Design for a Wall Decoration: Representations of the Ascension and of the Conversion of the Ethiopian Eunuch, Giovanni de' Vecchi

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These are claims by the holder and by Wikidata, read 2026-09-04, and join nothing until an editor confirms them.

Holder's headings
Men, Putti, Horses, Chariots

Means

No reading yet.

Rights

Credit
Gift of Cornelius Vanderbilt, 1880
Licence
CC0-1.0
Evidence
metmuseum.org collection api v1: isPublicDomain=true on object 340944 (read 2026-09-01)
Record
https://www.metmuseum.org/art/collection/search/340944
Design for a Wall Decoration: Representations of the Ascension and of the Conversion of the Ethiopian Eunuch, Giovanni de' Vecchi
Design for a Wall Decoration: Representations of the Ascension and of the Conversion of the Ethiopian Eunuch — Giovanni de' Vecchica. 1600

Within fifty years of ca. 1600

649
Buffe (etched with bands of trophies), Unknown
Buffe (etched with bands of trophies)Unknownc. 1550–1600Cleveland Museum of Art
Genius with Alphabet, Hans Sebald Beham, German, 1500–1550
Genius with AlphabetHans Sebald Beham, German, 1500–15501545Cooper Hewitt, Smithsonian Design Museum
Ornamental Foliage with a Mask and a Bowl of Fruit (Autre, offrant au milieu d'en bas un mascaron...) Ornamental Foliage with an Old Man and Two Children, Enea Vico, Italian, 1523–1567
Ornamental Foliage with a Mask and a Bowl of Fruit (Autre, offrant au milieu d'en bas un mascaron...) Ornamental Foliage with an Old Man and Two ChildrenEnea Vico, Italian, 1523–1567ca. 1545Cooper Hewitt, Smithsonian Design Museum
Kay Khosrow Crosses the Sea of Zareh on His Way to China, a scene from the Shahnama of Firdausi, Iran
Kay Khosrow Crosses the Sea of Zareh on His Way to China, a scene from the Shahnama of FirdausiIranSafavid dynasty (1501–1722), about 1550The Art Institute of Chicago
"Misbah the Grocer Brings the Spy Parran to his House", Folio from a Hamzanama (The Adventures of Hamza), Dasavanta
"Misbah the Grocer Brings the Spy Parran to his House", Folio from a Hamzanama (The Adventures of Hamza)Dasavantaca. 1570Metropolitan Museum of Art, New York, NY
Samson and Delilah, Hans Brosamer (German, c. 1500–1554)
Samson and DelilahHans Brosamer (German, c. 1500–1554)1545Cleveland Museum of Art
Alchemiae Gebri Arabis philosophi solertissimi, libri, cum reliquis, ut versa pagella indicabit, Ǧābir Ibn-Ḥaiyān
Alchemiae Gebri Arabis philosophi solertissimi, libri, cum reliquis, ut versa pagella indicabitǦābir Ibn-Ḥaiyān1545Stiftung der Werke von C.G.Jung, Zürich
River Landscape with Three Bare Willow Trees at Right and a Long Winding Wooden Bridge at Center Leading to a Village, Augustin Hirschvogel (German, 1503–1553)
River Landscape with Three Bare Willow Trees at Right and a Long Winding Wooden Bridge at Center Leading to a VillageAugustin Hirschvogel (German, 1503–1553)1546Cleveland Museum of Art

Also at Metropolitan Museum of Art, New York, NY

674
Marble female figure, Bastis Master
Marble female figureBastis Master2600–2400 BCEMetropolitan Museum of Art, New York, NY
Relief Fragment with a Ship Under Sail, Unknown
Relief Fragment with a Ship Under SailUnknownca. 2465–2458 BCEMetropolitan Museum of Art, New York, NY
Tomb Chapel of Raemkai: South Wall, Unknown
Tomb Chapel of Raemkai: South WallUnknownca. 2446–2389 BCEMetropolitan Museum of Art, New York, NY
West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and Werdjedptah, Unknown
West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and WerdjedptahUnknownca. 2420–2250 BCEMetropolitan Museum of Art, New York, NY
Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching Lion, Unknown
Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY
Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh Sign, Unknown
Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh SignUnknownca. 2150–2010 B.C.Metropolitan Museum of Art, New York, NY
Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a Lion, Unknown
Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY
Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tail, Unknown
Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tailUnknownca. 2100–2080 B.C.Metropolitan Museum of Art, New York, NY

Similar picturesFound by visual likeness

8 pictures

Visual resemblances suggested by the model. A match does not establish a shared subject or historical connection.

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0.88
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Next

Made in the sixteenth century, like Design for a Wall Decoration: Representations of the Ascension and of the Conversion of the Ethiopian Eunuch.

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