The Adoration of the Magi — Giovanni Battista Tiepolo (Italian, 1696–1770), c. 1740

The Adoration of the Magi, Giovanni Battista Tiepolo (Italian, 1696–1770)

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Credit: Dudley P. Allen Fund
Licence: CC0-1.0
Evidence: openaccess-api.clevelandart.org: share_license_status=CC0 on artwork 123965 (read 2026-09-01)
Record: https://clevelandart.org/art/1944.474

Also by Giovanni Battista Tiepolo (Italian, 1696–1770)

7

The Last Communion of St. Jerome, Giovanni Battista Tiepolo (Italian, 1696–1770) — The Last Communion of St. JeromeGiovanni Battista Tiepolo (Italian, 1696–1770)c. 1726Cleveland Museum of Art

Flight into Egypt: The Embarkment of the Holy Family, Giovanni Battista Tiepolo (Italian, 1696–1770) — Flight into Egypt: The Embarkment of the Holy FamilyGiovanni Battista Tiepolo (Italian, 1696–1770)c. 1735Cleveland Museum of Art

Study for "The Martyrdom of Saint Sebastian" (for the Augustinian monastery at Diessen, Germany), Giovanni Battista Tiepolo (Italian, 1696–1770) — Study for "The Martyrdom of Saint Sebastian" (for the Augustinian monastery at Diessen, Germany)Giovanni Battista Tiepolo (Italian, 1696–1770)1739Cleveland Museum of Art

Male(?) Figure Seen from Below, Giovanni Battista Tiepolo (Italian, 1696–1770) — Male(?) Figure Seen from BelowGiovanni Battista Tiepolo (Italian, 1696–1770)c. 1740sCleveland Museum of Art

Scherzi di Fantasia: Magician Pointing Out a Burning Head to Two Youths, Giovanni Battista Tiepolo (Italian, 1696–1770) — Scherzi di Fantasia: Magician Pointing Out a Burning Head to Two YouthsGiovanni Battista Tiepolo (Italian, 1696–1770)1750–60Cleveland Museum of Art

The Head of a Young Man Looking Upwards to the Right, Giovanni Battista Tiepolo (Italian, 1696–1770) — The Head of a Young Man Looking Upwards to the RightGiovanni Battista Tiepolo (Italian, 1696–1770)before 1752Cleveland Museum of Art

Sketch for a Ceiling, Giovanni Battista Tiepolo (Italian, 1696–1770) — Sketch for a CeilingGiovanni Battista Tiepolo (Italian, 1696–1770)1750sCleveland Museum of Art

Within fifty years of c. 1740

2309

Clock with pedestal, André Charles Boulle — Clock with pedestalAndré Charles Boulleca. 1690Metropolitan Museum of Art, New York, NY

Alexander Danilovich Menshikov (1673–1729), Unknown — Alexander Danilovich Menshikov (1673–1729)Unknownprobably shortly before 1704Metropolitan Museum of Art, New York, NY

Abraham Preparing to Sacrifice Isaac, Giovanni Antonio Burrini — Abraham Preparing to Sacrifice IsaacGiovanni Antonio Burrini1685Department of Paintings of the Louvre

Macchina delle 40 ore, Andrea Pozzo, Italian, 1642–1709 — Macchina delle 40 oreAndrea Pozzo, Italian, 1642–17091685–1700Cooper Hewitt, Smithsonian Design Museum

Figural Letter, Capital A, Juan Dolívar, Spanish, active in France, 1641–1692 — Figural Letter, Capital AJuan Dolívar, Spanish, active in France, 1641–16921685–1692Cooper Hewitt, Smithsonian Design Museum

LA COLONNADE DE VERSAILLES, Adam Perelle, French, 1638 – 1695 — LA COLONNADE DE VERSAILLESAdam Perelle, French, 1638 – 16951685–1703Cooper Hewitt, Smithsonian Design Museum

