verses.
  • The Adoration of the MagiThe same book of hours. Its cycle includes the Adoration of the Magi, on the Met's own heading.
  • The AnnunciationA book of hours, not a picture of one scene. Pucelle painted the Annunciation as one of its miniatures, and the Met's own headings name it. Confirmed as true of the object, with the object shown for what it is: the record says grisaille on vellum, a single folio nine centimetres tall.

Next

Other hands on The Adoration of the Magi, the passage The Hours of Jeanne d'Evreux, Queen of France shows.

Other hands on From Christ's deposition to his entombment, the passage The Hours of Jeanne d'Evreux, Queen of France shows.

Other hands on Story of the birth of Christ, the passage The Hours of Jeanne d'Evreux, Queen of France shows.

Made in the fourteenth century, like The Hours of Jeanne d'Evreux, Queen of France.

0:00–0:00