medium

pen

1,402 works · 1472 to 1917 · aat:300022452

20 of 442 ids checked against the materials Wikidata records named a different concept (4.5%), read 2026-09-08

pen
Cooper Hewitt, Smithsonian Design Museum, The Art Institute of Chicago, Cleveland Museum of Art, Metropolitan Museum of Art, New York, NY, National Gallery of Art and Wellcome Collection1,402 as in Pen and brown ink, brush and brown wash on off-white laid paper, lined, Pen and ink on paper, Pen and ink, brush and wash on paper, Pen and black ink, brush and gray watercolor on light green paper and 690 more
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pensArt & Architecture Thesaurus 300022452
Two Putti with Lamb, School of Leonardo da Vinci
Two Putti with LambSchool of Leonardo da Vincin.d.The Art Institute of Chicago
Compositional Sketches for the Virgin Adoring the Christ Child, with and without the Infant St. John the Baptist; Diagram of a Perspectival Projection (recto); Slight Doodles (verso), Leonardo da Vinci
Compositional Sketches for the Virgin Adoring the Christ Child, with and without the Infant St. John the Baptist; Diagram of a Perspectival Projection (recto); Slight Doodles (verso)Leonardo da Vinci1480–85Metropolitan Museum of Art, New York, NY
Candelabrum as part of a decoration, Unknown
Candelabrum as part of a decorationUnknown1480–1500Cooper Hewitt, Smithsonian Design Museum
Candelabrum as part of decoration, Unknown
Candelabrum as part of decorationUnknownca. 1480–1500Cooper Hewitt, Smithsonian Design Museum
Head of a Man in Profile Facing to the Left, Leonardo da Vinci
Head of a Man in Profile Facing to the LeftLeonardo da Vinci1490–94Metropolitan Museum of Art, New York, NY
Archers Shooting at a Herm, Triumph of Bacchus, and Other Studies, Michelangelo Buonarroti
Archers Shooting at a Herm, Triumph of Bacchus, and Other StudiesMichelangelo Buonarrotin.d.The Art Institute of Chicago
Three Studies of a Woman Wearing an Elaborate Headdress, Anonymous; Peter Paul Rubens (Flemish, 1577–1640)
Three Studies of a Woman Wearing an Elaborate HeaddressAnonymous; Peter Paul Rubens (Flemish, 1577–1640)c. 1500Cleveland Museum of Art
Allegory on the Fidelity of the Lizard (recto); Design for a Stage Setting (verso), Leonardo da Vinci
Allegory on the Fidelity of the Lizard (recto); Design for a Stage Setting (verso)Leonardo da Vinci1496Metropolitan Museum of Art, New York, NY
Figure of a Man, after Polidoro da Caravaggio
Figure of a Manafter Polidoro da CaravaggioNational Gallery of Art
Scene from Ancient History, Netherlandish 16th Century after Polidoro da Caravaggio
Scene from Ancient HistoryNetherlandish 16th Century after Polidoro da Caravaggio16th centuryNational Gallery of Art
Young Bull, Albrecht Dürer
Young BullAlbrecht Dürerc. 1496, erroneously inscribed in another hand 1508The Art Institute of Chicago
Lucretia, Raphael (Raffaello Sanzio or Santi)
LucretiaRaphael (Raffaello Sanzio or Santi)1508–10Metropolitan Museum of Art, New York, NY
Design for a Steeple, Unknown
Design for a SteepleUnknown1508Cooper Hewitt, Smithsonian Design Museum
Salome with the Head of St. John the Baptist, Albrecht Altdorfer (German, c. 1480–1538)
Salome with the Head of St. John the BaptistAlbrecht Altdorfer (German, c. 1480–1538)c. 1517Cleveland Museum of Art
View of a Castle (recto); Eight-Sided Cup (verso), Wolfgang Huber (Austrian, 1490–1553)
View of a Castle (recto); Eight-Sided Cup (verso)Wolfgang Huber (Austrian, 1490–1553)1513Cleveland Museum of Art
Frieze with Eight Putti, Polidoro da Caravaggio
Frieze with Eight PuttiPolidoro da Caravaggion.d.The Art Institute of Chicago
Woman Turning Left; Male Nude Blowing Trumpet, Polidoro da Caravaggio
Woman Turning Left; Male Nude Blowing TrumpetPolidoro da Caravaggion.d.The Art Institute of Chicago
Design for a Candelabrum, Unknown
Design for a CandelabrumUnknown1520–50Cooper Hewitt, Smithsonian Design Museum
Design for a Pitcher, Unknown
Design for a PitcherUnknown1520–50Cooper Hewitt, Smithsonian Design Museum
Music-Making Angels, Albrecht Dürer
Music-Making AngelsAlbrecht Dürer1521Metropolitan Museum of Art, New York, NY
Saint Jerome in a Landscape, Domenico Campagnola (Italian, 1500–1564)
Saint Jerome in a LandscapeDomenico Campagnola (Italian, 1500–1564)c. 1530Cleveland Museum of Art
Sketches of Horses' (or Dromedaries') Legs (recto); Columns (verso), Follower of Leonardo da Vinci
Sketches of Horses' (or Dromedaries') Legs (recto); Columns (verso)Follower of Leonardo da Vincic. 1530The Art Institute of Chicago
Heads of Horses and Unicorns, Follower of Leonardo da Vinci
Heads of Horses and UnicornsFollower of Leonardo da Vinci1530/40The Art Institute of Chicago
Elevation of a Saltcellar, Unknown
Elevation of a SaltcellarUnknown1530–60Cooper Hewitt, Smithsonian Design Museum
Designs for Composite Capitals and Bases, Unknown
Designs for Composite Capitals and BasesUnknown1530–1540Cooper Hewitt, Smithsonian Design Museum
Design for a ewer, Unknown
Design for a ewerUnknownca. 1540Cooper Hewitt, Smithsonian Design Museum
Drunkenness of Noah, Michelangelo Buonarroti
Drunkenness of NoahMichelangelo Buonarrotin.d.The Art Institute of Chicago
Skeleton, Unknown
SkeletonUnknownca. 1550Cooper Hewitt, Smithsonian Design Museum
Project for a Frieze, Unknown
Project for a FriezeUnknown1550–1600Cooper Hewitt, Smithsonian Design Museum
Design for a Sepulchral Monument for a Medici Cardinal, Francesco da Sangallo, Italian, 1494 - 1576
Design for a Sepulchral Monument for a Medici CardinalFrancesco da Sangallo, Italian, 1494 - 1576ca. 1560–70Cooper Hewitt, Smithsonian Design Museum
Frieze, Combat of Animals, preparatory drawing for fresco at the Palazzo Borri, Parma, Jacopo Zanguidi, called Bertoia, Italian, 1544 – 1573
Frieze, Combat of Animals, preparatory drawing for fresco at the Palazzo Borri, ParmaJacopo Zanguidi, called Bertoia, Italian, 1544 – 15731563–68Cooper Hewitt, Smithsonian Design Museum
Perseus with the Head of Medusa, Turning Phineus and his Followers to Stone, Polidoro da Caravaggio
Perseus with the Head of Medusa, Turning Phineus and his Followers to StonePolidoro da Caravaggio1567The Art Institute of Chicago
Design for a Tabernacle, Unknown
Design for a TabernacleUnknownca. 1570Cooper Hewitt, Smithsonian Design Museum
A Cantharus, Unknown
A CantharusUnknownca. 1575Cooper Hewitt, Smithsonian Design Museum
Elevation of a Gateway, Unknown
Elevation of a GatewayUnknownca. 1575Cooper Hewitt, Smithsonian Design Museum
Design for a Door Frame, Unknown
Design for a Door FrameUnknownca. 1575Cooper Hewitt, Smithsonian Design Museum
Last Supper, Raphael
Last SupperRaphaeln.d.The Art Institute of Chicago
Escutcheon, Federico Zuccaro, Italian, 1542 – 1609
EscutcheonFederico Zuccaro, Italian, 1542 – 1609ca. 1580Cooper Hewitt, Smithsonian Design Museum
Mars, Jan van der Straet, called Stradanus, Flemish, 1523–1605
MarsJan van der Straet, called Stradanus, Flemish, 1523–1605ca. 1580 – 1605Cooper Hewitt, Smithsonian Design Museum
CRADLE, Unknown
CRADLEUnknownca. 1580Cooper Hewitt, Smithsonian Design Museum
Design for a Sculptured Coat of Arms; Verso: Sketches of Architectural Designs, Unknown
Design for a Sculptured Coat of Arms; Verso: Sketches of Architectural DesignsUnknown1580–1600Cooper Hewitt, Smithsonian Design Museum
Stage Design: Architectural Perspective, Unknown
Stage Design: Architectural PerspectiveUnknownca. 1580Cooper Hewitt, Smithsonian Design Museum
Adoration of the Shepherds, Polidoro da Caravaggio
Adoration of the ShepherdsPolidoro da Caravaggion.d.The Art Institute of Chicago
Studies of Hands (recto); Sketch of a Child's Head (verso), Carletto Caliari (Italian, 1570–1596)
Studies of Hands (recto); Sketch of a Child's Head (verso)Carletto Caliari (Italian, 1570–1596)c. 1586Cleveland Museum of Art
Projects for Decorations of Panels, Unknown
Projects for Decorations of PanelsUnknownca. 1590Cooper Hewitt, Smithsonian Design Museum
An Escutcheon, Unknown
An EscutcheonUnknownca. 1590Cooper Hewitt, Smithsonian Design Museum
Drawing: A) Rhea and the infant Jupiter. B) St. Francis of Assisi, Unknown
Drawing: A) Rhea and the infant Jupiter. B) St. Francis of AssisiUnknown1590–1620Cooper Hewitt, Smithsonian Design Museum
Drawing: A) Personification of charity, B) A terrified woman, Unknown
Drawing: A) Personification of charity, B) A terrified womanUnknown1590–1620Cooper Hewitt, Smithsonian Design Museum
Design for a Centerpiece, Baldassare Peruzzi, Italian, 1481 – 1536
Design for a CenterpieceBaldassare Peruzzi, Italian, 1481 – 15361590–1630Cooper Hewitt, Smithsonian Design Museum
Bacchanal, Nicolas Poussin
BacchanalNicolas Poussinca. 1635–36Metropolitan Museum of Art, New York, NY
Figures Bathing in a Stream, Attributed to Nicolas Poussin
Figures Bathing in a StreamAttributed to Nicolas PoussinNational Gallery of Art
Female Roman Statue Seen from the Back, Attributed to Nicolas Poussin
Female Roman Statue Seen from the BackAttributed to Nicolas PoussinNational Gallery of Art
Design for a Wall Decoration: Representations of the Ascension and of the Conversion of the Ethiopian Eunuch, Giovanni de' Vecchi
Design for a Wall Decoration: Representations of the Ascension and of the Conversion of the Ethiopian EunuchGiovanni de' Vecchica. 1600Metropolitan Museum of Art, New York, NY
Drawing project: the elevation of a chest, Unknown
Drawing project: the elevation of a chestUnknown1600–1650Cooper Hewitt, Smithsonian Design Museum
The Risen Christ, Unknown
The Risen ChristUnknown1600–1900Cooper Hewitt, Smithsonian Design Museum
Frieze with Playing Children, Unknown
Frieze with Playing ChildrenUnknown1600–1625Cooper Hewitt, Smithsonian Design Museum
Frieze with Hunting Children, Unknown
Frieze with Hunting ChildrenUnknown1600–1625Cooper Hewitt, Smithsonian Design Museum
Design for a Frieze, Unknown
Design for a FriezeUnknown1600–1625Cooper Hewitt, Smithsonian Design Museum
Frieze with Dancing Children, Unknown
Frieze with Dancing ChildrenUnknown1600–1625Cooper Hewitt, Smithsonian Design Museum
Study: Saint Mary Magdalene, Unknown
Study: Saint Mary MagdaleneUnknown1600–1650Cooper Hewitt, Smithsonian Design Museum
Grotesque Design, Unknown
Grotesque DesignUnknown1600–1625Cooper Hewitt, Smithsonian Design Museum
Landscape, Unknown
LandscapeUnknown1600–1625Cooper Hewitt, Smithsonian Design Museum
Design for a Frieze, Unknown
Design for a FriezeUnknown1600–1625Cooper Hewitt, Smithsonian Design Museum
Design for a Frieze, Unknown
Design for a FriezeUnknown1600–1625Cooper Hewitt, Smithsonian Design Museum
Design for a Frieze, Unknown
Design for a FriezeUnknown1600–1625Cooper Hewitt, Smithsonian Design Museum
