Album of the Phoenix Bird (Ranpō jō) 鸞鳳帖, Keian Tenrai 桂庵天籟

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Holder's headings
Fans, Women

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Rights

Credit
Purchase, Mary and James G. Wallach Foundation Gift, 2013
Licence
CC0-1.0
Evidence
metmuseum.org collection api v1: isPublicDomain=true on object 78810 (read 2026-08-27)
Record
https://www.metmuseum.org/art/collection/search/78810
Album of the Phoenix Bird (Ranpō jō) 鸞鳳帖, Keian Tenrai 桂庵天籟
Album of the Phoenix Bird (Ranpō jō) 鸞鳳帖 — Keian Tenrai 桂庵天籟1806 (Bunka 3)

Within fifty years of 1806 (Bunka 3)

3175
Décoration du bal masque donné par le roy dans la grande Galerie du Château de Versailles, à l’occasion du Mariage de Louis Dauphin de France avec Marie Thérèse Infante d’Espagne, la nuit du XXV. au XXVI février. M.D. CCXLV., Charles-Nicolas Cochin the younger, French, 1715–1790
Décoration du bal masque donné par le roy dans la grande Galerie du Château de Versailles, à l’occasion du Mariage de Louis Dauphin de France avec Marie Thérèse Infante d’Espagne, la nuit du XXV. au XXVI février. M.D. CCXLV.Charles-Nicolas Cochin the younger, French, 1715–17901756Cooper Hewitt, Smithsonian Design Museum
Broken Eggs, Jean-Baptiste Greuze
Broken EggsJean-Baptiste Greuze1756Metropolitan Museum of Art, New York, NY
Avanco del Tempio della Concordia, Giovanni Battista Piranesi (Italian, 1720–1778)
Avanco del Tempio della ConcordiaGiovanni Battista Piranesi (Italian, 1720–1778)1756Cleveland Museum of Art
[Surface and substrata layers of Roman road construction], Piranesi, Giovanni Battista, 1720-1778.
[Surface and substrata layers of Roman road construction]Piranesi, Giovanni Battista, 1720-1778.[1756]Library of Congress
[Roman Colosseum], Piranesi, Giovanni Battista, 1720-1778.
[Roman Colosseum]Piranesi, Giovanni Battista, 1720-1778.[1756]Library of Congress
[Remains of a Roman sepulchre], Piranesi, Giovanni Battista, 1720-1778.
[Remains of a Roman sepulchre]Piranesi, Giovanni Battista, 1720-1778.[1756]Library of Congress
Veduta del Ponte e del mausoleo, ..., Piranesi, Giovanni Battista, 1720-1778, artist
Veduta del Ponte e del mausoleo, ...Piranesi, Giovanni Battista, 1720-1778, artist[1756]Library of Congress
Ancient Rome, Giovanni Paolo Panini
Ancient RomeGiovanni Paolo Panini1757Metropolitan Museum of Art, New York, NY

Also at Metropolitan Museum of Art, New York, NY

587
Marble female figure, Bastis Master
Marble female figureBastis Master2600–2400 BCEMetropolitan Museum of Art, New York, NY
Relief Fragment with a Ship Under Sail, Unknown
Relief Fragment with a Ship Under SailUnknownca. 2465–2458 BCEMetropolitan Museum of Art, New York, NY
Tomb Chapel of Raemkai: South Wall, Unknown
Tomb Chapel of Raemkai: South WallUnknownca. 2446–2389 BCEMetropolitan Museum of Art, New York, NY
West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and Werdjedptah, Unknown
West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and WerdjedptahUnknownca. 2420–2250 BCEMetropolitan Museum of Art, New York, NY
Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching Lion, Unknown
Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY
Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh Sign, Unknown
Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh SignUnknownca. 2150–2010 B.C.Metropolitan Museum of Art, New York, NY
Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a Lion, Unknown
Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY
Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tail, Unknown
Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tailUnknownca. 2100–2080 B.C.Metropolitan Museum of Art, New York, NY

Similar picturesFound by visual likeness

7 pictures

Visual resemblances suggested by the model. A match does not establish a shared subject or historical connection.

Lily, Design Seven from Shazanrō Picture Book, Tani Bunchō (Japanese, 1763–1841)
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Narcissus, Design Three from Shazanrō Picture Book, Tani Bunchō (Japanese, 1763–1841)
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Pomegranate, Design Six from Shazanrō Picture Book, Tani Bunchō (Japanese, 1763–1841)
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0.84
Designs for Three Brooches, Giovanni Sebastiano Meyandi, Italian, active 1762 - 1794
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0.84
Hiroshige Picture Album (Hiroshige gafu), Utagawa Hiroshige II
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0.84
Floral Design for printed textiles, Louis-Albert DuBois, Swiss, 1752–1818
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0.83
Hydrangea, Design Seventeen from Shazanrō Picture Book, Tani Bunchō (Japanese, 1763–1841)
Hydrangea, Design Seventeen from Shazanrō Picture BookTani Bunchō (Japanese, 1763–1841)1816Cleveland Museum of Art
0.83

Next

Made in the nineteenth century, like Album of the Phoenix Bird (Ranpō jō) 鸞鳳帖.

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