Head of a Man in Profile Facing to the Left — Leonardo da Vinci, 1490–94

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These are claims by the holder and by Wikidata, read 2026-09-04, and join nothing until an editor confirms them.

Holder's headings: Heads, Men, Profiles

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Credit: Rogers Fund, 1909
Licence: CC0-1.0
Evidence: metmuseum.org collection api v1: isPublicDomain=true on object 339116 (read 2026-08-27)
Record: https://www.metmuseum.org/art/collection/search/339116

Also by Leonardo da Vinci

6

A Bear Walking, Leonardo da Vinci — A Bear WalkingLeonardo da Vincica. 1482–85Metropolitan Museum of Art, New York, NY

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Allegory on the Fidelity of the Lizard (recto); Design for a Stage Setting (verso), Leonardo da Vinci — Allegory on the Fidelity of the Lizard (recto); Design for a Stage Setting (verso)Leonardo da Vinci1496Metropolitan Museum of Art, New York, NY

Divina proportione, Leonardo da Vinci — Divina proportioneLeonardo da VinciJune 1, 1509Metropolitan Museum of Art, New York, NY

Divine Proportion, Leonardo da Vinci — Divine ProportionLeonardo da VinciVenice: Paganinus de Paganinus, 1509The Art Institute of Chicago

The Head of the Virgin in Three-Quarter View Facing Right, Leonardo da Vinci — The Head of the Virgin in Three-Quarter View Facing RightLeonardo da Vinci1510–13Metropolitan Museum of Art, New York, NY

Within fifty years of 1490–94

310

Saint Lawrence Enthroned with Saints and Donors, Fra Filippo Lippi — Saint Lawrence Enthroned with Saints and DonorsFra Filippo Lippi1440sMetropolitan Museum of Art, New York, NY

Clouds over the River before Rain 溪雲欲雨圖, Shen Zhou — Clouds over the River before Rain 溪雲欲雨圖Shen ZhouMing dynasty (1368–1644), dated 1504The Art Institute of Chicago

Saint John the Baptist in a Landscape, Petrus Christus (Netherlandish, c. 1410–1475/76) — Saint John the Baptist in a LandscapePetrus Christus (Netherlandish, c. 1410–1475/76)c. 1445Cleveland Museum of Art

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Adoration of the Magi, Konrad Laib (German) — Adoration of the MagiKonrad Laib (German)early 1440sCleveland Museum of Art

The Triumph of Fame; (reverse) Impresa of the Medici Family and Arms of the Medici and Tornabuoni Families, Giovanni di ser Giovanni Guidi (called Scheggia) — The Triumph of Fame; (reverse) Impresa of the Medici Family and Arms of the Medici and Tornabuoni FamiliesGiovanni di ser Giovanni Guidi (called Scheggia)ca. 1449Metropolitan Museum of Art, New York, NY

Also at Metropolitan Museum of Art, New York, NY

694

Marble female figure, Bastis Master — Marble female figureBastis Master2600–2400 BCEMetropolitan Museum of Art, New York, NY

Relief Fragment with a Ship Under Sail, Unknown — Relief Fragment with a Ship Under SailUnknownca. 2465–2458 BCEMetropolitan Museum of Art, New York, NY

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West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and Werdjedptah, Unknown — West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and WerdjedptahUnknownca. 2420–2250 BCEMetropolitan Museum of Art, New York, NY

Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching Lion, Unknown — Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY

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Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a Lion, Unknown — Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tail, Unknown — Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tailUnknownca. 2100–2080 B.C.Metropolitan Museum of Art, New York, NY

Similar picturesFound by visual likeness

8 pictures

Other makers only

Visual resemblances suggested by the model. A match does not establish a shared subject or historical connection.

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Next

Made in the fifteenth century, like Head of a Man in Profile Facing to the Left.

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