Design for a Frieze, Unknown
Design for a FriezeUnknown1600–1625Cooper Hewitt, Smithsonian Design Museum
Drawing, Unknown
DrawingUnknown1600–1625Cooper Hewitt, Smithsonian Design Museum
Design for Garden Architecture with Colonna Arms, Unknown
Design for Garden Architecture with Colonna ArmsUnknown1600–1750Cooper Hewitt, Smithsonian Design Museum
Details of Decorative Architecture, Unknown
Details of Decorative ArchitectureUnknown1600–1625Cooper Hewitt, Smithsonian Design Museum
Italianate Landscape with Buildings, Follower of Nicolas Poussin
Italianate Landscape with BuildingsFollower of Nicolas Poussinn.d.The Art Institute of Chicago
Birth of Alexander, Nicolas Poussin
Birth of AlexanderNicolas Poussin1640sThe Art Institute of Chicago
Isometric View of Torra de Ottaggio, Jacques Callot, French, 1592–1635
Isometric View of Torra de OttaggioJacques Callot, French, 1592–16351610–35Cooper Hewitt, Smithsonian Design Museum
Planometric View of Gani, Jacques Callot, French, 1592–1635
Planometric View of GaniJacques Callot, French, 1592–16351610–35Cooper Hewitt, Smithsonian Design Museum
Planometric View of Oran, Algeria, Jacques Callot, French, 1592–1635
Planometric View of Oran, AlgeriaJacques Callot, French, 1592–16351610–35Cooper Hewitt, Smithsonian Design Museum
Planometric View of Mazachebir, Jacques Callot, French, 1592–1635
Planometric View of MazachebirJacques Callot, French, 1592–16351610–35Cooper Hewitt, Smithsonian Design Museum
Project for a Wall Painting, Unknown
Project for a Wall PaintingUnknownca. 1610Cooper Hewitt, Smithsonian Design Museum
Project for a Frieze, Unknown
Project for a FriezeUnknown1610–1630Cooper Hewitt, Smithsonian Design Museum
Italianate Landscape with Castle, Trees and Water in Foreground, School of Nicolas Poussin
Italianate Landscape with Castle, Trees and Water in ForegroundSchool of Nicolas Poussinn.d.The Art Institute of Chicago
Instructions for Holding the Pen for Italic Script, incunabulum page, David Roelands, Dutch, b. 1572
Instructions for Holding the Pen for Italic Script, incunabulum pageDavid Roelands, Dutch, b. 1572ca. 1616Cooper Hewitt, Smithsonian Design Museum
Portrait of Nicolas Trigault in Chinese Costume, Peter Paul Rubens
Portrait of Nicolas Trigault in Chinese CostumePeter Paul Rubens1617Metropolitan Museum of Art, New York, NY
Drawing, Leonardo Scaglia, Italian, 1640 – 1650
DrawingLeonardo Scaglia, Italian, 1640 – 16501620-1630Cooper Hewitt, Smithsonian Design Museum
Drawing, Leonardo Scaglia, French, active Italy, 1640 – 1650
DrawingLeonardo Scaglia, French, active Italy, 1640 – 16501620-1630Cooper Hewitt, Smithsonian Design Museum
Drawing, Leonardo Scaglia, French, active Italy, 1640 – 1650
DrawingLeonardo Scaglia, French, active Italy, 1640 – 16501620-1630Cooper Hewitt, Smithsonian Design Museum
Drawing, Leonardo Scaglia, French, active Italy, 1640 – 1650
DrawingLeonardo Scaglia, French, active Italy, 1640 – 16501620-1630Cooper Hewitt, Smithsonian Design Museum
Drawing, Leonardo Scaglia, French, active Italy, 1640 – 1650
DrawingLeonardo Scaglia, French, active Italy, 1640 – 16501620-1630Cooper Hewitt, Smithsonian Design Museum
Sheet of a Drawing Book: Two Pitchers and Bowl, Giuseppe Valadier, Italian, 1762–1839
Sheet of a Drawing Book: Two Pitchers and BowlGiuseppe Valadier, Italian, 1762–18391625–75Cooper Hewitt, Smithsonian Design Museum
Inkstand, Unknown
InkstandUnknown1625–50Cooper Hewitt, Smithsonian Design Museum
Project for an Escutcheon, Leonardo Scaglia, French, active Italy, 1640 – 1650
Project for an EscutcheonLeonardo Scaglia, French, active Italy, 1640 – 16501625–1650Cooper Hewitt, Smithsonian Design Museum
Corner View of Composite Capital, Unknown
Corner View of Composite CapitalUnknown1625–1650Cooper Hewitt, Smithsonian Design Museum
A Man with Tongs, Unknown
A Man with TongsUnknown1625–1650Cooper Hewitt, Smithsonian Design Museum
Design for a Book Illustration, Unknown
Design for a Book IllustrationUnknown1625–1650Cooper Hewitt, Smithsonian Design Museum
Molding and Ornamentation, Unknown
Molding and OrnamentationUnknown1625–50Cooper Hewitt, Smithsonian Design Museum
Drawing, Leonardo Scaglia, French, active Italy, 1640 – 1650
DrawingLeonardo Scaglia, French, active Italy, 1640 – 16501630-1640Cooper Hewitt, Smithsonian Design Museum
Study for the Painting Pastoral Journey, Figures and Cattle in a Landscape, Giovanni Benedetto Castiglione, Italian, 1609–1664
Study for the Painting Pastoral Journey, Figures and Cattle in a LandscapeGiovanni Benedetto Castiglione, Italian, 1609–1664ca. 1633Cooper Hewitt, Smithsonian Design Museum
The Feast of Herod (recto); Tomyris with the Head of Cyrus (verso), Peter Paul Rubens (Flemish, 1577–1640)
The Feast of Herod (recto); Tomyris with the Head of Cyrus (verso)Peter Paul Rubens (Flemish, 1577–1640)c. 1637–38Cleveland Museum of Art
The Feast of Herod (recto), Peter Paul Rubens (Flemish, 1577–1640)
The Feast of Herod (recto)Peter Paul Rubens (Flemish, 1577–1640)c. 1637–38Cleveland Museum of Art

And the rest

600

The first 600 of 1,306; the other 706 stand on their era and collection shelves, each with a record.

  1. The Immaculate ConceptionJusepe de Ribera, Spanish, active Italy, 1591 – 1652ca. 1640Cooper Hewitt, Smithsonian Design Museum
  2. DrawingLeonardo Scaglia, French, active Italy, 1640 – 1650About 1640Cooper Hewitt, Smithsonian Design Museum
  3. Modello for a Ceiling: Diana and the Dead Endymion, the Judgment of Paris, and the Death of AdonisNicolas Poussin1640/1642 (?)National Gallery of Art
  4. Three Heads and Other Sketches (verso)Nicolas Poussin (French, 1594–1665)1643–44Cleveland Museum of Art
  5. Extreme Unction (recto)Nicolas Poussin (French, 1594–1665)1643–44Cleveland Museum of Art
  6. Cottage near the Entrance to a WoodRembrandt (Rembrandt van Rijn)1644Metropolitan Museum of Art, New York, NY
  7. Cottage among TreesRembrandt (Rembrandt van Rijn)ca. 1650Metropolitan Museum of Art, New York, NY
  8. Kostverloren Castle in DecayRembrandt van Rijnc. 1652The Art Institute of Chicago
  9. Battle Scene with Central Figure on Rearing HorseStyle of Luca Giordanon.d.The Art Institute of Chicago
  10. Elevation of a FountainUnknown1650–1700Cooper Hewitt, Smithsonian Design Museum
  11. Drawing: Sketch of a woman walking and carrying a basketUnknown1650–1700Cooper Hewitt, Smithsonian Design Museum
  12. DrawingLeonardo Scaglia, French, active Italy, 1640 – 1650About 1650Cooper Hewitt, Smithsonian Design Museum
  13. Decoration detail of a coachUnknown1650–75Cooper Hewitt, Smithsonian Design Museum
  14. DrawingLeonardo Scaglia, French, active Italy, 1640 – 16501650-1675Cooper Hewitt, Smithsonian Design Museum
  15. DrawingLeonardo Scaglia, French, active Italy, 1640 – 16501650-1675Cooper Hewitt, Smithsonian Design Museum
  16. Picture inventory with 5 table piecesUnknown1650Cooper Hewitt, Smithsonian Design Museum
  17. DrawingLeonardo Scaglia, French, active Italy, 1640 – 16501650-1675Cooper Hewitt, Smithsonian Design Museum
  18. DrawingUnknown1650–75Cooper Hewitt, Smithsonian Design Museum
  19. DrawingLeonardo Scaglia, French, active Italy, 1640 – 1650ca. 1650Cooper Hewitt, Smithsonian Design Museum
  20. Decoration of a lateral panel of a coachUnknown1650–75Cooper Hewitt, Smithsonian Design Museum
  21. Decoration of a coach panelUnknown1650–75Cooper Hewitt, Smithsonian Design Museum
  22. DrawingLeonardo Scaglia, French, active Italy, 1640 – 16501650-1675Cooper Hewitt, Smithsonian Design Museum
  23. DrawingLeonardo Scaglia, French, active Italy, 1640 – 16501650-1675Cooper Hewitt, Smithsonian Design Museum
  24. Altar with Cr cheUnknown1650–1700Cooper Hewitt, Smithsonian Design Museum
  25. Three TrophiesUnknown1650–1700Cooper Hewitt, Smithsonian Design Museum
  26. Sketches of a Villa and TreeUnknown1650–1700Cooper Hewitt, Smithsonian Design Museum
  27. Shah JahanRembrandt van Rijn (Dutch, 1606–1669)c. 1656–61Cleveland Museum of Art
  28. Seated Female NudeRembrandt van Rijn1660/62The Art Institute of Chicago
  29. Support for the Making of a Woman's Needle Lace CollarUnknownca. 1660Cooper Hewitt, Smithsonian Design Museum
  30. Design for the Making of a Man's Needle Lace CollarUnknownca. 1660Cooper Hewitt, Smithsonian Design Museum
  31. One of a set of trophies of weapons of war as a decoration of a horizontal panelFrancesco Bedeschini, Italian1675-1699Cooper Hewitt, Smithsonian Design Museum
  32. One set of trophies of weapons of war as a decoration for horizontal panels. Intended to be engravedFrancesco Bedeschini, Italian1675-1699Cooper Hewitt, Smithsonian Design Museum
  33. One of a set of trophies of weapons of war as a decoration for a horizontal panelFrancesco Bedeschini, Italian1675-1699Cooper Hewitt, Smithsonian Design Museum
  34. One set of trophies of weapons of war as a decoration for horizontal panels. Intended to be engravedFrancesco Bedeschini, Italian1675-1699Cooper Hewitt, Smithsonian Design Museum
  35. One set of trophies of weapons of war as a decoration for horizontal panelsFrancesco Bedeschini, Italian1675-1699Cooper Hewitt, Smithsonian Design Museum
  36. One set of trophies of weapons of war as a decoration for horizontal panels. Intended to be engravedFrancesco Bedeschini, Italian1675-1699Cooper Hewitt, Smithsonian Design Museum
  37. One set of trophies of weapons of war as a decoration for horizontal panelsFrancesco Bedeschini, Italian1675-1699Cooper Hewitt, Smithsonian Design Museum
  38. One of a set of trophies of weapons of war as a decoration of a horizontal panel.Francesco Bedeschini, Italian1675-1699Cooper Hewitt, Smithsonian Design Museum
  39. One of a set of trophies of weapons of war as a decoration of a horizontal panelFrancesco Bedeschini, Italian1675-1699Cooper Hewitt, Smithsonian Design Museum
  40. One of a set of trophies of weapons of war as a decoration of a horizontal panelFrancesco Bedeschini, Italian1675-1699Cooper Hewitt, Smithsonian Design Museum
  41. One of a set of trophies of weapons of war as a decoration of a horizontal panelFrancesco Bedeschini, Italian1675-1699Cooper Hewitt, Smithsonian Design Museum
  42. One of a set of trophies of weapons of war as a decoration of a horizontal panelFrancesco Bedeschini, Italian1675-1699Cooper Hewitt, Smithsonian Design Museum
  43. One of a set of projects for a title page and the decoration of a horizontal panelFrancesco Bedeschini, Italian1675-1699Cooper Hewitt, Smithsonian Design Museum
  44. One of a set of projects for a title page and decoration of a horizontal panelFrancesco Bedeschini, Italian1675-1699Cooper Hewitt, Smithsonian Design Museum
