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- Holder's headings
- Men, Lizards, Stage Design
Allegory on the Fidelity of the Lizard (recto); Design for a Stage Setting (verso) — Leonardo da Vinci1496Also by Leonardo da Vinci
6
A Bear WalkingLeonardo da Vincica. 1482–85Metropolitan Museum of Art, New York, NY
Compositional Sketches for the Virgin Adoring the Christ Child, with and without the Infant St. John the Baptist; Diagram of a Perspectival Projection (recto); Slight Doodles (verso)Leonardo da Vinci1480–85Metropolitan Museum of Art, New York, NY
Head of a Man in Profile Facing to the LeftLeonardo da Vinci1490–94Metropolitan Museum of Art, New York, NY
Divina proportioneLeonardo da VinciJune 1, 1509Metropolitan Museum of Art, New York, NY
Divine ProportionLeonardo da VinciVenice: Paganinus de Paganinus, 1509The Art Institute of Chicago
The Head of the Virgin in Three-Quarter View Facing RightLeonardo da Vinci1510–13Metropolitan Museum of Art, New York, NYWithin fifty years of 1496
315
The Right Hand of God Protecting the Faithful against the DemonsJean Fouquetca. 1452–60Metropolitan Museum of Art, New York, NY
Madonna and Child with AngelsAntonio Rossellinoca. 1455–60Metropolitan Museum of Art, New York, NY
Minature Handled Bowl with Textile-like DesignInca1450–1532The Art Institute of Chicago
Ritual Impersonator of the Deity Xipe TotecMexica (Aztec)1450–1500The Art Institute of Chicago
Manuscript Leaf with the Trinity in an Initial G, from an AntiphonaryMaster of the Riccardiana Lactantiussecond half 15th centuryMetropolitan Museum of Art, New York, NY
Saint John the BaptistJan Crocq (Netherlandish, act. 1486–1510)c. 1500Cleveland Museum of Art
The Adoration of the ShepherdsAndrea Mantegnashortly after 1450Metropolitan Museum of Art, New York, NY
Leaf from a Book of Hours: Office of the Dead: Angel Chasing a Devil (recto)Coëtivy Master (French)c. 1460Cleveland Museum of ArtAlso at Metropolitan Museum of Art, New York, NY
697
Marble female figureBastis Master2600–2400 BCEMetropolitan Museum of Art, New York, NY
Relief Fragment with a Ship Under SailUnknownca. 2465–2458 BCEMetropolitan Museum of Art, New York, NY
Tomb Chapel of Raemkai: South WallUnknownca. 2446–2389 BCEMetropolitan Museum of Art, New York, NY
West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and WerdjedptahUnknownca. 2420–2250 BCEMetropolitan Museum of Art, New York, NY
Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY
Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh SignUnknownca. 2150–2010 B.C.Metropolitan Museum of Art, New York, NY
Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY
Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tailUnknownca. 2100–2080 B.C.Metropolitan Museum of Art, New York, NYSimilar picturesFound by visual likeness
8 picturesVisual resemblances suggested by the model. A match does not establish a shared subject or historical connection.
Ceiling DesignFedele Fischetti, Italian, 1734 - 1789ca. 1760–89Cooper Hewitt, Smithsonian Design Museum0.91
PrintJean-Baptiste Pillement, French, 1728–1808Cooper Hewitt, Smithsonian Design Museum0.87
Study of Three FiguresCarlo Maratti, Italian, 1625 - 171317th-19th centuryCooper Hewitt, Smithsonian Design Museum0.87
Study of Two PuttiFrancesco Solimena, Italian, 1657–17471689–94Cooper Hewitt, Smithsonian Design Museum0.86
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Made in the fifteenth century, like Allegory on the Fidelity of the Lizard (recto); Design for a Stage Setting (verso).