Four Putti Making Music, Study after Lodovico Carracci; Christ, Study after Massari — Felice Giani, Italian, 1758–1823, 1821–22

Four Putti Making Music, Study after Lodovico Carracci; Christ, Study after Massari, Felice Giani, Italian, 1758–1823

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Rights

Credit: Museum purchase through gift of various donors
Licence: CC0-1.0
Evidence: api.si.edu openaccess v1.0: content.descriptiveNonRepeating.metadata_usage.access=CC0 on record chndm_1901-39-3565-a_b (read 2026-09-01)
Record: https://collection.cooperhewitt.org/view/objects/asitem/id/10342

Also by Felice Giani, Italian, 1758–1823

304

Drawing, Felice Giani, Italian, 1758–1823 — DrawingFelice Giani, Italian, 1758–18231780-1790Cooper Hewitt, Smithsonian Design Museum

Drawing, Felice Giani, Italian, 1758–1823 — DrawingFelice Giani, Italian, 1758–18231780-1790Cooper Hewitt, Smithsonian Design Museum

Drawing, Felice Giani, Italian, 1758–1823 — DrawingFelice Giani, Italian, 1758–18231780-1790Cooper Hewitt, Smithsonian Design Museum

Drawing, Felice Giani, Italian, 1758–1823 — DrawingFelice Giani, Italian, 1758–18231780-1790Cooper Hewitt, Smithsonian Design Museum

Drawing, Felice Giani, Italian, 1758–1823 — DrawingFelice Giani, Italian, 1758–18231780-1790Cooper Hewitt, Smithsonian Design Museum

Drawing, Felice Giani, Italian, 1758–1823 — DrawingFelice Giani, Italian, 1758–18231780-1790Cooper Hewitt, Smithsonian Design Museum

Drawing, Felice Giani, Italian, 1758–1823 — DrawingFelice Giani, Italian, 1758–18231780-1790Cooper Hewitt, Smithsonian Design Museum

Drawing, Felice Giani, Italian, 1758–1823 — DrawingFelice Giani, Italian, 1758–18231780-1790Cooper Hewitt, Smithsonian Design Museum

Within fifty years of 1821–22

3020

Portrait of Infante Don Luis de Borbon, Anton Raphael Mengs (German, 1728–1779) — Portrait of Infante Don Luis de BorbonAnton Raphael Mengs (German, 1728–1779)c. 1776Cleveland Museum of Art

Architectural Elevation of La Retraite within its Landscape, François de Cuvilliés the younger, German, 1731 - 1777 — Architectural Elevation of La Retraite within its LandscapeFrançois de Cuvilliés the younger, German, 1731 - 17771771Cooper Hewitt, Smithsonian Design Museum

Title Page, Pierre Moreau, French, 1722 – 1798 — Title PagePierre Moreau, French, 1722 – 17981771Cooper Hewitt, Smithsonian Design Museum

Plan D’Amalienbourg Batie sur la gauche dans le jardin de Nimphenbourg, François de Cuvilliés the Elder, Belgian, 1695 - 1768 — Plan D’Amalienbourg Batie sur la gauche dans le jardin de NimphenbourgFrançois de Cuvilliés the Elder, Belgian, 1695 - 17681771Cooper Hewitt, Smithsonian Design Museum

Title Page, Pierre Moreau, French, 1722 – 1798 — Title PagePierre Moreau, French, 1722 – 17981771Cooper Hewitt, Smithsonian Design Museum

PLAN DE BADENBOURG EXECUTE DANS LE JARDIN DE NYMPHENBOURG. MDCCLXXI, Joseph Effner, German, 1687 – 1745 — PLAN DE BADENBOURG EXECUTE DANS LE JARDIN DE NYMPHENBOURG. MDCCLXXIJoseph Effner, German, 1687 – 1745ca. 1771Cooper Hewitt, Smithsonian Design Museum

Rolltop desk, David Roentgen — Rolltop deskDavid Roentgenca. 1776–79Metropolitan Museum of Art, New York, NY