  45. One of a set of projects for a title page and the decoration of a horizontal panelFrancesco Bedeschini, Italian1675-1699Cooper Hewitt, Smithsonian Design Museum
  46. One of a set of projects for a title page and the decoration of a horizontal panelFrancesco Bedeschini, Italian1675-1699Cooper Hewitt, Smithsonian Design Museum
  47. One of a set of twelve projects for the decoration of a wall to be placed at a height. Preceded by a title pageUnknown1675-1699Cooper Hewitt, Smithsonian Design Museum
  48. One of a set of projects for a title page and the decoration of a horizontal panelFrancesco Bedeschini, Italian1675-1699Cooper Hewitt, Smithsonian Design Museum
  49. One of a set of projects for a title page and decoration of a horizontal panelFrancesco Bedeschini, Italian1675-1699Cooper Hewitt, Smithsonian Design Museum
  50. One of a set of projects for a title page and the decoration of a horizontal panelFrancesco Bedeschini, Italian1675-1699Cooper Hewitt, Smithsonian Design Museum
  51. One of a set of projects for a title page and the decoration of a horizontal panelFrancesco Bedeschini, Italian1675-1699Cooper Hewitt, Smithsonian Design Museum
  52. One of a set of projects for a title page and for the decoration of a horizontal panelFrancesco Bedeschini, Italian1675-1699Cooper Hewitt, Smithsonian Design Museum
  53. One of a set of projects for a title page and decoration of a horizontal panelFrancesco Bedeschini, Italian1675-1699Cooper Hewitt, Smithsonian Design Museum
  54. One of a set of projects for a title page and decoration of 15 horizontal panelsUnknown1675-1699Cooper Hewitt, Smithsonian Design Museum
  55. One of a set of projects for a title page and the decoration of a horizontal panelFrancesco Bedeschini, Italian1675-1699Cooper Hewitt, Smithsonian Design Museum
  56. One of a set of designs for a title page and decoration of a horizontal panelUnknown1675–1700Cooper Hewitt, Smithsonian Design Museum
  57. One of a set of projects for a title page and for the decoration of thirteen vertical panelsFrancesco Bedeschini, Italian1675-1699Cooper Hewitt, Smithsonian Design Museum
  58. Stage Design: Side Wing for Garden ArchitectureUnknownca. 1675 - 1690Cooper Hewitt, Smithsonian Design Museum
  59. Architectural Ornaments:Unknown1675–1700Cooper Hewitt, Smithsonian Design Museum
  60. Design for a FrameUnknown1680–1720Cooper Hewitt, Smithsonian Design Museum
  61. Macchina delle 40 oreAndrea Pozzo, Italian, 1642–17091685–1700Cooper Hewitt, Smithsonian Design Museum
  62. Architecture seen from below, design for plate 55 in Andrea Pozzo's "Perspectiva pictorum et architectorum"Andrea Pozzo, Italian, 1642–17091685–1700Cooper Hewitt, Smithsonian Design Museum
  63. Stage Design: Proscenium and Palace StaircaseGirolamo Fontana, Italian, 1668 - 17011690–1710Cooper Hewitt, Smithsonian Design Museum
  64. Drawing for the Rear of the Third Carriage of the Prince of LiechtensteinAntonio Creccolini, Italian, 1671 – ca. 17251691–1694Cooper Hewitt, Smithsonian Design Museum
  65. Design for Illuminated Initial "F"Gilles-Marie Oppenord, French, 1672–1742ca. 1695Cooper Hewitt, Smithsonian Design Museum
  66. Design for Staircase, Voorst Castle, The Hague, NetherlandsIsaac de Moucheron, Dutch, 1667–17441697–1700Cooper Hewitt, Smithsonian Design Museum
  67. Designs for ReliquariesUnknown1698Cooper Hewitt, Smithsonian Design Museum
  68. Sketched for a ReliquaryFilippo Passarini, 1636–16981698Cooper Hewitt, Smithsonian Design Museum
  69. Drawing study: Narcissus (?)Unknown1700–1750Cooper Hewitt, Smithsonian Design Museum
  70. Stage Design: Twenty Different ScenesUnknown1700–1750Cooper Hewitt, Smithsonian Design Museum
  71. Harbor SceneJan Griffier I, Dutch, active England, 1645 - 1718ca. 1700Cooper Hewitt, Smithsonian Design Museum
  72. Clement XI Vesting His Niece as NunFrancesco Solimena, Italian, 1657–1747ca. 1700Cooper Hewitt, Smithsonian Design Museum
  73. Stage Design: Palace ArchitectureUnknown, Italian1700–1750Cooper Hewitt, Smithsonian Design Museum
  74. A Bowl with FlowersUnknown1700–1750Cooper Hewitt, Smithsonian Design Museum
  75. Design for a Cartel ClockGilles-Marie Oppenord, French, 1672–17421700–1715Cooper Hewitt, Smithsonian Design Museum
  76. Door of a Tabernacle Intended To Be Executed In BronzeUnknown1700-1750Cooper Hewitt, Smithsonian Design Museum
  77. Designs for Vases and ArchitectureUnknown1700–1800Cooper Hewitt, Smithsonian Design Museum
  78. Church Triumphant over FalsehoodPaolo de Mattheis, Italian, 1662 - 1728ca. 1700Cooper Hewitt, Smithsonian Design Museum
  79. Elevation of a CenserUnknown1700–1750Cooper Hewitt, Smithsonian Design Museum
  80. Design for a CeilingUnknown1700–1750Cooper Hewitt, Smithsonian Design Museum
  81. Pillar stripGiuseppe Barberi, Italian, 1746–18091700–1800Cooper Hewitt, Smithsonian Design Museum
  82. Design for an AltarUnknown1700–57Cooper Hewitt, Smithsonian Design Museum
  83. Project for a Decorative PedimentUnknown1700–1750Cooper Hewitt, Smithsonian Design Museum
  84. Stage Design: Palace ArchitectureUnknown1700–1750Cooper Hewitt, Smithsonian Design Museum
  85. Stage Design: Garden ArchitectureUnknownca. 1700Cooper Hewitt, Smithsonian Design Museum
  86. Stage Design: Palace Architecture with TrophiesUnknownca. 1700Cooper Hewitt, Smithsonian Design Museum
  87. Stage Design: Garden Architecture with Fountain and SculpturesUnknownca. 1700Cooper Hewitt, Smithsonian Design Museum
  88. Fantastic GardenCarlo Antonio Buffagnotti, Italian, ca. 1660–after 1715ca. 1700Cooper Hewitt, Smithsonian Design Museum
  89. A Court SceneFrancesco Galli Bibiena, Italian, 1659–17391700–1739Cooper Hewitt, Smithsonian Design Museum
  90. Design for a Monument with AllegoriesUnknown1700Cooper Hewitt, Smithsonian Design Museum
  91. Project of a twisted columnUnknown1701–50Cooper Hewitt, Smithsonian Design Museum
  92. Study for Staircase Decoration, Hanbury Hall, Worchestershire: Achilles Revealing his Identity in the Palace of LycomedesSir James Thornhill, English, 1675 - 1734ca. 1710Cooper Hewitt, Smithsonian Design Museum
  93. The Head of an Old Bearded ManDonato Creti, Italian, 1671–1749ca. 1710Cooper Hewitt, Smithsonian Design Museum
  94. Design for Architectural MotifGilles-Marie Oppenord, French, 1672–1742ca. 1710Cooper Hewitt, Smithsonian Design Museum
  95. Design for the Lower Portion of a Wall PanelGilles-Marie Oppenord, French, 1672–17421714Cooper Hewitt, Smithsonian Design Museum
  96. Teatro Filarmonico, Accademia Filarmonica, Verona, Italy: Section and CeilingJean-Joseph Chamant, French, 1699–17681715–20Cooper Hewitt, Smithsonian Design Museum
  97. Ornamental Design for the Letter BGilles-Marie Oppenord, French, 1672–1742ca. 1720Cooper Hewitt, Smithsonian Design Museum
  98. Ornamental Design for the Letter BGilles-Marie Oppenord, French, 1672–1742ca. 1720Cooper Hewitt, Smithsonian Design Museum
  99. Ornamental Design for the Letter BGilles-Marie Oppenord, French, 1672–1742ca. 1720Cooper Hewitt, Smithsonian Design Museum
  100. Saint Francis Receiving the StigmataDonato Creti, Italian, 1671–1749ca. 1720Cooper Hewitt, Smithsonian Design Museum
  101. The Last Communion of St. JeromeGiovanni Battista Tiepolo (Italian, 1696–1770)c. 1726Cleveland Museum of Art
  102. Proscenium and Plan for a StageUnknown, Italian1725–50Cooper Hewitt, Smithsonian Design Museum
  103. Design for a Hanging ConsoleUnknown1725–1750Cooper Hewitt, Smithsonian Design Museum
  104. DrawingUnknown1725–1750Cooper Hewitt, Smithsonian Design Museum
  105. Fragment of a wreath with monograph of ChristUnknown1725–77Cooper Hewitt, Smithsonian Design Museum
  106. Project for an oblong stucco ceiling: gaines and garlandsUnknown1725–75Cooper Hewitt, Smithsonian Design Museum
  107. Design for a PedimentUnknown1725–1750Cooper Hewitt, Smithsonian Design Museum
  108. Wall Elevation with AlcoveUnknown1725–50Cooper Hewitt, Smithsonian Design Museum
  109. Design for a Painting, Five PuttiJacob de Wit, 1695 – 17541725–1754Cooper Hewitt, Smithsonian Design Museum
  110. Design for a Maltese Cross PendantUnknown1725–1750Cooper Hewitt, Smithsonian Design Museum
  111. Martyrdom of a SaintUnknown1725–1750Cooper Hewitt, Smithsonian Design Museum
  112. Project for a FountainUnknown1725–1800Cooper Hewitt, Smithsonian Design Museum
  113. Project for a Crest with Alternate SuggestionsUnknown1725–1750Cooper Hewitt, Smithsonian Design Museum
  114. Design for an OrnamentCarlo Marchionni, Italian, 1702–17861728–1778Cooper Hewitt, Smithsonian Design Museum
  115. Design for an Ornament PanelJuste-Aurèle Meissonnier, French, b. Italy, 1695–1750ca. 1728Cooper Hewitt, Smithsonian Design Museum
  116. Design for Wallpaper: Birds on StandsUnknownca. 1730Cooper Hewitt, Smithsonian Design Museum
  117. Painted Wall DecorationUnknown1730–60Cooper Hewitt, Smithsonian Design Museum
  118. Design for trophy of armsUnknown1730Cooper Hewitt, Smithsonian Design Museum
  119. DrawingUnknownAbout 1730-1740Cooper Hewitt, Smithsonian Design Museum
  120. Design for trophy of armsUnknown1730Cooper Hewitt, Smithsonian Design Museum
  121. OverdoorUnknown1730–60Cooper Hewitt, Smithsonian Design Museum
  122. Designs for Chinoiserie OrnamentFrançois Boucher, French, 1703–17701730–60Cooper Hewitt, Smithsonian Design Museum
  123. Flight into Egypt: The Embarkment of the Holy FamilyGiovanni Battista Tiepolo (Italian, 1696–1770)c. 1735Cleveland Museum of Art
  124. Study for Noah's Ark, Plate 40, Physica SacraJohann Melchior Füssli, Swiss, 1677–1736before 1731Cooper Hewitt, Smithsonian Design Museum
  125. The Investigation of the Rainbow, design for plate 66 in the Physica Sacra, vol. 1, by Johann Jakob ScheuchzerJohann Melchior Füssli, Swiss, 1677–1736before 1731Cooper Hewitt, Smithsonian Design Museum
  126. DrawingJohann Melchior Füssli, Swiss, 1677–1736before 1731Cooper Hewitt, Smithsonian Design Museum
  127. DrawingJohann Melchior Füssli, Swiss, 1677–1736before 1731Cooper Hewitt, Smithsonian Design Museum
  128. Chariot of Apollo, Ceiling Design for Count Bielinski's Cabinet, Warsaw, PolandJuste-Aurèle Meissonnier, French, b. Italy, 1695–17501734Cooper Hewitt, Smithsonian Design Museum
  129. The Adoration of the MagiGiovanni Battista Tiepolo (Italian, 1696–1770)c. 1740Cleveland Museum of Art
  130. Design for TabletCarlo Marchionni, Italian, 1702–17861740–58Cooper Hewitt, Smithsonian Design Museum
  131. Costume Drawing with Female FigureUnknown1740–1780Cooper Hewitt, Smithsonian Design Museum
  132. Design for a Grotesque FriezeFilippo Marchionni, Italian, 1732–18051740–1775Cooper Hewitt, Smithsonian Design Museum
