Archangel Michael — Felice Giani, Italian, 1758–1823, 1813–18

Archangel Michael, Felice Giani, Italian, 1758–1823

Seen

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Means

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Rights

Credit: Museum purchase through gift of various donors
Licence: CC0-1.0
Evidence: api.si.edu openaccess v1.0: content.descriptiveNonRepeating.metadata_usage.access=CC0 on record chndm_1901-39-3537 (read 2026-09-01)
Record: https://collection.cooperhewitt.org/view/objects/asitem/id/10289

Also by Felice Giani, Italian, 1758–1823

304

Drawing, Felice Giani, Italian, 1758–1823 — DrawingFelice Giani, Italian, 1758–18231780-1790Cooper Hewitt, Smithsonian Design Museum

Drawing, Felice Giani, Italian, 1758–1823 — DrawingFelice Giani, Italian, 1758–18231780-1790Cooper Hewitt, Smithsonian Design Museum

Drawing, Felice Giani, Italian, 1758–1823 — DrawingFelice Giani, Italian, 1758–18231780-1790Cooper Hewitt, Smithsonian Design Museum

Drawing, Felice Giani, Italian, 1758–1823 — DrawingFelice Giani, Italian, 1758–18231780-1790Cooper Hewitt, Smithsonian Design Museum

Drawing, Felice Giani, Italian, 1758–1823 — DrawingFelice Giani, Italian, 1758–18231780-1790Cooper Hewitt, Smithsonian Design Museum

Drawing, Felice Giani, Italian, 1758–1823 — DrawingFelice Giani, Italian, 1758–18231780-1790Cooper Hewitt, Smithsonian Design Museum

Drawing, Felice Giani, Italian, 1758–1823 — DrawingFelice Giani, Italian, 1758–18231780-1790Cooper Hewitt, Smithsonian Design Museum

Drawing, Felice Giani, Italian, 1758–1823 — DrawingFelice Giani, Italian, 1758–18231780-1790Cooper Hewitt, Smithsonian Design Museum

Within fifty years of 1813–18

2958

View of Ponte Lugano on the Anio, from Views of Rome, Giovanni Battista Piranesi — View of Ponte Lugano on the Anio, from Views of RomeGiovanni Battista Piranesi1763, published 1800–07The Art Institute of Chicago

Saint Mark, Jean Honoré Fragonard — Saint MarkJean Honoré Fragonard1763/64The Art Institute of Chicago

A gold beater's workshop for Diderot's Encyclopedie, Louis-Jacques Goussier, French, 1722 - 1799 — A gold beater's workshop for Diderot's EncyclopedieLouis-Jacques Goussier, French, 1722 - 17991763Cooper Hewitt, Smithsonian Design Museum

Title Page, Charles Dupuis, French, active 1760 – 1791 — Title PageCharles Dupuis, French, active 1760 – 1791ca. 1763Cooper Hewitt, Smithsonian Design Museum

Longcase astronomical regulator, Ferdinand Berthoud — Longcase astronomical regulatorFerdinand Berthoudca. 1768–70Metropolitan Museum of Art, New York, NY

A mountainous landscape, Jean-Baptiste Huet, French, 1745 – 1811 — A mountainous landscapeJean-Baptiste Huet, French, 1745 – 18111763Cooper Hewitt, Smithsonian Design Museum

Bacchanales: The Satyr's Dance , Jean-Honoré Fragonard (French, 1732–1806) — Bacchanales: The Satyr's Dance Jean-Honoré Fragonard (French, 1732–1806)1763Cleveland Museum of Art

Bacchanales: Nymph Supported by Two Satyrs , Jean-Honoré Fragonard (French, 1732–1806) — Bacchanales: Nymph Supported by Two Satyrs Jean-Honoré Fragonard (French, 1732–1806)1763Cleveland Museum of Art

Also at Cooper Hewitt, Smithsonian Design Museum

7357

Tiraz fragment, Unknown — Tiraz fragmentUnknownca. 1000Cooper Hewitt, Smithsonian Design Museum

Textile, Unknown — TextileUnknown700–1000Cooper Hewitt, Smithsonian Design Museum

Textile, Unknown — TextileUnknown500–1000Cooper Hewitt, Smithsonian Design Museum

Textile, Unknown — TextileUnknown1000–1450Cooper Hewitt, Smithsonian Design Museum

Vessel, Unknown — VesselUnknown500–1000Cooper Hewitt, Smithsonian Design Museum

Vessel, Unknown — VesselUnknown500–1000Cooper Hewitt, Smithsonian Design Museum

Textile, Unknown — TextileUnknown1100–1400Cooper Hewitt, Smithsonian Design Museum

Textile, Unknown — TextileUnknown1100–1500Cooper Hewitt, Smithsonian Design Museum

Similar picturesFound by visual likeness

8 pictures

Other makers only

Visual resemblances suggested by the model. A match does not establish a shared subject or historical connection.

St. Paul in the Clouds with Angels and Palms, Felice Giani, Italian, 1758–1823 — St. Paul in the Clouds with Angels and PalmsFelice Giani, Italian, 1758–18231813–18Cooper Hewitt, Smithsonian Design Museum

0.91

Octagonal Drawing, Fame with Two Putti, Palazzo Morri, Faenza, Felice Giani, Italian, 1758–1823 — Octagonal Drawing, Fame with Two Putti, Palazzo Morri, FaenzaFelice Giani, Italian, 1758–18231816Cooper Hewitt, Smithsonian Design Museum

0.91

Drawing, Leonardo Scaglia, French, active Italy, 1640 – 1650 — DrawingLeonardo Scaglia, French, active Italy, 1640 – 1650About 1650Cooper Hewitt, Smithsonian Design Museum

0.89

A Flying Angel Carrying a Palm Branch, Unknown — A Flying Angel Carrying a Palm BranchUnknownearly 17th centuryCooper Hewitt, Smithsonian Design Museum

0.88

A Shipwreck, Felice Giani, Italian, 1758–1823 — A ShipwreckFelice Giani, Italian, 1758–1823early 19th centuryCooper Hewitt, Smithsonian Design Museum

0.88

Personification of Theology, After Raphael, Felice Giani, Italian, 1758–1823 — Personification of Theology, After RaphaelFelice Giani, Italian, 1758–18231815Cooper Hewitt, Smithsonian Design Museum

0.88

The Risen Christ, Unknown — The Risen ChristUnknown1600–1900Cooper Hewitt, Smithsonian Design Museum

0.86

Decoration of a coach panel, Unknown — Decoration of a coach panelUnknown1650–75Cooper Hewitt, Smithsonian Design Museum

0.86

Next

Felice Giani, Italian, 1758–1823 made Archangel Michael, and made these too.

Apollo and Hycianth, after Domenichino1813
Concert of Angels1813
Death of Adonis1813
Diana and Callisto, after Domenichino1813

Made in the nineteenth century, like Archangel Michael.

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