Design for a Pavillion — Giuseppe Barberi, Italian, 1746–1809, 1789

Design for a Pavillion, Giuseppe Barberi, Italian, 1746–1809

Seen

Not described yet.

Of

No subject recorded yet.

Means

No reading yet.

Rights

Credit: Museum purchase through gift of various donors and from Eleanor G. Hewitt Fund
Licence: CC0-1.0
Evidence: api.si.edu openaccess v1.0: content.descriptiveNonRepeating.metadata_usage.access=CC0 on record chndm_1938-88-1098 (read 2026-09-01)
Record: https://collection.cooperhewitt.org/view/objects/asitem/id/61312

Also by Giuseppe Barberi, Italian, 1746–1809

168

Pillar strip, Giuseppe Barberi, Italian, 1746–1809 — Pillar stripGiuseppe Barberi, Italian, 1746–18091700–1800Cooper Hewitt, Smithsonian Design Museum

Three sepulchral monuments, Giuseppe Barberi, Italian, 1746–1809 — Three sepulchral monumentsGiuseppe Barberi, Italian, 1746–18091746-1809Cooper Hewitt, Smithsonian Design Museum

Frame, Giuseppe Barberi, Italian, 1746–1809 — FrameGiuseppe Barberi, Italian, 1746–18091746–1809Cooper Hewitt, Smithsonian Design Museum

Frames, Giuseppe Barberi, Italian, 1746–1809 — FramesGiuseppe Barberi, Italian, 1746–18091746–1809Cooper Hewitt, Smithsonian Design Museum

Elevation of a chapel, Giuseppe Barberi, Italian, 1746–1809 — Elevation of a chapelGiuseppe Barberi, Italian, 1746–18091746-1809Cooper Hewitt, Smithsonian Design Museum

Timepiece, Giuseppe Barberi, Italian, 1746–1809 — TimepieceGiuseppe Barberi, Italian, 1746–18091746–1809Cooper Hewitt, Smithsonian Design Museum

Interior elevation of a building, Giuseppe Barberi, Italian, 1746–1809 — Interior elevation of a buildingGiuseppe Barberi, Italian, 1746–18091746–1809Cooper Hewitt, Smithsonian Design Museum

Sofa, Giuseppe Barberi, Italian, 1746–1809 — SofaGiuseppe Barberi, Italian, 1746–18091746–1809Cooper Hewitt, Smithsonian Design Museum

Within fifty years of 1789

3092

DÉCORATION DU SALON COMPOSÉ DE TRANSPARENTS. Qui a eté élevé sur deux batteaux placés sur la Seine le 29 Aoust 1739, jour de l’illumination et des Feux d’Artifice ordonnez par Monsieur Turgot Prevôt des Marchand et Messieurs les Echevins de la Ville de Paris, Exécutée sur les desseins du Chevalier Servandony, et rempli par les Musiciens qui ont Conserté devant leurs Majestez, aussitost qu’elle ont été placées sur le Trône qui leur avoit été dressé au pavillon du Jardin de l’Infante, vis-à-vis du quel étoit ce Salon, François Baillieul, French, 1697? – 1754 — DÉCORATION DU SALON COMPOSÉ DE TRANSPARENTS. Qui a eté élevé sur deux batteaux placés sur la Seine le 29 Aoust 1739, jour de l’illumination et des Feux d’Artifice ordonnez par Monsieur Turgot Prevôt des Marchand et Messieurs les Echevins de la Ville de Paris, Exécutée sur les desseins du Chevalier Servandony, et rempli par les Musiciens qui ont Conserté devant leurs Majestez, aussitost qu’elle ont été placées sur le Trône qui leur avoit été dressé au pavillon du Jardin de l’Infante, vis-à-vis du quel étoit ce SalonFrançois Baillieul, French, 1697? – 1754after 1739Cooper Hewitt, Smithsonian Design Museum

DECORATION EXTERIEURE DE L’EDIFICE DU CÔTÉ DE LA RIVIERE ELEVÉ AU MOIS D’AOUST 1739. Sur la Terrasse ou est placée la Statüe Equestre de Henry IV au Pont Neuf, a l’occasion du mariage de Madame de France et de Dom Philippe II Infant d’Espagne Sous les ordres de Monsieur Turgot Conseiller d’Etat, Prevost des Marchands et Messieurs les Echevins de la Ville de Paris. Sur les Desseins et Conduitte du Chevalier Servandony Architecte et Peintre du Roy., Jacques-François Blondel, French, 1705–1774 — DECORATION EXTERIEURE DE L’EDIFICE DU CÔTÉ DE LA RIVIERE ELEVÉ AU MOIS D’AOUST 1739. Sur la Terrasse ou est placée la Statüe Equestre de Henry IV au Pont Neuf, a l’occasion du mariage de Madame de France et de Dom Philippe II Infant d’Espagne Sous les ordres de Monsieur Turgot Conseiller d’Etat, Prevost des Marchands et Messieurs les Echevins de la Ville de Paris. Sur les Desseins et Conduitte du Chevalier Servandony Architecte et Peintre du Roy.Jacques-François Blondel, French, 1705–1774after 1739Cooper Hewitt, Smithsonian Design Museum

