Madonna and Child in Glory, Study after Mastelletta; Angel Gabriel Driving Lucifer from Heaven, Study after Marcantonio Franceschini — Felice Giani, Italian, 1758–1823, 1821–22

Madonna and Child in Glory, Study after Mastelletta; Angel Gabriel Driving Lucifer from Heaven, Study after Marcantonio Franceschini, Felice Giani, Italian, 1758–1823

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Rights

Credit: Museum purchase through gift of various donors
Licence: CC0-1.0
Evidence: api.si.edu openaccess v1.0: content.descriptiveNonRepeating.metadata_usage.access=CC0 on record chndm_1901-39-3559-a_b (read 2026-09-01)
Record: https://collection.cooperhewitt.org/view/objects/asitem/id/10319

Also by Felice Giani, Italian, 1758–1823

304

Drawing, Felice Giani, Italian, 1758–1823 — DrawingFelice Giani, Italian, 1758–18231780-1790Cooper Hewitt, Smithsonian Design Museum

Drawing, Felice Giani, Italian, 1758–1823 — DrawingFelice Giani, Italian, 1758–18231780-1790Cooper Hewitt, Smithsonian Design Museum

Drawing, Felice Giani, Italian, 1758–1823 — DrawingFelice Giani, Italian, 1758–18231780-1790Cooper Hewitt, Smithsonian Design Museum

Drawing, Felice Giani, Italian, 1758–1823 — DrawingFelice Giani, Italian, 1758–18231780-1790Cooper Hewitt, Smithsonian Design Museum

Drawing, Felice Giani, Italian, 1758–1823 — DrawingFelice Giani, Italian, 1758–18231780-1790Cooper Hewitt, Smithsonian Design Museum

Drawing, Felice Giani, Italian, 1758–1823 — DrawingFelice Giani, Italian, 1758–18231780-1790Cooper Hewitt, Smithsonian Design Museum

Drawing, Felice Giani, Italian, 1758–1823 — DrawingFelice Giani, Italian, 1758–18231780-1790Cooper Hewitt, Smithsonian Design Museum

Drawing, Felice Giani, Italian, 1758–1823 — DrawingFelice Giani, Italian, 1758–18231780-1790Cooper Hewitt, Smithsonian Design Museum

Within fifty years of 1821–22

3020

Portrait of Infante Don Luis de Borbon, Anton Raphael Mengs (German, 1728–1779) — Portrait of Infante Don Luis de BorbonAnton Raphael Mengs (German, 1728–1779)c. 1776Cleveland Museum of Art

Architectural Elevation of La Retraite within its Landscape, François de Cuvilliés the younger, German, 1731 - 1777 — Architectural Elevation of La Retraite within its LandscapeFrançois de Cuvilliés the younger, German, 1731 - 17771771Cooper Hewitt, Smithsonian Design Museum

Title Page, Pierre Moreau, French, 1722 – 1798 — Title PagePierre Moreau, French, 1722 – 17981771Cooper Hewitt, Smithsonian Design Museum

Plan D’Amalienbourg Batie sur la gauche dans le jardin de Nimphenbourg, François de Cuvilliés the Elder, Belgian, 1695 - 1768 — Plan D’Amalienbourg Batie sur la gauche dans le jardin de NimphenbourgFrançois de Cuvilliés the Elder, Belgian, 1695 - 17681771Cooper Hewitt, Smithsonian Design Museum

Title Page, Pierre Moreau, French, 1722 – 1798 — Title PagePierre Moreau, French, 1722 – 17981771Cooper Hewitt, Smithsonian Design Museum

PLAN DE BADENBOURG EXECUTE DANS LE JARDIN DE NYMPHENBOURG. MDCCLXXI, Joseph Effner, German, 1687 – 1745 — PLAN DE BADENBOURG EXECUTE DANS LE JARDIN DE NYMPHENBOURG. MDCCLXXIJoseph Effner, German, 1687 – 1745ca. 1771Cooper Hewitt, Smithsonian Design Museum

Rolltop desk, David Roentgen — Rolltop deskDavid Roentgenca. 1776–79Metropolitan Museum of Art, New York, NY