Drop-front desk (secrétaire à abattant or secrétaire en cabinet), Martin Carlin — Drop-front desk (secrétaire à abattant or secrétaire en cabinet)Martin Carlinca. 1776Metropolitan Museum of Art, New York, NY

Also at Cooper Hewitt, Smithsonian Design Museum

7382

Tiraz fragment, Unknown — Tiraz fragmentUnknownca. 1000Cooper Hewitt, Smithsonian Design Museum

Textile, Unknown — TextileUnknown700–1000Cooper Hewitt, Smithsonian Design Museum

Textile, Unknown — TextileUnknown500–1000Cooper Hewitt, Smithsonian Design Museum

Textile, Unknown — TextileUnknown1000–1450Cooper Hewitt, Smithsonian Design Museum

Vessel, Unknown — VesselUnknown500–1000Cooper Hewitt, Smithsonian Design Museum

Vessel, Unknown — VesselUnknown500–1000Cooper Hewitt, Smithsonian Design Museum

Textile, Unknown — TextileUnknown1100–1400Cooper Hewitt, Smithsonian Design Museum

Textile, Unknown — TextileUnknown1100–1500Cooper Hewitt, Smithsonian Design Museum

Similar picturesFound by visual likeness

8 pictures

Other makers only

Visual resemblances suggested by the model. A match does not establish a shared subject or historical connection.

Madonna and Child and St. John, Study after Francia; Madonna and Child with St. John, Study after Dossi; Madonna and Child with St. John, Bishop Saint, St. Appolonia; Madonna and Child in Niche, Study after Sculpture by Salvator Mundy, Felice Giani, Italian, 1758–1823 — Madonna and Child and St. John, Study after Francia; Madonna and Child with St. John, Study after Dossi; Madonna and Child with St. John, Bishop Saint, St. Appolonia; Madonna and Child in Niche, Study after Sculpture by Salvator MundyFelice Giani, Italian, 1758–18231821–22Cooper Hewitt, Smithsonian Design Museum

0.91

Two drawings of Sybils and Two Putti, Felice Giani, Italian, 1758–1823 — Two drawings of Sybils and Two PuttiFelice Giani, Italian, 1758–1823recto 1815Cooper Hewitt, Smithsonian Design Museum

0.90

Drawing, Felice Giani, Italian, 1758–1823 — DrawingFelice Giani, Italian, 1758–1823About 1820.Cooper Hewitt, Smithsonian Design Museum

0.89

Drawing, Felice Giani, Italian, 1758–1823 — DrawingFelice Giani, Italian, 1758–18231795-1800Cooper Hewitt, Smithsonian Design Museum

0.89

Two Drawings of the Madonna and Child in Ovals, Studies after Giambologna and Alfonzo da Ferrero; Herm and Chimera, after Antique, Felice Giani, Italian, 1758–1823 — Two Drawings of the Madonna and Child in Ovals, Studies after Giambologna and Alfonzo da Ferrero; Herm and Chimera, after AntiqueFelice Giani, Italian, 1758–18231821–22Cooper Hewitt, Smithsonian Design Museum

0.88

Personification of Theology, After Raphael, Felice Giani, Italian, 1758–1823 — Personification of Theology, After RaphaelFelice Giani, Italian, 1758–18231815Cooper Hewitt, Smithsonian Design Museum

0.88

Drawing, Felice Giani, Italian, 1758–1823 — DrawingFelice Giani, Italian, 1758–1823About 1820Cooper Hewitt, Smithsonian Design Museum

0.88

Drawing, Felice Giani, Italian, 1758–1823 — DrawingFelice Giani, Italian, 1758–18231815-1820Cooper Hewitt, Smithsonian Design Museum

0.88

Next

Felice Giani, Italian, 1758–1823 made Four Putti Making Music, Study after Lodovico Carracci; Christ, Study after Massari, and made these too.

Made in the nineteenth century, like Four Putti Making Music, Study after Lodovico Carracci; Christ, Study after Massari.

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