Trophy — Unknown, ca. 1780

Trophy, Unknown

Seen

Not described yet.

Of

No subject recorded yet.

Means

No reading yet.

Rights

Credit: Purchased for the Museum by the Advisory Council
Licence: CC0-1.0
Evidence: api.si.edu openaccess v1.0: content.descriptiveNonRepeating.metadata_usage.access=CC0 on record chndm_1911-28-268-3 (read 2026-09-01)
Record: https://collection.cooperhewitt.org/view/objects/asitem/id/18269

Also by Unknown

5442

Relief Fragment with a Ship Under Sail, Unknown — Relief Fragment with a Ship Under SailUnknownca. 2465–2458 BCEMetropolitan Museum of Art, New York, NY

Tomb Chapel of Raemkai: South Wall, Unknown — Tomb Chapel of Raemkai: South WallUnknownca. 2446–2389 BCEMetropolitan Museum of Art, New York, NY

West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and Werdjedptah, Unknown — West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and WerdjedptahUnknownca. 2420–2250 BCEMetropolitan Museum of Art, New York, NY

Relief of Nyankhnesut Seated, Unknown — Relief of Nyankhnesut SeatedUnknownc. 2311–2281 BCECleveland Museum of Art

Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching Lion, Unknown — Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh Sign, Unknown — Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh SignUnknownca. 2150–2010 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a Lion, Unknown — Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tail, Unknown — Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tailUnknownca. 2100–2080 B.C.Metropolitan Museum of Art, New York, NY

Within fifty years of ca. 1780

2250

Self-Portrait, William Hogarth — Self-PortraitWilliam Hogarthca. 1735Yale Center for British Art

A Vignette, Referring to the Arts, in Two States, Vincenzo Franceschini, Italian, 1680 - ca. 1750 — A Vignette, Referring to the Arts, in Two StatesVincenzo Franceschini, Italian, 1680 - ca. 1750ca. 1730Cooper Hewitt, Smithsonian Design Museum

Moses, Michelangelo Buonarroti — MosesMichelangelo Buonarroti1700sThe Art Institute of Chicago

Designs for Chinoiserie Ornament, François Boucher, French, 1703–1770 — Designs for Chinoiserie OrnamentFrançois Boucher, French, 1703–17701730–60Cooper Hewitt, Smithsonian Design Museum

Designs for Firearms Ornament, de La Collombe, French, active 1702 – 1739 — Designs for Firearms Ornamentde La Collombe, French, active 1702 – 17391730Cooper Hewitt, Smithsonian Design Museum

Designs for a Stock and Firearms Ornament, de La Collombe, French, active 1702 – 1739 — Designs for a Stock and Firearms Ornamentde La Collombe, French, active 1702 – 1739ca. 1730Cooper Hewitt, Smithsonian Design Museum

Design for a Screen Fan, Martin Engelbrecht, German, 1684–1756 — Design for a Screen FanMartin Engelbrecht, German, 1684–17561730–50Cooper Hewitt, Smithsonian Design Museum

Virgin and Child with Saints Dominic and Hyacinth, Giovanni Battista Tiepolo — Virgin and Child with Saints Dominic and HyacinthGiovanni Battista Tiepolo1730–35The Art Institute of Chicago

Also at Cooper Hewitt, Smithsonian Design Museum

3268

Ornament Panel with Bird Cage, Nicoletto da Modena, Italian, active 1500 – 1522 — Ornament Panel with Bird CageNicoletto da Modena, Italian, active 1500 – 1522ca. 1507Cooper Hewitt, Smithsonian Design Museum

Ornament Panel Inscribed "Victoria Augusta", Nicoletto da Modena, Italian, active 1500 – 1522 — Ornament Panel Inscribed "Victoria Augusta"Nicoletto da Modena, Italian, active 1500 – 1522ca. 1507Cooper Hewitt, Smithsonian Design Museum

Ornament Panel with Mars, Nicoletto da Modena, Italian, active 1500 – 1522 — Ornament Panel with MarsNicoletto da Modena, Italian, active 1500 – 1522ca. 1507Cooper Hewitt, Smithsonian Design Museum

Abraham and the Three Angels, Lucas van Leyden, Netherlandish, ca. 1494–1533 — Abraham and the Three AngelsLucas van Leyden, Netherlandish, ca. 1494–15331513Cooper Hewitt, Smithsonian Design Museum

Study of a Rearing Horse after Leonardo da Vinci, Francesco Melzi, Italian, 1491 – 1570 — Study of a Rearing Horse after Leonardo da VinciFrancesco Melzi, Italian, 1491 – 1570ca. 1520–25Cooper Hewitt, Smithsonian Design Museum

Portrait of Albrecht of Brandenburg, Albrecht Dürer, German, 1471–1528 — Portrait of Albrecht of BrandenburgAlbrecht Dürer, German, 1471–15281524Cooper Hewitt, Smithsonian Design Museum

Grotesque Ornament with Satyrs, from a set of twenty ornament panels, Agostino Veneziano, Italian, ca. 1490 - after 1536 — Grotesque Ornament with Satyrs, from a set of twenty ornament panelsAgostino Veneziano, Italian, ca. 1490 - after 1536ca. 1530–1535Cooper Hewitt, Smithsonian Design Museum

Design for Covered Cups, from Dessins d'orfèvrerie (Designs for Metalwork), Léonard Thiry, Flemish, 1550 — Design for Covered Cups, from Dessins d'orfèvrerie (Designs for Metalwork)Léonard Thiry, Flemish, 15501540–1560Cooper Hewitt, Smithsonian Design Museum

Similar picturesFound by visual likeness

8 pictures

Other makers only

Visual resemblances suggested by the model. A match does not establish a shared subject or historical connection.

Trophy, Pierre Ranson, French, 1736–1786 — TrophyPierre Ranson, French, 1736–1786ca. 1780Cooper Hewitt, Smithsonian Design Museum

0.93

Trophies with Historical Attributes, Pierre Ranson, French, 1736–1786 — Trophies with Historical AttributesPierre Ranson, French, 1736–1786ca. 1780Cooper Hewitt, Smithsonian Design Museum

0.91

Trophy, Unknown — TrophyUnknownca. 1780Cooper Hewitt, Smithsonian Design Museum

0.91

Design for a Woven Fabric, Unknown — Design for a Woven FabricUnknown1775–1800Cooper Hewitt, Smithsonian Design Museum

0.87

Brown Bird on Branch with Rose, Tulip, and Insects, Unknown — Brown Bird on Branch with Rose, Tulip, and InsectsUnknownca. 1800–1830Cooper Hewitt, Smithsonian Design Museum

0.86

Drawing, Unknown — DrawingUnknown1780-1790Cooper Hewitt, Smithsonian Design Museum

0.86

Sidewall, Unknown — SidewallUnknown1755–65Cooper Hewitt, Smithsonian Design Museum

0.86

Drawing, Unknown — DrawingUnknown1815-1840Cooper Hewitt, Smithsonian Design Museum

0.86

Next

Made in the eighteenth century, like Trophy.

Study of the Lamentation on the Dead Christ1780
The Sacrifice of Isaac1754
Sacrifice of Isaac1750
The Sacrifice of Isaac1750

0:00–0:00