Designs for Composite Capitals and Bases, Unknown

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Credit
Museum purchase through gift of various donors and from Eleanor G. Hewitt Fund
Licence
CC0-1.0
Evidence
api.si.edu openaccess v1.0: content.descriptiveNonRepeating.metadata_usage.access=CC0 on record chndm_1938-88-4548 (read 2026-09-01)
Record
https://collection.cooperhewitt.org/view/objects/asitem/id/65192
Designs for Composite Capitals and Bases, Unknown
Designs for Composite Capitals and Bases — Unknown1530–1540

Also by Unknown

5442
Relief Fragment with a Ship Under Sail, Unknown
Relief Fragment with a Ship Under SailUnknownca. 2465–2458 BCEMetropolitan Museum of Art, New York, NY
Tomb Chapel of Raemkai: South Wall, Unknown
Tomb Chapel of Raemkai: South WallUnknownca. 2446–2389 BCEMetropolitan Museum of Art, New York, NY
West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and Werdjedptah, Unknown
West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and WerdjedptahUnknownca. 2420–2250 BCEMetropolitan Museum of Art, New York, NY
Relief of Nyankhnesut Seated, Unknown
Relief of Nyankhnesut SeatedUnknownc. 2311–2281 BCECleveland Museum of Art
Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching Lion, Unknown
Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY
Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh Sign, Unknown
Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh SignUnknownca. 2150–2010 B.C.Metropolitan Museum of Art, New York, NY
Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a Lion, Unknown
Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY
Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tail, Unknown
Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tailUnknownca. 2100–2080 B.C.Metropolitan Museum of Art, New York, NY

Within fifty years of 1530–1540

351
Compositional Sketches for the Virgin Adoring the Christ Child, with and without the Infant St. John the Baptist; Diagram of a Perspectival Projection (recto); Slight Doodles (verso), Leonardo da Vinci
Compositional Sketches for the Virgin Adoring the Christ Child, with and without the Infant St. John the Baptist; Diagram of a Perspectival Projection (recto); Slight Doodles (verso)Leonardo da Vinci1480–85Metropolitan Museum of Art, New York, NY
Virgin and Child, Hans Memling
Virgin and ChildHans Memlingc. 1485The Art Institute of Chicago
Portrait of a Donor (recto); Saint Anthony of Padua (verso), Hans Memling
Portrait of a Donor (recto); Saint Anthony of Padua (verso)Hans Memlingc. 1485The Art Institute of Chicago
Saint Christopher Meets Satan; Saint Christopher before the King of Lycia, Martin de Soria
Saint Christopher Meets Satan; Saint Christopher before the King of LyciaMartin de Soria1480–85The Art Institute of Chicago
Left side of a double-page album folio: Outside a Royal Encampment (recto), Bihzad (Iranian, active 1470–1506)
Left side of a double-page album folio: Outside a Royal Encampment (recto)Bihzad (Iranian, active 1470–1506)c. 1485Cleveland Museum of Art
The Annunciation, Hans Memling
The AnnunciationHans Memling1480–89Metropolitan Museum of Art, New York, NY
Martyrdom of Saint Cipriano from Heiligenleben (Lives of the Saints), Plate 18 from Woodcuts from Books of the 15th Century, Master of the Boccaccio Illustrations
Martyrdom of Saint Cipriano from Heiligenleben (Lives of the Saints), Plate 18 from Woodcuts from Books of the 15th CenturyMaster of the Boccaccio Illustrations1481, portfolio assembled 1929The Art Institute of Chicago
[De anima. De intellectu], Albertus
[De anima. De intellectu]Albertus1481Stiftung der Werke von C.G.Jung, Zürich

