Weeping Cherry — Utagawa Hiroshige

Weeping Cherry, Utagawa Hiroshige

Seen

Not described yet.

Of

These are claims by the holder and by Wikidata, read 2026-09-04, and join nothing until an editor confirms them.

Holder's headings: Birds, Flowers

Means

No reading yet.

Rights

Credit: Bequest of Ellis G. Seymour, 1949
Licence: CC0-1.0
Evidence: metmuseum.org collection api v1: isPublicDomain=true on object 56705 (read 2026-08-27)
Record: https://www.metmuseum.org/art/collection/search/56705

Also by Utagawa Hiroshige

18

Rose, Utagawa Hiroshige — RoseUtagawa HiroshigeMetropolitan Museum of Art, New York, NY

Mochizuki, Utagawa Hiroshige — MochizukiUtagawa HiroshigeMetropolitan Museum of Art, New York, NY

Morning Cherries at Yoshiwara, Utagawa Hiroshige — Morning Cherries at YoshiwaraUtagawa HiroshigeMetropolitan Museum of Art, New York, NY

Small View of Yedo, Utagawa Hiroshige — Small View of YedoUtagawa Hiroshige1817–58Metropolitan Museum of Art, New York, NY

Boat on the Sumida, Utagawa Hiroshige — Boat on the SumidaUtagawa Hiroshige1817–58Metropolitan Museum of Art, New York, NY

Mishima: Morning Mist (Mishima, asagiri), from the series "Fifty-three Stations of the Tokaido Road (Tokaido gojusan tsugi no uchi)," also known as the Hoeido Tokaido, Utagawa Hiroshige — Mishima: Morning Mist (Mishima, asagiri), from the series "Fifty-three Stations of the Tokaido Road (Tokaido gojusan tsugi no uchi)," also known as the Hoeido TokaidoUtagawa Hiroshigec. 1833/34The Art Institute of Chicago

Kanbara: Evening Snow (Kanbara, yoru no yuki), from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi no uchi)," also known as the Hoeido Tokaido, Utagawa Hiroshige — Kanbara: Evening Snow (Kanbara, yoru no yuki), from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi no uchi)," also known as the Hoeido TokaidoUtagawa Hiroshigec. 1833/34The Art Institute of Chicago

No. 37: Miyanokoshi, from the series "Sixty-nine Stations of the Kisokaido (Kisokaido rokujukyu tsugi no uchi)", Utagawa Hiroshige — No. 37: Miyanokoshi, from the series "Sixty-nine Stations of the Kisokaido (Kisokaido rokujukyu tsugi no uchi)"Utagawa Hiroshigec. 1835/38The Art Institute of Chicago

Within fifty years

3193

Snuffbox with Vegetal Pattern, Unknown — Snuffbox with Vegetal PatternUnknownca. 1750Metropolitan Museum of Art, New York, NY

The Head of a Young Man Looking Upwards to the Right, Giovanni Battista Tiepolo (Italian, 1696–1770) — The Head of a Young Man Looking Upwards to the RightGiovanni Battista Tiepolo (Italian, 1696–1770)before 1752Cleveland Museum of Art

The Washerwoman, Capodimonte Porcelain Manufactory — The WasherwomanCapodimonte Porcelain Manufactoryca. 1752–58Metropolitan Museum of Art, New York, NY

The Tomb of Nero, Giovanni Battista Piranesi (Italian, 1720–1778); Giovanni Bouchard (Italian, 1700-1850) — The Tomb of NeroGiovanni Battista Piranesi (Italian, 1720–1778); Giovanni Bouchard (Italian, 1700-1850)1747–48Cleveland Museum of Art

Embroidered picture, Unknown — Embroidered pictureUnknown1748Cooper Hewitt, Smithsonian Design Museum

Title Page, Alexis Peyrotte, French, 1699–1769 — Title PageAlexis Peyrotte, French, 1699–17691748Cooper Hewitt, Smithsonian Design Museum