Drop-front desk (secrétaire à abattant or secrétaire en cabinet), Martin Carlin — Drop-front desk (secrétaire à abattant or secrétaire en cabinet)Martin Carlinca. 1776Metropolitan Museum of Art, New York, NY

Also at Cooper Hewitt, Smithsonian Design Museum

7382

Tiraz fragment, Unknown — Tiraz fragmentUnknownca. 1000Cooper Hewitt, Smithsonian Design Museum

Textile, Unknown — TextileUnknown700–1000Cooper Hewitt, Smithsonian Design Museum

Textile, Unknown — TextileUnknown500–1000Cooper Hewitt, Smithsonian Design Museum

Textile, Unknown — TextileUnknown1000–1450Cooper Hewitt, Smithsonian Design Museum

Vessel, Unknown — VesselUnknown500–1000Cooper Hewitt, Smithsonian Design Museum

Vessel, Unknown — VesselUnknown500–1000Cooper Hewitt, Smithsonian Design Museum

Textile, Unknown — TextileUnknown1100–1400Cooper Hewitt, Smithsonian Design Museum

Textile, Unknown — TextileUnknown1100–1500Cooper Hewitt, Smithsonian Design Museum

Similar picturesFound by visual likeness

8 pictures

Other makers only

Visual resemblances suggested by the model. A match does not establish a shared subject or historical connection.

Saint in Ecstacy, After Franceschini; Classicized Version of Vision of St. Catherine of Vigri, Study after Franceschini, Felice Giani, Italian, 1758–1823 — Saint in Ecstacy, After Franceschini; Classicized Version of Vision of St. Catherine of Vigri, Study after FranceschiniFelice Giani, Italian, 1758–18231821–22Cooper Hewitt, Smithsonian Design Museum

0.87

Four Putti Making Music, Study after Lodovico Carracci; Christ, Study after Massari, Felice Giani, Italian, 1758–1823 — Four Putti Making Music, Study after Lodovico Carracci; Christ, Study after MassariFelice Giani, Italian, 1758–18231821–22Cooper Hewitt, Smithsonian Design Museum

0.87

Three Putti with Garland; Romulus and Remus Breastfeeding from She-Wolf; Two Putti Playing Cymbals, Felice Giani, Italian, 1758–1823 — Three Putti with Garland; Romulus and Remus Breastfeeding from She-Wolf; Two Putti Playing CymbalsFelice Giani, Italian, 1758–18231818Cooper Hewitt, Smithsonian Design Museum

0.87

A Shipwreck, Felice Giani, Italian, 1758–1823 — A ShipwreckFelice Giani, Italian, 1758–1823early 19th centuryCooper Hewitt, Smithsonian Design Museum

0.87

Three Herms, Studies after Carracci, Felice Giani, Italian, 1758–1823 — Three Herms, Studies after CarracciFelice Giani, Italian, 1758–18231821–22Cooper Hewitt, Smithsonian Design Museum

0.87

Four Herms, Studies after the Carracci, Felice Giani, Italian, 1758–1823 — Four Herms, Studies after the CarracciFelice Giani, Italian, 1758–18231821–22Cooper Hewitt, Smithsonian Design Museum

0.85

Sketchbook Page, Folio 95: Three Paintings after Giulio Romano; Verso: Lion and Eagle, Felice Giani, Italian, 1758–1823 — Sketchbook Page, Folio 95: Three Paintings after Giulio Romano; Verso: Lion and EagleFelice Giani, Italian, 1758–18231812–14Cooper Hewitt, Smithsonian Design Museum

0.85

Sketchbook: Folio 73; Six Paintings of Bolognese School; Verso: Anatomical Drawings, Felice Giani, Italian, 1758–1823 — Sketchbook: Folio 73; Six Paintings of Bolognese School; Verso: Anatomical DrawingsFelice Giani, Italian, 1758–18231811–14Cooper Hewitt, Smithsonian Design Museum

0.84

Next

Felice Giani, Italian, 1758–1823 made Madonna and Child in Glory, Study after Mastelletta; Angel Gabriel Driving Lucifer from Heaven, Study after Marcantonio Franceschini, and made these too.

Made in the nineteenth century, like Madonna and Child in Glory, Study after Mastelletta; Angel Gabriel Driving Lucifer from Heaven, Study after Marcantonio Franceschini.

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