”Abiding nowhere, the awakened mind arises” — Musō Soseki, early to mid-14th century

”Abiding nowhere, the awakened mind arises”, Musō Soseki

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Credit: Mary and Cheney Cowles Collection, Gift of Mary and Cheney Cowles, 2018
Licence: CC0-1.0
Evidence: metmuseum.org collection api v1: isPublicDomain=true on object 816189 (read 2026-09-01)
Record: https://www.metmuseum.org/art/collection/search/816189

Within fifty years of early to mid-14th century

39

Bishop at Mass in a Historiated Initial "P" from a Choirbook, Master Honoré — Bishop at Mass in a Historiated Initial "P" from a ChoirbookMaster Honoréc. 1300The Art Institute of Chicago

Praying Saint (Moses?) with Christ in a Historiated Initial "L", from a Choirbook, Neri da Rimini — Praying Saint (Moses?) with Christ in a Historiated Initial "L", from a ChoirbookNeri da Riminic. 1300The Art Institute of Chicago

Viper in a Rocky Garden from Manafi' al-Hayawan (On the Usefulness of Animals) of Ibn Bakhtishu', Iran — Viper in a Rocky Garden from Manafi' al-Hayawan (On the Usefulness of Animals) of Ibn Bakhtishu'Iranc. 1300The Art Institute of Chicago

Street Scenes in Times of Peace 太平風會圖, Zhu Yu — Street Scenes in Times of Peace 太平風會圖Zhu YuYuan dynasty (1279–1368), 14th century 元朝The Art Institute of Chicago

Shrine of the Virgin, Unknown — Shrine of the VirginUnknownca. 1300Metropolitan Museum of Art, New York, NY

Decorated Initial "G" with Flowers from a Choir Book, European — Decorated Initial "G" with Flowers from a Choir BookEuropean14th century or modern, c. 1920The Art Institute of Chicago

Portrait Study of Seigen, Unknown — Portrait Study of SeigenUnknown1300sCleveland Museum of Art

Madonna and Child, Italian — Madonna and ChildItalian1300–1400The Art Institute of Chicago

Also at Metropolitan Museum of Art, New York, NY

758

Marble female figure, Bastis Master — Marble female figureBastis Master2600–2400 BCEMetropolitan Museum of Art, New York, NY

Relief Fragment with a Ship Under Sail, Unknown — Relief Fragment with a Ship Under SailUnknownca. 2465–2458 BCEMetropolitan Museum of Art, New York, NY

Tomb Chapel of Raemkai: South Wall, Unknown — Tomb Chapel of Raemkai: South WallUnknownca. 2446–2389 BCEMetropolitan Museum of Art, New York, NY

West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and Werdjedptah, Unknown — West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and WerdjedptahUnknownca. 2420–2250 BCEMetropolitan Museum of Art, New York, NY

Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching Lion, Unknown — Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh Sign, Unknown — Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh SignUnknownca. 2150–2010 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a Lion, Unknown — Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tail, Unknown — Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tailUnknownca. 2100–2080 B.C.Metropolitan Museum of Art, New York, NY

Similar picturesFound by visual likeness

8 pictures

Other makers only

Visual resemblances suggested by the model. A match does not establish a shared subject or historical connection.

Three Poems from the Later Collection of Japanese Poems (Gosen wakashū), Monk Saigyō — Three Poems from the Later Collection of Japanese Poems (Gosen wakashū)Monk Saigyōlate 12th centuryMetropolitan Museum of Art, New York, NY

0.91

Calligraphy in Semi-Cursive Style (xing-caoshu), Yueshan Daozong (Chinese, 1629–1709) — Calligraphy in Semi-Cursive Style (xing-caoshu)Yueshan Daozong (Chinese, 1629–1709)c. 1660–1709Cleveland Museum of Art

0.90

Famine Relief Herbal (1593): Preface, Unknown — Famine Relief Herbal (1593): PrefaceUnknownWellcome Collection

0.90

Letter, Song Jue — LetterSong Jueearly 17th centuryMetropolitan Museum of Art, New York, NY

0.89

Poem by Wang Wei in the Cursive Script Style, Song Lizong (Chinese, 1205–1264) — Poem by Wang Wei in the Cursive Script StyleSong Lizong (Chinese, 1205–1264)1256Cleveland Museum of Art

0.89

Biographies of Lian Po and Lin Xiangru, Huang Tingjian — Biographies of Lian Po and Lin XiangruHuang Tingjianca. 1095Metropolitan Museum of Art, New York, NY

0.88

Poem on Imperial Gift of an Embroidered Silk: Calligraphy in Running-Standard Script (xingkaishu), Wen Zhengming (Chinese, 1470–1559) — Poem on Imperial Gift of an Embroidered Silk: Calligraphy in Running-Standard Script (xingkaishu)Wen Zhengming (Chinese, 1470–1559)c. 1525Cleveland Museum of Art

0.88

Calligraphy in Semi-Cursive Style (xing-caoshu), Yueshan Daozong (Chinese, 1629–1709) — Calligraphy in Semi-Cursive Style (xing-caoshu)Yueshan Daozong (Chinese, 1629–1709)c. 1660–1709Cleveland Museum of Art

0.87

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Made in the fourteenth century, like ”Abiding nowhere, the awakened mind arises”.

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