Lucretia, Raphael (Raffaello Sanzio or Santi)

Seen

Not described yet.


Of

These are claims by the holder and by Wikidata, read 2026-09-04, and join nothing until an editor confirms them.

Holder's headings
Women
Wikidata depicts
woman, Lucretia

Means

No reading yet.


Rights

Credit
Purchase, Lila Acheson Wallace Gift, 1997
Licence
CC0-1.0
Evidence
metmuseum.org collection api v1: isPublicDomain=true on object 337075 (read 2026-08-27)
Record
https://www.metmuseum.org/art/collection/search/337075
Lucretia, Raphael (Raffaello Sanzio or Santi)
Lucretia — Raphael (Raffaello Sanzio or Santi)1508–10

Also by Raphael (Raffaello Sanzio or Santi)

3
Madonna and Child Enthroned with Saints, Raphael (Raffaello Sanzio or Santi)
Madonna and Child Enthroned with SaintsRaphael (Raffaello Sanzio or Santi)ca. 1504Metropolitan Museum of Art, New York, NY
The Agony in the Garden, Raphael (Raffaello Sanzio or Santi)
The Agony in the GardenRaphael (Raffaello Sanzio or Santi)ca. 1504Metropolitan Museum of Art, New York, NY
Venus and Adonis from a set of Mythological Subjects after Raphael, Raphael (Raffaello Sanzio or Santi)
Venus and Adonis from a set of Mythological Subjects after RaphaelRaphael (Raffaello Sanzio or Santi)designed 1686, woven 1686–90Metropolitan Museum of Art, New York, NY

Within fifty years of 1508–10

374
[Printed vellum page from the first book printed in small type. 1459], Unknown
[Printed vellum page from the first book printed in small type. 1459]Unknown1459.Library of Congress
Bifolio from a Book of Hours: Initial V with Floral Border (recto), Unknown
Bifolio from a Book of Hours: Initial V with Floral Border (recto)Unknownc. 1460–1500Cleveland Museum of Art
The Prophet Amos, Baccio Baldini
The Prophet AmosBaccio Baldinic. 1470The Art Institute of Chicago
Book of Hours (Use of Rouen), Master of the Geneva Latini (French, active Rouen, 1460–80)
Book of Hours (Use of Rouen)Master of the Geneva Latini (French, active Rouen, 1460–80)c. 1470Cleveland Museum of Art
Tommaso di Folco Portinari (1428–1501); Maria Portinari (Maria Maddalena Baroncelli, born 1456), Hans Memling
Tommaso di Folco Portinari (1428–1501); Maria Portinari (Maria Maddalena Baroncelli, born 1456)Hans Memlingca. 1470Metropolitan Museum of Art, New York, NY
A Bridal Couple, Unknown
A Bridal CoupleUnknownc. 1470Cleveland Museum of Art
The Flight into Egypt, Martin Schongauer (German, c. 1450–1491)
The Flight into EgyptMartin Schongauer (German, c. 1450–1491)1470–74Cleveland Museum of Art
The Birth of the Virgin, Fra Carnevale (Bartolomeo di Giovanni Corradini)
The Birth of the VirginFra Carnevale (Bartolomeo di Giovanni Corradini)1467Metropolitan Museum of Art, New York, NY

Also at Metropolitan Museum of Art, New York, NY

690
Marble female figure, Bastis Master
Marble female figureBastis Master2600–2400 BCEMetropolitan Museum of Art, New York, NY
Relief Fragment with a Ship Under Sail, Unknown
Relief Fragment with a Ship Under SailUnknownca. 2465–2458 BCEMetropolitan Museum of Art, New York, NY
Tomb Chapel of Raemkai: South Wall, Unknown
Tomb Chapel of Raemkai: South WallUnknownca. 2446–2389 BCEMetropolitan Museum of Art, New York, NY
West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and Werdjedptah, Unknown
West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and WerdjedptahUnknownca. 2420–2250 BCEMetropolitan Museum of Art, New York, NY
Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching Lion, Unknown
Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY
Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh Sign, Unknown
Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh SignUnknownca. 2150–2010 B.C.Metropolitan Museum of Art, New York, NY
Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a Lion, Unknown
Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY
Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tail, Unknown
Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tailUnknownca. 2100–2080 B.C.Metropolitan Museum of Art, New York, NY

Similar picturesFound by visual likeness

8 pictures

Visual resemblances suggested by the model. A match does not establish a shared subject or historical connection.

Running female figure, Jean-Robert Ango, French, active in Rome 1759 –1770, d. 1773
Running female figureJean-Robert Ango, French, active in Rome 1759 –1770, d. 1773ca. 1759–70Cooper Hewitt, Smithsonian Design Museum
0.91
St. Sebastian Fettered to a Tree, Unknown
St. Sebastian Fettered to a TreeUnknown1800–1830Cooper Hewitt, Smithsonian Design Museum
0.89
Classical Figure, Minardi Tommaso, Italian, 1787 - 1871
Classical FigureMinardi Tommaso, Italian, 1787 - 18711850–1900Cooper Hewitt, Smithsonian Design Museum
0.88
Figural Study, Pietro da Cortona, Italian, 1596 - 1669
Figural StudyPietro da Cortona, Italian, 1596 - 16691596–1669Cooper Hewitt, Smithsonian Design Museum
0.88
Angel, Francesco Allegrini, Italian, 1729 – after 1773
AngelFrancesco Allegrini, Italian, 1729 – after 17731630-1660Cooper Hewitt, Smithsonian Design Museum
0.88
Drawing, Leonardo Scaglia, French, active Italy, 1640 – 1650
DrawingLeonardo Scaglia, French, active Italy, 1640 – 16501650-1675Cooper Hewitt, Smithsonian Design Museum
0.88
Guard Drawing His Sword, Raphael
Guard Drawing His SwordRaphaeln.d.The Art Institute of Chicago
0.88
Drawing, Felice Giani, Italian, 1758–1823
DrawingFelice Giani, Italian, 1758–1823Cooper Hewitt, Smithsonian Design Museum
0.88

Next

Made in the sixteenth century, like Lucretia.

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