A Medieval Bakery, from the Book of Problems of Pseudo-Aristotle, translated into the French by Évrart de Conty, Master of the Second Roman de la Rose of the Duke of Berry,

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Rights

Credit
Purchase, Hélène David-Weill, The Ruddock Foundation for the Arts, and Kathryn Salmanowitz Gifts, in honor of Barbara Drake Boehm, 2023
Licence
CC0-1.0
Evidence
metmuseum.org collection api v1: isPublicDomain=true on object 899508 (read 2026-08-27)
Record
https://www.metmuseum.org/art/collection/search/899508
A Medieval Bakery, from the Book of Problems of Pseudo-Aristotle, translated into the French by Évrart de Conty, Master of the Second Roman de la Rose of the Duke of Berry,
A Medieval Bakery, from the Book of Problems of Pseudo-Aristotle, translated into the French by Évrart de Conty — Master of the Second Roman de la Rose of the Duke of Berry,ca. 1400

Within fifty years of ca. 1400

49
Book of the Gospels, Northern Highlands artist
Book of the GospelsNorthern Highlands artistlate 14th–early 15th centuryMetropolitan Museum of Art, New York, NY
Saint Benedict Presenting his Rule to Benedictine and Cistercian Monks in a Historiated Initial "O" from a Choirbook, Martino di Bartolomeo di Biagio
Saint Benedict Presenting his Rule to Benedictine and Cistercian Monks in a Historiated Initial "O" from a ChoirbookMartino di Bartolomeo di Biagio1394/95The Art Institute of Chicago
The Nativity in a Historiated Initial "P" from a Choir Book, Master of the Brussels Initials
The Nativity in a Historiated Initial "P" from a Choir BookMaster of the Brussels Initialsc. 1390The Art Institute of Chicago
The Annunciation, Unknown
The AnnunciationUnknown1380sCleveland Museum of Art
Speculum Humanae Salvationis, English
from the Abbey of Great Missenden
Speculum Humanae SalvationisEnglish from the Abbey of Great Missenden1382/1406The Art Institute of Chicago
The Adoration of the Magi, Bartolo di Fredi
The Adoration of the MagiBartolo di Fredica. 1390Metropolitan Museum of Art, New York, NY
The Agony in the Garden, Unknown
The Agony in the GardenUnknownca. 1390Metropolitan Museum of Art, New York, NY
Adoration of the Magi from Seven Scenes from the Life of Christ, Unknown
Adoration of the Magi from Seven Scenes from the Life of ChristUnknownca. 1390Metropolitan Museum of Art, New York, NY

Also at Metropolitan Museum of Art, New York, NY

752
Marble female figure, Bastis Master
Marble female figureBastis Master2600–2400 BCEMetropolitan Museum of Art, New York, NY
Relief Fragment with a Ship Under Sail, Unknown
Relief Fragment with a Ship Under SailUnknownca. 2465–2458 BCEMetropolitan Museum of Art, New York, NY
Tomb Chapel of Raemkai: South Wall, Unknown
Tomb Chapel of Raemkai: South WallUnknownca. 2446–2389 BCEMetropolitan Museum of Art, New York, NY
West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and Werdjedptah, Unknown
West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and WerdjedptahUnknownca. 2420–2250 BCEMetropolitan Museum of Art, New York, NY
Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching Lion, Unknown
Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY
Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh Sign, Unknown
Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh SignUnknownca. 2150–2010 B.C.Metropolitan Museum of Art, New York, NY
Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a Lion, Unknown
Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY
Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tail, Unknown
Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tailUnknownca. 2100–2080 B.C.Metropolitan Museum of Art, New York, NY

Similar picturesFound by visual likeness

8 pictures

Visual resemblances suggested by the model. A match does not establish a shared subject or historical connection.

Speculum Humanae Salvationis, English
from the Abbey of Great Missenden
Speculum Humanae SalvationisEnglish from the Abbey of Great Missenden1382/1406The Art Institute of Chicago
0.92
Manuscript Leaf from a Royal Psalter, Unknown
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The Cloisters Apocalypse, Unknown
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0.89
Leaf from a Book of Hours: Annunciation to the Shepherds (recto) and Text (verso), Boethius Illuminator (Flemish, active c. 1414–20)
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0.89
Leaf from a Greek Psalter and New Testament, Unknown
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0.88

Next

Made in the fourteenth century, like A Medieval Bakery, from the Book of Problems of Pseudo-Aristotle, translated into the French by Évrart de Conty.

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