Designs for Reliquaries — Unknown, 1698

Designs for Reliquaries, Unknown

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Credit: Museum purchase through gift of various donors
Licence: CC0-1.0
Evidence: api.si.edu openaccess v1.0: content.descriptiveNonRepeating.metadata_usage.access=CC0 on record chndm_1901-39-1426 (read 2026-09-01)
Record: https://collection.cooperhewitt.org/view/objects/asitem/id/7924

Also by Unknown

5442

Relief Fragment with a Ship Under Sail, Unknown — Relief Fragment with a Ship Under SailUnknownca. 2465–2458 BCEMetropolitan Museum of Art, New York, NY

Tomb Chapel of Raemkai: South Wall, Unknown — Tomb Chapel of Raemkai: South WallUnknownca. 2446–2389 BCEMetropolitan Museum of Art, New York, NY

West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and Werdjedptah, Unknown — West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and WerdjedptahUnknownca. 2420–2250 BCEMetropolitan Museum of Art, New York, NY

Relief of Nyankhnesut Seated, Unknown — Relief of Nyankhnesut SeatedUnknownc. 2311–2281 BCECleveland Museum of Art

Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching Lion, Unknown — Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh Sign, Unknown — Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh SignUnknownca. 2150–2010 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a Lion, Unknown — Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tail, Unknown — Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tailUnknownca. 2100–2080 B.C.Metropolitan Museum of Art, New York, NY

Within fifty years of 1698

1117

Self-Portrait Etching at a Window, Rembrandt van Rijn — Self-Portrait Etching at a WindowRembrandt van Rijn1648The Art Institute of Chicago

Half-Length Praying Figure, Style of Carlo Cignani — Half-Length Praying FigureStyle of Carlo Cignanin.d.The Art Institute of Chicago

Self-Portrait Drawing at a Window, Rembrandt van Rijn (Dutch, 1606–1669) — Self-Portrait Drawing at a WindowRembrandt van Rijn (Dutch, 1606–1669)1648Cleveland Museum of Art

The Holy Family on the Steps, Nicolas Poussin (French, 1594–1665) — The Holy Family on the StepsNicolas Poussin (French, 1594–1665)1648Cleveland Museum of Art

Title Page, D. Antoine Pierretz, French, active 1647 — Title PageD. Antoine Pierretz, French, active 16471648Cooper Hewitt, Smithsonian Design Museum

"Ornamental Design with Cross at Center," Plate 2 from "Goldsmith Ornament Designs", Heinrich Raab, German, active Nuremberg 1640 – 1650 — "Ornamental Design with Cross at Center," Plate 2 from "Goldsmith Ornament Designs"Heinrich Raab, German, active Nuremberg 1640 – 1650ca. 1648Cooper Hewitt, Smithsonian Design Museum

"Five Different Fillets," Plate 6 from "Goldsmith Ornament Designs", Heinrich Raab, German, active Nuremberg 1640 – 1650 — "Five Different Fillets," Plate 6 from "Goldsmith Ornament Designs"Heinrich Raab, German, active Nuremberg 1640 – 1650ca. 1648Cooper Hewitt, Smithsonian Design Museum

"Oblong Fillet Flanked by Two Needle Cases (?)," Plate 5 from "Goldsmith Ornament Designs", Heinrich Raab, German, active Nuremberg 1640 – 1650 — "Oblong Fillet Flanked by Two Needle Cases (?)," Plate 5 from "Goldsmith Ornament Designs"Heinrich Raab, German, active Nuremberg 1640 – 1650ca. 1648Cooper Hewitt, Smithsonian Design Museum

Also at Cooper Hewitt, Smithsonian Design Museum

4267

Ornament Panel with Bird Cage, Nicoletto da Modena, Italian, active 1500 – 1522 — Ornament Panel with Bird CageNicoletto da Modena, Italian, active 1500 – 1522ca. 1507Cooper Hewitt, Smithsonian Design Museum

Ornament Panel Inscribed "Victoria Augusta", Nicoletto da Modena, Italian, active 1500 – 1522 — Ornament Panel Inscribed "Victoria Augusta"Nicoletto da Modena, Italian, active 1500 – 1522ca. 1507Cooper Hewitt, Smithsonian Design Museum

