Project for a Frieze — Unknown, 1610–1630

Project for a Frieze, Unknown

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Rights

Credit: Museum purchase through gift of various donors
Licence: CC0-1.0
Evidence: api.si.edu openaccess v1.0: content.descriptiveNonRepeating.metadata_usage.access=CC0 on record chndm_1901-39-902 (read 2026-09-01)
Record: https://collection.cooperhewitt.org/view/objects/asitem/id/11092

Also by Unknown

5442

Relief Fragment with a Ship Under Sail, Unknown — Relief Fragment with a Ship Under SailUnknownca. 2465–2458 BCEMetropolitan Museum of Art, New York, NY

Tomb Chapel of Raemkai: South Wall, Unknown — Tomb Chapel of Raemkai: South WallUnknownca. 2446–2389 BCEMetropolitan Museum of Art, New York, NY

West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and Werdjedptah, Unknown — West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and WerdjedptahUnknownca. 2420–2250 BCEMetropolitan Museum of Art, New York, NY

Relief of Nyankhnesut Seated, Unknown — Relief of Nyankhnesut SeatedUnknownc. 2311–2281 BCECleveland Museum of Art

Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching Lion, Unknown — Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh Sign, Unknown — Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh SignUnknownca. 2150–2010 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a Lion, Unknown — Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tail, Unknown — Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tailUnknownca. 2100–2080 B.C.Metropolitan Museum of Art, New York, NY

Within fifty years of 1610–1630

765

Pair of Gauntlets for a Child, Lucio Piccinino — Pair of Gauntlets for a ChildLucio Piccininoca. 1585Metropolitan Museum of Art, New York, NY

Mirror clock, Master CR — Mirror clockMaster CRca. 1565–70Metropolitan Museum of Art, New York, NY

Garniture for Field and Foot Tourney at the Barriers, Northern Italian, Milan — Garniture for Field and Foot Tourney at the BarriersNorthern Italian, Milanc. 1575The Art Institute of Chicago

Design for a Sepulchral Monument for a Medici Cardinal, Francesco da Sangallo, Italian, 1494 - 1576 — Design for a Sepulchral Monument for a Medici CardinalFrancesco da Sangallo, Italian, 1494 - 1576ca. 1560–70Cooper Hewitt, Smithsonian Design Museum

Compendium alchimiae Ioannis Garlandii Angli philosophi doctissimi ... : adiecimus eiusdem compendii per Arnoldum de Villanova explicationem, Hortulanus — Compendium alchimiae Ioannis Garlandii Angli philosophi doctissimi ... : adiecimus eiusdem compendii per Arnoldum de Villanova explicationemHortulanus1560Stiftung der Werke von C.G.Jung, Zürich

Commentarius de praecipuis generibus divinationum, in quo a prophetiis autoritate divina traditis & a physicis coniecturis, discernuntur artes et imposturae diabolicae, atque observationes natae ex superstitione et cum hac coniunctae ..., Peucer, Kaspar — Commentarius de praecipuis generibus divinationum, in quo a prophetiis autoritate divina traditis & a physicis coniecturis, discernuntur artes et imposturae diabolicae, atque observationes natae ex superstitione et cum hac coniunctae ...Peucer, Kaspar1560Stiftung der Werke von C.G.Jung, Zürich

De chemia senioris antiquissimi philosophi, libellus, ut brevis, ita artem discentibus, et exercentibus, utilissimus, et vere aureus, nunc primum in lucem aeditus, Ibn-Umail, Muḥammad — De chemia senioris antiquissimi philosophi, libellus, ut brevis, ita artem discentibus, et exercentibus, utilissimus, et vere aureus, nunc primum in lucem aeditusIbn-Umail, Muḥammad1560Stiftung der Werke von C.G.Jung, Zürich

Allegory of Life, Giorgio Ghisi (Italian, 1520–1582) — Allegory of LifeGiorgio Ghisi (Italian, 1520–1582)1561Cleveland Museum of Art

