CRADLE — Unknown, ca. 1580

CRADLE, Unknown

Seen

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Rights

Credit: Museum purchase through gift of various donors and from Eleanor G. Hewitt Fund
Licence: CC0-1.0
Evidence: api.si.edu openaccess v1.0: content.descriptiveNonRepeating.metadata_usage.access=CC0 on record chndm_1938-88-7884 (read 2026-09-01)
Record: https://collection.cooperhewitt.org/view/objects/asitem/id/68914

Also by Unknown

5442

Relief Fragment with a Ship Under Sail, Unknown — Relief Fragment with a Ship Under SailUnknownca. 2465–2458 BCEMetropolitan Museum of Art, New York, NY

Tomb Chapel of Raemkai: South Wall, Unknown — Tomb Chapel of Raemkai: South WallUnknownca. 2446–2389 BCEMetropolitan Museum of Art, New York, NY

West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and Werdjedptah, Unknown — West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and WerdjedptahUnknownca. 2420–2250 BCEMetropolitan Museum of Art, New York, NY

Relief of Nyankhnesut Seated, Unknown — Relief of Nyankhnesut SeatedUnknownc. 2311–2281 BCECleveland Museum of Art

Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching Lion, Unknown — Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh Sign, Unknown — Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh SignUnknownca. 2150–2010 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a Lion, Unknown — Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tail, Unknown — Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tailUnknownca. 2100–2080 B.C.Metropolitan Museum of Art, New York, NY

Within fifty years of ca. 1580

498

Heads of Horses and Unicorns, Follower of Leonardo da Vinci — Heads of Horses and UnicornsFollower of Leonardo da Vinci1530/40The Art Institute of Chicago

Stag Hunt, Lucas Cranach the Elder — Stag HuntLucas Cranach the Eldermid-16th centuryMetropolitan Museum of Art, New York, NY

Armor of Henry II, King of France (reigned 1547–59), Jean Cousin the Elder — Armor of Henry II, King of France (reigned 1547–59)Jean Cousin the Elderca. 1555Metropolitan Museum of Art, New York, NY

Landscape with Saint Jerome and Two Lions, Domenico Campagnola (Italian, 1500–1564) — Landscape with Saint Jerome and Two LionsDomenico Campagnola (Italian, 1500–1564)c. 1530–35Cleveland Museum of Art

Portrait of a Young Man, Bronzino (Agnolo di Cosimo di Mariano) — Portrait of a Young ManBronzino (Agnolo di Cosimo di Mariano)1530sMetropolitan Museum of Art, New York, NY

Sacrifice of Isaac, Lucas Cranach the Elder — Sacrifice of IsaacLucas Cranach the Elder1530Bavarian State Painting Collections

Grotesque Ornament with Satyrs, from a set of twenty ornament panels, Agostino Veneziano, Italian, ca. 1490 - after 1536 — Grotesque Ornament with Satyrs, from a set of twenty ornament panelsAgostino Veneziano, Italian, ca. 1490 - after 1536ca. 1530–1535Cooper Hewitt, Smithsonian Design Museum

The Arms of the Family Kress von Kressenstein, Nuremberg School — The Arms of the Family Kress von KressensteinNuremberg Schoolafter 1530The Art Institute of Chicago

Also at Cooper Hewitt, Smithsonian Design Museum

4938

Ornament Panel with Bird Cage, Nicoletto da Modena, Italian, active 1500 – 1522 — Ornament Panel with Bird CageNicoletto da Modena, Italian, active 1500 – 1522ca. 1507Cooper Hewitt, Smithsonian Design Museum

Ornament Panel Inscribed "Victoria Augusta", Nicoletto da Modena, Italian, active 1500 – 1522 — Ornament Panel Inscribed "Victoria Augusta"Nicoletto da Modena, Italian, active 1500 – 1522ca. 1507Cooper Hewitt, Smithsonian Design Museum