  133. Male(?) Figure Seen from BelowGiovanni Battista Tiepolo (Italian, 1696–1770)c. 1740sCleveland Museum of Art
  134. Design for a Carved Mirror FrameGilles-Marie Oppenord, French, 1672–1742before 1742Cooper Hewitt, Smithsonian Design Museum
  135. Architectural Fantasy: Palace InteriorCharles Michel-Ange Challe, French, 1718 – 17781742–46Cooper Hewitt, Smithsonian Design Museum
  136. Design for a Wall Panel with FireplaceJohann August Nahl the Elder, 1710 - 17811745Cooper Hewitt, Smithsonian Design Museum
  137. Elevation of a Wall Decoration for a Canonization Ceremony, St. Peter's, Rome, ItalyLuigi Vanvitelli, Italian, 1700 – 1773ca. 1745Cooper Hewitt, Smithsonian Design Museum
  138. Three sepulchral monumentsGiuseppe Barberi, Italian, 1746–18091746-1809Cooper Hewitt, Smithsonian Design Museum
  139. The Last SupperFrancesco Saverio Mergolo, Italian, 1746–17861746–86Cooper Hewitt, Smithsonian Design Museum
  140. FrameGiuseppe Barberi, Italian, 1746–18091746–1809Cooper Hewitt, Smithsonian Design Museum
  141. FramesGiuseppe Barberi, Italian, 1746–18091746–1809Cooper Hewitt, Smithsonian Design Museum
  142. Elevation of a chapelGiuseppe Barberi, Italian, 1746–18091746-1809Cooper Hewitt, Smithsonian Design Museum
  143. TimepieceGiuseppe Barberi, Italian, 1746–18091746–1809Cooper Hewitt, Smithsonian Design Museum
  144. Interior elevation of a buildingGiuseppe Barberi, Italian, 1746–18091746–1809Cooper Hewitt, Smithsonian Design Museum
  145. SofaGiuseppe Barberi, Italian, 1746–18091746–1809Cooper Hewitt, Smithsonian Design Museum
  146. Design for Ceiling DecorationGiuseppe Barberi, Italian, 1746–18091746-1809Cooper Hewitt, Smithsonian Design Museum
  147. Living roomGiuseppe Barberi, Italian, 1746–18091746–1809Cooper Hewitt, Smithsonian Design Museum
  148. CandlestickGiuseppe Barberi, Italian, 1746–18091746–1809Cooper Hewitt, Smithsonian Design Museum
  149. MantelpieceGiuseppe Barberi, Italian, 1746–18091746–1809Cooper Hewitt, Smithsonian Design Museum
  150. Design for Ceiling DecorationGiuseppe Barberi, Italian, 1746–18091746-1809Cooper Hewitt, Smithsonian Design Museum
  151. CandelstickGiuseppe Barberi, Italian, 1746–18091746–1809Cooper Hewitt, Smithsonian Design Museum
  152. Design for ceiling decorationGiuseppe Barberi, Italian, 1746–18091746–1809Cooper Hewitt, Smithsonian Design Museum
  153. Design for Ceiling DecorationGiuseppe Barberi, Italian, 1746–18091746–1809Cooper Hewitt, Smithsonian Design Museum
  154. Church, Monte VergineGiuseppe Barberi, Italian, 1746–18091746-1809Cooper Hewitt, Smithsonian Design Museum
  155. Design for the Frame of a TabletGiuseppe Barberi, Italian, 1746–18091746–1809Cooper Hewitt, Smithsonian Design Museum
  156. Design for ceiling decorationGiuseppe Barberi, Italian, 1746–18091746–1809Cooper Hewitt, Smithsonian Design Museum
  157. Elevation of a churchGiuseppe Barberi, Italian, 1746–18091746-1809Cooper Hewitt, Smithsonian Design Museum
  158. Console tableGiuseppe Barberi, Italian, 1746–18091746–1809Cooper Hewitt, Smithsonian Design Museum
  159. CandlestickGiuseppe Barberi, Italian, 1746–18091746–1809Cooper Hewitt, Smithsonian Design Museum
  160. Design for Ceiling DecorationGiuseppe Barberi, Italian, 1746–18091746-1809Cooper Hewitt, Smithsonian Design Museum
  161. Designs for a MantelpieceGiuseppe Barberi, Italian, 1746–18091746–1809Cooper Hewitt, Smithsonian Design Museum
  162. Designs for Ecclesiastic StallsGiuseppe Barberi, Italian, 1746–18091746–1809Cooper Hewitt, Smithsonian Design Museum
  163. Ceiling decorationGiuseppe Barberi, Italian, 1746–18091746–1809Cooper Hewitt, Smithsonian Design Museum
  164. Sarcophagus and allegorical figuresGiuseppe Barberi, Italian, 1746–18091746–1809Cooper Hewitt, Smithsonian Design Museum
  165. Decoration in a churchGiuseppe Barberi, Italian, 1746–18091746–1809Cooper Hewitt, Smithsonian Design Museum
  166. Design for a FriezeGiuseppe Barberi, Italian, 1746–18091746–1809Cooper Hewitt, Smithsonian Design Museum
  167. Designs for a MantelpieceGiuseppe Barberi, Italian, 1746–18091746–1809Cooper Hewitt, Smithsonian Design Museum
  168. Elevation of a churchGiuseppe Barberi, Italian, 1746–18091746-1809Cooper Hewitt, Smithsonian Design Museum
  169. EscutcheonsGiuseppe Barberi, Italian, 1746–18091746–1809Cooper Hewitt, Smithsonian Design Museum
  170. AmphitheatreGiuseppe Barberi, Italian, 1746–18091746–1809Cooper Hewitt, Smithsonian Design Museum
  171. Trophy of weaponsGiuseppe Barberi, Italian, 1746–18091746–1809Cooper Hewitt, Smithsonian Design Museum
  172. Designs for a MantelpieceGiuseppe Barberi, Italian, 1746–18091746–1809Cooper Hewitt, Smithsonian Design Museum
  173. Four fendersGiuseppe Barberi, Italian, 1746–18091746–1809Cooper Hewitt, Smithsonian Design Museum
  174. Design for Ceiling DecorationGiuseppe Barberi, Italian, 1746–18091746–1809Cooper Hewitt, Smithsonian Design Museum
  175. Elevation of a churchGiuseppe Barberi, Italian, 1746–18091746-1809Cooper Hewitt, Smithsonian Design Museum
  176. Sarcophagus and allegorical figuresGiuseppe Barberi, Italian, 1746–18091746–1809Cooper Hewitt, Smithsonian Design Museum
  177. Upper part of chairGiuseppe Barberi, Italian, 1746–18091746–1809Cooper Hewitt, Smithsonian Design Museum
  178. Two doorknobsGiuseppe Barberi, Italian, 1746–18091746–1809Cooper Hewitt, Smithsonian Design Museum
  179. FrameGiuseppe Barberi, Italian, 1746–18091746–1809Cooper Hewitt, Smithsonian Design Museum
  180. Design for a Door WallGiuseppe Barberi, Italian, 1746–18091746–1809Cooper Hewitt, Smithsonian Design Museum
  181. Elevation of a churchGiuseppe Barberi, Italian, 1746–18091746-1809Cooper Hewitt, Smithsonian Design Museum
  182. Elevation of a buildingGiuseppe Barberi, Italian, 1746–18091746-1809Cooper Hewitt, Smithsonian Design Museum
  183. Design for Ceiling DecorationGiuseppe Barberi, Italian, 1746–18091746–1809Cooper Hewitt, Smithsonian Design Museum
  184. Design for a MausoleumGiuseppe Barberi, Italian, 1746–18091746-1809Cooper Hewitt, Smithsonian Design Museum
  185. SofaGiuseppe Barberi, Italian, 1746–18091746–1809Cooper Hewitt, Smithsonian Design Museum
  186. CeilingGiuseppe Barberi, Italian, 1746–18091746-1809Cooper Hewitt, Smithsonian Design Museum
  187. Design for Pilaster StripsGiuseppe Barberi, Italian, 1746–18091746-1809Cooper Hewitt, Smithsonian Design Museum
  188. Exterior Elevation of a HouseGiuseppe Barberi, Italian, 1746–18091746–1809Cooper Hewitt, Smithsonian Design Museum
  189. SofaGiuseppe Barberi, Italian, 1746–18091746–1809Cooper Hewitt, Smithsonian Design Museum
  190. Villa or observation towerGiuseppe Barberi, Italian, 1746–18091746-1809Cooper Hewitt, Smithsonian Design Museum
  191. Design for Ceiling DecorationGiuseppe Barberi, Italian, 1746–18091746–1809Cooper Hewitt, Smithsonian Design Museum
  192. Design for ceiling decorationGiuseppe Barberi, Italian, 1746–18091746–1809Cooper Hewitt, Smithsonian Design Museum
  193. Design for ceiling decorationGiuseppe Barberi, Italian, 1746–18091746–1809Cooper Hewitt, Smithsonian Design Museum
  194. Elevation of a churchGiuseppe Barberi, Italian, 1746–18091746-1809Cooper Hewitt, Smithsonian Design Museum
  195. Designs for a MantelpieceGiuseppe Barberi, Italian, 1746–18091746–1809Cooper Hewitt, Smithsonian Design Museum
  196. Looking glassGiuseppe Barberi, Italian, 1746–18091746–1809Cooper Hewitt, Smithsonian Design Museum
  197. Two allegorical portraitsGiuseppe Barberi, Italian, 1746–18091746–1809Cooper Hewitt, Smithsonian Design Museum
  198. Fireplace fendersGiuseppe Barberi, Italian, 1746–18091746–1809Cooper Hewitt, Smithsonian Design Museum
  199. Designs for Decorated PilastersGiuseppe Barberi, Italian, 1746–18091746–1809Cooper Hewitt, Smithsonian Design Museum
  200. Elevation of a churchGiuseppe Barberi, Italian, 1746–18091746-1809Cooper Hewitt, Smithsonian Design Museum
  201. Design for Ceiling DecorationGiuseppe Barberi, Italian, 1746–18091746–1809Cooper Hewitt, Smithsonian Design Museum
  202. Design for the Decoration of a PanelGiuseppe Barberi, Italian, 1746–18091746-1809Cooper Hewitt, Smithsonian Design Museum
  203. SarcophagusGiuseppe Barberi, Italian, 1746–18091746-1809Cooper Hewitt, Smithsonian Design Museum
  204. Design for Panel Decoration with Trophy of WeaponsGiuseppe Barberi, Italian, 1746–18091746-1809Cooper Hewitt, Smithsonian Design Museum
  205. Decoration of a friezeGiuseppe Barberi, Italian, 1746–18091746–1809Cooper Hewitt, Smithsonian Design Museum
  206. Elevation of a town mansionGiuseppe Barberi, Italian, 1746–18091746-1809Cooper Hewitt, Smithsonian Design Museum
  207. Vestibule wallGiuseppe Barberi, Italian, 1746–18091746–1809Cooper Hewitt, Smithsonian Design Museum
  208. Design for Ceiling DecorationGiuseppe Barberi, Italian, 1746–18091746-1809Cooper Hewitt, Smithsonian Design Museum
  209. Sarcophagus and allegorical figuresGiuseppe Barberi, Italian, 1746–18091746–1809Cooper Hewitt, Smithsonian Design Museum
  210. MonumentGiuseppe Barberi, Italian, 1746–18091746-1809Cooper Hewitt, Smithsonian Design Museum
  211. Design for ceiling decorationGiuseppe Barberi, Italian, 1746–18091746-1809Cooper Hewitt, Smithsonian Design Museum
  212. TimepiecesGiuseppe Barberi, Italian, 1746–18091746–1809Cooper Hewitt, Smithsonian Design Museum
  213. Entrance wallGiuseppe Barberi, Italian, 1746–18091746–1809Cooper Hewitt, Smithsonian Design Museum
  214. Six doorknobsGiuseppe Barberi, Italian, 1746–18091746–1809Cooper Hewitt, Smithsonian Design Museum
  215. Elevation of a churchGiuseppe Barberi, Italian, 1746–18091746-1809Cooper Hewitt, Smithsonian Design Museum
  216. Entrance wall of a salonGiuseppe Barberi, Italian, 1746–18091746–1809Cooper Hewitt, Smithsonian Design Museum
  217. Design for ceiling decorationGiuseppe Barberi, Italian, 1746–18091746–1809Cooper Hewitt, Smithsonian Design Museum
  218. Facade of a town houseGiuseppe Barberi, Italian, 1746–18091746–1809Cooper Hewitt, Smithsonian Design Museum
  219. Four fendersGiuseppe Barberi, Italian, 1746–18091746–1809Cooper Hewitt, Smithsonian Design Museum
  220. Design for Ceiling DecorationGiuseppe Barberi, Italian, 1746–18091746–1809Cooper Hewitt, Smithsonian Design Museum
  221. Fireplace fendersGiuseppe Barberi, Italian, 1746–18091746–1809Cooper Hewitt, Smithsonian Design Museum
  222. Design for Ceiling DecorationGiuseppe Barberi, Italian, 1746–18091746–1809Cooper Hewitt, Smithsonian Design Museum
  223. Windows, doors, church furnitureGiuseppe Barberi, Italian, 1746–18091746–1809Cooper Hewitt, Smithsonian Design Museum
  224. MonumentGiuseppe Barberi, Italian, 1746–18091746-1809Cooper Hewitt, Smithsonian Design Museum