Also at Cooper Hewitt, Smithsonian Design Museum

4812

Ornament Panel with Bird Cage, Nicoletto da Modena, Italian, active 1500 – 1522 — Ornament Panel with Bird CageNicoletto da Modena, Italian, active 1500 – 1522ca. 1507Cooper Hewitt, Smithsonian Design Museum

Ornament Panel Inscribed "Victoria Augusta", Nicoletto da Modena, Italian, active 1500 – 1522 — Ornament Panel Inscribed "Victoria Augusta"Nicoletto da Modena, Italian, active 1500 – 1522ca. 1507Cooper Hewitt, Smithsonian Design Museum

Ornament Panel with Mars, Nicoletto da Modena, Italian, active 1500 – 1522 — Ornament Panel with MarsNicoletto da Modena, Italian, active 1500 – 1522ca. 1507Cooper Hewitt, Smithsonian Design Museum

Abraham and the Three Angels, Lucas van Leyden, Netherlandish, ca. 1494–1533 — Abraham and the Three AngelsLucas van Leyden, Netherlandish, ca. 1494–15331513Cooper Hewitt, Smithsonian Design Museum

Study of a Rearing Horse after Leonardo da Vinci, Francesco Melzi, Italian, 1491 – 1570 — Study of a Rearing Horse after Leonardo da VinciFrancesco Melzi, Italian, 1491 – 1570ca. 1520–25Cooper Hewitt, Smithsonian Design Museum

Portrait of Albrecht of Brandenburg, Albrecht Dürer, German, 1471–1528 — Portrait of Albrecht of BrandenburgAlbrecht Dürer, German, 1471–15281524Cooper Hewitt, Smithsonian Design Museum

Grotesque Ornament with Satyrs, from a set of twenty ornament panels, Agostino Veneziano, Italian, ca. 1490 - after 1536 — Grotesque Ornament with Satyrs, from a set of twenty ornament panelsAgostino Veneziano, Italian, ca. 1490 - after 1536ca. 1530–1535Cooper Hewitt, Smithsonian Design Museum

Design for Covered Cups, from Dessins d'orfèvrerie (Designs for Metalwork), Léonard Thiry, Flemish, 1550 — Design for Covered Cups, from Dessins d'orfèvrerie (Designs for Metalwork)Léonard Thiry, Flemish, 15501540–1560Cooper Hewitt, Smithsonian Design Museum

Similar picturesFound by visual likeness

8 pictures

Other makers only

Visual resemblances suggested by the model. A match does not establish a shared subject or historical connection.

Decoration of a frieze, Giuseppe Barberi, Italian, 1746–1809 — Decoration of a friezeGiuseppe Barberi, Italian, 1746–18091746–1809Cooper Hewitt, Smithsonian Design Museum

0.93

Leaf for an ornament suite of arabesques, Unknown — Leaf for an ornament suite of arabesquesUnknownca. 1730Cooper Hewitt, Smithsonian Design Museum

0.91

Print, Unknown — PrintUnknownCooper Hewitt, Smithsonian Design Museum

0.91

Plate from Frises, Feuillages et Grotesques (Friezes, Foliage and Grotesques), Stefano della Bella, Italian, 1610–1664 — Plate from Frises, Feuillages et Grotesques (Friezes, Foliage and Grotesques)Stefano della Bella, Italian, 1610–1664ca. 1645Cooper Hewitt, Smithsonian Design Museum

0.91

Ornament Design, Jean Bérain, the elder, French, 1640 – 1711 — Ornament DesignJean Bérain, the elder, French, 1640 – 1711ca.1670–ca.1700Cooper Hewitt, Smithsonian Design Museum

0.90

Drawing, Leonardo Scaglia, French, active Italy, 1640 – 1650 — DrawingLeonardo Scaglia, French, active Italy, 1640 – 1650Cooper Hewitt, Smithsonian Design Museum

0.90

Print, Unknown — PrintUnknownCooper Hewitt, Smithsonian Design Museum

0.90

Print, Unknown — PrintUnknownCooper Hewitt, Smithsonian Design Museum

0.90

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Made in the seventeenth century, like Project for a Frieze.

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