Gold Coins — Asakura Sansho, 1813

Gold Coins, Asakura Sansho

Seen

Not described yet.

Of

These are claims by the holder and by Wikidata, read 2026-09-04, and join nothing until an editor confirms them.

Holder's headings: Coins

Means

No reading yet.

Rights

Credit: H. O. Havemeyer Collection, Bequest of Mrs. H. O. Havemeyer, 1929
Licence: CC0-1.0
Evidence: metmuseum.org collection api v1: isPublicDomain=true on object 54764 (read 2026-08-27)
Record: https://www.metmuseum.org/art/collection/search/54764

Within fifty years of 1813

3194

View of Ponte Lugano on the Anio, from Views of Rome, Giovanni Battista Piranesi — View of Ponte Lugano on the Anio, from Views of RomeGiovanni Battista Piranesi1763, published 1800–07The Art Institute of Chicago

Saint Mark, Jean Honoré Fragonard — Saint MarkJean Honoré Fragonard1763/64The Art Institute of Chicago

A gold beater's workshop for Diderot's Encyclopedie, Louis-Jacques Goussier, French, 1722 - 1799 — A gold beater's workshop for Diderot's EncyclopedieLouis-Jacques Goussier, French, 1722 - 17991763Cooper Hewitt, Smithsonian Design Museum

Title Page, Charles Dupuis, French, active 1760 – 1791 — Title PageCharles Dupuis, French, active 1760 – 1791ca. 1763Cooper Hewitt, Smithsonian Design Museum

Longcase astronomical regulator, Ferdinand Berthoud — Longcase astronomical regulatorFerdinand Berthoudca. 1768–70Metropolitan Museum of Art, New York, NY

A mountainous landscape, Jean-Baptiste Huet, French, 1745 – 1811 — A mountainous landscapeJean-Baptiste Huet, French, 1745 – 18111763Cooper Hewitt, Smithsonian Design Museum

Bacchanales: The Satyr's Dance , Jean-Honoré Fragonard (French, 1732–1806) — Bacchanales: The Satyr's Dance Jean-Honoré Fragonard (French, 1732–1806)1763Cleveland Museum of Art

Bacchanales: Nymph Supported by Two Satyrs , Jean-Honoré Fragonard (French, 1732–1806) — Bacchanales: Nymph Supported by Two Satyrs Jean-Honoré Fragonard (French, 1732–1806)1763Cleveland Museum of Art

Also at Metropolitan Museum of Art, New York, NY

574

Marble female figure, Bastis Master — Marble female figureBastis Master2600–2400 BCEMetropolitan Museum of Art, New York, NY

Relief Fragment with a Ship Under Sail, Unknown — Relief Fragment with a Ship Under SailUnknownca. 2465–2458 BCEMetropolitan Museum of Art, New York, NY

Tomb Chapel of Raemkai: South Wall, Unknown — Tomb Chapel of Raemkai: South WallUnknownca. 2446–2389 BCEMetropolitan Museum of Art, New York, NY

West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and Werdjedptah, Unknown — West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and WerdjedptahUnknownca. 2420–2250 BCEMetropolitan Museum of Art, New York, NY

Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching Lion, Unknown — Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh Sign, Unknown — Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh SignUnknownca. 2150–2010 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a Lion, Unknown — Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tail, Unknown — Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tailUnknownca. 2100–2080 B.C.Metropolitan Museum of Art, New York, NY

Similar picturesFound by visual likeness

6 pictures

Other makers only

Visual resemblances suggested by the model. A match does not establish a shared subject or historical connection.

Poem by Wang Wei in the Cursive Script Style, Song Lizong (Chinese, 1205–1264) — Poem by Wang Wei in the Cursive Script StyleSong Lizong (Chinese, 1205–1264)1256Cleveland Museum of Art

0.85

Three Poems from the Later Collection of Japanese Poems (Gosen wakashū), Monk Saigyō — Three Poems from the Later Collection of Japanese Poems (Gosen wakashū)Monk Saigyōlate 12th centuryMetropolitan Museum of Art, New York, NY

0.85

Calligraphy in Semi-Cursive Style (xing-caoshu), Yueshan Daozong (Chinese, 1629–1709) — Calligraphy in Semi-Cursive Style (xing-caoshu)Yueshan Daozong (Chinese, 1629–1709)c. 1660–1709Cleveland Museum of Art

0.84

The Kōrin Picture Book, Nakamura Hōchū (Japanese, d. 1819) — The Kōrin Picture BookNakamura Hōchū (Japanese, d. 1819)1800sCleveland Museum of Art

0.84

”Abiding nowhere, the awakened mind arises”, Musō Soseki — ”Abiding nowhere, the awakened mind arises”Musō Sosekiearly to mid-14th centuryMetropolitan Museum of Art, New York, NY

0.83

Calligraphy, Yuan Zhi — CalligraphyYuan ZhiMetropolitan Museum of Art, New York, NY

0.83

Next

Made in the nineteenth century, like Gold Coins.

0:00–0:00