  225. Trellis architectureGiuseppe Barberi, Italian, 1746–18091746–1809Cooper Hewitt, Smithsonian Design Museum
  226. Design for Ceiling DecorationGiuseppe Barberi, Italian, 1746–18091746–1809Cooper Hewitt, Smithsonian Design Museum
  227. Measurements of an elevationGiuseppe Barberi, Italian, 1746–18091746–1809Cooper Hewitt, Smithsonian Design Museum
  228. Decoration of three friezesGiuseppe Barberi, Italian, 1746–18091746–1809Cooper Hewitt, Smithsonian Design Museum
  229. Design for Ceiling DecorationGiuseppe Barberi, Italian, 1746–18091746–1809Cooper Hewitt, Smithsonian Design Museum
  230. Design for a PalaceGiuseppe Barberi, Italian, 1746–18091746-1809Cooper Hewitt, Smithsonian Design Museum
  231. Design for a Door WallGiuseppe Barberi, Italian, 1746–18091746–1809Cooper Hewitt, Smithsonian Design Museum
  232. Elevation of a churchGiuseppe Barberi, Italian, 1746–18091746-1809Cooper Hewitt, Smithsonian Design Museum
  233. FenderGiuseppe Barberi, Italian, 1746–18091746–1809Cooper Hewitt, Smithsonian Design Museum
  234. CandlestickGiuseppe Barberi, Italian, 1746–18091746–1809Cooper Hewitt, Smithsonian Design Museum
  235. Ornament; part of centerpieceGiuseppe Barberi, Italian, 1746–18091746–1809Cooper Hewitt, Smithsonian Design Museum
  236. Decoration of a friezeGiuseppe Barberi, Italian, 1746–18091746–1809Cooper Hewitt, Smithsonian Design Museum
  237. Decoration of a friezeGiuseppe Barberi, Italian, 1746–18091746–1809Cooper Hewitt, Smithsonian Design Museum
  238. Decoration of a friezeGiuseppe Barberi, Italian, 1746–18091746–1809Cooper Hewitt, Smithsonian Design Museum
  239. Decoration of a friezeGiuseppe Barberi, Italian, 1746–18091746–1809Cooper Hewitt, Smithsonian Design Museum
  240. Decoration of a friezeGiuseppe Barberi, Italian, 1746–18091746–1809Cooper Hewitt, Smithsonian Design Museum
  241. Design for an AltarGiuseppe Barberi, Italian, 1746–18091746-1809Cooper Hewitt, Smithsonian Design Museum
  242. Elevation of a bell towerGiuseppe Barberi, Italian, 1746–18091746-1809Cooper Hewitt, Smithsonian Design Museum
  243. Elevation of a ChapelUnknownca. 1750Cooper Hewitt, Smithsonian Design Museum
  244. Architectural design around doorGiovanni Battista Natali III, Italian, 1698 - 1765ca. 1750Cooper Hewitt, Smithsonian Design Museum
  245. Project for a Painted Drawing RoomUnknown1750–1775Cooper Hewitt, Smithsonian Design Museum
  246. Saint John Preaching, Probably a Page from a Drawing BookUnknown1750–1780Cooper Hewitt, Smithsonian Design Museum
  247. Architectural Design Around DoorGiovanni Battista Natali III, Italian, 1698 - 1765ca. 1750Cooper Hewitt, Smithsonian Design Museum
  248. Design for a Drawing RoomUnknown1750–75Cooper Hewitt, Smithsonian Design Museum
  249. Design for Silk BrocadeUnknownca. 1750Cooper Hewitt, Smithsonian Design Museum
  250. Project for a Cruet FrameUnknown1750–75Cooper Hewitt, Smithsonian Design Museum
  251. Hercules Slaying the HydraUnknown1750–1800Cooper Hewitt, Smithsonian Design Museum
  252. Landscape ViewUnknown1750–1825Cooper Hewitt, Smithsonian Design Museum
  253. Design for Silk BrocadeUnknownca. 1750Cooper Hewitt, Smithsonian Design Museum
  254. TureenGiovanni Bettati, Italian, 1700 – 1777ca. 1750Cooper Hewitt, Smithsonian Design Museum
  255. Aedicule with Coat-of-armsUnknown1750–1775Cooper Hewitt, Smithsonian Design Museum
  256. Saint BartholomewUnknown1750–1780Cooper Hewitt, Smithsonian Design Museum
  257. Design for the Upper Part of the Carved Decoration of a Wall PanelJohann August Nahl the Elder, 1710 - 1781ca. 1750Cooper Hewitt, Smithsonian Design Museum
  258. An Elderly Saint, Probably Saint MatthewUnknown1750–1780Cooper Hewitt, Smithsonian Design Museum
  259. Design for a doorUnknown1750Cooper Hewitt, Smithsonian Design Museum
  260. Project for the Knob of a Processional KnotUnknown1750–1775Cooper Hewitt, Smithsonian Design Museum
  261. Study of Saint Joseph Carrying the Christ ChildUnknown1750–1800Cooper Hewitt, Smithsonian Design Museum
  262. Design for a FrameUnknown1750–1775Cooper Hewitt, Smithsonian Design Museum
  263. Stage Design: Palace architectureGiuseppe Barberi, Italian, 1746–18091750–1800Cooper Hewitt, Smithsonian Design Museum
  264. Grotesque HeadsPietro Antonio Novelli, Italian, 1728 - 18041750-1775Cooper Hewitt, Smithsonian Design Museum
  265. Sculpture, from a Series of Seated MusesUnknown1750–1780Cooper Hewitt, Smithsonian Design Museum
  266. Sketch of a River GodGiovanni Domenico Tiepolo, Italian, 1727 – 1804ca. 1750Cooper Hewitt, Smithsonian Design Museum
  267. Studies of Masts and OrnamentsFilippo Marchionni, Italian, 1732–18051750–75Cooper Hewitt, Smithsonian Design Museum
  268. Architectural OrnamentsUnknown1750Cooper Hewitt, Smithsonian Design Museum
  269. Acanthus OrnamentUnknown1750–1800Cooper Hewitt, Smithsonian Design Museum
  270. Design for a BroochUnknownca. 1750Cooper Hewitt, Smithsonian Design Museum
  271. Stage Design: Palace ArchitectureUnknown, Italian1750–99Cooper Hewitt, Smithsonian Design Museum
  272. Stage Design: Palace ArchitectureUnknown, Italian1750–99Cooper Hewitt, Smithsonian Design Museum
  273. Stage Design: Palace ArchitectureUnknown, Italian1750–99Cooper Hewitt, Smithsonian Design Museum
  274. Architectural details; human figuresFilippo Marchionni, Italian, 1732–18051750–75Cooper Hewitt, Smithsonian Design Museum
  275. Architectural Details and Figure StudiesFilippo Marchionni, Italian, 1732–18051750–75Cooper Hewitt, Smithsonian Design Museum
  276. Sheet with Architectural Sketches and HeadsFilippo Marchionni, Italian, 1732–18051750–75Cooper Hewitt, Smithsonian Design Museum
  277. Design for an EntablatureFilippo Marchionni, Italian, 1732–18051750–1805Cooper Hewitt, Smithsonian Design Museum
  278. Design of Wall Decoration and Equestrian Monument for Law Courts, Naples, ItalyGiovanni Battista Natali III, Italian, 1698 - 1765ca. 1750Cooper Hewitt, Smithsonian Design Museum
  279. Proportional study of a church façadeUnknownca. 1750–75Cooper Hewitt, Smithsonian Design Museum
  280. Architectural Ornaments tUnknownca. 1750Cooper Hewitt, Smithsonian Design Museum
  281. Architectural Fantasy: Temple of Athena InteriorCharles Michel-Ange Challe, French, 1718 – 1778ca. 1750Cooper Hewitt, Smithsonian Design Museum
  282. Staircase to Arcade in Bishop’s PalaceGiovanni Battista Natali III, Italian, 1698 - 1765ca. 1750Cooper Hewitt, Smithsonian Design Museum
  283. Plague of AshdodNicolas Poussinn.d.The Art Institute of Chicago
  284. Sacrificial Offering in a TempleGiovanni Battista Piranesi (Italian, 1720–1778)after 1750Cleveland Museum of Art
  285. Illustration to Roderick Random, by Tobias SmollettFrancis Haymanc. 1760The Art Institute of Chicago
  286. The Assumption of MaryUnknown1755Cooper Hewitt, Smithsonian Design Museum
  287. Design for the North Portal, Grand Gallery, Villa Albani, Rome, ItalyCarlo Marchionni, Italian, 1702–1786ca. 1755Cooper Hewitt, Smithsonian Design Museum
  288. Design for an EarringGiovanni Sebastiano Meyandi, Italian, active 1762 - 1794ca. 1755Cooper Hewitt, Smithsonian Design Museum
  289. The Stalled CartJean Honoré Fragonard1759The Art Institute of Chicago
  290. Design for the Cover of a Snuff BoxUnknown1760–1780Cooper Hewitt, Smithsonian Design Museum
  291. Landscape with Mountain TownCarlo Marchionni, Italian, 1702–17861760–80Cooper Hewitt, Smithsonian Design Museum
  292. Design for a fireplaceUnknown1760Cooper Hewitt, Smithsonian Design Museum
  293. Design for a Salon WallUnknownca. 1760Cooper Hewitt, Smithsonian Design Museum
  294. Design for a Case with Alternative SuggestionsUnknown1760–1790Cooper Hewitt, Smithsonian Design Museum
  295. Architectural and Figural SketchesCarlo Marchionni, Italian, 1702–1786ca. 1760Cooper Hewitt, Smithsonian Design Museum
  296. A gold beater's workshop for Diderot's EncyclopedieLouis-Jacques Goussier, French, 1722 - 17991763Cooper Hewitt, Smithsonian Design Museum
  297. A mountainous landscapeJean-Baptiste Huet, French, 1745 – 18111763Cooper Hewitt, Smithsonian Design Museum
  298. A pair of trophies referring to the crafts of the cabinet maker and the carpenterJean-Charles Delafosse, French, 1734 – 17891765Cooper Hewitt, Smithsonian Design Museum
  299. Irlande et sa Religion, (Ireland and its Religion), portal design for plate 44 in the "Nouvelle iconologie historique"Jean-Charles Delafosse, French, 1734 – 17891765Cooper Hewitt, Smithsonian Design Museum
  300. Design for a Painted Porcelain Cooler for Wine Bottle and GlassesJacques-François Micaud, French, ca.1732–18111765–75Cooper Hewitt, Smithsonian Design Museum
  301. DoorwayMarco Alberoni, Italian, 18th centuryca. 1765Cooper Hewitt, Smithsonian Design Museum
  302. Design for a BroochGiovanni Sebastiano Meyandi, Italian, active 1762 - 1794ca. 1765Cooper Hewitt, Smithsonian Design Museum
  303. Design for an EarringGiovanni Sebastiano Meyandi, Italian, active 1762 - 1794ca. 1765Cooper Hewitt, Smithsonian Design Museum
  304. A Ballet Dancer, Mademoiselle LeclercLouis Carrogis, called Carmontelle, France, 1717 – 1806ca. 1766Cooper Hewitt, Smithsonian Design Museum
  305. Centerpiece for the Ambassador of the Maltese OrderGiuseppe Barberi, Italian, 1746–18091769Cooper Hewitt, Smithsonian Design Museum
  306. Design for a Pair of TrophiesJean-Charles Delafosse, French, 1734 – 17891770–80Cooper Hewitt, Smithsonian Design Museum
  307. Album containing a series of designs for hand-screensUnknownabout 1770Cooper Hewitt, Smithsonian Design Museum
  308. Original Drawing, Cahier VII, plate 1Richard de Lalonde, French, active 1780–961770–96Cooper Hewitt, Smithsonian Design Museum
  309. Original Drawing, Cahier VII, plate 3Richard de Lalonde, French, active 1780–961770–96Cooper Hewitt, Smithsonian Design Museum
  310. The elevation of the entrance wall of a drawing room with alternative suggestionsJean-Charles Delafosse, French, 1734 – 17891770–80Cooper Hewitt, Smithsonian Design Museum
  311. Sketches of BowlsUnknownca. 1770Cooper Hewitt, Smithsonian Design Museum
  312. Design for a carved panelGilles Paul Cauvet, French, 1731–1788ca. 1770Cooper Hewitt, Smithsonian Design Museum
  313. Design for an architraveUnknown1770-1790Cooper Hewitt, Smithsonian Design Museum
  314. Design of Patch Box CoverUnknownca. 1770Cooper Hewitt, Smithsonian Design Museum
  315. Design for carved panelGilles Paul Cauvet, French, 1731–1788ca. 1770Cooper Hewitt, Smithsonian Design Museum
  316. Design for two entablaturesUnknown1770-1790Cooper Hewitt, Smithsonian Design Museum
