"The Angel Gabriel meets 'Amr ibn Zaid (the Shepherd)", Folio from a Siyer-i Nebi (the Life of the Prophet) — Mustafa ibn Valica. 1595Within fifty years of ca. 1595
564
Venus and CupidLorenzo Lotto1520sMetropolitan Museum of Art, New York, NY
Eight BoysHans Sebald Beham1520/50The Art Institute of Chicago
St. George and the DragonWolfgang Huber (Austrian, 1490–1553)1520Cleveland Museum of Art
Study of a Rearing Horse after Leonardo da VinciFrancesco Melzi, Italian, 1491 – 1570ca. 1520–25Cooper Hewitt, Smithsonian Design Museum
Design for a CandelabrumUnknown1520–50Cooper Hewitt, Smithsonian Design Museum
Design for a PitcherUnknown1520–50Cooper Hewitt, Smithsonian Design Museum
Page from the Panj Ganj (Five Treasures) of Abd al-Rahman Jami (Persian, 1414–1492), with two Persian masnavis (narrative poems): Yusuf va Zulaykha (Joseph and Zulaykha) and Subhat al-abrar (Rosary of the Righteous)Mushfiq (Indian, active early 1600s); others (Indian)Text c. 1500–1520; painting, borders, and illuminations added 1603–7
Text copied by Sultan-Ali Mashhadi (Persian, active early 1500s) for Badi al-Zaman Mirza, ruler of Herat
Painted insets and borders by Mushfiq (Indian, active 1580s–early 1600s)
Text copied in Herat
Painting, borders, and illuminations made in the Deccan for Mughal minister Abd al-Rahim the Khan KhananCleveland Museum of Art
Page from a Panj Ganj (Five Treasures) of Abd al-Rahman Jami (Persian, 1414–1492), with two Persian
masnavis: Yusuf va Zulaykha (Joseph and Zulaykha) and Subhat al-abrar (Rosary of the Righteous) (verso)Mushfiq (Indian, active early 1600s); others (Indian)1520–1607Cleveland Museum of ArtAlso at Metropolitan Museum of Art, New York, NY
688
Marble female figureBastis Master2600–2400 BCEMetropolitan Museum of Art, New York, NY
Relief Fragment with a Ship Under SailUnknownca. 2465–2458 BCEMetropolitan Museum of Art, New York, NY
Tomb Chapel of Raemkai: South WallUnknownca. 2446–2389 BCEMetropolitan Museum of Art, New York, NY
West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and WerdjedptahUnknownca. 2420–2250 BCEMetropolitan Museum of Art, New York, NY
Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY
Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh SignUnknownca. 2150–2010 B.C.Metropolitan Museum of Art, New York, NY
Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY
Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tailUnknownca. 2100–2080 B.C.Metropolitan Museum of Art, New York, NYSimilar picturesFound by visual likeness
8 picturesVisual resemblances suggested by the model. A match does not establish a shared subject or historical connection.
Khusrau and ShirinHatifidated 904 AH/1498–99 CEMetropolitan Museum of Art, New York, NY0.92
Zulaykha in her palace and as an old woman with Joseph, from a Panj Ganj (Five Treasures) of Abd al-Rahman Jami (Persian, 1414–1492); verso from a Panj Ganj of Abd al-Rahman Jami (Persian, 1414–1492), with two masnavis: Yusuf va Zulaykha (Joseph and Zulaykha) and Khirad-nama-i Iskandari (Alexander’s Book of Wisdom)Mushfiq (Indian, active early 1600s); Sultan 'Ali al-Mashadi (Iranian, 1430–1520)Text copied by Sultan-Ali Mashhadi (Persian, 1453–1520) for Badi al-Zaman Mirza of Herat
Painting, borders, and illumination by Mushfiq (Indian, active 1580s–early 1600s); Text copied in Herat; Painting, borders, and illuminations made in the Deccan for Mughal minister Abd al-Rahim the Khan KhananCleveland Museum of Art0.86
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Made in the sixteenth century, like "The Angel Gabriel meets 'Amr ibn Zaid (the Shepherd)", Folio from a Siyer-i Nebi (the Life of the Prophet).