Livre Curieux et Utile pour Les Sçavans, et Artists. Composé de trois Alphabets de Chiffres, Simples, doubles et triples., Nicolas Verien, French, active 1685 – 1724 — Livre Curieux et Utile pour Les Sçavans, et Artists. Composé de trois Alphabets de Chiffres, Simples, doubles et triples.Nicolas Verien, French, active 1685 – 17241685Cooper Hewitt, Smithsonian Design Museum

Livre Curieux et Utile pour Les Sçavans, et Artists. Composé de trois Alphabets de Chiffres, Simples, doubles et triples., Nicolas Verien, French, active 1685 – 1724 — Livre Curieux et Utile pour Les Sçavans, et Artists. Composé de trois Alphabets de Chiffres, Simples, doubles et triples.Nicolas Verien, French, active 1685 – 17241685Cooper Hewitt, Smithsonian Design Museum

Also at Cleveland Museum of Art

607

Relief of Nyankhnesut Seated, Unknown — Relief of Nyankhnesut SeatedUnknownc. 2311–2281 BCECleveland Museum of Art

Stele of Shemai, Unknown — Stele of ShemaiUnknownc. 1960–1916 BCECleveland Museum of Art

Relief of Hatshepsut or Tuthmosis III, Unknown — Relief of Hatshepsut or Tuthmosis IIIUnknown1479–1425 BCECleveland Museum of Art

Talatat: Portrait of Nefertiti, Unknown — Talatat: Portrait of NefertitiUnknownc. 1353–1347 BCECleveland Museum of Art

Talatat: Portrait of Nefertiti, Unknown — Talatat: Portrait of NefertitiUnknownc. 1353–1347 BCECleveland Museum of Art

Talatat: Nefertiti Offers to the Aten, Unknown — Talatat: Nefertiti Offers to the AtenUnknown1353–1347 BCECleveland Museum of Art

Tomb Relief of the Chief Physician Amenhotep and Family, Unknown — Tomb Relief of the Chief Physician Amenhotep and FamilyUnknownc. 1279–1257 BCECleveland Museum of Art

Stele of the High Priest of Ptah, Shedsunefertem, Unknown — Stele of the High Priest of Ptah, ShedsunefertemUnknown945–924 BCECleveland Museum of Art

Similar picturesFound by visual likeness

8 pictures

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Visual resemblances suggested by the model. A match does not establish a shared subject or historical connection.

Clement XI Vesting His Niece as Nun, Francesco Solimena, Italian, 1657–1747 — Clement XI Vesting His Niece as NunFrancesco Solimena, Italian, 1657–1747ca. 1700Cooper Hewitt, Smithsonian Design Museum

0.88

Seated Youth Leaning Against an Urn, Giovanni Battista Tiepolo — Seated Youth Leaning Against an UrnGiovanni Battista Tiepolopublished 1785National Gallery of Art

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Flight into Egypt: The Embarkment of the Holy Family, Giovanni Battista Tiepolo (Italian, 1696–1770) — Flight into Egypt: The Embarkment of the Holy FamilyGiovanni Battista Tiepolo (Italian, 1696–1770)c. 1735Cleveland Museum of Art

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0.84

Saint Hubert, Unknown — Saint HubertUnknown1700–1750Cooper Hewitt, Smithsonian Design Museum

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Design for an Ovoidal Painting: Temperance, Giacomo Zampa, Italian, 1731 - 1808 — Design for an Ovoidal Painting: TemperanceGiacomo Zampa, Italian, 1731 - 1808ca. 1780Cooper Hewitt, Smithsonian Design Museum

0.84

Sketch, Exterior Scene with Figures at Work or in Combat, Fortunato Duranti, Italian, 1787 - 1863 — Sketch, Exterior Scene with Figures at Work or in CombatFortunato Duranti, Italian, 1787 - 18631820–1850Cooper Hewitt, Smithsonian Design Museum

0.84

Cartoons of Death of Ananias and St. Paul, after Raphael, Felice Giani, Italian, 1758–1823 — Cartoons of Death of Ananias and St. Paul, after RaphaelFelice Giani, Italian, 1758–1823ca. 1820Cooper Hewitt, Smithsonian Design Museum

0.84

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Made in the eighteenth century, like The Adoration of the Magi.

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