  317. Variations of design for surtout de table (in two parts)Unknownca. 1770–75Cooper Hewitt, Smithsonian Design Museum
  318. Variations of design for surtout de table (in two parts)Unknownca. 1770–75Cooper Hewitt, Smithsonian Design Museum
  319. Ornament PanelEtienne de Lavallée-Poussin, French, 1735–1802ca. 1770Cooper Hewitt, Smithsonian Design Museum
  320. Design for two friezesUnknown1770-1790Cooper Hewitt, Smithsonian Design Museum
  321. Designs for Three BroochesGiovanni Sebastiano Meyandi, Italian, active 1762 - 1794ca. 1770Cooper Hewitt, Smithsonian Design Museum
  322. Design for an EarringGiovanni Sebastiano Meyandi, Italian, active 1762 - 1794ca. 1770Cooper Hewitt, Smithsonian Design Museum
  323. Design for an EarringGiovanni Sebastiano Meyandi, Italian, active 1762 - 1794ca. 1770Cooper Hewitt, Smithsonian Design Museum
  324. Design for an EarringGiovanni Sebastiano Meyandi, Italian, active 1762 - 1794ca. 1770Cooper Hewitt, Smithsonian Design Museum
  325. Design for an EarringGiovanni Sebastiano Meyandi, Italian, active 1762 - 1794ca. 1770Cooper Hewitt, Smithsonian Design Museum
  326. Architectural Fantasy with Figures BathingJean-Charles Delafosse, French, 1734 – 17891770Cooper Hewitt, Smithsonian Design Museum
  327. Architectural Fantasy with FountainJean-Charles Delafosse, French, 1734 – 17891770Cooper Hewitt, Smithsonian Design Museum
  328. Sermon of a Holy AbbotFrancesco Saverio Mergolo, Italian, 1746–1786ca. 1772Cooper Hewitt, Smithsonian Design Museum
  329. DrawingMichel Angelo Pergolesi, Italian, active ca. 1760–1801Before 1774Cooper Hewitt, Smithsonian Design Museum
  330. DrawingMichel Angelo Pergolesi, Italian, active ca. 1760–1801Before 1774Cooper Hewitt, Smithsonian Design Museum
  331. Design for a Memorial TabletGiuseppe Barberi, Italian, 1746–18091775–1800Cooper Hewitt, Smithsonian Design Museum
  332. Escutcheon as an overdoorGiuseppe Barberi, Italian, 1746–1809ca. 1775Cooper Hewitt, Smithsonian Design Museum
  333. Design for an EwerUnknown1775–1800Cooper Hewitt, Smithsonian Design Museum
  334. Elevation of a TureenUnknown1775–1800Cooper Hewitt, Smithsonian Design Museum
  335. Bowl on a StandUnknown1775–1800Cooper Hewitt, Smithsonian Design Museum
  336. Design for an UrnUnknown1775–1800Cooper Hewitt, Smithsonian Design Museum
  337. Design for an AmphoraUnknown1775–1800Cooper Hewitt, Smithsonian Design Museum
  338. Stage Design: Architectural Capriccio with a Tempietto and Broken ColumnsUnknown1775–90Cooper Hewitt, Smithsonian Design Museum
  339. St. John the BaptistFrancesco Saverio Mergolo, Italian, 1746–1786ca. 1775Cooper Hewitt, Smithsonian Design Museum
  340. Wall Decoration for the Drawing Room of the Palace of CasertaNicola Fiore1775Cooper Hewitt, Smithsonian Design Museum
  341. Design for a FrameUnknown1775–1800Cooper Hewitt, Smithsonian Design Museum
  342. Design for an UrnGiuseppe Barberi, Italian, 1746–18091775–1800Cooper Hewitt, Smithsonian Design Museum
  343. Project for an altarUnknown1775–1780Cooper Hewitt, Smithsonian Design Museum
  344. Project for a Window CaseUnknown1775–1800Cooper Hewitt, Smithsonian Design Museum
  345. Design for the Facade and Cross-Section of a PalaceUnknownca. 1775Cooper Hewitt, Smithsonian Design Museum
  346. Project for a Painted FriezeUnknown1775–1800Cooper Hewitt, Smithsonian Design Museum
  347. English Landscape GardenUnknownca. 1775Cooper Hewitt, Smithsonian Design Museum
  348. Design for an EarringUnknownca. 1775Cooper Hewitt, Smithsonian Design Museum
  349. Design for Architectural MoldingsUnknown1775–1825Cooper Hewitt, Smithsonian Design Museum
  350. Ornament Design, Portland Vase and CameosMichel Angelo Pergolesi, Italian, active ca. 1760–18011776Cooper Hewitt, Smithsonian Design Museum
  351. Ornament Design with Vase and CameosMichel Angelo Pergolesi, Italian, active ca. 1760–18011776Cooper Hewitt, Smithsonian Design Museum
  352. Ornament Design with Burial Urn and CameosMichel Angelo Pergolesi, Italian, active ca. 1760–18011776Cooper Hewitt, Smithsonian Design Museum
  353. Ornament Design with Urn and CameosMichel Angelo Pergolesi, Italian, active ca. 1760–18011776Cooper Hewitt, Smithsonian Design Museum
  354. Ornament Design, Altar Dedicated to Mars between Roman StandardsMichel Angelo Pergolesi, Italian, active ca. 1760–18011776Cooper Hewitt, Smithsonian Design Museum
  355. Ornament Design, Roman Altar Dedicated to Mars and Roman StandardsMichel Angelo Pergolesi, Italian, active ca. 1760–18011776Cooper Hewitt, Smithsonian Design Museum
  356. Ornament Design, Altar Dedicated to Mars between Roman StandardsMichel Angelo Pergolesi, Italian, active ca. 1760–18011776Cooper Hewitt, Smithsonian Design Museum
  357. Ornament Design, Roman Standards and Rinceau Panel with GriffonsMichel Angelo Pergolesi, Italian, active ca. 1760–18011776Cooper Hewitt, Smithsonian Design Museum
  358. Ornament Design with Cameo and UrnsMichel Angelo Pergolesi, Italian, active ca. 1760–18011777Cooper Hewitt, Smithsonian Design Museum
  359. View through the Herculaneum Gate, PompeiiGiovanni Battista Piranesi1778Metropolitan Museum of Art, New York, NY
  360. Sepulcher in Egyptian Style with Death Carrying a LampLouis-Jean Desprez, French, active Sweden, 1743–18041779–84Cooper Hewitt, Smithsonian Design Museum
  361. DrawingFelice Giani, Italian, 1758–18231780-1790Cooper Hewitt, Smithsonian Design Museum
  362. Papal escutcheonGiuseppe Barberi, Italian, 1746–18091780–1800Cooper Hewitt, Smithsonian Design Museum
  363. Coat of armsGiuseppe Barberi, Italian, 1746–18091780–1800Cooper Hewitt, Smithsonian Design Museum
  364. Tablet and an escutcheonGiuseppe Barberi, Italian, 1746–18091780–1800Cooper Hewitt, Smithsonian Design Museum
  365. Design for Embroidery, Corner of Gentleman's WaistcoatCharles-Germain de Saint-Aubin, French, 1721–1786ca. 1780Cooper Hewitt, Smithsonian Design Museum
  366. Design for Wallpaper FriezeUnknown1780–1800Cooper Hewitt, Smithsonian Design Museum
  367. Project for a wallpaper friezeUnknown1780–1800Cooper Hewitt, Smithsonian Design Museum
  368. DrawingFelice Giani, Italian, 1758–18231780-1790Cooper Hewitt, Smithsonian Design Museum
  369. DrawingFelice Giani, Italian, 1758–18231780-1790Cooper Hewitt, Smithsonian Design Museum
  370. Original DrawingsRichard de Lalonde, French, active 1780–961780–96Cooper Hewitt, Smithsonian Design Museum
  371. Original Drawing, Cahier VIII, plate 1Richard de Lalonde, French, active 1780–961780–96Cooper Hewitt, Smithsonian Design Museum
  372. LanternsGiuseppe Barberi, Italian, 1746–1809ca. 1780Cooper Hewitt, Smithsonian Design Museum
  373. Design for the Embroidery of a Man's WaistcoatUnknown1780–1790Cooper Hewitt, Smithsonian Design Museum
  374. DrawingFelice Giani, Italian, 1758–18231780-1790Cooper Hewitt, Smithsonian Design Museum
  375. DrawingFelice Giani, Italian, 1758–18231780-1790Cooper Hewitt, Smithsonian Design Museum
  376. DrawingFelice Giani, Italian, 1758–18231780-1790Cooper Hewitt, Smithsonian Design Museum
  377. Trophy of artists' toolsGiuseppe Barberi, Italian, 1746–18091780–1800Cooper Hewitt, Smithsonian Design Museum
  378. DrawingFelice Giani, Italian, 1758–18231780-1790Cooper Hewitt, Smithsonian Design Museum
  379. Design for an Ovoidal Painting: TemperanceGiacomo Zampa, Italian, 1731 - 1808ca. 1780Cooper Hewitt, Smithsonian Design Museum
  380. DrawingFelice Giani, Italian, 1758–18231780-1790Cooper Hewitt, Smithsonian Design Museum
  381. DrawingFelice Giani, Italian, 1758–18231780-1790Cooper Hewitt, Smithsonian Design Museum
  382. TrophyUnknownca. 1780Cooper Hewitt, Smithsonian Design Museum
  383. TrophyUnknownca. 1780Cooper Hewitt, Smithsonian Design Museum
  384. Trophies with Historical AttributesPierre Ranson, French, 1736–1786ca. 1780Cooper Hewitt, Smithsonian Design Museum
  385. Trophies with Historical AttributesPierre Ranson, French, 1736–1786ca. 1780Cooper Hewitt, Smithsonian Design Museum
  386. Design for a PanelUnknown1780Cooper Hewitt, Smithsonian Design Museum
  387. Trophies with Historical AttributesPierre Ranson, French, 1736–1786ca. 1780Cooper Hewitt, Smithsonian Design Museum
  388. Design for a BowlUnknown1780–1820Cooper Hewitt, Smithsonian Design Museum
  389. Saint Felix of CantalupeUnknown1780–1810Cooper Hewitt, Smithsonian Design Museum
  390. Design for an UrnUnknown1780–1820Cooper Hewitt, Smithsonian Design Museum
  391. Plan of Sepulchral BuildingGiuseppe Barberi, Italian, 1746–18091780-1790Cooper Hewitt, Smithsonian Design Museum
  392. Design for a LampUnknownca. 1780Cooper Hewitt, Smithsonian Design Museum
  393. Design for a CeilingUnknownca. 1780Cooper Hewitt, Smithsonian Design Museum
  394. ChairsGiuseppe Barberi, Italian, 1746–18091780–1790Cooper Hewitt, Smithsonian Design Museum
  395. TrophyPierre Ranson, French, 1736–1786ca. 1780Cooper Hewitt, Smithsonian Design Museum
  396. Six Metal Frames for PursesGiuseppe Barberi, Italian, 1746–1809ca. 1780Cooper Hewitt, Smithsonian Design Museum
  397. ChairsGiuseppe Barberi, Italian, 1746–18091780–1790Cooper Hewitt, Smithsonian Design Museum
  398. Elevation of a SalonUnknownca. 1780–1800Cooper Hewitt, Smithsonian Design Museum
  399. Decoration of a friezeGiuseppe Barberi, Italian, 1746–18091780–1800Cooper Hewitt, Smithsonian Design Museum
  400. Project for a CeilingUnknownca. 1780Cooper Hewitt, Smithsonian Design Museum
  401. Design for a ChimneypieceUnknown1780–1800Cooper Hewitt, Smithsonian Design Museum
  402. Design for a BuckleGiovanni Sebastiano Meyandi, Italian, active 1762 - 1794ca. 1780Cooper Hewitt, Smithsonian Design Museum
  403. Design for an EarringUnknownca. 1780Cooper Hewitt, Smithsonian Design Museum
  404. Design for a NecklaceUnknownca. 1780Cooper Hewitt, Smithsonian Design Museum
  405. Design for a NecklaceUnknownca. 1780Cooper Hewitt, Smithsonian Design Museum
  406. Design for an EarringUnknownca. 1780Cooper Hewitt, Smithsonian Design Museum
  407. Section of an apseFilippo Marchionni, Italian, 1732–1805ca. 1780Cooper Hewitt, Smithsonian Design Museum
  408. Design for a Main AltarGiuseppe Barberi, Italian, 1746–18091780-1783Cooper Hewitt, Smithsonian Design Museum
  409. Two Roman Warriors with She-Wolf, Romulus, and RemusPolidoro da Caravaggion.d.The Art Institute of Chicago
  410. Astolfo Sails off with Andronica and SofrosinaJean Honoré Fragonardearly 1780sThe Art Institute of Chicago
  411. Study for a Tribute to Giorgio VasariSante Pacini, Italian, 1735–1790ca. 1781Cooper Hewitt, Smithsonian Design Museum
  412. Dionysus and AriadneJohann August Nahl The Younger, German, 1752 - 1825ca. 1781Cooper Hewitt, Smithsonian Design Museum
