Calligraphy — Yuan Zhi

Calligraphy, Yuan Zhi

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These are claims by the holder and by Wikidata, read 2026-09-04, and join nothing until an editor confirms them.

Holder's headings: Calligraphy

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Rights

Credit: John Stewart Kennedy Fund, 1913
Licence: CC0-1.0
Evidence: metmuseum.org collection api v1: isPublicDomain=true on object 35993 (read 2026-09-01)
Record: https://www.metmuseum.org/art/collection/search/35993

Within fifty years

364

Leaf from a Book of Hours: Office of the Dead: Angel Chasing a Devil (recto), Coëtivy Master (French) — Leaf from a Book of Hours: Office of the Dead: Angel Chasing a Devil (recto)Coëtivy Master (French)c. 1460Cleveland Museum of Art

Pietà, Unknown — PietàUnknownc. 1460Cleveland Museum of Art

Bifolio from a Book of Hours: Initial V with Floral Border (recto); Text (verso), Unknown — Bifolio from a Book of Hours: Initial V with Floral Border (recto); Text (verso)Unknownc. 1460–1500Cleveland Museum of Art

Cassone with painted front panel depicting the Conquest of Trebizond, Apollonio di Giovanni di Tomaso — Cassone with painted front panel depicting the Conquest of TrebizondApollonio di Giovanni di Tomasoafter ca. 1461Metropolitan Museum of Art, New York, NY

[Printed vellum page from the first book printed in small type. 1459], Unknown — [Printed vellum page from the first book printed in small type. 1459]Unknown1459.Library of Congress

Bifolio from a Book of Hours: Initial V with Floral Border (recto), Unknown — Bifolio from a Book of Hours: Initial V with Floral Border (recto)Unknownc. 1460–1500Cleveland Museum of Art

The Prophet Amos, Baccio Baldini — The Prophet AmosBaccio Baldinic. 1470The Art Institute of Chicago

Book of Hours (Use of Rouen), Master of the Geneva Latini (French, active Rouen, 1460–80) — Book of Hours (Use of Rouen)Master of the Geneva Latini (French, active Rouen, 1460–80)c. 1470Cleveland Museum of Art

Also at Metropolitan Museum of Art, New York, NY

697

Marble female figure, Bastis Master — Marble female figureBastis Master2600–2400 BCEMetropolitan Museum of Art, New York, NY

Relief Fragment with a Ship Under Sail, Unknown — Relief Fragment with a Ship Under SailUnknownca. 2465–2458 BCEMetropolitan Museum of Art, New York, NY

Tomb Chapel of Raemkai: South Wall, Unknown — Tomb Chapel of Raemkai: South WallUnknownca. 2446–2389 BCEMetropolitan Museum of Art, New York, NY

West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and Werdjedptah, Unknown — West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and WerdjedptahUnknownca. 2420–2250 BCEMetropolitan Museum of Art, New York, NY

Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching Lion, Unknown — Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh Sign, Unknown — Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh SignUnknownca. 2150–2010 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a Lion, Unknown — Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tail, Unknown — Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tailUnknownca. 2100–2080 B.C.Metropolitan Museum of Art, New York, NY

Similar picturesFound by visual likeness

8 pictures

Other makers only

Visual resemblances suggested by the model. A match does not establish a shared subject or historical connection.

Three Poems from the Later Collection of Japanese Poems (Gosen wakashū), Monk Saigyō — Three Poems from the Later Collection of Japanese Poems (Gosen wakashū)Monk Saigyōlate 12th centuryMetropolitan Museum of Art, New York, NY

0.91

Calligraphy in Semi-Cursive Style (xing-caoshu), Yueshan Daozong (Chinese, 1629–1709) — Calligraphy in Semi-Cursive Style (xing-caoshu)Yueshan Daozong (Chinese, 1629–1709)c. 1660–1709Cleveland Museum of Art

0.91

Poem by Wang Wei in the Cursive Script Style, Song Lizong (Chinese, 1205–1264) — Poem by Wang Wei in the Cursive Script StyleSong Lizong (Chinese, 1205–1264)1256Cleveland Museum of Art

0.90

Letter, Song Jue — LetterSong Jueearly 17th centuryMetropolitan Museum of Art, New York, NY

0.89

Biographies of Lian Po and Lin Xiangru, Huang Tingjian — Biographies of Lian Po and Lin XiangruHuang Tingjianca. 1095Metropolitan Museum of Art, New York, NY

0.86

”Abiding nowhere, the awakened mind arises”, Musō Soseki — ”Abiding nowhere, the awakened mind arises”Musō Sosekiearly to mid-14th centuryMetropolitan Museum of Art, New York, NY

0.86

Memorial Stele for the Buddhist Master Daoyin (Ink Rubbings), Qiu Ying — Memorial Stele for the Buddhist Master Daoyin (Ink Rubbings)Qiu YingQing dynasty (1644–1911); Jiaqing–Daoguang reigns, c. 1796–1850The Art Institute of Chicago

0.86

Poem on Imperial Gift of an Embroidered Silk: Calligraphy in Running-Standard Script (xingkaishu), Wen Zhengming (Chinese, 1470–1559) — Poem on Imperial Gift of an Embroidered Silk: Calligraphy in Running-Standard Script (xingkaishu)Wen Zhengming (Chinese, 1470–1559)c. 1525Cleveland Museum of Art

0.85

Next

Made in the sixteenth century, like Calligraphy.

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