Ornament Design with Vegetables over Shell from Livre des Legumes [Series of Vegetable Ornament], pl. 15 in Oeuvre de Juste-Aurèle Meissonnier, Juste-Aurèle Meissonnier, French, b. Italy, 1695–1750 — Ornament Design with Vegetables over Shell from Livre des Legumes [Series of Vegetable Ornament], pl. 15 in Oeuvre de Juste-Aurèle MeissonnierJuste-Aurèle Meissonnier, French, b. Italy, 1695–17501748Cooper Hewitt, Smithsonian Design Museum

Ornament Design with Wheat and Acanthus Leaves over Shell, from Livre des Legumes [Series of Vegetable Ornament], pl. 17 in Oeuvre de Juste-Aurèle Meissonnier, Juste-Aurèle Meissonnier, French, b. Italy, 1695–1750 — Ornament Design with Wheat and Acanthus Leaves over Shell, from Livre des Legumes [Series of Vegetable Ornament], pl. 17 in Oeuvre de Juste-Aurèle MeissonnierJuste-Aurèle Meissonnier, French, b. Italy, 1695–17501748Cooper Hewitt, Smithsonian Design Museum

Also at Metropolitan Museum of Art, New York, NY

595

Marble female figure, Bastis Master — Marble female figureBastis Master2600–2400 BCEMetropolitan Museum of Art, New York, NY

Relief Fragment with a Ship Under Sail, Unknown — Relief Fragment with a Ship Under SailUnknownca. 2465–2458 BCEMetropolitan Museum of Art, New York, NY

Tomb Chapel of Raemkai: South Wall, Unknown — Tomb Chapel of Raemkai: South WallUnknownca. 2446–2389 BCEMetropolitan Museum of Art, New York, NY

West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and Werdjedptah, Unknown — West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and WerdjedptahUnknownca. 2420–2250 BCEMetropolitan Museum of Art, New York, NY

Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching Lion, Unknown — Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh Sign, Unknown — Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh SignUnknownca. 2150–2010 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a Lion, Unknown — Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tail, Unknown — Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tailUnknownca. 2100–2080 B.C.Metropolitan Museum of Art, New York, NY

Similar picturesFound by visual likeness

8 pictures

Other makers only

Visual resemblances suggested by the model. A match does not establish a shared subject or historical connection.

A Peddler of Colored Cloth (fukusa), Torii Kiyotomo — A Peddler of Colored Cloth (fukusa)Torii Kiyotomoc. 1724The Art Institute of Chicago

0.90

The God of Good Fortune Daikoku, on Horseback, Being Led by an Ohara Maiden, Hokkyō Kōitsu — The God of Good Fortune Daikoku, on Horseback, Being Led by an Ohara MaidenHokkyō Kōitsuprobably 1834, year of the horseMetropolitan Museum of Art, New York, NY

0.88

The Heron Maiden, Suzuki Harunobu — The Heron MaidenSuzuki Harunobuc. 1766/67The Art Institute of Chicago

0.88

Geisha, Utagawa Kunisada, Japanese, 1786 – 1864 — GeishaUtagawa Kunisada, Japanese, 1786 – 18641855Cooper Hewitt, Smithsonian Design Museum

0.87

Cranes on snow-covered pine, Katsushika Hokusai — Cranes on snow-covered pineKatsushika Hokusaic. 1834The Art Institute of Chicago

0.87

Three Courtesans with a Client, Okumura Masanobu (Japanese, 1686–1764) — Three Courtesans with a ClientOkumura Masanobu (Japanese, 1686–1764)Cleveland Museum of Art

0.87

Rose, Utagawa Hiroshige — RoseUtagawa HiroshigeMetropolitan Museum of Art, New York, NY

0.87

Courtesan Dreaming of her Childhood, Suzuki Harunobu (Japanese, 1724–1770) — Courtesan Dreaming of her ChildhoodSuzuki Harunobu (Japanese, 1724–1770)c. 1770Cleveland Museum of Art

0.87

Next

Utagawa Hiroshige made Weeping Cherry, and made these too.

Made in the eighteenth century, like Weeping Cherry.

Study of the Lamentation on the Dead Christ1780
The Sacrifice of Isaac1754
Sacrifice of Isaac1750
The Sacrifice of Isaac1750

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