  413. HermesJohann August Nahl The Younger, German, 1752 - 1825ca. 1781Cooper Hewitt, Smithsonian Design Museum
  414. A Classical SacrificeJohann August Nahl The Younger, German, 1752 - 1825ca. 1781Cooper Hewitt, Smithsonian Design Museum
  415. Mars and Venus Preparing Themselves for the Nuptials of Cupid and PsycheJohann August Nahl The Younger, German, 1752 - 1825ca. 1781Cooper Hewitt, Smithsonian Design Museum
  416. Hermes in the Garden of the HesperidesJohann August Nahl The Younger, German, 1752 - 1825ca. 1781Cooper Hewitt, Smithsonian Design Museum
  417. PrudenceJohann August Nahl The Younger, German, 1752 - 1825ca. 1781Cooper Hewitt, Smithsonian Design Museum
  418. Cupid Awakens Psyche Overcome by the Content of the Vase Filled by ProserpineJohann August Nahl The Younger, German, 1752 - 1825ca. 1781Cooper Hewitt, Smithsonian Design Museum
  419. Psyche Asks Proserpine to Put a Little of her Beauty in an Urn for VenusJohann August Nahl The Younger, German, 1752 - 1825ca. 1781Cooper Hewitt, Smithsonian Design Museum
  420. Bust Portrait of a Young WomanJeanne Dabos, French, 1763 – 18421781Cooper Hewitt, Smithsonian Design Museum
  421. Design for a CarriageUnknown1782–85Cooper Hewitt, Smithsonian Design Museum
  422. Design for the Embroidery of a Man's WaistcoatUnknown1782Cooper Hewitt, Smithsonian Design Museum
  423. Seated Putto with MedallionGiuseppe Barberi, Italian, 1746–1809ca. 1783Cooper Hewitt, Smithsonian Design Museum
  424. Four Designs of Costume AccessoriesAnonymous, French, 18th centuryca. 1785–90Metropolitan Museum of Art, New York, NY
  425. Certificate of Authorization for the Title of "Von" for Johann Ferdinand RichterFranz Mayer, Austrian, active 1700sApril 7, 1785Cooper Hewitt, Smithsonian Design Museum
  426. Fragment of a cartoon for cotton printing: Fauchon la VielleusePetitpierre & Compe., (Nantes, France, founded 17701785–95Cooper Hewitt, Smithsonian Design Museum
  427. Fragment of a cartoon for cotton printing: Apollon et MusesPetitpierre & Compe., (Nantes, France, founded 17701785–95Cooper Hewitt, Smithsonian Design Museum
  428. Design for an OverdoorPiat Joseph Sauvage, French, 1744 - 18181785-1790Cooper Hewitt, Smithsonian Design Museum
  429. Design for a Fountain in a PavilionCarlo Francesco Barabino, Italian, 1768 – 18351785–90Cooper Hewitt, Smithsonian Design Museum
  430. Design for a SalonFrançois-Jacques Delannoy, French, 1755 - 1835ca. 1785Cooper Hewitt, Smithsonian Design Museum
  431. Design for a Chalice, ElevationFlaminio Innocenzi Minozzi, Italian, 1735 – 1817ca. 1785Cooper Hewitt, Smithsonian Design Museum
  432. Design for Two FriezesPiat Joseph Sauvage, French, 1744 - 18181785-1790Cooper Hewitt, Smithsonian Design Museum
  433. Design for a PendantUnknown1785–90Cooper Hewitt, Smithsonian Design Museum
  434. Design for a BraceletUnknownca. 1785Cooper Hewitt, Smithsonian Design Museum
  435. Design for a NecklaceGiovanni Sebastiano Meyandi, Italian, active 1762 - 1794ca. 1785Cooper Hewitt, Smithsonian Design Museum
  436. Papal coat of armsGiuseppe Barberi, Italian, 1746–1809ca. 1786Cooper Hewitt, Smithsonian Design Museum
  437. Coat of arms of Pope Pius VIGiuseppe Barberi, Italian, 1746–1809ca. 1786Cooper Hewitt, Smithsonian Design Museum
  438. DrawingFelice Giani, Italian, 1758–1823About 1787Cooper Hewitt, Smithsonian Design Museum
  439. Pales, Triptolemus, Decoration for a Vault, Sala dei Legislatori, Palazzo Conti-SinibaldiFelice Giani, Italian, 1758–18231787–1802Cooper Hewitt, Smithsonian Design Museum
  440. Competition Design for La Fenice, Venice: Exterior Elevation of AnnexD. Cerato, Italian1788Cooper Hewitt, Smithsonian Design Museum
  441. Design for a PavillionGiuseppe Barberi, Italian, 1746–18091789Cooper Hewitt, Smithsonian Design Museum
  442. Design for a KaffeehausGiuseppe Barberi, Italian, 1746–18091789Cooper Hewitt, Smithsonian Design Museum
  443. Coat of arms of Cardinal Vincenzo Maria AltieriGiuseppe Barberi, Italian, 1746–18091789–1793Cooper Hewitt, Smithsonian Design Museum
  444. Design for Mantelpieceand Adjoining Wall FriezesGiuseppe Barberi, Italian, 1746–18091789Cooper Hewitt, Smithsonian Design Museum
  445. Eight physiognomies. Drawings by D.N. Chodowiecki, ca. 1789, after C. Le Brun.Johann Kaspar Lavater; Thomas Holloway; Daniel Nikolaus Chodowiecki; Charles Le Brunc. 1789Wellcome Collection
  446. God Judging AdamWilliam Blakeca. 1795Metropolitan Museum of Art, New York, NY
  447. The Elevatino of a Gateway for A Prison Erected by Pope Pius VIGiuseppe Barberi, Italian, 1746–1809ca. 1790Cooper Hewitt, Smithsonian Design Museum
  448. Sketches for a Gateway for a Prison Erected by Pope Pius VIGiuseppe Barberi, Italian, 1746–1809ca. 1790Cooper Hewitt, Smithsonian Design Museum
  449. DrawingFelice Giani, Italian, 1758–1823About 1790Cooper Hewitt, Smithsonian Design Museum
  450. Eight tombsGiuseppe Barberi, Italian, 1746–18091790-1800Cooper Hewitt, Smithsonian Design Museum
  451. DrawingFelice Giani, Italian, 1758–1823About 1790Cooper Hewitt, Smithsonian Design Museum
  452. DrawingFelice Giani, Italian, 1758–1823About 1790Cooper Hewitt, Smithsonian Design Museum
  453. Elevation of Drawing Room Entrance Wall with Vaulted CeilingGiuseppe Barberi, Italian, 1746–18091790–1800Cooper Hewitt, Smithsonian Design Museum
  454. DrawingFelice Giani, Italian, 1758–18231790-1800Cooper Hewitt, Smithsonian Design Museum
  455. DrawingFelice Giani, Italian, 1758–18231790-1800Cooper Hewitt, Smithsonian Design Museum
  456. DrawingFelice Giani, Italian, 1758–18231790-1795Cooper Hewitt, Smithsonian Design Museum
  457. DrawingFelice Giani, Italian, 1758–18231790-1800Cooper Hewitt, Smithsonian Design Museum
  458. DrawingFelice Giani, Italian, 1758–18231790-1800Cooper Hewitt, Smithsonian Design Museum
  459. DrawingFelice Giani, Italian, 1758–18231790-1800Cooper Hewitt, Smithsonian Design Museum
  460. DrawingFelice Giani, Italian, 1758–1823About 1790Cooper Hewitt, Smithsonian Design Museum
  461. DrawingFelice Giani, Italian, 1758–18231790-1795Cooper Hewitt, Smithsonian Design Museum
  462. DrawingFelice Giani, Italian, 1758–1823About 1790Cooper Hewitt, Smithsonian Design Museum
  463. DrawingFelice Giani, Italian, 1758–18231790-1800Cooper Hewitt, Smithsonian Design Museum
  464. Six Designs for Bedroom AlcovesGiuseppe Barberi, Italian, 1746–1809ca. 1790Cooper Hewitt, Smithsonian Design Museum
  465. Designs for Bedroom AlcovesGiuseppe Barberi, Italian, 1746–1809ca. 1790Cooper Hewitt, Smithsonian Design Museum
  466. DrawingFelice Giani, Italian, 1758–18231790-1800Cooper Hewitt, Smithsonian Design Museum
  467. Two TureensUnknown1790Cooper Hewitt, Smithsonian Design Museum
  468. Design for a Bedroom WallUnknown1790Cooper Hewitt, Smithsonian Design Museum
  469. Design for Ceiling DecorationGiuseppe Barberi, Italian, 1746–18091790–1800Cooper Hewitt, Smithsonian Design Museum
  470. Two doorknobsGiuseppe Barberi, Italian, 1746–1809ca. 1790Cooper Hewitt, Smithsonian Design Museum
  471. Design for a Salon WallUnknown1790Cooper Hewitt, Smithsonian Design Museum
  472. Praying WomanUnknown1790–1830Cooper Hewitt, Smithsonian Design Museum
  473. Design for a Console TableGiuseppe Barberi, Italian, 1746–1809ca. 1790Cooper Hewitt, Smithsonian Design Museum
  474. The Killing of CesareFelice Giani, Italian, 1758–1823ca. 1790Cooper Hewitt, Smithsonian Design Museum
  475. Design for a DoorcaseGiuseppe Barberi, Italian, 1746–1809ca. 1790Cooper Hewitt, Smithsonian Design Museum
  476. Chimney Pieces, Furniture and Ceiling MedallionFelice Giani, Italian, 1758–18231790–1810Cooper Hewitt, Smithsonian Design Museum
  477. CupboardGiuseppe Barberi, Italian, 1746–18091790–1810Cooper Hewitt, Smithsonian Design Museum
  478. Project for a ChimneypieceUnknownca. 1790Cooper Hewitt, Smithsonian Design Museum
  479. Design for a BuckleUnknownca. 1790Cooper Hewitt, Smithsonian Design Museum
  480. Design for a BroochUnknownca. 1790–1800Cooper Hewitt, Smithsonian Design Museum
  481. Design for an EarringGiovanni Sebastiano Meyandi, Italian, active 1762 - 1794ca. 1790Cooper Hewitt, Smithsonian Design Museum
  482. Design for a BroochUnknownca. 1790Cooper Hewitt, Smithsonian Design Museum
  483. Design for a BroochUnknownca. 1790–1800Cooper Hewitt, Smithsonian Design Museum
  484. Design for a BuckleGiovanni Sebastiano Meyandi, Italian, active 1762 - 1794ca. 1790Cooper Hewitt, Smithsonian Design Museum
  485. Design for an architectural structureGiuseppe Barberi, Italian, 1746–1809ca. 1790Cooper Hewitt, Smithsonian Design Museum
  486. Design for a Painted Ceiling of Irregular Shape: AuroraFlaminio Innocenzi Minozzi, Italian, 1735 – 18171790–1810Cooper Hewitt, Smithsonian Design Museum
  487. Two Elevations of a PalaceGiuseppe Barberi, Italian, 1746–18091792-1795Cooper Hewitt, Smithsonian Design Museum
  488. Design for Wall Decoration, Pompeiian Room, Palazzo Altieri, RomeFelice Giani, Italian, 1758–18231792Cooper Hewitt, Smithsonian Design Museum
  489. Precinct of a PalaceGiuseppe Barberi, Italian, 1746–18091792Cooper Hewitt, Smithsonian Design Museum
  490. Memorial StructureGiuseppe Barberi, Italian, 1746–18091792-1795Cooper Hewitt, Smithsonian Design Museum
  491. Wallpaper Invoice for the firm of Arthur et RobertArthur & Robert1793Cooper Hewitt, Smithsonian Design Museum
  492. Decoration for the marriage of Prince Paluzzo AltieriGiuseppe Barberi, Italian, 1746–18091793Cooper Hewitt, Smithsonian Design Museum
  493. Decoration for the marriage of Prince Paluzzo AltieriGiuseppe Barberi, Italian, 1746–18091793Cooper Hewitt, Smithsonian Design Museum
  494. Decoration for the marriage of Prince Paluzzo AltieriGiuseppe Barberi, Italian, 1746–18091793Cooper Hewitt, Smithsonian Design Museum
  495. Landscape with MoundCharles Nicolas Ransonnette, French, 1793 - 18771793–1877Cooper Hewitt, Smithsonian Design Museum
  496. Woodland Scene with Animals DrinkingCharles Nicolas Ransonnette, French, 1793 - 18771793–1877Cooper Hewitt, Smithsonian Design Museum
  497. Landscape with Mound and GreeneryCharles Nicolas Ransonnette, French, 1793 - 18771793–1877Cooper Hewitt, Smithsonian Design Museum
  498. Fragment of a cartoon for cotton printing: Neptune or L'Empire des MersPetitpierre & Compe., (Nantes, France, founded 17701794Cooper Hewitt, Smithsonian Design Museum
  499. Chart and Plan of the Harbour of New YorkPeter Van Steenbergh1794Metropolitan Museum of Art, New York, NY
  500. DrawingFelice Giani, Italian, 1758–18231795-1800Cooper Hewitt, Smithsonian Design Museum
  501. DrawingFelice Giani, Italian, 1758–18231795-1800Cooper Hewitt, Smithsonian Design Museum
