Drawing — Felice Giani, Italian, 1758–1823, 1780-1790

Drawing, Felice Giani, Italian, 1758–1823

Seen

Not described yet.

Of

No subject recorded yet.

Means

No reading yet.

Rights

Credit: Museum purchase through gift of various donors
Licence: CC0-1.0
Evidence: api.si.edu openaccess v1.0: content.descriptiveNonRepeating.metadata_usage.access=CC0 on record chndm_1901-39-3447 (read 2026-09-01)
Record: https://collection.cooperhewitt.org/view/objects/asitem/id/10185

Also by Felice Giani, Italian, 1758–1823

304

Drawing, Felice Giani, Italian, 1758–1823 — DrawingFelice Giani, Italian, 1758–18231780-1790Cooper Hewitt, Smithsonian Design Museum

Drawing, Felice Giani, Italian, 1758–1823 — DrawingFelice Giani, Italian, 1758–18231780-1790Cooper Hewitt, Smithsonian Design Museum

Drawing, Felice Giani, Italian, 1758–1823 — DrawingFelice Giani, Italian, 1758–18231780-1790Cooper Hewitt, Smithsonian Design Museum

Drawing, Felice Giani, Italian, 1758–1823 — DrawingFelice Giani, Italian, 1758–18231780-1790Cooper Hewitt, Smithsonian Design Museum

Drawing, Felice Giani, Italian, 1758–1823 — DrawingFelice Giani, Italian, 1758–18231780-1790Cooper Hewitt, Smithsonian Design Museum

Drawing, Felice Giani, Italian, 1758–1823 — DrawingFelice Giani, Italian, 1758–18231780-1790Cooper Hewitt, Smithsonian Design Museum

Drawing, Felice Giani, Italian, 1758–1823 — DrawingFelice Giani, Italian, 1758–18231780-1790Cooper Hewitt, Smithsonian Design Museum

Drawing, Felice Giani, Italian, 1758–1823 — DrawingFelice Giani, Italian, 1758–18231780-1790Cooper Hewitt, Smithsonian Design Museum

Within fifty years of 1780-1790

3034

Self-Portrait, William Hogarth — Self-PortraitWilliam Hogarthca. 1735Yale Center for British Art

A Vignette, Referring to the Arts, in Two States, Vincenzo Franceschini, Italian, 1680 - ca. 1750 — A Vignette, Referring to the Arts, in Two StatesVincenzo Franceschini, Italian, 1680 - ca. 1750ca. 1730Cooper Hewitt, Smithsonian Design Museum

Moses, Michelangelo Buonarroti — MosesMichelangelo Buonarroti1700sThe Art Institute of Chicago

Textile, Unknown — TextileUnknown1730–35Cooper Hewitt, Smithsonian Design Museum

Textile, Unknown — TextileUnknownca. 1730Cooper Hewitt, Smithsonian Design Museum

Design for Wallpaper: Birds on Stands, Unknown — Design for Wallpaper: Birds on StandsUnknownca. 1730Cooper Hewitt, Smithsonian Design Museum

Cherub and Seraphs, Unknown — Cherub and SeraphsUnknown1730–60Cooper Hewitt, Smithsonian Design Museum

Painted Wall Decoration, Unknown — Painted Wall DecorationUnknown1730–60Cooper Hewitt, Smithsonian Design Museum

Also at Cooper Hewitt, Smithsonian Design Museum

7173

Tiraz fragment, Unknown — Tiraz fragmentUnknownca. 1000Cooper Hewitt, Smithsonian Design Museum

Textile, Unknown — TextileUnknown700–1000Cooper Hewitt, Smithsonian Design Museum

Textile, Unknown — TextileUnknown500–1000Cooper Hewitt, Smithsonian Design Museum

Textile, Unknown — TextileUnknown1000–1450Cooper Hewitt, Smithsonian Design Museum

Vessel, Unknown — VesselUnknown500–1000Cooper Hewitt, Smithsonian Design Museum

Vessel, Unknown — VesselUnknown500–1000Cooper Hewitt, Smithsonian Design Museum

Textile, Unknown — TextileUnknown1100–1400Cooper Hewitt, Smithsonian Design Museum

Textile, Unknown — TextileUnknown1100–1500Cooper Hewitt, Smithsonian Design Museum

Similar picturesFound by visual likeness

8 pictures

Other makers only

Visual resemblances suggested by the model. A match does not establish a shared subject or historical connection.

Drawing, Felice Giani, Italian, 1758–1823 — DrawingFelice Giani, Italian, 1758–1823About 1810Cooper Hewitt, Smithsonian Design Museum

0.91

Drawing, Felice Giani, Italian, 1758–1823 — DrawingFelice Giani, Italian, 1758–18231780-1790Cooper Hewitt, Smithsonian Design Museum

0.90

Drawing, Felice Giani, Italian, 1758–1823 — DrawingFelice Giani, Italian, 1758–18231780-1790Cooper Hewitt, Smithsonian Design Museum

0.90

Agamemnon Refuses to Liberate Chryseis; Minerva Appears to Achilles; The Abduction of Briseis: Galerie d'Iliad, Palazzo Milzetti, Faenza, Felice Giani, Italian, 1758–1823 — Agamemnon Refuses to Liberate Chryseis; Minerva Appears to Achilles; The Abduction of Briseis: Galerie d'Iliad, Palazzo Milzetti, FaenzaFelice Giani, Italian, 1758–18231802–05Cooper Hewitt, Smithsonian Design Museum

0.89

Drawing, Felice Giani, Italian, 1758–1823 — DrawingFelice Giani, Italian, 1758–18231780-1790Cooper Hewitt, Smithsonian Design Museum

0.88

Print, Unknown — PrintUnknownCooper Hewitt, Smithsonian Design Museum

0.88

Frieze with Hunting Children, Unknown — Frieze with Hunting ChildrenUnknown1600–1625Cooper Hewitt, Smithsonian Design Museum

0.88

Drawing, Felice Giani, Italian, 1758–1823 — DrawingFelice Giani, Italian, 1758–1823About 1800Cooper Hewitt, Smithsonian Design Museum

0.88

Next

Felice Giani, Italian, 1758–1823 made Drawing, and made these too.

Made in the eighteenth century, like Drawing.

Study of the Lamentation on the Dead Christ1780
The Sacrifice of Isaac1754
Sacrifice of Isaac1750
The Sacrifice of Isaac1750

0:00–0:00