Rose — Utagawa Hiroshige

Rose, Utagawa Hiroshige

Seen

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Of

These are claims by the holder and by Wikidata, read 2026-09-04, and join nothing until an editor confirms them.

Holder's headings: Roses

Means

No reading yet.

Rights

Credit: Bequest of Ellis G. Seymour, 1949
Licence: CC0-1.0
Evidence: metmuseum.org collection api v1: isPublicDomain=true on object 56703 (read 2026-08-27)
Record: https://www.metmuseum.org/art/collection/search/56703

Also by Utagawa Hiroshige

18

Mochizuki, Utagawa Hiroshige — MochizukiUtagawa HiroshigeMetropolitan Museum of Art, New York, NY

Morning Cherries at Yoshiwara, Utagawa Hiroshige — Morning Cherries at YoshiwaraUtagawa HiroshigeMetropolitan Museum of Art, New York, NY

Weeping Cherry, Utagawa Hiroshige — Weeping CherryUtagawa HiroshigeMetropolitan Museum of Art, New York, NY

Small View of Yedo, Utagawa Hiroshige — Small View of YedoUtagawa Hiroshige1817–58Metropolitan Museum of Art, New York, NY

Boat on the Sumida, Utagawa Hiroshige — Boat on the SumidaUtagawa Hiroshige1817–58Metropolitan Museum of Art, New York, NY

Mishima: Morning Mist (Mishima, asagiri), from the series "Fifty-three Stations of the Tokaido Road (Tokaido gojusan tsugi no uchi)," also known as the Hoeido Tokaido, Utagawa Hiroshige — Mishima: Morning Mist (Mishima, asagiri), from the series "Fifty-three Stations of the Tokaido Road (Tokaido gojusan tsugi no uchi)," also known as the Hoeido TokaidoUtagawa Hiroshigec. 1833/34The Art Institute of Chicago

Kanbara: Evening Snow (Kanbara, yoru no yuki), from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi no uchi)," also known as the Hoeido Tokaido, Utagawa Hiroshige — Kanbara: Evening Snow (Kanbara, yoru no yuki), from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi no uchi)," also known as the Hoeido TokaidoUtagawa Hiroshigec. 1833/34The Art Institute of Chicago

No. 37: Miyanokoshi, from the series "Sixty-nine Stations of the Kisokaido (Kisokaido rokujukyu tsugi no uchi)", Utagawa Hiroshige — No. 37: Miyanokoshi, from the series "Sixty-nine Stations of the Kisokaido (Kisokaido rokujukyu tsugi no uchi)"Utagawa Hiroshigec. 1835/38The Art Institute of Chicago

Within fifty years

892

Christ Healing the Blind, El Greco (Domenikos Theotokopoulos) — Christ Healing the BlindEl Greco (Domenikos Theotokopoulos)ca. 1570Metropolitan Museum of Art, New York, NY

Ars chemica, quod sit licita recte exercentibus, probationes doctissimorum iurisconsultorum. Septem tractatus seu capitula Hermetis Trismegisti, aurei. Eiusdem Tabula Smaragdina, in ipsius sepulchro inventa, cum commento Hortulani Philosophi. Studium consilii coniugii de massa solis et lunae, Hermes — Ars chemica, quod sit licita recte exercentibus, probationes doctissimorum iurisconsultorum. Septem tractatus seu capitula Hermetis Trismegisti, aurei. Eiusdem Tabula Smaragdina, in ipsius sepulchro inventa, cum commento Hortulani Philosophi. Studium consilii coniugii de massa solis et lunaeHermes1566Stiftung der Werke von C.G.Jung, Zürich

Adoration of the Shepherds, Cornelis Cort (Dutch, 1533–1578); Taddeo Zuccaro (Italian, 1529–1566) — Adoration of the ShepherdsCornelis Cort (Dutch, 1533–1578); Taddeo Zuccaro (Italian, 1529–1566)1567Cleveland Museum of Art

Perseus with the Head of Medusa, Turning Phineus and his Followers to Stone, Polidoro da Caravaggio — Perseus with the Head of Medusa, Turning Phineus and his Followers to StonePolidoro da Caravaggio1567The Art Institute of Chicago

Fish Market, Joachim Beuckelaer — Fish MarketJoachim Beuckelaer1568Metropolitan Museum of Art, New York, NY

Astronomical table clock, Jeremias Metzger — Astronomical table clockJeremias Metzger1568Metropolitan Museum of Art, New York, NY

Plate XIV, from the "Exercitatio Alphabetica", Clément Perret, 1569/71–? — Plate XIV, from the "Exercitatio Alphabetica"Clément Perret, 1569/71–?1568–69Cooper Hewitt, Smithsonian Design Museum

De vitis, sectis, et dogmatibus omnium haereticorum, qui ab orbe condito, ad nostra usque tempora, & veterum & recentium authorum monimentis proditi sunt, elenchus alphabeticus ..., Du Préau, Gabriel — De vitis, sectis, et dogmatibus omnium haereticorum, qui ab orbe condito, ad nostra usque tempora, & veterum & recentium authorum monimentis proditi sunt, elenchus alphabeticus ...Du Préau, Gabriel1569Stiftung der Werke von C.G.Jung, Zürich

Also at Metropolitan Museum of Art, New York, NY

665

Marble female figure, Bastis Master — Marble female figureBastis Master2600–2400 BCEMetropolitan Museum of Art, New York, NY

Relief Fragment with a Ship Under Sail, Unknown — Relief Fragment with a Ship Under SailUnknownca. 2465–2458 BCEMetropolitan Museum of Art, New York, NY

Tomb Chapel of Raemkai: South Wall, Unknown — Tomb Chapel of Raemkai: South WallUnknownca. 2446–2389 BCEMetropolitan Museum of Art, New York, NY

West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and Werdjedptah, Unknown — West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and WerdjedptahUnknownca. 2420–2250 BCEMetropolitan Museum of Art, New York, NY

Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching Lion, Unknown — Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh Sign, Unknown — Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh SignUnknownca. 2150–2010 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a Lion, Unknown — Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tail, Unknown — Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tailUnknownca. 2100–2080 B.C.Metropolitan Museum of Art, New York, NY

Similar picturesFound by visual likeness

8 pictures

Other makers only

Visual resemblances suggested by the model. A match does not establish a shared subject or historical connection.

Design for an Embroidered Motif, Unknown — Design for an Embroidered MotifUnknown1770–1800Cooper Hewitt, Smithsonian Design Museum

0.88

Printed Textile Design, Louis-Albert DuBois, Swiss, 1752–1818 — Printed Textile DesignLouis-Albert DuBois, Swiss, 1752–1818ca. 1801Cooper Hewitt, Smithsonian Design Museum

0.87

Weeping Cherry, Utagawa Hiroshige — Weeping CherryUtagawa HiroshigeMetropolitan Museum of Art, New York, NY

0.87

Famine Relief Herbal (1593): Adsuki bean, Unknown — Famine Relief Herbal (1593): Adsuki beanUnknownWellcome Collection

0.87

Textile, Unknown — TextileUnknown1700–1750Cooper Hewitt, Smithsonian Design Museum

0.87

Sidewall, Unknown — SidewallUnknown1900–1920Cooper Hewitt, Smithsonian Design Museum

0.87

Famine Relief Herbal (1593): Bromegrass, Unknown — Famine Relief Herbal (1593): BromegrassUnknownWellcome Collection

0.87

Ming herbal:, Unknown — Ming herbal:UnknownWellcome Collection

0.86

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Utagawa Hiroshige made Rose, and made these too.

Made in the seventeenth century, like Rose.

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