The Connoisseur, Honoré Daumier

Seen

Not described yet.

Of

These are claims by the holder and by Wikidata, read 2026-09-04, and join nothing until an editor confirms them.

Holder's headings
Sculpture, Interiors, Contemplation, Men
Wikidata depicts
man, sculpture, contemplation, interior

Means

No reading yet.

Rights

Credit
H. O. Havemeyer Collection, Bequest of Mrs. H. O. Havemeyer, 1929
Licence
CC0-1.0
Evidence
metmuseum.org collection api v1: isPublicDomain=true on object 333915 (read 2026-09-01)
Record
https://www.metmuseum.org/art/collection/search/333915
The Connoisseur, Honoré Daumier
The Connoisseur — Honoré Daumierca. 1860–65

Also by Honoré Daumier

5
Le Charivari, December 1, 1832–May 31, 1833, Honoré Daumier
Le Charivari, December 1, 1832–May 31, 1833Honoré DaumierDecember 1, 1832–May 31, 1833Metropolitan Museum of Art, New York, NY
The Drinkers, Honoré Daumier
The DrinkersHonoré Daumierby 1861Metropolitan Museum of Art, New York, NY
Mr. et Mme. Prudhomme revenant de la foire..., from Croquis Parisiens, published in Le Charivari, April 18, 1857, Honoré Daumier
Mr. et Mme. Prudhomme revenant de la foire..., from Croquis Parisiens, published in Le Charivari, April 18, 1857Honoré DaumierApril 18, 1857Metropolitan Museum of Art, New York, NY
The Laundress, Honoré Daumier
The LaundressHonoré Daumier186[3?]Metropolitan Museum of Art, New York, NY
The Third-Class Carriage, Honoré Daumier
The Third-Class CarriageHonoré Daumier1864Metropolitan Museum of Art, New York, NY

Within fifty years of ca. 1860–65

4294
Study for Inquisition, Illustration to Columbiad, Henry Fuseli
Study for Inquisition, Illustration to ColumbiadHenry Fuselic. 1806The Art Institute of Chicago
Panel (Furnishing Fabric), Bannister Hall Print Works
Panel (Furnishing Fabric)Bannister Hall Print Worksc. 1815The Art Institute of Chicago
Panel, Bannister Hall Print Works
PanelBannister Hall Print Worksc. 1815The Art Institute of Chicago
José Costa y Bonells (died l870), Called Pepito, Goya (Francisco de Goya y Lucientes)
José Costa y Bonells (died l870), Called PepitoGoya (Francisco de Goya y Lucientes)ca. 1810Metropolitan Museum of Art, New York, NY
Portrait of General José Manuel Romero, Francisco José de Goya y Lucientes
Portrait of General José Manuel RomeroFrancisco José de Goya y Lucientesc. 1810The Art Institute of Chicago
Weaver's draft book, Unknown
Weaver's draft bookUnknown1805Cooper Hewitt, Smithsonian Design Museum
Design for brooch, Unknown
Design for broochUnknown1805–15Cooper Hewitt, Smithsonian Design Museum
Panel (Furnishing Fabric), Bannister Hall Print Works
Panel (Furnishing Fabric)Bannister Hall Print Worksc. 1815The Art Institute of Chicago

Also at Metropolitan Museum of Art, New York, NY

485
Marble female figure, Bastis Master
Marble female figureBastis Master2600–2400 BCEMetropolitan Museum of Art, New York, NY
Relief Fragment with a Ship Under Sail, Unknown
Relief Fragment with a Ship Under SailUnknownca. 2465–2458 BCEMetropolitan Museum of Art, New York, NY
Tomb Chapel of Raemkai: South Wall, Unknown
Tomb Chapel of Raemkai: South WallUnknownca. 2446–2389 BCEMetropolitan Museum of Art, New York, NY
West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and Werdjedptah, Unknown
West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and WerdjedptahUnknownca. 2420–2250 BCEMetropolitan Museum of Art, New York, NY
Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching Lion, Unknown
Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY
Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh Sign, Unknown
Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh SignUnknownca. 2150–2010 B.C.Metropolitan Museum of Art, New York, NY
Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a Lion, Unknown
Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY
Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tail, Unknown
Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tailUnknownca. 2100–2080 B.C.Metropolitan Museum of Art, New York, NY

Similar picturesFound by visual likeness

4 pictures

Visual resemblances suggested by the model. A match does not establish a shared subject or historical connection.

Romeo and Juliet, Unknown
Romeo and JulietUnknownCooper Hewitt, Smithsonian Design Museum
0.84
Bathsheba Bringing Abishag to David, Richard Earlom
Bathsheba Bringing Abishag to DavidRichard Earlom1779Yale Center for British Art
0.84
The Letter, or The Spanish Conversation, Jean Honoré Fragonard
The Letter, or The Spanish ConversationJean Honoré Fragonardc. 1778The Art Institute of Chicago
0.84
Drawing, Felice Giani, Italian, 1758–1823
DrawingFelice Giani, Italian, 1758–1823C. 1801Cooper Hewitt, Smithsonian Design Museum
0.83

In the stacks

Not yet checked1

Passages in the library’s own holdings that name this maker. The model ranked them; nobody has checked that the name means this person.

  1. The international studio · John Lane

    at the Ecole of the water-colors of Gavarni, the sepias of Henri Monnier and the paintings, then quite unknown, of Daumier, it caused a scandal. Fortunately protestation changed into apotheosis and the very dignitaries who had at first objected, won by the sumptuousness of the works, put Daumier into the Louvre. M. Dayot recounts this episode in his preface for the catalogue of the Ville-I’Eveque exhibit, with the hint to the authorities that since 1888 they have gained the reputation for “enlightened eclecticism.” M. Dayot’s opinion of what such an
    0.71

Next

Made in the nineteenth century, like The Connoisseur.

0:00–0:00