Perseus with the Head of Medusa, Turning Phineus and his Followers to Stone, Polidoro da Caravaggio

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Credit
Gift of Mrs. Chauncey McCormick and Mrs. Richard E. Danielson. CC0.
Licence
CC0-1.0
Evidence
api.artic.edu artworks api: is_public_domain=true on artwork 42454 (read 2026-09-01)
Record
https://www.artic.edu/artworks/42454
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manifest
Perseus with the Head of Medusa, Turning Phineus and his Followers to Stone, Polidoro da Caravaggio
Perseus with the Head of Medusa, Turning Phineus and his Followers to Stone — Polidoro da Caravaggio1567

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Within fifty years of 1567

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8 pictures

Visual resemblances suggested by the model. A match does not establish a shared subject or historical connection.

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In the stacks

Not yet checked1

Passages in the library’s own holdings that name this maker. The model ranked them; nobody has checked that the name means this person.

  1. Vision and Design · Roger Fry

    But here we come to another curious want of correspondence between art and life, for in art we have a violent revolution, followed by a bitter internecine struggle among artists. This revolution was inaugurated by Caravaggio, who first discovered the surprising emotional possibilities of chiaroscuro and who combined with this a new idea of realism--realism in the modern sense, viz., the literal acceptance of what is coarse, common, squalid or undistinguished in life--realism in the sense of the novelists of Zola’s time. To Caravaggio’s influence we might trace not only
    0.69

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Made in the sixteenth century, like Perseus with the Head of Medusa, Turning Phineus and his Followers to Stone.

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