Calligraphy in Semi-Cursive Style (xing-caoshu), Yueshan Daozong (Chinese, 1629–1709)

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Credit
Gift of Mr. and Mrs. Robert T. Gow
Licence
CC0-1.0
Evidence
openaccess-api.clevelandart.org: share_license_status=CC0 on artwork 162868 (read 2026-09-01)
Record
https://clevelandart.org/art/2003.353
Calligraphy in Semi-Cursive Style (xing-caoshu), Yueshan Daozong (Chinese, 1629–1709)
Calligraphy in Semi-Cursive Style (xing-caoshu) — Yueshan Daozong (Chinese, 1629–1709)c. 1660–1709

Also by Yueshan Daozong (Chinese, 1629–1709)

1
Calligraphy in Semi-Cursive Style (xing-caoshu), Yueshan Daozong (Chinese, 1629–1709)
Calligraphy in Semi-Cursive Style (xing-caoshu)Yueshan Daozong (Chinese, 1629–1709)c. 1660–1709Cleveland Museum of Art

Within fifty years of c. 1660–1709

1153
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The adoration of the Magi / AA [monogram of Andrea Andreani] MDCV., Vicentino, Giuseppe Niccolo, approximately 1510-, artist; Parmigianino, 1503-1540.; Andreani, Andrea, approximately 1560-1623.
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Philosophiae chymicae IV vetustissima scripta : Tabula chymica, Ibn-Umail, Muḥammad
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Disquisitio de helia artium ..., Eglin, Raphael
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Alchymia Andreae Libavii, recognita, emendata, et aucta; tum dogmatibus & experimentis nonnullis ... : tum commentario medico physico chymico ..., Libavius, Andreas
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Also at Cleveland Museum of Art

595
Relief of Nyankhnesut Seated, Unknown
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Talatat: Nefertiti Offers to the Aten, Unknown
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8 pictures

Visual resemblances suggested by the model. A match does not establish a shared subject or historical connection.

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Next

Made in the seventeenth century, like Calligraphy in Semi-Cursive Style (xing-caoshu).

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