Design for an Ornamental Border Used for the Surround to the General Chart in John Pine's "Tapestry Hangings in the House of Lords", Gravelot, French, 1699 - 1773, active in England — Design for an Ornamental Border Used for the Surround to the General Chart in John Pine's "Tapestry Hangings in the House of Lords"Gravelot, French, 1699 - 1773, active in Englandca. 1739Cooper Hewitt, Smithsonian Design Museum

Study for "The Martyrdom of Saint Sebastian" (for the Augustinian monastery at Diessen, Germany), Giovanni Battista Tiepolo (Italian, 1696–1770) — Study for "The Martyrdom of Saint Sebastian" (for the Augustinian monastery at Diessen, Germany)Giovanni Battista Tiepolo (Italian, 1696–1770)1739Cleveland Museum of Art

Fragment, France — FragmentFrancec. 1750The Art Institute of Chicago

Drawing, Nude, Domenico Corvi, Italian, 1721 - 1803 — Drawing, NudeDomenico Corvi, Italian, 1721 - 1803ca. 1740Cooper Hewitt, Smithsonian Design Museum

Floral Design, Unknown — Floral DesignUnknown1740–70Cooper Hewitt, Smithsonian Design Museum

Title-page from Neüe Inventiones von Chinesischen Zierrathen, zu untershiedlichem Gebrauch, Erster Theil, Bellay, French, active from 1734 — Title-page from Neüe Inventiones von Chinesischen Zierrathen, zu untershiedlichem Gebrauch, Erster TheilBellay, French, active from 1734ca. 1740-1762Cooper Hewitt, Smithsonian Design Museum

Also at Cooper Hewitt, Smithsonian Design Museum

7271

Tiraz fragment, Unknown — Tiraz fragmentUnknownca. 1000Cooper Hewitt, Smithsonian Design Museum

Textile, Unknown — TextileUnknown700–1000Cooper Hewitt, Smithsonian Design Museum

Textile, Unknown — TextileUnknown500–1000Cooper Hewitt, Smithsonian Design Museum

Textile, Unknown — TextileUnknown1000–1450Cooper Hewitt, Smithsonian Design Museum

Vessel, Unknown — VesselUnknown500–1000Cooper Hewitt, Smithsonian Design Museum

Vessel, Unknown — VesselUnknown500–1000Cooper Hewitt, Smithsonian Design Museum

Textile, Unknown — TextileUnknown1100–1400Cooper Hewitt, Smithsonian Design Museum

Textile, Unknown — TextileUnknown1100–1500Cooper Hewitt, Smithsonian Design Museum

Similar picturesFound by visual likeness

8 pictures

Other makers only

Visual resemblances suggested by the model. A match does not establish a shared subject or historical connection.

Country House for a Literary Gentleman, Mario Asprucci The Younger, Italian, 1764 – 1804 — Country House for a Literary GentlemanMario Asprucci The Younger, Italian, 1764 – 18041764-1804Cooper Hewitt, Smithsonian Design Museum

0.88

Print, Unknown — PrintUnknownCooper Hewitt, Smithsonian Design Museum

0.87

Church, Monte Vergine, Giuseppe Barberi, Italian, 1746–1809 — Church, Monte VergineGiuseppe Barberi, Italian, 1746–18091746-1809Cooper Hewitt, Smithsonian Design Museum

0.87

Print, Unknown — PrintUnknownCooper Hewitt, Smithsonian Design Museum

0.87

Elevation of a church, Giuseppe Barberi, Italian, 1746–1809 — Elevation of a churchGiuseppe Barberi, Italian, 1746–18091746-1809Cooper Hewitt, Smithsonian Design Museum

0.87

Print, Unknown — PrintUnknownCooper Hewitt, Smithsonian Design Museum

0.87

Elevation of the Facade of the Theater, St. Petersburg, Cesare Recanatini, Italian, 1823–1893 — Elevation of the Facade of the Theater, St. PetersburgCesare Recanatini, Italian, 1823–1893ca. 1860Cooper Hewitt, Smithsonian Design Museum

0.87

Print, Unknown — PrintUnknownCooper Hewitt, Smithsonian Design Museum

0.87

Next

Giuseppe Barberi, Italian, 1746–1809 made Design for a Pavillion, and made these too.

Made in the eighteenth century, like Design for a Pavillion.

Study of the Lamentation on the Dead Christ1780
The Sacrifice of Isaac1754
Sacrifice of Isaac1750
The Sacrifice of Isaac1750

0:00–0:00