Also at Cooper Hewitt, Smithsonian Design Museum

4984
Two Series of Jewelry (Pendants) Designs, Hans Collaert the Elder, Flemish, ca. 1530 - 1581
Two Series of Jewelry (Pendants) DesignsHans Collaert the Elder, Flemish, ca. 1530 - 15811581-82Cooper Hewitt, Smithsonian Design Museum
Title Page, Hans Collaert the Elder, Flemish, ca. 1530 - 1581
Title PageHans Collaert the Elder, Flemish, ca. 1530 - 15811582Cooper Hewitt, Smithsonian Design Museum
St John the Baptist in the Wilderness, Jan van der Straet, called Stradanus, Flemish, 1523–1605
St John the Baptist in the WildernessJan van der Straet, called Stradanus, Flemish, 1523–1605ca. 1588Cooper Hewitt, Smithsonian Design Museum
Triumph of Death with three fates in an architectural frame above a wheel of fortune flanked by skeletons; a skull and an hour glass at top and with wheel intended to spin at center, Andrea Andreani, Italian, 1558/1559 - 1629
Triumph of Death with three fates in an architectural frame above a wheel of fortune flanked by skeletons; a skull and an hour glass at top and with wheel intended to spin at centerAndrea Andreani, Italian, 1558/1559 - 16291588Cooper Hewitt, Smithsonian Design Museum
Judith, from the series "Heroes of the Old Testament", Jacob Matham, Netherlandish, 1571–1631
Judith, from the series "Heroes of the Old Testament"Jacob Matham, Netherlandish, 1571–1631ca. 1590Cooper Hewitt, Smithsonian Design Museum
Design for a Centerpiece, Baldassare Peruzzi, Italian, 1481 – 1536
Design for a CenterpieceBaldassare Peruzzi, Italian, 1481 – 15361590–1630Cooper Hewitt, Smithsonian Design Museum
The Visitation, Leonardo Parasole
The VisitationLeonardo Parasole1591Cooper Hewitt, Smithsonian Design Museum
Page from Emblemata nobilitate et vulgo scitu digna (Noble Ornament), Johann Theodor de Bry, German, 1561 - 1623
Page from Emblemata nobilitate et vulgo scitu digna (Noble Ornament)Johann Theodor de Bry, German, 1561 - 16231593Cooper Hewitt, Smithsonian Design Museum

Similar picturesFound by visual likeness

8 pictures

Visual resemblances suggested by the model. A match does not establish a shared subject or historical connection.

Stage Design: Arcade Leading to a Garden, Unknown
Stage Design: Arcade Leading to a GardenUnknownearly 18th centuryCooper Hewitt, Smithsonian Design Museum
0.91
Molding and Ornamentation, Unknown
Molding and OrnamentationUnknown1625–50Cooper Hewitt, Smithsonian Design Museum
0.90
Print, Unknown
PrintUnknownCooper Hewitt, Smithsonian Design Museum
0.90
Sketchbook Page: Ceiling and Architectural Details, Tempio Malatestiano, Rimini, Felice Giani, Italian, 1758–1823
Sketchbook Page: Ceiling and Architectural Details, Tempio Malatestiano, RiminiFelice Giani, Italian, 1758–18231810–20Cooper Hewitt, Smithsonian Design Museum
0.90
Details of Decorative Architecture, Unknown
Details of Decorative ArchitectureUnknown1600–1625Cooper Hewitt, Smithsonian Design Museum
0.90
Panel with the Letter "B" from the "Newes ABC Büechlein", Lukas Kilian, German, 1579 – 1637
Panel with the Letter "B" from the "Newes ABC Büechlein"Lukas Kilian, German, 1579 – 16371627Cooper Hewitt, Smithsonian Design Museum
0.89
Decorative Studies; Verso: Anatomical Studies of Animals and Male Heads, Felice Giani, Italian, 1758–1823
Decorative Studies; Verso: Anatomical Studies of Animals and Male HeadsFelice Giani, Italian, 1758–18231814–18Cooper Hewitt, Smithsonian Design Museum
0.89
Decorative Study; Verso: Anatomical Studies of Heads, Felice Giani, Italian, 1758–1823
Decorative Study; Verso: Anatomical Studies of HeadsFelice Giani, Italian, 1758–18231814–18Cooper Hewitt, Smithsonian Design Museum
0.89

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Made in the sixteenth century, like Designs for Composite Capitals and Bases.

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