Ornament Panel with Mars, Nicoletto da Modena, Italian, active 1500 – 1522 — Ornament Panel with MarsNicoletto da Modena, Italian, active 1500 – 1522ca. 1507Cooper Hewitt, Smithsonian Design Museum

Abraham and the Three Angels, Lucas van Leyden, Netherlandish, ca. 1494–1533 — Abraham and the Three AngelsLucas van Leyden, Netherlandish, ca. 1494–15331513Cooper Hewitt, Smithsonian Design Museum

Study of a Rearing Horse after Leonardo da Vinci, Francesco Melzi, Italian, 1491 – 1570 — Study of a Rearing Horse after Leonardo da VinciFrancesco Melzi, Italian, 1491 – 1570ca. 1520–25Cooper Hewitt, Smithsonian Design Museum

Portrait of Albrecht of Brandenburg, Albrecht Dürer, German, 1471–1528 — Portrait of Albrecht of BrandenburgAlbrecht Dürer, German, 1471–15281524Cooper Hewitt, Smithsonian Design Museum

Le Retour du Baptesme (Return from the Baptism), Plate IV, from Le Mariage à la Ville (Marriage in the City), Abraham Bosse, French, 1602–1676 — Le Retour du Baptesme (Return from the Baptism), Plate IV, from Le Mariage à la Ville (Marriage in the City)Abraham Bosse, French, 1602–16761633Cooper Hewitt, Smithsonian Design Museum

Study for the Painting Pastoral Journey, Figures and Cattle in a Landscape, Giovanni Benedetto Castiglione, Italian, 1609–1664 — Study for the Painting Pastoral Journey, Figures and Cattle in a LandscapeGiovanni Benedetto Castiglione, Italian, 1609–1664ca. 1633Cooper Hewitt, Smithsonian Design Museum

Similar picturesFound by visual likeness

8 pictures

Other makers only

Visual resemblances suggested by the model. A match does not establish a shared subject or historical connection.

Drawing, Leonardo Scaglia, French, active Italy, 1640 – 1650 — DrawingLeonardo Scaglia, French, active Italy, 1640 – 1650Cooper Hewitt, Smithsonian Design Museum

0.91

Project for a Frieze, Unknown — Project for a FriezeUnknown1550–1600Cooper Hewitt, Smithsonian Design Museum

0.91

Drawing, Leonardo Scaglia, French, active Italy, 1640 – 1650 — DrawingLeonardo Scaglia, French, active Italy, 1640 – 1650Cooper Hewitt, Smithsonian Design Museum

0.91

Drawing, Leonardo Scaglia, French, active Italy, 1640 – 1650 — DrawingLeonardo Scaglia, French, active Italy, 1640 – 1650Cooper Hewitt, Smithsonian Design Museum

0.91

Grotesque Design, Unknown — Grotesque DesignUnknownearly 17th centuryCooper Hewitt, Smithsonian Design Museum

0.91

Stage Design: Palace Architecture, Unknown — Stage Design: Palace ArchitectureUnknown1700–1750Cooper Hewitt, Smithsonian Design Museum

0.90

Study for the Memorial to Giovanni Domenico Milano, Duca di San Giorgio, in the Sacristy of S. Domenico Maggiore, Naples, Italy, Giacomo del Po, Italian, 1652 - 1726 — Study for the Memorial to Giovanni Domenico Milano, Duca di San Giorgio, in the Sacristy of S. Domenico Maggiore, Naples, ItalyGiacomo del Po, Italian, 1652 - 1726ca. 1712Cooper Hewitt, Smithsonian Design Museum

0.90

Drawing, Leonardo Scaglia, French, active Italy, 1640 – 1650 — DrawingLeonardo Scaglia, French, active Italy, 1640 – 1650Cooper Hewitt, Smithsonian Design Museum

0.90

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Made in the sixteenth century, like CRADLE.

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