Skeleton — Unknown, ca. 1550

Skeleton, Unknown

Seen

Not described yet.

Of

No subject recorded yet.

Means

No reading yet.

Rights

Credit: Museum purchase through gift of various donors
Licence: CC0-1.0
Evidence: api.si.edu openaccess v1.0: content.descriptiveNonRepeating.metadata_usage.access=CC0 on record chndm_1901-39-565 (read 2026-09-01)
Record: https://collection.cooperhewitt.org/view/objects/asitem/id/10713

Also by Unknown

5442

Relief Fragment with a Ship Under Sail, Unknown — Relief Fragment with a Ship Under SailUnknownca. 2465–2458 BCEMetropolitan Museum of Art, New York, NY

Tomb Chapel of Raemkai: South Wall, Unknown — Tomb Chapel of Raemkai: South WallUnknownca. 2446–2389 BCEMetropolitan Museum of Art, New York, NY

West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and Werdjedptah, Unknown — West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and WerdjedptahUnknownca. 2420–2250 BCEMetropolitan Museum of Art, New York, NY

Relief of Nyankhnesut Seated, Unknown — Relief of Nyankhnesut SeatedUnknownc. 2311–2281 BCECleveland Museum of Art

Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching Lion, Unknown — Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh Sign, Unknown — Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh SignUnknownca. 2150–2010 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a Lion, Unknown — Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tail, Unknown — Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tailUnknownca. 2100–2080 B.C.Metropolitan Museum of Art, New York, NY

Within fifty years of ca. 1550

378

Salvator Mundi, Albrecht Dürer — Salvator MundiAlbrecht Dürerca. 1505Metropolitan Museum of Art, New York, NY

Man of Sorrows with Arms Outstretched, Albrecht Dürer — Man of Sorrows with Arms OutstretchedAlbrecht Dürerca. 1500Metropolitan Museum of Art, New York, NY

Giuliano de' Medici (1479–1516), Duke of Nemours, Raphael — Giuliano de' Medici (1479–1516), Duke of NemoursRaphaelMetropolitan Museum of Art, New York, NY

Joanna of Aragon, Raphael — Joanna of AragonRaphaeln.d.The Art Institute of Chicago

Saint Agapitus of Praeneste in the Arena; (interior) The Beheading of Saint Agapitus of Praeneste, Swiss Painter — Saint Agapitus of Praeneste in the Arena; (interior) The Beheading of Saint Agapitus of PraenesteSwiss Painterca. 1500–1505Metropolitan Museum of Art, New York, NY

Saint Remigius Replenishing the Barrel of Wine; (interior) Saint Remigius and the Burning Wheat, Swiss Painter — Saint Remigius Replenishing the Barrel of Wine; (interior) Saint Remigius and the Burning WheatSwiss Painterca. 1500–1505Metropolitan Museum of Art, New York, NY

Father Time, Italian — Father TimeItalian1500–1600The Art Institute of Chicago

The Martyrdom of Saint Sebastian, Hans Baldung Grien — The Martyrdom of Saint SebastianHans Baldung Grien1505/07The Art Institute of Chicago

Also at Cooper Hewitt, Smithsonian Design Museum

4973

Saint Jerome, Agostino Carracci, Italian, 1557 – 1602 — Saint JeromeAgostino Carracci, Italian, 1557 – 16021602Cooper Hewitt, Smithsonian Design Museum

Writing Example from Spieghel der Schrijfkonste. Tweede Deel (The Mirror of Art Writing, Second Part), Jan van de Velde I, Netherlandish, 1569–1623 — Writing Example from Spieghel der Schrijfkonste. Tweede Deel (The Mirror of Art Writing, Second Part)Jan van de Velde I, Netherlandish, 1569–16231609Cooper Hewitt, Smithsonian Design Museum

Isometric View of Torra de Ottaggio, Jacques Callot, French, 1592–1635 — Isometric View of Torra de OttaggioJacques Callot, French, 1592–16351610–35Cooper Hewitt, Smithsonian Design Museum

Planometric View of Gani, Jacques Callot, French, 1592–1635 — Planometric View of GaniJacques Callot, French, 1592–16351610–35Cooper Hewitt, Smithsonian Design Museum

Planometric View of Oran, Algeria, Jacques Callot, French, 1592–1635 — Planometric View of Oran, AlgeriaJacques Callot, French, 1592–16351610–35Cooper Hewitt, Smithsonian Design Museum

Planometric View of Mazachebir, Jacques Callot, French, 1592–1635 — Planometric View of MazachebirJacques Callot, French, 1592–16351610–35Cooper Hewitt, Smithsonian Design Museum

Dedication page, from Neüw Grotteßken Buch (New Grotesque Book), Christoph Jamnitzer, German, 1563 - 1618 — Dedication page, from Neüw Grotteßken Buch (New Grotesque Book)Christoph Jamnitzer, German, 1563 - 16181610Cooper Hewitt, Smithsonian Design Museum

Alphabet (Incunabulum page ?), David Roelands, Dutch, b. 1572 — Alphabet (Incunabulum page ?)David Roelands, Dutch, b. 1572ca. 1615Cooper Hewitt, Smithsonian Design Museum

Similar picturesFound by visual likeness

5 pictures

Other makers only

Visual resemblances suggested by the model. A match does not establish a shared subject or historical connection.

A skeleton leaning on a spade. Line engraving by J. Tinney, 1743, after A. Vesalius, 1543., Andreas Vesalius; John Tinney — A skeleton leaning on a spade. Line engraving by J. Tinney, 1743, after A. Vesalius, 1543.Andreas Vesalius; John Tinney1842Wellcome Collection

0.91

An écorché figure seen from behind, with an additional seated figure in the bottom left-hand corner. Line engraving by J. Tinney, 1743, after A. Vesalius, 1543., Andreas Vesalius; John Tinney — An écorché figure seen from behind, with an additional seated figure in the bottom left-hand corner. Line engraving by J. Tinney, 1743, after A. Vesalius, 1543.Andreas Vesalius; John Tinney1842Wellcome Collection

0.87

Spoons, Unknown — SpoonsUnknown1825–50Cooper Hewitt, Smithsonian Design Museum

0.85

A skeleton leaning on an inscribed tombstone, resting his right hand on a skull. Line engraving by J. Tinney, 1743, after A. Vesalius, 1543., Andreas Vesalius; John Tinney — A skeleton leaning on an inscribed tombstone, resting his right hand on a skull. Line engraving by J. Tinney, 1743, after A. Vesalius, 1543.Andreas Vesalius; John Tinney1842Wellcome Collection

0.84

Nude Study of Man Walking, Kenyon Cox, American, 1856–1919 — Nude Study of Man WalkingKenyon Cox, American, 1856–19191880–84Cooper Hewitt, Smithsonian Design Museum

0.84

Next

Made in the sixteenth century, like Skeleton.

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