Project for Drapery, Romolo Achille Liverani, Italian, 1809 - 1872

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Rights

Credit
Museum purchase through gift of various donors
Licence
CC0-1.0
Evidence
api.si.edu openaccess v1.0: content.descriptiveNonRepeating.metadata_usage.access=CC0 on record chndm_1901-39-1280 (read 2026-09-01)
Record
https://collection.cooperhewitt.org/view/objects/asitem/id/7763
Project for Drapery, Romolo Achille Liverani, Italian, 1809 - 1872
Project for Drapery — Romolo Achille Liverani, Italian, 1809 - 18721809–1872

Also by Romolo Achille Liverani, Italian, 1809 - 1872

5
Stage Design, Exterior of Enormous Palace, Romolo Achille Liverani, Italian, 1809 - 1872
Stage Design, Exterior of Enormous PalaceRomolo Achille Liverani, Italian, 1809 - 1872ca. 1830Cooper Hewitt, Smithsonian Design Museum
Oak Leaf Wreath with Eagle, Romolo Achille Liverani, Italian, 1809 - 1872
Oak Leaf Wreath with EagleRomolo Achille Liverani, Italian, 1809 - 18721830–1850Cooper Hewitt, Smithsonian Design Museum
Classical and Pseudo-Classical Architectural Details, Romolo Achille Liverani, Italian, 1809 - 1872
Classical and Pseudo-Classical Architectural DetailsRomolo Achille Liverani, Italian, 1809 - 1872ca. 1840Cooper Hewitt, Smithsonian Design Museum
Stage Design, Antique Buildings, Romolo Achille Liverani, Italian, 1809 - 1872
Stage Design, Antique BuildingsRomolo Achille Liverani, Italian, 1809 - 1872early 19th centuryCooper Hewitt, Smithsonian Design Museum
Stage Design, Aqueduct, Romolo Achille Liverani, Italian, 1809 - 1872
Stage Design, AqueductRomolo Achille Liverani, Italian, 1809 - 1872early 19th centuryCooper Hewitt, Smithsonian Design Museum

Within fifty years of 1809–1872

3202
The Young Archer, a sculpture attributed to Michelangelo, Plate 13 from an album "Drawings after Sculpture", Jean-Robert Ango, French, active in Rome 1759 –1770, d. 1773
The Young Archer, a sculpture attributed to Michelangelo, Plate 13 from an album "Drawings after Sculpture"Jean-Robert Ango, French, active in Rome 1759 –1770, d. 17731759–72Cooper Hewitt, Smithsonian Design Museum
LA PEINTURE ET LA SCULPTURE, Clément Pierre Marillier, French, 1740 – 1808
LA PEINTURE ET LA SCULPTUREClément Pierre Marillier, French, 1740 – 18081759–80Cooper Hewitt, Smithsonian Design Museum
LA MUSIQUE, Clément Pierre Marillier, French, 1740 – 1808
LA MUSIQUEClément Pierre Marillier, French, 1740 – 18081759–80Cooper Hewitt, Smithsonian Design Museum
LA PÖESIE ET L’ELOQUENCE, Clément Pierre Marillier, French, 1740 – 1808
LA PÖESIE ET L’ELOQUENCEClément Pierre Marillier, French, 1740 – 18081759–80Cooper Hewitt, Smithsonian Design Museum
LA GUERRE, Clément Pierre Marillier, French, 1740 – 1808
LA GUERREClément Pierre Marillier, French, 1740 – 18081759–80Cooper Hewitt, Smithsonian Design Museum
L’AGRICULTURE, Clément Pierre Marillier, French, 1740 – 1808
L’AGRICULTUREClément Pierre Marillier, French, 1740 – 18081759–80Cooper Hewitt, Smithsonian Design Museum
LA GÉOGRAPHIE, Clément Pierre Marillier, French, 1740 – 1808
LA GÉOGRAPHIEClément Pierre Marillier, French, 1740 – 18081759–80Cooper Hewitt, Smithsonian Design Museum
L’AGRICULTURE, Clément Pierre Marillier, French, 1740 – 1808
L’AGRICULTUREClément Pierre Marillier, French, 1740 – 18081759–80Cooper Hewitt, Smithsonian Design Museum

Also at Cooper Hewitt, Smithsonian Design Museum

7378
Tiraz fragment, Unknown
Tiraz fragmentUnknownca. 1000Cooper Hewitt, Smithsonian Design Museum
Textile, Unknown
TextileUnknown700–1000Cooper Hewitt, Smithsonian Design Museum
Textile, Unknown
TextileUnknown500–1000Cooper Hewitt, Smithsonian Design Museum
Textile, Unknown
TextileUnknown1000–1450Cooper Hewitt, Smithsonian Design Museum
Vessel, Unknown
VesselUnknown500–1000Cooper Hewitt, Smithsonian Design Museum
Vessel, Unknown
VesselUnknown500–1000Cooper Hewitt, Smithsonian Design Museum
Textile, Unknown
TextileUnknown1100–1400Cooper Hewitt, Smithsonian Design Museum
Textile, Unknown
TextileUnknown1100–1500Cooper Hewitt, Smithsonian Design Museum

Similar picturesFound by visual likeness

8 pictures

Visual resemblances suggested by the model. A match does not establish a shared subject or historical connection.

Tailpiece, Charles Scribner's Sons, New York, New York, USA
TailpieceCharles Scribner's Sons, New York, New York, USAca. 1905Cooper Hewitt, Smithsonian Design Museum
0.91
Design for a Frieze, Unknown
Design for a FriezeUnknown1820–1830Cooper Hewitt, Smithsonian Design Museum
0.91
Design for a Cipher (Interlaced Letters), Charles-Germain de Saint-Aubin, French, 1721–1786
Design for a Cipher (Interlaced Letters)Charles-Germain de Saint-Aubin, French, 1721–17861766Cooper Hewitt, Smithsonian Design Museum
0.90
Jewelry Designs, Friedrich Jacob Morison, German, active 1693 – 1699
Jewelry DesignsFriedrich Jacob Morison, German, active 1693 – 1699ca. 1700Cooper Hewitt, Smithsonian Design Museum
0.90
Design for Two Friezes, Unknown
Design for Two FriezesUnknownearly 19th centuryCooper Hewitt, Smithsonian Design Museum
0.90
Design for a Console Table, Giuseppe Barberi, Italian, 1746–1809
Design for a Console TableGiuseppe Barberi, Italian, 1746–1809late 18th centuryCooper Hewitt, Smithsonian Design Museum
0.90
Design for a Comb, Unknown
Design for a CombUnknownca. 1830Cooper Hewitt, Smithsonian Design Museum
0.90
Jewelry Designs, S.H. Dinglinger
Jewelry DesignsS.H. Dinglinger1751Cooper Hewitt, Smithsonian Design Museum
0.89

Next

Made in the nineteenth century, like Project for Drapery.

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