Family Scene, Honoré-Victorin Daumier

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children

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Purchased with funds provided by the Joseph and Helen Regenstein Foundation. CC0.
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CC0-1.0
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api.artic.edu artworks api: is_public_domain=true on artwork 23827 (read 2026-09-01)
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https://www.artic.edu/artworks/23827
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Family Scene, Honoré-Victorin Daumier
Family Scene — Honoré-Victorin Daumierc. 1865

Also by Honoré-Victorin Daumier

9
Rue Transnonain, on April 15, 1834, October 2, 1834, plate 24 from L’Association mensuelle, Honoré-Victorin Daumier
Rue Transnonain, on April 15, 1834, October 2, 1834, plate 24 from L’Association mensuelleHonoré-Victorin DaumierOctober 2, 1834The Art Institute of Chicago
"Fire!", plate 35 from Types Parisiens, Honoré-Victorin Daumier
"Fire!", plate 35 from Types ParisiensHonoré-Victorin Daumier1839The Art Institute of Chicago
"It fits you like a glove!," plate 34 from Types Parisiens, Honoré-Victorin Daumier
"It fits you like a glove!," plate 34 from Types ParisiensHonoré-Victorin Daumier1839The Art Institute of Chicago
“- What a fuss this sour-face from the fifth floor is making! Wearing a hat just to buy two cups of milk for one sou! - Oh, Madame Capitaine, aren't we fancy today...,” plate 36 Types Parisiens, Honoré-Victorin Daumier
“- What a fuss this sour-face from the fifth floor is making! Wearing a hat just to buy two cups of milk for one sou! - Oh, Madame Capitaine, aren't we fancy today...,” plate 36 Types ParisiensHonoré-Victorin Daumier1840The Art Institute of Chicago
“- Here, Eudoxie, take my bear skin... since from now on I will not have the pleasure any more to wear it, I give it to you to make a muff out of it... This way I have at least the satisfaction of seeing it from time to time”, Honoré-Victorin Daumier
“- Here, Eudoxie, take my bear skin... since from now on I will not have the pleasure any more to wear it, I give it to you to make a muff out of it... This way I have at least the satisfaction of seeing it from time to time”Honoré-Victorin Daumier1848The Art Institute of Chicago
The Print Collector, Honoré-Victorin Daumier
The Print CollectorHonoré-Victorin Daumierc. 1860The Art Institute of Chicago
"- Can you see the comet?... just there, at the tip of my finger ... don't lose sight of my finger tip!," plate 5 from La Comète De 1857, Honoré-Victorin Daumier
"- Can you see the comet?... just there, at the tip of my finger ... don't lose sight of my finger tip!," plate 5 from La Comète De 1857Honoré-Victorin Daumier1857The Art Institute of Chicago
“- Listen... I saw a hare over there... - Was that a long time ago? - Not at all... it was less than three months ago...,” plate 2 from Croquis De Chasse, Honoré-Victorin Daumier
“- Listen... I saw a hare over there... - Was that a long time ago? - Not at all... it was less than three months ago...,” plate 2 from Croquis De ChasseHonoré-Victorin Daumier1857The Art Institute of Chicago

Within fifty years of c. 1865

4314
Center Table, Josef Ulrich Danhauser
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The Dandy Dressing; The Dandy Dressed, J. Lewis Marks
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Book of 76 Painted Designs for Woven Textiles (Volume II), France
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Decorative Studies, Felice Giani, Italian, 1758–1823
Decorative StudiesFelice Giani, Italian, 1758–18231815Cooper Hewitt, Smithsonian Design Museum
Leonidas at Thermopylae, Unknown
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Sampler, Unknown
SamplerUnknown1815Cooper Hewitt, Smithsonian Design Museum
The Eruption of Vesuvius, Favre Petitpierre, France, 1802–1818
The Eruption of VesuviusFavre Petitpierre, France, 1802–1818ca. 1815Cooper Hewitt, Smithsonian Design Museum
Le Kakatoes (The Cockatoo) (Furnishing Fabric), Favre-Petitpierre et Cie.
Le Kakatoes (The Cockatoo) (Furnishing Fabric)Favre-Petitpierre et Cie.c. 1815/20The Art Institute of Chicago

Also at The Art Institute of Chicago

479
Statuette of a Female Figure, Ancient Greek
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Ring with a Scarab Bezel, Ancient Egyptian
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Fragment of a Stela of Neferhotep, Ancient Egyptian
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Funerary Papyrus of Tayuhenutmut, Ancient Egyptian
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Cauldron, China
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Coffin and Mummy of Paankhaenamun, Ancient Egyptian
Coffin and Mummy of PaankhaenamunAncient EgyptianThird Intermediate Period, Dynasty 22, reign of Osorkon I (about 924–889 BCE)The Art Institute of Chicago
Relief Showing the Head of a Winged Genius, Neo-Assyrian
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Altar, Ancient Greek
AltarAncient GreekGeometric Period (800–600 BCE)The Art Institute of Chicago

Similar picturesFound by visual likeness

8 pictures

Visual resemblances suggested by the model. A match does not establish a shared subject or historical connection.

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0.85
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Death Giving Audience, from Capricci, Giovanni Battista Tiepolo
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0.84
“- Here, Eudoxie, take my bear skin... since from now on I will not have the pleasure any more to wear it, I give it to you to make a muff out of it... This way I have at least the satisfaction of seeing it from time to time”, Honoré-Victorin Daumier
“- Here, Eudoxie, take my bear skin... since from now on I will not have the pleasure any more to wear it, I give it to you to make a muff out of it... This way I have at least the satisfaction of seeing it from time to time”Honoré-Victorin Daumier1848The Art Institute of Chicago
0.84
Scherzi di Fantasia: Magician Pointing Out a Burning Head to Two Youths, Giovanni Battista Tiepolo (Italian, 1696–1770)
Scherzi di Fantasia: Magician Pointing Out a Burning Head to Two YouthsGiovanni Battista Tiepolo (Italian, 1696–1770)1750–60Cleveland Museum of Art
0.84
Mother and Child, Kate Greenaway (British, 1846–1901)
Mother and ChildKate Greenaway (British, 1846–1901)1898Cleveland Museum of Art
0.84
The Actress Ellen Andrée, Edgar Degas
The Actress Ellen AndréeEdgar Degas1879National Gallery of Art
0.84
The Strolling Musicians, Rembrandt van Rijn (Dutch, 1606–1669)
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0.83

In the stacks

Not yet checked1

Passages in the library’s own holdings that name this maker. The model ranked them; nobody has checked that the name means this person.

  1. The international studio · John Lane

    at the Ecole of the water-colors of Gavarni, the sepias of Henri Monnier and the paintings, then quite unknown, of Daumier, it caused a scandal. Fortunately protestation changed into apotheosis and the very dignitaries who had at first objected, won by the sumptuousness of the works, put Daumier into the Louvre. M. Dayot recounts this episode in his preface for the catalogue of the Ville-I’Eveque exhibit, with the hint to the authorities that since 1888 they have gained the reputation for “enlightened eclecticism.” M. Dayot’s opinion of what such an
    0.71

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Honoré-Victorin Daumier made Family Scene, and made these too.

Made in the nineteenth century, like Family Scene.

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