Sudden Shower over Shin-Ōhashi Bridge and Atake (Ōhashi Atake no yūdachi), from the series One Hundred Famous Views of Edo (Meisho Edo hyakkei), Utagawa Hiroshige

Seen

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Of

These are claims by the holder and by Wikidata, read 2026-09-04, and join nothing until an editor confirms them.

Holder's headings
Bridges, Rain, Umbrellas

Means

No reading yet.


Rights

Credit
The Howard Mansfield Collection, Purchase, Rogers Fund, 1936
Licence
CC0-1.0
Evidence
metmuseum.org collection api v1: isPublicDomain=true on object 55433 (read 2026-08-27)
Record
https://www.metmuseum.org/art/collection/search/55433
Sudden Shower over Shin-Ōhashi Bridge and Atake (Ōhashi Atake no yūdachi), from the series One Hundred Famous Views of Edo (Meisho Edo hyakkei), Utagawa Hiroshige
Sudden Shower over Shin-Ōhashi Bridge and Atake (Ōhashi Atake no yūdachi), from the series One Hundred Famous Views of Edo (Meisho Edo hyakkei) — Utagawa Hiroshige1857

Also by Utagawa Hiroshige

18
Rose, Utagawa Hiroshige
RoseUtagawa HiroshigeMetropolitan Museum of Art, New York, NY
Mochizuki, Utagawa Hiroshige
MochizukiUtagawa HiroshigeMetropolitan Museum of Art, New York, NY
Morning Cherries at Yoshiwara, Utagawa Hiroshige
Morning Cherries at YoshiwaraUtagawa HiroshigeMetropolitan Museum of Art, New York, NY
Weeping Cherry, Utagawa Hiroshige
Weeping CherryUtagawa HiroshigeMetropolitan Museum of Art, New York, NY
Small View of Yedo, Utagawa Hiroshige
Small View of YedoUtagawa Hiroshige1817–58Metropolitan Museum of Art, New York, NY
Boat on the Sumida, Utagawa Hiroshige
Boat on the SumidaUtagawa Hiroshige1817–58Metropolitan Museum of Art, New York, NY
Mishima: Morning Mist (Mishima, asagiri), from the series "Fifty-three Stations of the Tokaido Road (Tokaido gojusan tsugi no uchi)," also known as the Hoeido Tokaido, Utagawa Hiroshige
Mishima: Morning Mist (Mishima, asagiri), from the series "Fifty-three Stations of the Tokaido Road (Tokaido gojusan tsugi no uchi)," also known as the Hoeido TokaidoUtagawa Hiroshigec. 1833/34The Art Institute of Chicago
Kanbara: Evening Snow (Kanbara, yoru no yuki), from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi no uchi)," also known as the Hoeido Tokaido, Utagawa Hiroshige
Kanbara: Evening Snow (Kanbara, yoru no yuki), from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi no uchi)," also known as the Hoeido TokaidoUtagawa Hiroshigec. 1833/34The Art Institute of Chicago

Within fifty years of 1857

4335
Study for "Napoleon at Eylau", Charles Meynier, 1768 – 1832
Study for "Napoleon at Eylau"Charles Meynier, 1768 – 1832ca. 1807Cooper Hewitt, Smithsonian Design Museum
Sampler, Unknown
SamplerUnknown1807Cooper Hewitt, Smithsonian Design Museum
Plate 19, Costume Parisien (Parisian Costume), Journal des Dames et des Modes (Journal of Ladies and Fashion), Carle Vernet, French, 1758–1836
Plate 19, Costume Parisien (Parisian Costume), Journal des Dames et des Modes (Journal of Ladies and Fashion)Carle Vernet, French, 1758–18361807Cooper Hewitt, Smithsonian Design Museum
Plate 51, Costume Parisien (Parisian Costume), Journal des Dames et des Modes (Journal of Ladies and Fashion), Carle Vernet, French, 1758–1836
Plate 51, Costume Parisien (Parisian Costume), Journal des Dames et des Modes (Journal of Ladies and Fashion)Carle Vernet, French, 1758–18361807Cooper Hewitt, Smithsonian Design Museum
Sampler, Unknown
SamplerUnknown1808Cooper Hewitt, Smithsonian Design Museum
Punch ladle, S A
Punch ladleS A1808Cooper Hewitt, Smithsonian Design Museum
Textile, Jean-Baptiste Huët, French, 1745–1811
TextileJean-Baptiste Huët, French, 1745–18111808Cooper Hewitt, Smithsonian Design Museum
Board Room of the Admiralty, from "Ackermann's Repository", Thomas Rowlandson, British, 1756–1827
Board Room of the Admiralty, from "Ackermann's Repository"Thomas Rowlandson, British, 1756–18271808Cooper Hewitt, Smithsonian Design Museum

