Escutcheon as an overdoor — Giuseppe Barberi, Italian, 1746–1809, ca. 1775

Escutcheon as an overdoor, Giuseppe Barberi, Italian, 1746–1809

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Rights

Credit: Museum purchase through gift of various donors and from Eleanor G. Hewitt Fund
Licence: CC0-1.0
Evidence: api.si.edu openaccess v1.0: content.descriptiveNonRepeating.metadata_usage.access=CC0 on record chndm_1938-88-1824 (read 2026-09-01)
Record: https://collection.cooperhewitt.org/view/objects/asitem/id/62137

Also by Giuseppe Barberi, Italian, 1746–1809

168

Pillar strip, Giuseppe Barberi, Italian, 1746–1809 — Pillar stripGiuseppe Barberi, Italian, 1746–18091700–1800Cooper Hewitt, Smithsonian Design Museum

Three sepulchral monuments, Giuseppe Barberi, Italian, 1746–1809 — Three sepulchral monumentsGiuseppe Barberi, Italian, 1746–18091746-1809Cooper Hewitt, Smithsonian Design Museum

Frame, Giuseppe Barberi, Italian, 1746–1809 — FrameGiuseppe Barberi, Italian, 1746–18091746–1809Cooper Hewitt, Smithsonian Design Museum

Frames, Giuseppe Barberi, Italian, 1746–1809 — FramesGiuseppe Barberi, Italian, 1746–18091746–1809Cooper Hewitt, Smithsonian Design Museum

Elevation of a chapel, Giuseppe Barberi, Italian, 1746–1809 — Elevation of a chapelGiuseppe Barberi, Italian, 1746–18091746-1809Cooper Hewitt, Smithsonian Design Museum

Timepiece, Giuseppe Barberi, Italian, 1746–1809 — TimepieceGiuseppe Barberi, Italian, 1746–18091746–1809Cooper Hewitt, Smithsonian Design Museum

Interior elevation of a building, Giuseppe Barberi, Italian, 1746–1809 — Interior elevation of a buildingGiuseppe Barberi, Italian, 1746–18091746–1809Cooper Hewitt, Smithsonian Design Museum

Sofa, Giuseppe Barberi, Italian, 1746–1809 — SofaGiuseppe Barberi, Italian, 1746–18091746–1809Cooper Hewitt, Smithsonian Design Museum

Within fifty years of ca. 1775

2994

Fan (Vernis Martin Type), France — Fan (Vernis Martin Type)FranceLouis XV period (1715–1774), 1725–1774The Art Institute of Chicago

Fork with Silver Handle, Unknown — Fork with Silver HandleUnknown1725–1750Cooper Hewitt, Smithsonian Design Museum

Left Hand of Moses, Michelangelo Buonarroti — Left Hand of MosesMichelangelo Buonarroti1725/30The Art Institute of Chicago

Sidewall, Unknown — SidewallUnknownca. 1725Cooper Hewitt, Smithsonian Design Museum

Proscenium and Plan for a Stage, Unknown, Italian — Proscenium and Plan for a StageUnknown, Italian1725–50Cooper Hewitt, Smithsonian Design Museum

Design for a Hanging Console, Unknown — Design for a Hanging ConsoleUnknown1725–1750Cooper Hewitt, Smithsonian Design Museum

Drawing, Unknown — DrawingUnknown1725–1750Cooper Hewitt, Smithsonian Design Museum

Fragment of a wreath with monograph of Christ, Unknown — Fragment of a wreath with monograph of ChristUnknown1725–77Cooper Hewitt, Smithsonian Design Museum

Also at Cooper Hewitt, Smithsonian Design Museum

7335

Tiraz fragment, Unknown — Tiraz fragmentUnknownca. 1000Cooper Hewitt, Smithsonian Design Museum

Textile, Unknown — TextileUnknown700–1000Cooper Hewitt, Smithsonian Design Museum

Textile, Unknown — TextileUnknown500–1000Cooper Hewitt, Smithsonian Design Museum

Textile, Unknown — TextileUnknown1000–1450Cooper Hewitt, Smithsonian Design Museum

Vessel, Unknown — VesselUnknown500–1000Cooper Hewitt, Smithsonian Design Museum

Vessel, Unknown — VesselUnknown500–1000Cooper Hewitt, Smithsonian Design Museum

Textile, Unknown — TextileUnknown1100–1400Cooper Hewitt, Smithsonian Design Museum

Textile, Unknown — TextileUnknown1100–1500Cooper Hewitt, Smithsonian Design Museum

Similar picturesFound by visual likeness

8 pictures

Other makers only

Visual resemblances suggested by the model. A match does not establish a shared subject or historical connection.

Drawing, Leonardo Scaglia, French, active Italy, 1640 – 1650 — DrawingLeonardo Scaglia, French, active Italy, 1640 – 1650Cooper Hewitt, Smithsonian Design Museum

0.91

Tablet and an escutcheon, Giuseppe Barberi, Italian, 1746–1809 — Tablet and an escutcheonGiuseppe Barberi, Italian, 1746–18091780–1800Cooper Hewitt, Smithsonian Design Museum

0.90

Drawing, Leonardo Scaglia, French, active Italy, 1640 – 1650 — DrawingLeonardo Scaglia, French, active Italy, 1640 – 1650Cooper Hewitt, Smithsonian Design Museum

0.89

Drawing, Leonardo Scaglia, French, active Italy, 1640 – 1650 — DrawingLeonardo Scaglia, French, active Italy, 1640 – 1650Cooper Hewitt, Smithsonian Design Museum

0.89

Escutcheons, Giuseppe Barberi, Italian, 1746–1809 — EscutcheonsGiuseppe Barberi, Italian, 1746–18091746–1809Cooper Hewitt, Smithsonian Design Museum

0.88

An Escutcheon, Unknown — An EscutcheonUnknownca. 1590Cooper Hewitt, Smithsonian Design Museum

0.88

Drawing for the Rear of the Third Carriage of the Prince of Liechtenstein, Antonio Creccolini, Italian, 1671 – ca. 1725 — Drawing for the Rear of the Third Carriage of the Prince of LiechtensteinAntonio Creccolini, Italian, 1671 – ca. 17251691–1694Cooper Hewitt, Smithsonian Design Museum

0.88

Leaf from an ornament suite of arabesques, Unknown — Leaf from an ornament suite of arabesquesUnknownca. 1730Cooper Hewitt, Smithsonian Design Museum

0.88

Next

Giuseppe Barberi, Italian, 1746–1809 made Escutcheon as an overdoor, and made these too.

Made in the eighteenth century, like Escutcheon as an overdoor.

Study of the Lamentation on the Dead Christ1780
The Sacrifice of Isaac1754
Sacrifice of Isaac1750
The Sacrifice of Isaac1750

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