  502. DrawingFelice Giani, Italian, 1758–18231795-1800Cooper Hewitt, Smithsonian Design Museum
  503. DrawingFelice Giani, Italian, 1758–18231795-1800Cooper Hewitt, Smithsonian Design Museum
  504. DrawingFelice Giani, Italian, 1758–1823About 1795Cooper Hewitt, Smithsonian Design Museum
  505. DrawingFelice Giani, Italian, 1758–18231795-1800Cooper Hewitt, Smithsonian Design Museum
  506. DrawingFelice Giani, Italian, 1758–18231795–1820Cooper Hewitt, Smithsonian Design Museum
  507. DrawingFelice Giani, Italian, 1758–1823About 1795Cooper Hewitt, Smithsonian Design Museum
  508. DrawingFelice Giani, Italian, 1758–1823About 1795Cooper Hewitt, Smithsonian Design Museum
  509. DrawingFelice Giani, Italian, 1758–18231795-1800Cooper Hewitt, Smithsonian Design Museum
  510. DrawingFelice Giani, Italian, 1758–18231795-1800Cooper Hewitt, Smithsonian Design Museum
  511. Design for a Stuart MonumentGiuseppe Barberi, Italian, 1746–1809ca. 1795Cooper Hewitt, Smithsonian Design Museum
  512. Design for a TombGiuseppe Barberi, Italian, 1746–1809ca. 1795Cooper Hewitt, Smithsonian Design Museum
  513. Design for Three Tomb MonumentsGiuseppe Barberi, Italian, 1746–18091795Cooper Hewitt, Smithsonian Design Museum
  514. Interior of Temple of Glory and Figured DetailsGiuseppe Barberi, Italian, 1746–1809ca. 1796-1801Cooper Hewitt, Smithsonian Design Museum
  515. Title page of a bookGiuseppe Barberi, Italian, 1746–1809October 1796Cooper Hewitt, Smithsonian Design Museum
  516. MonumentGiuseppe Barberi, Italian, 1746–1809October 1796Cooper Hewitt, Smithsonian Design Museum
  517. DrawingFelice Giani, Italian, 1758–1823Before 1797 probably 1780'sCooper Hewitt, Smithsonian Design Museum
  518. Project for a Catafalque for the Funeral Service for Pope Pius VI in ForliFelice Giani, Italian, 1758–18231799Cooper Hewitt, Smithsonian Design Museum
  519. DrawingFelice Giani, Italian, 1758–18231799Cooper Hewitt, Smithsonian Design Museum
  520. Allegory of FameUnknownca. 1799Cooper Hewitt, Smithsonian Design Museum
  521. Plan for the hospital of St. Trinità dei Pellegrini, Rome, ItalyGiuseppe Barberi, Italian, 1746–18091800–09Cooper Hewitt, Smithsonian Design Museum
  522. Design for MonumentFelice Giani, Italian, 1758–1823ca. 1800Cooper Hewitt, Smithsonian Design Museum
  523. Design for clockLefebvre Manufactory, Tournai1800–1825Cooper Hewitt, Smithsonian Design Museum
  524. Textile Design: A ButterflyUnknown1800–30Cooper Hewitt, Smithsonian Design Museum
  525. Textile Design: A GrasshopperUnknown1800–30Cooper Hewitt, Smithsonian Design Museum
  526. Jeremiah Draper's BookJeremiah Draper, American, active 1800s1800Cooper Hewitt, Smithsonian Design Museum
  527. Sheet from a Sketchbook: Triumph of Silenus and Triumph of Bacchus and AriadneFelice Giani, Italian, 1758–18231800–1802Cooper Hewitt, Smithsonian Design Museum
  528. Elevation of a Sepulcher MonumentFrancesco Massimiliano Laboureur, Italian, 1767 - 18311800–1830Cooper Hewitt, Smithsonian Design Museum
  529. Saints Peter and Paul over the VaticanMinardi Tommaso, Italian, 1787 - 18711800–1850Cooper Hewitt, Smithsonian Design Museum
  530. DrawingFelice Giani, Italian, 1758–18231800-1810Cooper Hewitt, Smithsonian Design Museum
  531. ChairsGiuseppe Barberi, Italian, 1746–1809ca. 1800Cooper Hewitt, Smithsonian Design Museum
  532. Study for a Painting: Saint SebastianUnknown1800–1825Cooper Hewitt, Smithsonian Design Museum
  533. Design for a VaseUnknown1800–1830Cooper Hewitt, Smithsonian Design Museum
  534. DrawingFelice Giani, Italian, 1758–18231800-1815Cooper Hewitt, Smithsonian Design Museum
  535. DrawingFelice Giani, Italian, 1758–18231800-1820Cooper Hewitt, Smithsonian Design Museum
  536. Surtout de Table (Centerpiece) with the Temple of Isis in PompeiiGiuseppe Valadier, Italian, 1762–1839ca. 1800Cooper Hewitt, Smithsonian Design Museum
  537. Elevation of a Drawing Room Entrance Wall with Alternative SuggestionsGiuseppe Barberi, Italian, 1746–1809ca. 1800Cooper Hewitt, Smithsonian Design Museum
  538. Figures Attacked by SerpentsRaymond Lafage, French, 1656–16841800–25Cooper Hewitt, Smithsonian Design Museum
  539. Design for a VesselUnknownca. 1800Cooper Hewitt, Smithsonian Design Museum
  540. DrawingUnknown1800–1830Cooper Hewitt, Smithsonian Design Museum
  541. Design for a Pitcher and BasinUnknown1800–1825Cooper Hewitt, Smithsonian Design Museum
  542. DrawingFelice Giani, Italian, 1758–18231800-1810Cooper Hewitt, Smithsonian Design Museum
  543. DrawingFelice Giani, Italian, 1758–18231800-1820Cooper Hewitt, Smithsonian Design Museum
  544. Elevation of a Drawing Room WallGiuseppe Barberi, Italian, 1746–1809ca. 1800Cooper Hewitt, Smithsonian Design Museum
  545. Design for an Embroidered Altar FrontUnknown1800–23Cooper Hewitt, Smithsonian Design Museum
  546. DrawingFelice Giani, Italian, 1758–1823About 1800Cooper Hewitt, Smithsonian Design Museum
  547. Blue-Black Bird on Rose Branch with SpiderUnknownca. 1800–1830Cooper Hewitt, Smithsonian Design Museum
  548. Basket of Blossoms and Leaves with Pomegranates on EarthUnknownca. 1800–1830Cooper Hewitt, Smithsonian Design Museum
  549. Sketches of BullsUnknownca. 1800Cooper Hewitt, Smithsonian Design Museum
  550. Allegorical Figures of Fire and AirUnknownca. 1800Cooper Hewitt, Smithsonian Design Museum
  551. Design for an UrnUnknown1800–1820Cooper Hewitt, Smithsonian Design Museum
  552. Black Bird with RosesUnknownca. 1800–1830Cooper Hewitt, Smithsonian Design Museum
  553. Basket of Blooms on EarthUnknownca. 1800–1830Cooper Hewitt, Smithsonian Design Museum
  554. Black Bird witth Blueberries and ApricotsUnknownca. 1800–1830Cooper Hewitt, Smithsonian Design Museum
  555. Bird on an Orange Branch, with ButterflyUnknownca. 1800–1830Cooper Hewitt, Smithsonian Design Museum
  556. Design for Jeweled Hair CUnknown1800–1850Cooper Hewitt, Smithsonian Design Museum
  557. Blue Bird on Branch with Carnations and InsectsUnknownca. 1800–1830Cooper Hewitt, Smithsonian Design Museum
  558. Brown Bird on Branch with Rose, Tulip, and InsectsUnknownca. 1800–1830Cooper Hewitt, Smithsonian Design Museum
  559. Black Bird with Blossoms, Butterfly, and Red RibbonUnknownca. 1800–1830Cooper Hewitt, Smithsonian Design Museum
  560. Design for Jewelled HairUnknown1800–1850Cooper Hewitt, Smithsonian Design Museum
  561. Small Red-Headed Bird on Rose BranchUnknownca. 1800–1830Cooper Hewitt, Smithsonian Design Museum
  562. Allegorial Painting; Head of the VirginFortunato Duranti, Italian, 1787 - 18631800-1825Cooper Hewitt, Smithsonian Design Museum
  563. Vase with BucraneumUnknown1800–1830Cooper Hewitt, Smithsonian Design Museum
  564. Brown Bird on Apple Branch, with CaterpillarUnknownca. 1800–1830Cooper Hewitt, Smithsonian Design Museum
  565. Two Brown Birds with Carnations and ButterfliesUnknownca. 1800–1830Cooper Hewitt, Smithsonian Design Museum
  566. Design for a PitcherUnknown1800–1830Cooper Hewitt, Smithsonian Design Museum
  567. Pair of Birds on Branch with Roses and ButterfliesUnknownca. 1800–1830Cooper Hewitt, Smithsonian Design Museum
  568. Design for a PitcherUnknown1800–1830Cooper Hewitt, Smithsonian Design Museum
  569. Basket of Blossoms and Leaves on EarthUnknownca. 1800–1830Cooper Hewitt, Smithsonian Design Museum
  570. Two Birds on a Branch of Tulips with InsectsUnknownca. 1800–1830Cooper Hewitt, Smithsonian Design Museum
  571. Brown Bird on Branch with Persimmons and a ButterflyUnknownca. 1800–1830Cooper Hewitt, Smithsonian Design Museum
  572. A Praying MonkUnknown1800–1830Cooper Hewitt, Smithsonian Design Museum
  573. Hercules and AntaeusAnnibale Carracci, Italian, 1560–16091800–20Cooper Hewitt, Smithsonian Design Museum
  574. Project for an Ewer and BasinLuigi Righetti, Italian, 1780 - 1819ca. 1800Cooper Hewitt, Smithsonian Design Museum
  575. Cartoon for Silk Damask: Cornucopias with Rams' HeadsUnknown1800–1815Cooper Hewitt, Smithsonian Design Museum
  576. Design for a Salt CellarLuigi Righetti, Italian, 1780 - 1819ca. 1800Cooper Hewitt, Smithsonian Design Museum
  577. DrawingFelice Giani, Italian, 1758–18231800-1810Cooper Hewitt, Smithsonian Design Museum
  578. DrawingFelice Giani, Italian, 1758–18231800-1810Cooper Hewitt, Smithsonian Design Museum
  579. Gray Bird on Branch with Tulip, Snapdragons, and Forget-Me-Nots with ButterflyUnknownca. 1800–1830Cooper Hewitt, Smithsonian Design Museum
  580. Design for Two Friezes with PuttiFelice Giani, Italian, 1758–1823ca. 1800Cooper Hewitt, Smithsonian Design Museum
  581. Two Brown Birds on Branch with Tulip, Berries, and InsectsUnknownca. 1800–1830Cooper Hewitt, Smithsonian Design Museum
  582. Cupid in FlightFelice Giani, Italian, 1758–1823ca. 1800Cooper Hewitt, Smithsonian Design Museum
  583. Pair of Brown Birds on Rose Stem with Butterfly and SpiderUnknownca. 1800–1830Cooper Hewitt, Smithsonian Design Museum
  584. A Chariot ProcessionUnknownca. 1800Cooper Hewitt, Smithsonian Design Museum
  585. Bythos and AphrosFelice Giani, Italian, 1758–1823ca. 1800Cooper Hewitt, Smithsonian Design Museum
  586. Project for a LunetteGiuseppe Bernardino Bison, Italian, 1762 - 18441800–1825Cooper Hewitt, Smithsonian Design Museum
  587. Design for a CeilingUnknownca. 1800Cooper Hewitt, Smithsonian Design Museum
  588. Atalanta and HippomenesFelice Giani, Italian, 1758–1823ca. 1800Cooper Hewitt, Smithsonian Design Museum
  589. Man Giving SpeechUnknownca. 1800Cooper Hewitt, Smithsonian Design Museum
  590. Two CensersGiuseppe Barberi, Italian, 1746–1809ca. 1800Cooper Hewitt, Smithsonian Design Museum
  591. Project for a SalonUnknownca. 1800Cooper Hewitt, Smithsonian Design Museum
  592. Designs for a VaseUnknown1800–1835Cooper Hewitt, Smithsonian Design Museum
  593. Stage Design, Pedestal of MonumentAngelo Toselli, ca. 1765? – 1826ca. 1800Cooper Hewitt, Smithsonian Design Museum
  594. Design for a VaseUnknown1800–1830Cooper Hewitt, Smithsonian Design Museum
  595. Battaglia (Battle)Felice Giani, Italian, 1758–1823ca. 1800Cooper Hewitt, Smithsonian Design Museum
  596. St. Sebastian Fettered to a TreeUnknown1800–1830Cooper Hewitt, Smithsonian Design Museum
  597. Design for Two FreizesFelice Giani, Italian, 1758–1823ca. 1800Cooper Hewitt, Smithsonian Design Museum
  598. Design for a MantelpiceUnknown1800–1830Cooper Hewitt, Smithsonian Design Museum
  599. Designs fpr ChairsGiuseppe Barberi, Italian, 1746–1809ca. 1800Cooper Hewitt, Smithsonian Design Museum
  600. Three Friezes; A Base; An OrnamentFelice Giani, Italian, 1758–1823ca. 1800Cooper Hewitt, Smithsonian Design Museum
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