Also at Metropolitan Museum of Art, New York, NY

484
Marble female figure, Bastis Master
Marble female figureBastis Master2600–2400 BCEMetropolitan Museum of Art, New York, NY
Relief Fragment with a Ship Under Sail, Unknown
Relief Fragment with a Ship Under SailUnknownca. 2465–2458 BCEMetropolitan Museum of Art, New York, NY
Tomb Chapel of Raemkai: South Wall, Unknown
Tomb Chapel of Raemkai: South WallUnknownca. 2446–2389 BCEMetropolitan Museum of Art, New York, NY
West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and Werdjedptah, Unknown
West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and WerdjedptahUnknownca. 2420–2250 BCEMetropolitan Museum of Art, New York, NY
Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching Lion, Unknown
Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY
Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh Sign, Unknown
Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh SignUnknownca. 2150–2010 B.C.Metropolitan Museum of Art, New York, NY
Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a Lion, Unknown
Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY
Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tail, Unknown
Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tailUnknownca. 2100–2080 B.C.Metropolitan Museum of Art, New York, NY

Similar picturesFound by visual likeness

8 pictures

Visual resemblances suggested by the model. A match does not establish a shared subject or historical connection.

Sudden Shower over Shin-Ōhashi Bridge and Atake, from One Hundred Famous Views of Edo, Utagawa Hiroshige (Japanese, 1797–1858)
Sudden Shower over Shin-Ōhashi Bridge and Atake, from One Hundred Famous Views of EdoUtagawa Hiroshige (Japanese, 1797–1858)1857Cleveland Museum of Art
0.94
Tsukudajima from  Eitai Bridge, from the series One Hundred Views of Famous Places in Edo, Utagawa Hiroshige (Japanese, 1797–1858)
Tsukudajima from Eitai Bridge, from the series One Hundred Views of Famous Places in EdoUtagawa Hiroshige (Japanese, 1797–1858)1858Cleveland Museum of Art
0.87
View of Shiba Coast (Shibaura no fukei) From the Series One Hundred Famous views of Edo, Ando Hiroshige, Japanese, 1797–1858
View of Shiba Coast (Shibaura no fukei) From the Series One Hundred Famous views of EdoAndo Hiroshige, Japanese, 1797–18581856Cooper Hewitt, Smithsonian Design Museum
0.86
Scene of Flying Kites, Ando Hiroshige, Japanese, 1797–1858
Scene of Flying KitesAndo Hiroshige, Japanese, 1797–18581797-1858Cooper Hewitt, Smithsonian Design Museum
0.85
Valley View, Ando Hiroshige, Japanese, 1797–1858
Valley ViewAndo Hiroshige, Japanese, 1797–18581797-1858Cooper Hewitt, Smithsonian Design Museum
0.84
Figures Walking Through the Rain, Ando Hiroshige, Japanese, 1797–1858
Figures Walking Through the RainAndo Hiroshige, Japanese, 1797–18581797-1858Cooper Hewitt, Smithsonian Design Museum
0.84
Spring Rain at Tsuchiyama, from the series Fifty-three Stations of the Tōkaidō, Utagawa Hiroshige
Spring Rain at Tsuchiyama, from the series Fifty-three Stations of the TōkaidōUtagawa Hiroshige1834–35Metropolitan Museum of Art, New York, NY
0.84
Castle Moat, Ando Hiroshige, Japanese, 1797–1858
Castle MoatAndo Hiroshige, Japanese, 1797–18581797-1858Cooper Hewitt, Smithsonian Design Museum
0.84

Next

Made in the nineteenth century, like Sudden Shower over Shin-Ōhashi Bridge and Atake (Ōhashi Atake no yūdachi), from the series One Hundred Famous Views of Edo (Meisho Edo hyakkei).

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