Ornament Panel with Mars, Nicoletto da Modena, Italian, active 1500 – 1522 — Ornament Panel with MarsNicoletto da Modena, Italian, active 1500 – 1522ca. 1507Cooper Hewitt, Smithsonian Design Museum

Abraham and the Three Angels, Lucas van Leyden, Netherlandish, ca. 1494–1533 — Abraham and the Three AngelsLucas van Leyden, Netherlandish, ca. 1494–15331513Cooper Hewitt, Smithsonian Design Museum

Study of a Rearing Horse after Leonardo da Vinci, Francesco Melzi, Italian, 1491 – 1570 — Study of a Rearing Horse after Leonardo da VinciFrancesco Melzi, Italian, 1491 – 1570ca. 1520–25Cooper Hewitt, Smithsonian Design Museum

Portrait of Albrecht of Brandenburg, Albrecht Dürer, German, 1471–1528 — Portrait of Albrecht of BrandenburgAlbrecht Dürer, German, 1471–15281524Cooper Hewitt, Smithsonian Design Museum

Grotesque Ornament with Satyrs, from a set of twenty ornament panels, Agostino Veneziano, Italian, ca. 1490 - after 1536 — Grotesque Ornament with Satyrs, from a set of twenty ornament panelsAgostino Veneziano, Italian, ca. 1490 - after 1536ca. 1530–1535Cooper Hewitt, Smithsonian Design Museum

Design for Covered Cups, from Dessins d'orfèvrerie (Designs for Metalwork), Léonard Thiry, Flemish, 1550 — Design for Covered Cups, from Dessins d'orfèvrerie (Designs for Metalwork)Léonard Thiry, Flemish, 15501540–1560Cooper Hewitt, Smithsonian Design Museum

Similar picturesFound by visual likeness

8 pictures

Other makers only

Visual resemblances suggested by the model. A match does not establish a shared subject or historical connection.

Sketched for a Reliquary, Filippo Passarini, 1636–1698 — Sketched for a ReliquaryFilippo Passarini, 1636–16981698Cooper Hewitt, Smithsonian Design Museum

0.94

Architectural Ornaments:, Unknown — Architectural Ornaments:Unknown1675–1700Cooper Hewitt, Smithsonian Design Museum

0.88

Print, Unknown — PrintUnknownCooper Hewitt, Smithsonian Design Museum

0.88

Sarcophagus and allegorical figures, Giuseppe Barberi, Italian, 1746–1809 — Sarcophagus and allegorical figuresGiuseppe Barberi, Italian, 1746–18091746–1809Cooper Hewitt, Smithsonian Design Museum

0.87

Mars, Jan van der Straet, called Stradanus, Flemish, 1523–1605 — MarsJan van der Straet, called Stradanus, Flemish, 1523–1605ca. 1580 – 1605Cooper Hewitt, Smithsonian Design Museum

0.87

Drawing, Felice Giani, Italian, 1758–1823 — DrawingFelice Giani, Italian, 1758–1823Cooper Hewitt, Smithsonian Design Museum

0.87

A Flying Angel Carrying a Palm Branch, Unknown — A Flying Angel Carrying a Palm BranchUnknownearly 17th centuryCooper Hewitt, Smithsonian Design Museum

0.87

St.George and the Dragon by Raphael; Biblical Scene; Disposition by Caravaggio; Ero e Leandro; Love by Lambert Sustris; Spinning Girl by Domenico Fetti; Verso: Apollo and Muse by Poussin; Cupid by Corregio; St. Peter and St. John by Poussin; Madonna...., Felice Giani, Italian, 1758–1823 — St.George and the Dragon by Raphael; Biblical Scene; Disposition by Caravaggio; Ero e Leandro; Love by Lambert Sustris; Spinning Girl by Domenico Fetti; Verso: Apollo and Muse by Poussin; Cupid by Corregio; St. Peter and St. John by Poussin; Madonna....Felice Giani, Italian, 1758–1823Cooper Hewitt, Smithsonian Design Museum

0.87

Next

Made in the seventeenth century, like Designs for Reliquaries.

Abraham Preparing to Sacrifice Isaac1685
Lamentation1683
Abraham and Isaac1645
The Toilet of Bathsheba1643

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